Archive for the Matt Marcus Category


Project A-ko **Perfect Edition** Blu-ray, Guest Review by Matt Marcus

August 17th, 2022

Welcome back to another Okazu Guest Review Wednesday! Today we welcome back Matt Marcus once again. Matt is a cohost of various projects on the Pitch Drop Podcast Network, such as the JRPG games club podcast Lightning Strikes Thrice that is currently covering Final Fantasy VIII.

Back in March 2021, Discotek Media’s official Twitter account posted that they were canceling their planned digital restoration of the first Project A-ko film for their upcoming Blu-ray release. In its place, they announced that the Blu-ray would instead be based on an upscaling of an original 35mm master, all copies of which were once thought to be lost to time. It was both a stroke of good luck for classic anime fans and a cautionary tale about proper filing procedures (said copy of the film had been filed under the wrong name and had been hiding for years). Project A-ko **Perfect Edition** released in December of 2021.

It is hard to feel the need to introduce this film, given its historical significance and how Erica has previously covered it on the site, but here is a brief overview: Project A-ko is a 1986 theatrical film produced by APPP, the creators of the Cream Lemon series of adult OVAs. It is a wacky screwball action comedy that is lavishly animated and stuffed to the gills with parody and references to other media (including but not limited to Fist of the North Star, Super Dimension Fortress Macross, Super Dimension Cavalry Southern Cross, Creamy Mami, Harmadeggon, Captain Harlock, Starship Troopers, Megazone 23, The Flying Phantom Ship, Wheels on Meals, The Long Goodbye, and a couple of famous American comic book characters).

The premise is simple: head–and body–strong teenager A-ko and her childhood friend C-ko start their first year of high school in a posh girls school and run afoul of B-ko, the resident queen bee, who falls head-over-heels for C-ko. Oh and there is a crew of female aliens who are looking for their lost princess. Also B-ko is a mecha engineering genius? Look, the film opens with a “meteor” decimating a major city and then immediately cuts to sixteen years in the future where the city has been rebuilt inside the impact crater. Wild stuff all around.

Watching this film for the first time in 2022, I found a lot to like and a few things to side-eye. The mecha and spaceship design is gorgeous. The music is the perfectly aged flavor of ‘80s cheese. The detail put into the destruction of many, many bits of the environment is something to behold. Nevertheless, this is the Cream Lemon team, so even though the content is not R18 there are still a couple scenes of teen nudity and countless panty shots. A few other gripes: B-ko is a psycho lesbian trope (even though I love her); there is a surprising amount of murder happening being treated as slapstick; and I have no idea who finds C-ko’s wailing anything other than incredibly grating. I try to imagine an ‘80s salaryman watching this film in theaters, chuckling to himself as he thinks, “Oh ho ho, that C-ko is crying again! What mirth this bestows upon me!”

What really interested me the most with this release is the plethora of extra features, the standout being the 30 minute mini-documentary aptly titled The Music of Project A-ko. It is centered around interviews with the writing and composing duo of Richie Zito and Joey Carbone, as well as singers Annie Livingstone and Samantha Newark. (Sadly, Valerie Stevenson, who sang lead on C-ko’s theme song “Follow Your Dreams”, passed away in 2015.) As a music production nerd, it was very fun to hear the history of how the music made it to the film. I would also highlight the small featurette on the scrapped CD-ROM game, which is especially entertaining if you experienced PC gaming in the ‘90s.

It’s clear that Discotek had a lot of love for this film. As a newcomer to it, I appreciate it more than I like it. If you love Project A-ko, you’ve already bought this. For those who have yet to check it out, there is fun to be had if you allow it some grace for its vintage.

Art – 9 This is what you are here for, seeing lots of things crumble, shatter, tear, and explode
Story – 6 The story is just an excuse for gags and action, which it does well enough
Characters – 5 There’s some fun rapport but this is not a character-focused vehicle
Service – 7 Yes, definitely
Yuri – 5 / LGBTQ – 0 To quote one of the extra features, “B-ko’s obsession with C-ko seems to border on the homosexual”

Overall – 8 The currently best way to enjoy a classic

I would like to give a shoutout to my podcast cohost Sibyl (you can find her projects here). She and I covered this film in detail on a bonus episode of Boku No Stop, available only for Pitch Drop Patrons.

Erica here: Thanks for a great review Matt and a couple of guffaws! The key news about this release of Project A-ko was when Diskotek found the original 35mm masters literally in someone’s closet. The animation for this has never looked so good. Not even when it was originally animated. ^_^

 





How Do We Relationship, Volume 6, Guest Review by Matt Marcus

August 3rd, 2022

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, such as the anime watchalong podcast Boku No Stop, which is currently covering the yuri anime Flip Flappers.

Well, here we are: How Do We Relationship, Volume 6. Miwa had her heart crushed, Saeko is trying to move on past their previous relationship, but the two are entangled yet again in a physical relationship but in an even more messy guise.

In the role reversal of the century, Saeko immediately apologizes to Miwa for treating her like a piece of meat–but much to her chagrin, Miwa is happy to be used because it means that she is still wanted. This time, it is Miwa who is using sex to escape how terrible she feels about herself, and the two end up in an ambiguous relationship. Over time though, Saeko helps bring Miwa back out of her depressive slump and back to school life. Eventually, Saeko shuts down their arrangement because for her, the love is gone.

Meanwhile, Saeko continues to slowly show more of her vulnerability to Yuria. In fact, she’s come to the realization that she is way more transparent about her feelings than she realized. When the inevitable happens and the two start dating, Saeko treats her with true kindness and consideration. It’s an incredible turnaround from the end of the previous volume, yet it feels completely earned. It seems bizarre to say, but, perhaps for the first time in the series, there are moments that are truly heartwarming.

Miwa is now forced to move on, and this is where things get a little…odd. With Shiho’s words still lingering in her head, she wonders if it would be easier to just date men instead. Weirdly, Saeko encourages this, which leads to a plot thread involving a handsome manager of a cafe where Miwa works. Now, sexuality is a fluid thing, but to my mind it would be very strange for the story, and for Miwa as a character in particular, if she fully explored this direction, even if only to reject it later. (Remember her turning down Tsurata in Volume 3?) Miwa admits to herself that she has some kind of abstract attraction to the “kind of guy” the manager is, but she isn’t convinced that she is really attracted to him.

This thought experiment doesn’t leave the hypothesis phase when she meets a new first year named Tamaki who bears a striking resemblance to Shiho. I would say this is another strange twist. In a way, it feels like falling back on old habits, especially when Miwa–before detecting any interest from the painfully blunt first year–states to Saeko that she might end up getting a girlfriend again after all. The volume ends hinting that the two may become closer very shortly.

Really, Saeko steals the show here. She shows an amazing amount of growth as a character. That said, I would have liked to see her at least take some responsibility for shutting out Miwa when her past came up. In fact, even after Miwa finally gave her the whole story on her Okinawa trip, Saeko did not fully reciprocate with Miwa by telling her about her middle school. I am hoping that her relationship with Yuria will give her the comfort she needs to address those issues head-on because they still feel unresolved. Nevertheless, this is the best version of her we see so far and it feels fantastic to see it on the page.

Miwa, on the other hand, acts really terribly in the early chapters by pushing on Saeko’s boundaries in a way that is quite uncomfortable to read in a couple of instances. Even after her recovery, she feels a bit unmoored in the second half of the volume. I trust that Tamifull will pull off her arc, but the path towards it is not entirely clear. Oh, and Shiho doesn’t make an appearance in this volume at all, which was disappointing to me.

I mentioned back in my review of Volume 4 that this manga captures the tumultuousness of college. Part of what contributes to that feeling is how the story tends to slip forward in large chunks of time. That becomes the most jarring in this volume, because Miwa’s rapport with Saeko changes seemingly on a dime. One chapter, she’s crying her eyes out realizing that any chance of dating Saeko again is truly gone, and the very next scene opens with her beaming to hear about Saeko’s first date with Yuria. It is nice to see that they are still friends and can openly discuss such things without hurt feelings simmering underneath like in the past, but it just feels too soon for the reader.

All in all, this volume felt a little more uneven than past volumes but improved greatly on later rereads. Its biggest flaw is lacking some narrative connective tissue that would have made certain plot turns feel more natural. Perhaps Tamifull felt that we had wallowed enough in the Bad Feels Zone and that it was time to kickstart the next phase. At any rate, with a new school term starting, there are still plenty of credits to earn.

Art – 8 Continues to carry the story well
Story – 7 More of a mixed bag than previous volumes, but with really high highs
Characters – 8 Finally, some serious growth for Saeko and some forward momentum for Miwa
Service – 2 The sex is the least “appealing” that it’s been so far
Yuri – 8 / LGBTQ – 7 docking it one yuri point for Mr. Cafe Man

Overall – 8

Tamifull loves a good callback, and this time he “swung” for the fences. See if you can spot it.

Erica here: Thank you so much Matt! I’ve got Volume 8 on my plate in Japanese and I have to say, I’m actually really interested in where this is going. ^_^





Yuri Espoir Volume 2, Guest Review by Matt Marcus

July 13th, 2022

We’re back o schedule today with a Guest Review Wednesday! Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, such as the anime watchalong podcast Boku No Stop, which is currently covering the Yuri anime Flip Flappers. Welcome Matt back and give him our attention and kind words at the end of today’s review.  Take it away, Matt!

Back in the pre-pandemic, I would commute to work by bus. After a day of slaving over the computer, I would schlep my exhausted self into a seat near the back and space out while listening to a podcast. As the bus meandered through the suburbs of Maryland, I would often find my eye wandering to the other passengers. Among them, there were two regulars who stood out: the first, a white woman with a boyish haircut dyed Jolly Rancher red; the other, an Asian woman with an undercut, the top of which was colored a deep cyan. They didn’t know each other–in fact in the three years of that commute I don’t think they even sat near each other once–but on those dreary rides home, a part of me would wonder. What if…?

Had Kokoro Komadori been seated on that bus, she would have been furiously sketching a meet-cute, with hearts in her eyes and lilies blooming out of her hair. In Yuri Espoir Volume 1, Kokoro, a third year high schooler and daughter of a powerful CEO, learns that her father has picked her a “suitable” fiancé whom she will marry after graduation. However, Kokoro is only interested in girls–and “yuri” relationships in general. Knowing that she can’t refuse her father, she resolves to spend the “last year of [her] life” indulging in every yuri fantasy she can imagine and capturing them in a sketchbook with her best friend and comrade in arts, Amami, who is secretly in love with her. The volume ended on a cliffhanger as Kokoro receives a confession from a first year girl named Mitsuru.

And thus we come to Yuri Espoir, Volume 2. As with the first volume, each “chapter” comes in two parts–the daydreamer’s version chock full of familiar tropes followed by the real story that is more complex. I continue to appreciate that the true stories occasionally have some bite to them with a touch of bitter aftertaste, like 70% dark chocolate. Thankfully they are not all like that, else the reader would be left with a very dour outlook for real life yuri relationships. So far, we have yet to revisit any of the couples from volume 1, though this volume includes two bonus chapters that tell the backstory of side characters that made appearances in Chapters 2 and 3.

This volume focuses on Kokoro’s outlook on her situation and the perceived limits of her agency. Yes, she wants a love story of her own but not if it has an expiration date…or perhaps, it would have to be with a particular someone. One thing I like here is that Kokoro’s sense of filial piety has nuance to it: sure, she doesn’t want the marriage and will never forgive her father for arranging it, but also she knows and appreciates that he had not previously pressured her with any extraordinary expectations like is common for other children of powerful families. She is given a push by Mitsuru and later Amami to speak to her father and voice her feelings on the matter. Whether she will follow through with it is another matter entirely.

Amami gets to step up a bit in this volume. She may be a neophyte to yuri, but she is willing to indulge Kokoro in her lily-scented flights of fancy. The second daydream scene was a particular highlight that I won’t spoil, but it was very fun to see Amami get in the spirit of the exercise. Unfortunately, it seems that her behind-the-scenes machinations with her art teacher to thwart the engagement are not working out to her advantage.

To be honest, I didn’t care much for newcomer Mitsuru. Usually, when the object of your affection rejects you and slaps you in the face, that should not deepen your feelings for them. Maybe she proves herself a worthy character down the road, but here she comes off as a nuisance. I do like that Sou, the fiancé, is starting to get a bit of page time. The story seems to be trying to humanize him somewhat, but his eyes have never been drawn on his face which clearly feels pointed. I’m certain we will learn more about him in the next volume.

The art makes wild tonal swings, often to great effect. Whenever the topic of the engagement comes in, things suddenly take a horror manga turn with heavy lines and deep cross-hatching. The backgrounds are generally not very detailed, with most of the effort put into the characters. Overall, there is something about the art that feels “vintage” in a way that I cannot quite put my finger on. It’s got charm.

I haven’t mentioned it yet, but this series is surprisingly funny. Every chapter or so there’s a gag that hits me at just the right angle. The premise in general is a vehicle for coy winks to longtime yuri fans, so Okazu readers such as yourself will likely get a lot out of this series.

I am curious to see for how long this story ends up running. Could be four volumes, could be ten. So far, the series has felt quite fresh, but I wonder if this dual chapter trick will continue to sustain it.

It has been over two years since I’ve had to take that bus ride. Maybe the next time I do, a little Kokoro will be perched on my shoulder, weaving new stories in my ear as she sketches away. 

Art – 7 Simple but charming

Story – 8 Mostly vignette-driven with a heavy dose of winking metafiction
Characters – 7 With one exception, the characters all have a fun rapport
Service – 2 A couple of suggestive fantasy panels, but nothing too scandalous
Yuri – 9 / LGBTQ – 1 It’s yuri all the way down

Overall – 8 The formula still works, the question is for how long

PSA: please don’t actually ship real life people. Also, don’t smoke.

Erica here: Thanks Matt! Are strangers you see on a bus really “real people”? Especially if you only see them once and never again? Of course they are real…with lives of their own…and thinking about those is what makes sonder a great exercise in creativity. I’ll admit that at least one fiction story I have written was inspired by compete strangers on a train. I also agree on not smoking. Smoking is really quite disgusting.

Yuri Espoir, V2 is on my to-read pile and I’m glad to hear it’s taking this unique way to look at Yuri tropes and building a real story with it!





Monologue Woven For You Volume 2, Guest Review by Matt Marcus

June 22nd, 2022

Welcome to Guest Review Wednesday here on Okazu – we’re thrilled to have Matt Marcus back with terrific critique. Please give Matt your attention and offer him some kind words in the comments!

The role of Reviewer will be played tonight by Matt Marcus. He is a cohost of various projects on the Pitch Drop Podcast Network, such as the anime watchalong podcast Boku No Stop, which is currently covering the yuri anime Flip Flappers.

Ah, the theater: a sanctuary where we can escape our everyday life in order to live many others, filled with mirthful joys or aching tragedies. In Monologue Woven For You, Volume 1, two star-crossed lovers, Haruka and Nao, connected over their love for the stage. But, while they have had a very smooth Act 1 of their courtship, each carries a secret that they fear would break them apart should they let it out.

Monologue Woven For You, Volume 2 pushes towards rising action, albeit in fits and starts. The story only has a single source of conflict with both Haruka and Nao going through similar arcs in separate chapters: they brood about whether they should admit their secret, the other partner notices their down mood, and instead of talking about it they just brush it under the rug and snuggle for a bit. Sure, there are lower-stakes obstacles, such as Haruka’s insecurity about taking the initiative in physical affection, or Nao’s worry about Haruka’s unawareness of others’ attraction to her. But all of that is fluffy filler akin to cotton candy: sweet, but unsubstantial (however please still visit our concession stands during the intermission).

What is ultimately frustrating is that even at the end of this volume, we still have no further insight into the incident that drove Haruka to quit acting. When Haruka reaffirms her love of the theater in Volume 1 and changes her dream to supporting Nao’s acting career, it seems we are meant to feel the same relief that Haruka does. However, without knowing any more detail on what caused her to quit, we cannot say whether this turn is a wizened healing of an old emotional wound or simply casting aside a denial of self that was given undue import by the intensity of teenage emotions. When Haruka turns down an opportunity to return to acting, I believe we are supposed to trust her judgment, but I don’t feel it. When it comes to rising out of the ashes of a dashed dream, Aquatope on White Sand this is not.

The weakest part of this volume is the introduction of a new character, Rei–a sullen 2nd-year high school student who, in an incredulous twist, is intimately familiar with Haruka’s acting past despite the four year age gap between them (this city must really love their high school theater). She’s also the love interest of Nao’s friend Yuki, which is troubling to say the least.

Now, the first thing that made this series stand out is that it is in full color. It’s refreshing to see, however I would rather that more attention had been paid to the page layouts. There is a visual density to each page in both panel and word balloon count, yet often there is a poor sense of motion from one panel to the next. On the fashion side, the outfit designs are very plain, such as a hoodie and jeans or a dress over a t-shirt. Practical? Yep. Realistic for college students? Sure. Boring to look at? Absolutely. One of the benefits of a college setting over high school is having more opportunities to use fashion as a means of characterization or storytelling, and the designs here pale in comparison to other works in similar settings (see: How Do We Relationship). The real rub with the art is that if this manga were in black and white, there would be very little to visually latch on to.

So, should you line up to buy tickets to this show? As long as you don’t expect Shakespeare, there is some entertainment to be had. Maybe don’t spring for the box seats.

Ratings:

Art – 7 The full color is nice, but the panel compositions and sense of motion leave a bit to be desired
Story – 6 Domestic fluff aside, the only point of conflict in the story is starting to wear thin
Characters – 5 Cute, but one-note
Service – 2 Sex happens off panel, though there is a little canoodling
Yuri – 9 / LGBTQ – 1 The girls are clearly dating but that’s about it

Overall – 7 At best would be cast as an understudy

Erica here: Well said. Thanks so much for offering us your perspective of this series.

 
 




How Do We Relationship, Volume 5, Guest Review by Matt Marcus

March 2nd, 2022

It’s another Guest Review Wednesday and we have another great review! Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, such as the JRPG games club podcast Lightning Strikes Thrice. Please welcome Matt back to Okazu!

How Do We Relationship is a story about two college students Miwa and Saeko who learn together how used to date. In How Do We Relationship, Volume 4, the couple broke up over a myriad of problems around communication and personal hang-ups, but despite lingering feelings they try to go back to being friends.

Just by looking at the cover of How Do We Relationship, Volume 5, you know you’re in for some shit. Gone are the big smiles, playful antics, and instruments of the past; they have been replaced by a disheveled Miwa, her hair grown out haphazardly, looking forlornly into the middle distance.

This volume has a theme: self-centeredness, selfishness, and greed. Almost every principle character displays these traits in varying degrees of severity and the effects of their actions ripple out until they become ship-wrecking waves.

Saeko, in what feels like a passive-aggressive move, casually pushes Miwa to reach out to her high school crush, Shiho, and confess her feelings. When the two former classmates reconnect, they make plans for Miwa to spend two months visiting Shiho in Okinawa. 

There is a lot I can say about Shiho because she is fascinating. When she first appears in How Do We Relationship, Volume 3, you wouldn’t be blamed for expecting her to merely be the love rival that forces Miwa to make a firm, definitive decision on to whom she will give her heart. As it turns out, she is a much more complex character. Yes, she managed to escape from the traumatic environment that was her family home, however she continues to bear scars from her upbringing. Tamifull does a wonderful job portraying her inner struggle and how it leaks out into the rest of her life: she lives in a barren apartment and wonders why it freaks out her friends; her previous romantic relationship ended due to her lack of interest; she doesn’t feel a need to fall in love, yet she is still working out her feelings towards Miwa while sending very mixed signals. What is crushingly sad is that she not only doesn’t know what she wants for herself, she doesn’t even know how to want. You will think that her ultimate decision about Miwa is cowardly–and it is–but she needs more time to heal and grow. I am hoping we get to see it. Regardless, the trip sends Miwa into a tailspin.

This puts her on a collision course with Saeko when school resumes. I mentioned in my previous review that Saeko’s behavior could be a barrier for some readers, and I think this volume offers the ultimate test of that. There is a moment towards the end of the volume that truly stunned me. I won’t spoil it, but it will send shivers down your spine. It may even disgust you. It’s a high risk move and we do not see it payoff before the volume ends, but I simply have to credit Tamifull for constructing a scene that packs such a wallop.

I haven’t mentioned her yet, but Saeko’s coworker Yuria takes on a larger supporting role and she’s still a delight. Not a lot of depth to her, but she’s a breath of fresh air given everything else that’s going on.

Out of the previous volumes so far, this one is the most consistent in tone. The focus has tightened and it benefits the storytelling because it gives more space to explore the internality of the characters. I will say though that I am still confused about what Tamifull is trying to say with Rika, beyond the fact that she is self-aware about her selfishness.

One major demerit I would give the story is how Miwa expresses a desire for self-harm through neglect that is not taken very seriously by Saeko–it’s melodramatic at best and disrespectful to the severity of the topic at worst. If the story’s direction continued down such a path I could see myself dropping the series, but I have it on good authority that this is the “lowest” point and that things get better from here. It really is about time that Miwa starts showing some serious development because the poor girl deserves it.

On the positive side, I want to give a shout-out to the localization team because I am continuously impressed with the fresh and naturalistic phrasing choices that provide a distinct voice to the characters while sounding realistically like college students.

If you have ventured this far into the series, be prepared for the choppiest waters yet. Despite finding myself emotionally wrung out by the twists and turns on my first read-through, I have found engaging with the characters in repeated readings endlessly rewarding. I’ll be waiting (im)patiently for the next volume which comes out in English this July.

Ratings:

Art – 8 Some great paneling and nonverbal expression.
Story – 7 Heavy, less funny, but still engaging. Docking it one point for overplaying its hand with Miwa’s meltdown.
Characters – 9 I love what they did with Shiho and Saeko continues to be compelling.
Service – 1 Sex is still present but it is not played for service.
Yuri – 9 / LGBTQ – 7 One door opens while another seemingly closes, so on balance it’s a wash.

Overall – 8 This continues to be a unique and engrossing yuri series.

Erica here: Thank you Matt for covering this volume so thoroughly. I can guarantee that everything will be different (for the better) now. and I’m so glad I can talk about this series again!