Archive for the Guest Review Category


Puella Magi Madoka The Movie Anime – Parts 1 & 2 (English) Guest Review by Greg C.

February 12th, 2014

Modoka-Magica-DVD-V1Wahoo, it’s Guest Review Wednesday and today by a long-time commenter and friend of Okazu, but first-time Guest Reviewer, Greg  C.! Greg has graciously offered to review The first two Puella Magi Madoka Magica movies for us.  I would like you all to welcome Greg with your usual warm welcome. Take it away, Greg!

Puella Magi Madoka Magica The Movie – Part 1: Beginnings (also available on DVD or BD) / Part 2: Eternal (also available on DVD orBD) are the two disks in the Blu-Ray Collector’s Edition that I purchased.  Various vendors will give you different bonus materials with purchase, so shop around.  (Not bonus materials on the disks, but merchandise goodies with the movie.) Important safety tip:  the sub-titles default to “None” and the sound defaults to “Dolby Stereo” and you probably don’t want either of those choices.

“They’re dangerous at both ends and crafty in the middle.” – Sherlock Holmes.

Let’s start with picture quality.  I’m watching the Blu-Ray release on a big screen plasma TV. It gets the most amazing picture quality. If you’ve seen the series, then you know where I’m going with this. Supposedly they redid some of the animation for the movie releases. The backgrounds, especially the witch’s labyrinths, look amazing. The main character designs are STILL pencil quality moe-blobs.  *sigh*

Madoka-Magica-Vol2-Cover-DVDMadoka Magica is a Shaft production and it shows. It shows so very, very hard. The “Shaft neck-tilt” is ubiquitous throughout. It would make a great drinking game to take a shot every time a character looks over their shoulder. A great drinking game if you want to get totally blotto. The changing art style trick they love to do works because of the complexity of the story. It’s done at very appropriate times. My main gripe is that this show about magical girls is definitely a male gaze production. The over use of the “zettai ryouiki to face” pan when characters are speaking is incredibly annoying. (Not as egregious as in Rebellion, but that’s a story for another day.) Be sure to watch for the trademark “Easter eggs” as well, such as “SHAFT” written on the side of a crashing train. The movies are littered with them. At least that’s fun.

“Hush, now — spoilers!” – River Song.

Now, let me warn you THERE BE SPOILERS HERE. If you haven’t seen Madoka in any form: RUN AWAY! AVERT YOUR EYES! Abandon hope, all ye who enter here.

 

Okay, everyone still here doesn’t care about spoilers, right? Good. Here we go. My main nitpick with the movie release editing is right at the beginning: I gasped, “Wait… what happened to Madoka-chan’s opening dream sequence?” Gone. So immediately I’m upset because I know that all the foreshadowing that made re-watching the Madoka Magica TV series so awesome the second time is gone. Why is Madoka so upset in class when she sees Homura for the first time? WE DO NOT KNOW. It will have to be explained to us later, indirectly. The first episode is titled “I Met Her in a Dream… or Something” but that’s all out the window in the movie. Seriously, my favorite scene in the TV version is when Sayaka spoils the whole series in the first episode. However, after that, I’m okay with the choices they made to reduce 12 episodes into two movies. It’s mostly the school scenes that got cut. There is an overwrought Ryouko additional scene, but that is forgivable.

Plot-wise, I like to describe Puella Magi Madoka Magica as my favorite episode of Doctor Who. Homura is, of course, The Doctor. And Madoka… well… Madoka is River Song. Starting with “Silence in the Library” River and the Doctor were going different directions relative to each other. Homura and Madoka at the beginning of the movie are in different timelines. Of course, you don’t learn Homura’s secret until much later. How they ended up this way is unraveled beautifully over the two movies. And in the end Madoka has the will to do what The Doctor, and even Buffy, never did – give herself fully to the cause. And I do mean fully. Madoka went where only Lain has gone before. Gen Urobuchi, you magnificent writer!

Even with all the nit-picky things I mentioned, I still enjoyed these movies immensely. As many times as I’ve watched them, there are still tears. I’ve read the main manga, and some of the alternate story manga. I saw Rebellion twice. I haven’t bought any of the figures yet, but I’m sure I’ll crack when the Yukata Homura figure comes out. (So far I only have figures of my waifu, Saber.)

Be sure and watch until the very end after the credits. Nick Fury asks Homura to join the Avengers Initiative. I’m kidding, of course. But there is a tiny bit that is important to the next movie, Rebellion.

“That is enigmatic. That is textbook enigmatic.” – The Doctor.

Ratings:

Art – 3/9 The “moe-blob” characters are terrible but everything else is rendered beautifully.

Story – 10 It felt very well-crafted and it pushed all my buttons. I loved it.

Characters – 6 In the movies we get less depth because a lot of what is cut out are the little bits of character development that round out their personalities.

Yuri – 4 Homura loves Madoka but not that way. “Obsession” might be a better description than “love”. There is only the faintest whiff of Sayaka x Ryouko. Actually “4” is probably overstating it, but that can represent each couple getting a “2”.

Soundtrack – 10. Yuki Kajiura does her usual wonderful work. The Kalafina end themes, especially “Magia” are perfect. The ClariS opening “Luminous” is a typical bouncy anime title song.

Fanboy/otaku appeal – 1000. Seriously. At times enough to make me angry.

Erica here: Enigmatic indeed. Now I don’t know if I want to see these or not! Thanks Greg for compounding the question. And thanks for a great review!





Yuri Anime: Sakura Trick (English) Guest review by Jocilyn W.

January 12th, 2014

sakura trickAsk and you shall receive. Yesterday I admitted that I would not be reviewing the Sakura Trick anime, as I declined the role of excessively creepy thigh-starer the audience was cast in.  Luckily for all of us, there are many people who watched Sakura Trick who are not me! Today we welcome back Jocilyn W., to Okazu. I cannot thank you enough Jocilyn – take it away!

Following in the proud Yuricon tradition of “Story A, bordering on PWP,” the Sakura Trick anime delights in being cute, colorful and… feisty?

Originally published in the MangaTime Kirara Miracle! (Houbunsha) as 4-koma, Tachi’s Sakura Trick manga, having already achieved decent marks on Okazu a month or so ago, has been faithfully reproduced in a vibrant pastel 1080p animation by S.tudio DEEN for the Winter 2014 anime season. Thanks to a last minute addition by Crunchyroll, the anime has already legitimately been shown in the West, though it’s so far met with a mediocre regard on various anime blogs.

Our protagonist, Takayama Haruka is a lively and fun soda bottle of raging teenage hormones. Opening as it does on a tumultuous first day of high school, the oft-pined for object of Haruka’s craving (desire may not be strong enough of a word) is revealed to be none other than her bestfriend Sonoda Yu’s affections.  Yu, though seemingly somewhat more level-headed than Haruka (note the froggy shaped iPhone case and pantaloons), is presented to the audience as being either reticent and/or thickheaded in her affections toward her bestfriend, as well as possibly a little embarrassed at the prospect.  Eponymously, the would-be couple discovers a forgotten classroom strewn with cherry-blossom petals: perfectly setting the stage to allow Haruka’s affections to give flight and Yu’s akogare to tumble into a basket of giggles.

Given that “pairing off” seems to be one of the anime’s chief themes, and that the first episode lands squarely on the first day of high school, two other pairs of female friends are introduced.  Chief among them are Ikeno Kaede (of the “Shall we link arms?”) and Iizuka Yuzu (of the denyingly gay), as well as their classmate from middle school Noda Kotone (of the “Yoroshiku Harorin~”, no doubt her future pet name for Haruka) and a new girl bearing a name that conjures in everyone’s mind the image of a green young woman from a well-to-do family, Minami Shizuku (of the “I can’t live up to that image…”).

Ratings:

Art – 3 (*puts on sunglasses*)
Character – 7 (Definitely stronger than archetypes but they’ve really yet to emerge)
Story – 4 (Never before seen: a 4-koma based on the interpersonal lives of cute schoolgirls?!)
Yuri – 9 (Apart from Strawberry Panic!, I feel like this is a hard one to top in anime)
Service – 9 (Despite my best efforts, I can’t seem to unclench my jaw)

Overall – 7 (Giving it the benefit of the doubt and rounding up)

Erica here again: Thank you Jocilyn. So much.





Non Non Byori Anime (Guest Review by Bradley M.)

January 8th, 2014

nnbacrWhoo-hoo! Our first Guest Review of 2014. Even more exciting, it’s a brand-new Guest Reviewer. How cool is that? Today we welcome Bradley M. of Those Damn Cartoons! with a review of sleeper series Non Non Byori, the anime based on a manga I have never reviewed here. Please welcome Bradley to Okazu and shower him with praise and thanks!

Natsumi, Komari and Renge live so far out in the Japanese countryside that they’re not even sure they live in the countryside, since they’ve never had anything else to compare it to. But it’s a comfortable life. Their small town, which probably isn’t even a town but a small collection of farms that just happen to be within a few kilometers of each other, has a bus stop, a candy store, an unoccupied vegetable stand and a rundown school, where they make up three-fourths of the entire student body. But now they’re getting a fifth student and a new friend, Hotaru, who transferred in from the far-off land of Tokyo. She assures them that yes, they do live in the countryside, and also, Renge, it is weird for a family to own an entire mountain.

Non Non Biyori is an iyashikei anime like Aria and Yokohama Kaidashi Kikou, set in the modern Japanese countryside. It’s an idealistic cartoon that’s a bit like a picture of puppies- completely relaxed, intensely cute and utterly charming. This thirteen episode series is the ideal anime for a Sunday afternoon, watched while wrapped in a blanket and sipping coffee. These kind of anime tend to get labeled as “slice of life” and dismissed as moe fodder, but there’s a distinct tone that separates series like this one from, say, K-ON!, that’s important to note. That tone is gentleness, and a sense that anything wrong or threatening is miles away. It’s the idealism of Tolkien’s Rivendell transplanted to Japan, and while there may be cutesy comedy or some stressful problems, comfort is the overriding feeling through it all. That’s different from other series like Azumanga Daioh or K-ON! which, not to take away anything from them, are basically sitcoms.

Non Non Biyori opens with the strained, heartfelt sounds of a recorder playing a simple tune over lingering shots of its idealized countryside, firmly placing it in the iyashikei category. Its children are practically ideal as well, especially the very smart, if a bit loopy, second grader Renge, whose intensely cute voice (voiced by Kotori Kowai) is a little rough and always excited. If you aren’t grinning after hearing her greet Natsumi with a cheerful “Meowning!,” you could very well be dead inside.

Relationships and observational jokes about life in the countryside, children, and first (Yuri!) crushes are the dominant source of humor and heartbreak in Non Non Biyori, not only between the children but also their parents, teachers, and the other adults in their life. There’s a great sense of community here, where everyone knows everyone else and that provides a sense of security to the children and the viewer, even when the children struggle with losing friends to the end of summer break or have a hard time with their parents. It’s a community that would be the envy of Mennonites. This is a sensitive anime that’s completely in tune with its characters and setting.

Since this is Okazu, I should mention the Yuri, which comes from a subplot where Hotaru crushes on her sempai Komari, who is largely oblivious to her feelings. While it’s played largely as a childhood crush, the humor from this borders on creepy obsessiveness, since Hotaru does things like make little handmade Komari dolls, but it’s generally played tastefully and in good fun. It’s also just a cute pairing. Komari may be older but she’s much shorter and physically and mentally less mature than Hotaru, making for a nice contrast that lets the two of them play off of each other very well. Since this anime is almost entirely devoid of men, you can also detect hints of more Yuri goodness from other characters, though nothing else is as explicit.

Overall, Non Non Biyori is a very good cartoon with a narrow audience that does what it does competently. It does cute, funny and heartbreaking equally well on what is obviously a very small budget, with very little in the way of animation. Heck, they shamelessly try to save money by holding onto a still of a character’s face for nearly a minute, absent even some mouth flapping, and it says a lot about the writing that the scene still works, and made for one of the saddest moments in the series. We seemed to get at least one relaxed Yuri-esque comedy like this every season, and for my money, this one was my favorite.

Non Non Biyori is currently streaming (free, legally, with regional restrictions) on Crunchyroll.

Art – 5 (Unremarkable animation)
Character – 8 (Well realized characterization, both children and adults, is core to the series’ appeal)
Story – 8 (Equally adept at low key comedy and more intimate drama)
Yuri – 4 (Not primarily a yuri series, but it’s a welcome element)
Service – 2 (Beyond a beach episode, this series doesn’t have much fanservice, and I prefer it that way. It fits the tone.)
Overall – 7
Erica here: Many, many thanks to you, Bradley for this relaxing, pleasant review of what definitely appears to be a relaxing, pleasant anime!




Freezing Vibration Anime (English) Guest Review by Grisznak

November 13th, 2013

778369299_origIt must be Wednesday, because we have a Guest Review! Even better, we have a brand new Guest Reviewer. I love when that happens. ^_^ Today we welcome Grisznak, who has kindly offered to review something I had never heard of, much less watched. So let’s settle in with some popcorn as Grisznak takes the stage. /applause/

Anyone here remember Freezing? Yes, this series from 2011 with lot of bloo… I mean boob… well, technically, with a lot of boobs and blood as well. Another generic danger to the humankind (this time an unknown monster called “Nova”) and some scanty clad girls with super powers – we’ve seen this lot of times, haven’t we? Usually, in such series we can find some Yuri hints. But was that a good reason to watch? Not this time, trust me. Freezing wasn’t bad a anime – it was a very bad anime. So, why even mention it here? Because it is getting a second season. And, surprisingly, Freezing Vibration (sic!) isn’t THAT bad. After all that what I can say after watching some episodes. Full opinion can be made when this series will be finished. But let’s take a look…

This time our bunch of superpowered girls (called “Pandoras”) arrive in the USA, where group of scientists work on a program that allows turn every girl into Pandora. This project is called “e-Pandora” and you can probably guess that there’s something fishy about it. But before we find what’s going on, some dresses will be torn, some boobs revealed and some blood will be spilled.

There are some major differences between the two seasons. Freezing focused on Satlizer el Brigett, blonde meganekko whose nickname was “Untouchable Queen”. With such a nickname it’s rather easy to predict that character will be touched lot of times.

And most of the series was about that – Pandoras were fighting against each other, girls were doing something that could be called “Strip Fighting” and everyone was waiting until Nova appears.

The second season shows Pandoras on duty – there’s little place for girly fights and arguments,  there is serious business going on.  We have two groups – Pandoras and E-Pandoras. They are different, but they’re meant to cooperate. Of course, it won’t be easy, because E-Pandoras not only have to compete with original Pandoras, but they need to survive deadly experiments their makers are performing on them.

Lot of fights, lot of drama, but what about Yuri? Those who were watching first season already know that each Pandora has her male sidekick called a “Limiter.” To cooperate at full power, they need to perform a “Baptism.” (It amazes me how the Japanese creators use Christian terminology for what is simply sex). Our Untouchable Queen had problems with that and still has, but her Limiter was really the protagonist of the first season. Now he’s in the shadows; he rarely appears and hasn’t much to do. The second season is about girls. And this is good, especially if you’re Yuri fan.

Almost since beginning of the story we can see tension between leaders of both groups – Elizabeth Mably and Amelia Evans. And, this is not the usual love-hate, but rather a much more complicated relationship between two strong women who holds responsibility for their people. Yes, Yuri fans could be happy, seeing Amelia in Elizabeth arms at the end of the fourth episode. Of course, we have lot of groping, boob touching and other fanservice moments in this anime as well. Boys are still there, but they’re merely tools, without much use in the plot.

I’m always curious if they make clothes from some kind of very frail materials in anime. Remember Ikkitousen or any other series like that? Right, those anime where you can perform a punch and the girl’s blouse is ripping apart, often with bra as well. Freezing has same problem –  in almost every battle, participants have to lose some of their clothes. Years ago I found this amusing, today I found it boing… I mean boring. Still, original Freezing had an annoying tendency to mix fanservice with gore. Freezing Vibration has lost some of gore. And it’s good.

With a plot (finally), less gore and some nicely done relationships between characters, this series looks watchable. Still, I’m not calling this anime good – it’s a deep valley between Freezing Vibration and lot of good series. But, if you like to see something action and fanservice-oriented and already watched Ikkitousen, check this out. Of course, you have to break through first season (or just read summary in the web), but some sacrifices always should be made.

Art – 7
Story – 5
Characters – 6
Yuri – 4
Service – 8
Overall –  6

Erica here: Funimation is streaming both Freezing and Freezing Vibration online for free (with regional restrictions) so you too can “enjoy” what sounds like it might be some kind of fun.  Thank you Grisznak for the highly amusing review. I’m almost tempted to watch it now…but I expect that will pass. ^_^





Yuri Manga: R+ Princess (ロケットプリンセス) Guest Review by Boooo~ce P

October 31st, 2013

rprinYou know what zombie Bruce eats for breakfast? Traaaaaiiiinnns.
We think that’s a hysterical joke, so feel free to laugh like you understand it. Now, while you’re doing what I say, enjoy this special Halloween Guest Review by Booooo~ce.

There are no zombies.

I actually used to believe that. It was a matter of logic and rational thinking. But on a recent rainy morning in Tokyo I was forced to confront the darker truth. Because there, in a Lawson convenience store in Ikebukuro, next to the puffed potato cubes, rising up from the grave, was a brand new bargain-priced 2013 imprint of the manga R+ Princess (ロケットプリンセス) by Anzai Nobuyuki. Originally serialized in 1994, R+ Princess was one of the first Yuri manga I ever read. When I buried it in the backyard so many years ago I figured it was gone for good. Its creepy reappearance has no rational explanation. If you see it, run. If you read it, it will eat your brain.

Anzai Nobuyuki is not an obscure one-shot wonder. He achieved considerable success in the 90’s as the author of the 33-volume manga Flame of Recca, and later with 15 volumes of MÄR. R+ Princess came earlier, before the art lessons. If there ever were any art lessons. But he had an important story to tell–complete with a Rocket Princess and a Caterpillar Queen and so much more–and learning to draw takes, you know, effort.

Kohime, part ditzy high school girl, part ditzy cyborg, suddenly shows up in town. She appears sketchy and oddly proportioned, but in this neighborhood no one notices. She’s equipped with a rocket backpack and has a right cross that can flatten Kango, the toughest lug in the school, whose dysfunctional family Kohime ends up moving in with. This pair is the love interest. They hit each other a lot. And at school they have to deal with Komura-san, the student council vice president and head of the Committee for Discipline. She has an armband, a whip, and a slavish hench-geek, everything needed to make her girlish heart flutter. Komura-san is delighted to hate Kohime on sight. Psychotic fascists require a rival they can lose to and she knows it.

The Yuri arrives in the form of Mikado, who rollerblades onto the scene with her spiky hair and old-school sukeban outfit, beating up punks who get in her way and planting a big kiss on Kohime. And why wouldn’t she? Kohime has lovely big eyes, sometimes drawn the same size, is able to demolish any guy in the school, and has a cool rocket backpack. Mikado repeatedly bursts blood vessels at the thought of their future life together. Her relentless (and unrewarded) pursuit of the rocket girl touches the heart of the school’s creepy principal, Kango’s grandfather, who likes nothing better than to see his students beat the crap out of each other. He sets up a school-sponsored super no-holds-barred battle, rocket propelled Kohime vs. rollerbladed Mikado. If Mikado wins, she gets to take Kohime home. Mikado, let’s just say, is incentivized. If Kohime wins, she only gets to go home; not much of a prize, but at least she can hit Kango again. Komura-san, who is unable to stay out of anything involving interpersonal violence, has her hench-geek provide Mikado with monstrous diesel-powered caterpillar track rollerblade boots, the better to stomp rocket girl. They do look pretty diabolical, as footwear goes.

But really, Mikado doesn’t qualify as an Evil Psychotic Lesbian. Though proudly lesbian, and happily psychotic, she’s not evil, just highly enthusiastic. Komura-san on the other hand is both evil and psychotic, if not lesbian, so together they make a complete package. When Kohime finally triumphs in the Rocket Princess vs. Caterpillar Queen battle, Mikado and Komura-san are just as happy to get back to plotting future outrages, so everyone wins. It’s… heartwarming.

The story and the characters in R+ Princess could potentially be a lot of low-expectation fun, if handled well. They are not handled well. The art really is nasty–don’t be fooled by the cute cover, apparently subcontracted. Much of the art struggles hard to attain an Ed Roth Rat Fink style, guaranteed to appeal to low/sub-teen boys. This is in fact the audience, which explains the abundance of embarrassing firecracker-in-the-butt type humor. It possibly also explains the manga’s unnatural second life. As long as everyone is getting beaten up and there’s a lot of funny snot coming out of people’s noses, 13 year-olds will love it, literary merits notwithstanding.

Ratings:

Art: A lot of drawing, but no noticeable art.

Story: 4. It had wacky potential until hijacked by the kids who made noises in the back of the class in 8th grade.

Characters: 7. They’d make for a fascinating lunch group, disputing and squeaking in their gurneys.

Yuri: 7. Mikado is actually pretty cool, less of a caricature than you might expect from someone named the Caterpillar Queen. Well, not much less, but still.

Service: 4. Not as much as you might expect. Which doesn’t mean that the non-servicy parts are any less embarrassing to look at, they’re just embarrassing in a different way.

Odor: Substantial. Quite natural after 20 years in the ground, but the first incarnation was no better.

Overall: 4. The cover is cute.

To be fair, R+ Princess was never meant to be read by anyone older than 15, much less treated to an extended analysis. But being fair is no fun at all.

Erica here: Look what I found! You can read at least some two dozen pages of this manga on the official Shounen Sunday Web Manga Museum where, clearly, they think this series is a zombie series, as well. ^_^