Today Okazu hit a new benchmark – all the reviews this week have been of English-language translations of Yuri manga. Wow. That’s a first.

Today, we’re looking at a property that fills me with glee every time I read it, Catch These Hands!, Volume 2. In my review of Volume 2 in Japanese I summed it up as “Yes, they are an item, but their relationship is still a work in progress.” That’s a pretty fine summation, if I do say so myself. It’s also where we’re going to start.

In high school Takebe and Soramori were rivals in gang warfare. Takebe was never able to beat Soramori and, as a result, she sees everything as a challenge. Including dating. It’s very easy to blame the apparent dysfunction of their relationship on Takebe, as she’s not very good at communication. But, let’s be honest, Soramori is just as culpable – overthinking things, coming to conclusions on her own and not really explaining the process. Amazingly, while this brings them to the brink of a crisis…they keep on going on.

This has to be seen as a triumph. Even as Takebe insists she’s going along with everything because she lost their fight, surely at some point she could just insist that she’s an adult and isn’t interested?

So in this volume, Soramori struggles to find things that will keep Takebe entertained. She learns more than she bargained for about her ertswhile girlfriend. Takebe learns that there is a path out of gang life into adult life that can include a functional relationship. And slowly, Takebe and Soramori take a few steps to actually communicating.

This super goofy gang-girl dating sim manages to make it through puberty in one volume. Not bad for a gag.

murata’s art is solid as I’ve ever seen. Takebe’s expressions as a child make this volume. The story-telling really rides Takebe’s annoyance levels perfectly. A little more would be too much, a little less would ruin the tension.

At the end of this volume, I’m definitely rooting for Takebe and Soramori to make it work. ^_^

Also solid is the translation by Amanda Haley, which always gives Takebe an extra rough edge that Soramori has smoothed out. Bianca Pistillo’s lettering as as good as Yen Press’s house style allows for. Editing is solid and thank you Yen for giving us the staff credits. Bundling them that way makes some solid sense. Lastly, fantastic job on the cover by Wendy Chan, Haley and Pistillo. It’s always a challenge to letter stuff in the background. In this case, that popsicle stick is indeed a winner. ^_^

Ratings:

Art – 7
Story – 7
Characters – 8
Service – 0
Yuri – 5 As I said, “Yes, they are an item, but their relationship is still a work in progress.”

Volume 3 of Catch These Hands! will be headed our way in autumn. Once again this week I say to you, it will be worth the wait. ^_^

CW: Abuse, bullying, violence.

In 2020, when I reviewed Mizuno to Chayama (水野と茶山), I called it “a modern Romeo and Juliet,” without the usual ending. I also said, “The art was pretty good – it fit the tone of the story, but I didn’t honestly enjoy reading it all that much. I wanted Chayama out of there, but really out of there, far away, safe, taken care of and never going back to that shitty town.”

So when Yen Press announced that they had licensed this manga, I felt ambivalent about it. The art and story aren’t bad, the ending isn’t terrible, but there was just something that did not sit right with me about this whole thing. Once again, looking backwards, I had noted “This series was a little heavy on lowest denominator service and was not at all respectful of the characters’ bodies,” and that the plot revolves around bullying and abuse. Those do bother me a great deal as plot drivers…and maybe this month is not the best time to read a book about girls being treated shittily.

I did my best to put my memories of the book aside and read this as if I had never read it before. It was still not a fun read, I wouldn’t call it entertaining, but it holds up as a modern Romeo and Juliet, with a better ending, for the right reason.

Mizuno and Chayama, by Yuhta Nishio, creator of After Hours, is a one-volume omnibus of the two volume manga that had been released simultaneously in Japan. It tells the story of two girls caught up in a pointless feud between their families. Chayama’s family makes tea and employs mostly everyone in town…and she is despised because of this. Bullied or ignored, her one goal is to get through high school. She is not entirely alone, however. Her only friend and secret lover is Mizuno, the daughter of the town’s mayor.

Separately, it initially seems that Mizuno is the stronger of the two, but in reality, she merely wields more social power. Chayama is clearly stronger, putting up with abuse from adults and peers. When Mizuno realizes that, it allows her to save her princess in a definitive way. In the end, we and they are rewarded for their perseverance.

Re-reading this book, I was able to put my finger on the specifics of what irritated me about this story the first time. I’m sorry to say that it was the reality of it. Every fictional narrative that shows adults treating children poorly enrages me. Fictional narratives that treat girls bodies like peep shows enrage me. I know these are things that the men who draw and publish and read manga think are okay and that enrages me, too. And, as I said, this is not the right season for this to be presented to me as entertainment. There is no right season, now. We are past that event horizon. 

And then, there’s the bully. She is extremely realistic, that is to say, she’s got a lot of problems and is choosing to take it out on someone else who can’t and won’t fight back.  Maybe 30 years later, she’ll have a kid and write an apologetic letter to Chayama asking for forgiveness. It won’t fix what she did…but I don’t think Chayama needs that. Because we see that she and Mizuno are happy. Romeo and Juliet are doing okay this time. Maybe that’s enough?

It is enough, because it is the protagonists who shape their destiny for themselves with each other’s help. The rest of the town may be shitty, but these two are strong enough to support one another.

Ratings:

Art – 6 (Good, but…)
Story – 5
Characters – 7 Well-realized and mostly awful
Service – 8
Yuri – 8

Overall – 6

Everything is well executed,  and while I did not enjoy reading it, I think I was not bothered by it as much this time.

With a story as emotionally charged and full of violence as this one, opinions about this manga are very much going to hinge on whether this feels real…or all too real…to you.

Last autumn I took a look at Tensei Oujo to Tensai Reijou no Mahou Kakumei (転生王女と天才令嬢の魔法革命) manga. I found it to be fine, but much too shouty for my taste. Then I followed that up with the Light Novel, The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Volume 1 in April of this year. That was altogether better as the screaming took up much less space on the page, forewent the utterly pointless service and gave Euphyllia some personality. That said, what it added to the story, it took away from the art.

Now I am revisiting the manga in English. Out from Yen Press as The Magical Revolution of the Reincarnated Princess and the Genius Young Lady, Volume 1, I find I appreciate the art even more and both the service and the shouting even less. 

Princess Anisphia has memories of a life before her current one – memories of scientific wonders. But in this world, where magic is the defining power, Anisphia has none. Nonetheless, her obsession with using magic has lead her to be seen as an eccentric inventor. Euphyllia’s world has come crashing down upon her, when she is unjustly accused of bullying another girl, causing the Prince to end his engagement with her. Bereft of a purpose, now that she cannot be Queen, Euphyllia acquiesces when Anisphia asks for her to become her assistant.  She insists it’s professional, but Anis is pretty open about being into women, and thinking Euphie is cute, so the groundwork is laid out for a decent Yuri story.

Knowing the remainder of the story in the first LN, I am much more motivated to read the next volume of the manga. I honestly *want* to like Anisphia and Euphyllia and for them to be happy together. But boy is there a lot of shouting in this manga. And, Alcard’s break-up was so…vulgar, I can’t imagine that it’s not really addressed at all, except in asides. BUT, the art. Harutsugu Nadaka’s art is up to the task the story gives – this time I have no complaints about the sword Anisphia gives to Euphyllia…in fact, I’m looking forward to seeing her use it.

So, while, the story in the light novel made the LN worth reading, it’s the art here that makes this a perfectly fine read, if people shouting a lot doesn’t bother you and gobsmackingly gross service. ^_^

Ratings:

Art – 7 The art is better than the LN by a lot, the sword was an 8
Story – 6 A rocky start
Characters – 8 Annisphia carries the lot of them in this volume
Service – 7 Absolutely grotesque. What the fuck is wrong with people?
Yuri – 1 Clearly we are going to head there

Overall – It was hard to like initially, with all the screaming, but the end pulled it up to a 6.

Knowing what I know, I’m probably in for the long haul on this series, but the manga has a super creepy service problem. We’ll see if it or the good stuff wins.

Thanks to Yen Press for the review copy and to the entire Yen Press team for their fine work on this volume.