Archive for the English Manga Category


Cardcaptor Sakura Manga Omnibus, Volume 3 (English)

February 17th, 2012

Having integrated Syoran into her set of allies, in Volume 2, Sakura is now faced with another, far more powerful enemy. And this time, she’s one ally down, as Mizuho has gone abroad again. This leaves Sakura, Kero-chan, backed up by Syoran and of, course, Tomoyo, to fight off this new foe in Volume 3 of Card Captor Sakura.

First of all, the foe is much more powerful than the rogue cards ever were – and worse, the cards themselves aren’t powerful enough to defeat whatever it is. In order to defeat the enemy’s attacks, Sakura must recreate the cards for herself, evolving them from their form of Clow Cards to a new existence, entirely created by her.

When we learn the true identity of her new enemy, it’s still kind of weird/surprising and way creepy, no matter how you look at it.

And, lastly, something is terribly wrong with Yukito, who can’t seem to stay awake.

All of these combine for a very eventful, very interesting volume of manga.

Sakura continues to be the somewhat oblivious heroine, Li the somewhat ineffectual love interest and only Tomoyo can see anything. Well, Tomoyo and Toya. Toya is forced to make a life-changing decision in order to save his beloved Yurikto…and Sakura, of course.

For those of us racking up points on the bent-o-meter, Tomoyo basically flat out tells Sakura she likes her (again) knowing Sakura will miss the point, Rica and her teacher fiance’ are trotted out again, Sonomi’s feelings for Nadesico are mentioned, of course Mom’s age is mentioned, Yuki and Toya have some pretty intimate moments and, not at last or least, Ruby Moon points out that gender doesn’t matter and s/he could be male or female, as s/he desires. She just happens to be female this time.

Technically, some of the printing was a little fuzzy – the letters seemed off, but I’m getting used to my copies being not so good. It’s still heavy enough to be the murder weapon.

Ratings:

Art – 9
Characters – 9
Story – 9
Yuri – 2
Service – 4

Overall – 9

This will always be one of my favorite series ever.





ALC Publishing and JManga Announce POOR POOR LIPS Partnership!

January 20th, 2012

Okashi Nako is a young woman living in poverty. When she applies to work at a Gem store, she learns that store owner, Otsuka Ren, is a lesbian. Ren promises that Nako’s not her type, but she may be lying…. Nako takes the job and so begins a comedic tale of rich and poor, sickness and health, for better and for worse!

ALC Publishing and JManga are proud to announce a partnership to bring you Goto Hayako’s Yuri love comedy, POOR POOR LIPS!

From JManga, the world’s first official Japanese manga portal website, directly from the 39 prominent publishers that make up the Digital Comic Association, and from ALC Publishing, a pioneer in Yuri Manga comes a partnership that brings you some of the best in Yuri digital manga straight from Japan! With the honest representation of lesbian life you’ve come to expect from ALC and the convenience of digital manga, Poor Poor Lips is sure to please Yuri fans.

(Cover Image: Poor Poor Lips Volume 1 (c)HAYAKO GOTO/Takeshobo Co., Ltd.)





Wandering Son Manga, Volume 2 (English) Guest Review by Kayden L

January 19th, 2012

Welcome back, I hope you enjoyed yesterday’s blackout. As you may have guessed from my many years of writing about it here, freedom of expression is pretty much the one issue I consider to be the single *most* important issue there is. Obviously, as I discuss copyrighted materials here, and post covers and the like, it’s critical to me that no one decides that my blog or any of its content must be blocked. Framing SOPA and PIPA as saving American jobs is especially nasty, as it is those very same corporations that supported these bills who have systematically undervalued, underpaid and outsourced the creative efforts of the people who make the material they lay claim to. Of course I support creators’ rights and their copyright, but SOPA and PIPA have no stronger provisions for creators.

As with LGBTQ content and purges to supposedly “save the children,” I feel as if we must be extra vigilant with any designs to block Internet access. Thus, the blackout. Thank you for bearing with me.

In any case, today we come back with a bang! A brand new Guest Reviewer, Kayden L, is joining our ranks. When I reviewed Wandering Son, Volume 1, Kayden made some great points in the comments about the spectrum of transgender and genderqueer life, and so I requested Kayden review Volume 2. And here we are. ^_^ Please welcome Kayden and enjoy this guest review!

Ahoy, everyone. My name is Kayden and I identify as a trans/genderqueer individual, and here’s my review of Wandering Son

Time seems to be moving quickly in Volume 2 of Wandering Son. Already, Shuichi is heading into the 6th grade, but as the characters soon learn, age comes with increased social and gender pressures.

When Yamazaki-sensei tells the class to write an essay on what their dreams are, we find that Shuichi experiences “censor’s block” (rather than writer’s block). After struggling with the assignment for several nights, Shuichi submits a paper that says, “I don’t know yet. I’m sorry”. As readers, we know that Shuichi has a dream – “to be a beautiful woman” – but the portrayal of Shu’s self-policing is one of many examples of Shimura-sensei’s excellent storytelling skill. Through Shuichi, readers are able to get a glimpse of the closet in which many LGBTQI people hide. Seemingly irrelevant day-to-day decisions, such as the simple task of writing about one’s hopes and dreams for the future, become difficult for many closeted individuals who feel like they may be ostracized, ridiculed, or harassed for having personal wants, needs, preferences, and/or goals that deviate from social norms.

Luckily, Shuichi is able to find full acceptance with Takatsuki-kun (Yoshino) and Chiba-san (Saori), and it is within this the tiny community of friends that Shuichi develops a positive outlook on identity. That community is slightly expanded when Shuichi and Yoshino, dressed as a girl and a boy respectively, go out on one of their excursions and befriend Yuki (the woman who flirted with Yoshino in Volume 1). Initially, Yuki believes that Shuichi is a girl and that Yoshino is a boy, but she eventually learns the truth and becomes a sort of mentor, along with her boyfriend, Shii, to both kids by offering emotional support; adult approval of who they are; and a safe physical space in her apartment,  where they can be themselves. Perhaps most importantly, Yuki tells the kids to have pride in their own selves: “You must never become discouraged or afraid… you two are just too good for that”. When a classmate harasses and calls Shuichi a faggot during a school trip, it is Yuki’s words that inspire Shuichi to find the strength to stand up against the bully.

Shimura Takako’s Wandering Son is a beautifully drawn and skillfully executed story about being different and how people struggle with being alone. It is an excellent springboard for LGBTQI discussion, and I believe that its universal themes (eg. finding your identity, being bullied, growing apart from friends) can appeal to everyone, rather than just LGBTQI audience.

Naturally, the story does not reflect all trans/queer experiences, but when I read this series, I get nostalgic because I see my younger self in Yoshino and Shuichi; I remember doing, feeling, and thinking the exact same things. I take my hat off to Shimura-sensei for capturing a trans/queer experience that feels genuine and honest.

For any of you who are interesting in reading Volume 2, I tried not to reveal too many things… so if you want to know Yuki’s secret, or find out how a family member reacts when Shuichi’s secret is discovered, you should give Wandering Son a try. Also, there’s an essay, written by manga scholar Matt Thorn, at the end of the book that’s titled “Transgendered in Japan” that may be of interest to some of you.

Ratings:

Art: 8
Story: 8
Character: 9
LGBTQI: 9
Service: 1 for Yuki’s “cradle robbing”… and for what her boyfriend did in the elevator

Overall – 8

Thank you Kayden for another perspective on what I agree is a stellar series!





Yuri Webcomic: Girly, Volume 4 (English)

January 15th, 2012

girlyset-caseThe last volume of Josh Lesnick’s Girly series, Girly Forever, is a testimony to passion. Passion for cartooning, first and foremost, but also the obvious, laudable, passion Otra and Winter have for one another.

Having established Winter and Otra as a couple in previous volumes, Josh felt comfortable splitting them up for a good chunk of this story. But, before we get there, in Volume 3, there’s a number of flashbacks and story building leads that we need to get through, then a few digressions and premature story starts and stops and then, suddenly, in Volume 4, the plot is a gigantic ball of story elements moving downhill and gathering complications like a webcomic version of Katamari Damacy.

When I was reading the chapters that would become the last volume as a webcomic, it was maddening. I would save up a few months of strips at a time, in order to feel like something was happening. Reading it as a volume, I found it worked much better than the previous volumes in terms of narrative. In effect, this was the closest Josh comes to a “graphic novel” rather than a comic strip collection.

The story as a whole has a pretty Yuri-riffic ending, in which Love saves the day – and is suitably rewarded with Sex, which is as it should be. And the things that made no sense still make no sense, which is also as it should be.

Ratings:

Art – 8
Story – 7
Characters – 8
Yuri – 9
Service – 5

Overall – 8

I’m kind of sorry that Girly is over. Reading these volumes (or re-reading the strips, however you look at it,) has made me miss it. Girly was the only webcomic I ever really followed. Nothing else has been consistent enough, cohesive enough and wacky enough to hold my attention for any length of time. I seriously want to thank Josh for Girly, it cheered me up on many a day that I needed a smile (since shooting someone into space was not an option) and congratulate him on this complete collection. I’m proud to have helped contribute to the Kickstarter and hope he’ll do another series some day that I can follow at irregular intervals and still enjoy.





Princess Knight Manga, Volume 1 (English)

January 12th, 2012

In 1954, Tezuka Osamu began the first serialization of a series called Ribon no Kishi, Knight of the Ribbon. In the subsequent four serializations, the story was altered slightly and even had a sequel. But, throughout these iterations, the main story held true – in a country in which the position of ruler was entailed, so that only a boy could become King, a daughter is born. To hide her true nature, she is brought up as a boy, Prince Sapphire.

Sapphire is endowed with two hearts, that of a boy and that of a girl. The boy’s heart makes her athletic, honorable and strong. The girl’s heart makes her emotional and weak. Yes, yes, I know, it’s exhausting. Think of Tezuka like your grand (or great-grandfather if you’re young) who never did figure out what the 60s and 70s were about and didn’t understand why feminists didn’t like having the door opened for them.

Sapphire is, in any case, stuck in a bad situation. Although she’d like to be a “normal” girl, instead she’s forced to be a beautiful prince. She and her family are well aware of the consequences of being found out, so she does her best, manning up as much as she can. This is complicated by the schemes of Duke Duralamin, who is just positive that Sapphire is a girl, and wants his own son to rule the Kingdom in her place.

Now, at last, brought to us in English by Vertical Publishing, we have Princess Knight. These volumes are a translation of the 1977 Complete Works Edition of Ribon no Kishi. (Interestingly, the very same version I happen to own in Japanese.)

I won’t beat around the bush – this story is frustrating as hell. When she has her boy heart, Sapphire is commanding and decisive, but without it, she’s a mess. There’s no way we can forgive that, can we? But let’s look, not at the story itself, but what it spawned. Because, for Yuri fans, Sapphire is most important for her heirs….which is a really bizarre irony, when I say that out loud.

Lady Oscar of Rose of Versailles –  born a girl, raised as a boy, but never for one second less aware of her existence as a woman, with conflicting, simultaneous roles as a leader of the military, a noble, a servant of a spoiled queen and a person who believed deeply in the rights of her fellow humans.

Princess Ereminia of Paros no Ken, who struggles as a female warrior with the heart of a man, forced to marry in order to put her kingdom under the protection of a man, who ultimately chooses to abandon her country to be with the woman she loves.

Tenoh Haruka, Sailor Uranus of Pretty Guardian Sailor Moon, who, we are explicitly told, has the hearts of a man and a woman and, when asked what gender she is replies, “Does it matter?”

Also topically once more,

Tenjou Utena of Revolutionary Girl Utena, who wears the boy’s school uniform and wants to be the Prince Sapphire wishes she weren’t.

All of these – and many other favorite Yuri characters – owe their existence to Sapphire. Although she might not have been able to find the strength in her girl’s heart, one look at this list, and we can be comforted that her successors most certainly found their’s.

Vertical’s translation/reproduction is swell, but I do have to take issue with their extremely ugly covers. I have no idea what the thinking behind the cover design was. The pink, i.e. “Girl” cover  (ARGH!!!!) is a pale, washed out pink. Sapphire herself is all-but-colorless. Compared to, say, this:

it looks pretty blecch. Volume 2 isn’t really all that much better, with an equally bland blue “Boy” cover. (Not the super-saturated blue in the Amazon listing, a sort of pearly, light, greyish-blue.)

Princess Knight, Volume 1 is not as satisfying a read as you might expect, but don’t look at it that way. Sapphire *is* Snow White on a horse, with a sword and, as such, she’s actually pretty darn cool. And for those who came after, we all must bow in her general direction and honor her as the great ancestor she is.

Ratings:

Art – 8 Tezuka is an acquired taste, like fine wine
Story – 8 Not without problems, but overall, kind of fun, what with the pirates and witches and giant birds and other pop culture elements from literature of the ages.
Characters – 7 Both bad and good guys are stereotypes, but they aren’t entirely unlikable
Yuri – 0
Service – 1, on principle only

Overall – 8

Thanks Vertical for bringing this here and letting us all see the origin of our Girl Prince!

Note: Let me just put two afternotes here:

In some Native American traditions, mixed gender people are known as Two Hearts or Two-Spirits. I have no idea if Tezuka knew that or not.

Also, it’s well-known that Tezuka gew up in the town of Takarazuka, home of the Takarazuka Review, which strongly influenced Princess Knight.

This way you don’t have to feel obliged to write in and tell me these things. ^_^