Archive for the LGBTQ Category


Yuri Manga: I Married My Best Friend to Shut My Parents Up (English)

June 17th, 2019

Let’s start this week off with a manga that veered closeish to addressing LGBTQ life. That’s right, we’re talking Kodama Naoko’s I Married My Best Friend to Shut My Parents Up.

Machi’s parents are pressuring her to get married – because that is what should be done. And she’s just not interested. Her friend Hana needs a place to live while her apartment is renovated and she thinks she’s got a good idea – she and Machi will pretend to be a married couple. Surely that will get Machi’s parents off her back, one way or the other. Machi agrees, with significant reservations, while Hana gleefully starts playing house with the woman she clearly loves.

As I said in my review of the Japanese edition,(the title of which I read as I Fake Married my (Female) Friend Because of My Annoying Parents,)  “But if the idea of a fake same-sex marriage of convenience isn’t going to bother us, then the idea that the actual relationship between Hana and Machi is horribly unfair, is just fine. (-_-) ”  Hana is happy enough, but Machi, a character uncomfortable with herself her whole life, has no idea how to be a good friend to Hana, much less a good partner.

Machi’s character has a lot of developing to do, and we’re happy for her that she does it. Hana is there not just as a catalyst, although to call Machi’s development an “awakening” might be going a step too far. The end result is that Machi and Hana build a relationship that works for them and the Japanese readership learn (presuming they didn’t already know) about the Shibuya same-sex relationship certificates. As I say, this story veered cloeseish to addressing some real issues as Machi faces down derision and homophobia from her parents.

The last part of the book is a separate short about two girls on track team, their emotions around their own abilities…and each other. I think this story would have benefited from being longer and more nuanced, but “nuanced” is not Kodama-sensei’s strong point.

Ratings:

Art – 8
Story – 7
Characters – 9 for Hana
Service – 2 Some light romance/sexual discomfort
Yuri – 7
LGBTQ – 4 Mention of the real-world same-sex partnership certificates, but no discussion around it

Overall – 7

One could consider this a LGBTQ manga, but I’m still disposed to thinking of it as Yuri. I’m not sure why exactly – perhaps because it doesn’t feel like a sincere attempt to address those issues or that the issues were exposed only as a byproduct of a gag plot complication or maybe my discomfort with the artist’s take on relationships has colored my opinion. I cannot put my finger on it, and I’ve been thinking about it since I read this in Japanese the first time, last year.





LGBTQ Comic: Kiss Number 8 (English)

June 14th, 2019

Kiss Number 8 by Colleen AF Venable and Ellen T. Crenshaw is the last of the books I brought home from TCAF, in this case thanks to Johanna Draper Carlson of Comics Worth Reading. Johanna and I agree on almost nothing, but I love conversing with her is terrific and I  almost always learn something I did not know when I do. ^_^

I know I talk about TCAF a lot, but one of the things about that I particularly like about it is the proximity to so many reviewers who recommend excellent books to me that I might not otherwise know about. And this year, as the Ladies in a Hotel Room occupied the corner table at the lobby bar, we had a great number of amazingly talented, passionate and interesting people join us. So I actually met Colleen and Ellen before having had a chance to read this book.

Kiss Number 8 follows Mads, a high school girl from a family in a community that is strongly, even strictly, Christian. Church and age-appropriate dances and the like fill her life. Her friend’s brother is into her though she’s not into him, although she tries to be, for a while. And in the meantime, she’s dealing with a pile of normalish growing up things, and a family secret that she’s just kinda pissed about. She’ not pissed that they have a family secret, or, when she learns what it is, but she is seriously pissed at her Dad, who is her best friend, being a dick about it.

Speaking of best friends, Mads has some friend issues of her own. Her one best friend is in love with her, which was kinda obvious to me, but not to Mads and Mads is in love with a different friend, which is obvious to everyone, except Mads.  Mads is trying to be the good (straight) girl her community and family want her to be. So when she has kiss number 8, drama ensues, but not for the reason you might expect.The story isn’t a “coming out” narrative, although that does happen. When Mads and we finally learn her family secret, it’s not at all what we -or she – think it is.

Everything about Mads’ life as it is presented, is alien to me.  But the mass amounts of drama around friendship and dating…that was all as I remember it. So it was both entirely realistic and also oddly foreign, the way going over to dinner at a friend’s house was when you were 12 and finding that all the things you had on the table and thought were normal are nowhere to be seen on your friend’s table and if you ask for Worcestershire sauce they just stared uncomrehendingly…it was like that.

Although the art isn’t photorealistic, it conveys a very realistic feel to the story, with a single-camera perspective. It’s an easy read, even though it can be emotionally heavy.  The story, the characters, the art all combine to tell a poignant tale of learning about life, about one’s self and the people around one.

Ratings:

Art – 8
Story – 8
Characters – 6 I only really liked Laura
Service – Not really
LGBTQ – 9

Overall – 8

Like Laura Dean Keeps Breaking Up With Me, this is a solid YA book that would make a great pride gift for your family member who needs help understanding themselves or others, or the local library. ^_^

 





LGBTQ Live-Action: Gentleman Jack

June 9th, 2019

In a world where every generation of people seem to need all of history explained to them, personally, or they don’t “get” why we need a Pride month, it’s sometimes easy to feel a sense of disconnection from history.

The Stonewall Uprising happened 50 years ago – I recommend the American Experience episode on Stonewall for first-person recounting of what happened and why. If you haven’t read Lillian Faderman’s The Gay Revolution: The Story of the Struggle, consider it assigned reading for this Pride Month, as well. ^_^

The protests we’re seeing this year tend to be about pushing back against rainbow capitalism and corporate overrun of Pride events – and these are legitimate issues, but there is also a welcome renewed “in your face”-ism about Pride, as a whole generation of hate groups show up to the party, enabled by the downfall of empathy in our governing bodies; so we’re back to having fun as loudly and publicly as possible to remind people that we won’t be forced back into the closet.

Most folks are probably not all that clear on the who and whats of even recent LGBTQ history, literature or art, much less events in the distant past. As I’m starting to see a whole generation of young people who are new to the ongoing struggle, I find I do want to re-establish those connections. Especially as we’re once again finding ourselves facing increasing violence and bias. It’s good to remind ourselves that we are not alone now…and we have never been alone.

As I get older, I’m also really finding myself less tolerant of people who believe that because the word “lesbian” didn’t exist, people could not be presumed to be lesbian. (Much as if Indigenous people needed colonizers to name their country before they had an identity. Which, yes, I know colonizers and white supremacists believe.) There have always been words to describe women who, when they look for romantic or sexual partnership, look to their own sex. There have always been words that queer people used for themselves, as well as those that have been used about us. The premise that because the word “lesbian” did not exist means that no lesbian relationships existed before the word is…well, it deserves to be ridiculed. Regardless of the words used, I guarantee that women fell in love and lust with other women before the 20th century.

And so we come to Gentleman Jack.

Gentleman Jack is a fictionalized story based upon the real diaries of a real 19th century English lesbian, Anne Lister. Actual passages from her diary are used in this show, in which the characters are won’t to break the 4th wall and address us in their actual, historically accurate words.

This HBO/BBC production is lovely, and painful and honest and often rather funny. Written and directed by Sally Wainwright, my wife and I are finding it to be compelling watching right now. Wonderfully acted by Suranne Jones, Anne is not all that likable, until she is…and she often is. Funny, snarky and scheming, hyperactive and overachieving, Anne Lister is someone who would be exhausting to be around, but amazing to watching from a distance. Anne’s relationship with the emotionally fragile Ann Walker can be tiresome, but I’m all in for watching this story take us into a second season.

The setting, the clothes, the facts of life in 19th century West Yorkshire are all impeccably researched and presented. Shibden Hall itself is a fantastic member of the cast. Anne’s relationship to the people around is presented as accurately as possible, with interpretation coming in the form of tone of voice, body language, expression, all of which feel real. The music is another cast member, “almost like her companion” as my wife describes it.

As an insight to one lesbian’s life, Gentleman Jack is a terrific story, but since our job today is to understand history and the context of the day we find ourselves in, it’s worth remembering that Anne Lister was not the only well-known 18th century lesbian in the UK. The Ladies of Llangollen were contemporary, preceding Anne in society as lesbians. They apparently knew each other and Anne visited Plas Newyd at least once (as have I, for what it is worth.)

I actually like that the sex scenes are not explicit or extended, but are not coy or childish either. The strongest bits of the narrative, in my opinion, are Anne talking about her gender presentation and sexuality with honesty, a little pain and a lot of self-awareness. These scenes are largely taken from her own words, which give them power and resonance.

Ratings:

Acting – 10
Cinematography – 8, but there have been some controversies.
Story – 9
Lesbian – 10

Overall – 9

Much of Anne’s voluminous diaries remains untranslated, but there are number of abridged editions available, including Gentleman Jack: The Real Anne Lister, by Anne Choma, the historical advisor for the series and a woman who is still transcribing the diaries. Also worth looking into is The Secret Diaries of Anne Lister, a 2010 BBC movie.





LGBTQ Manga: Our Dreams at Dusk: Shimanami Tasogare, Volume 1 (English)

May 14th, 2019

I have been waiting to review this book for about a year. And finally, here it, is, Our Dreams at Dusk, Shimanamai Tasogare, Volume 1 by Yuhki Kamatani is out in English and I cannot express how happy I am for you to be able to read it!

Practically everything I want to say about the book, I said in 2017 when I reviewed the first Japanese volume. I hope you don’t mind if I quote myself.

Tasogare Shimanami begins with Tasuku, a stressed out high school student being bullied by his classmates who call him “Homo,” contemplating suicide. When he sees a woman apparently leap off an even higher ledge, he finds himself dragged into the lives surrounding the “consultation room,” a kind of cafe for outcasts. Compelled by “Dareka-san,” the woman no one really knows, Tasuku finds himself helping with a local non-profit group for the summer.

Tasuku isn’t gay, he insists at school, but when he meets Haruko who casually mentions she’s a lesbian and refers to her “wife,” Tasuku’s chest literally  bursts with pent-up emotions and the pressure of the closet he’s created for himself. And, as he helps Haruko break up a decrepit shack in order to build a shelter, he tears into his own fears and desires and finally admits to himself and others that, he is, after all, gay.

Dareka-san is here translated as “Someone-san” and the consultation room becomes a Drop-In Center, which seems the right choice. Translator Jocelyne Allen and adaptor Ysabet MacFarlane did a bang-up job on both the language and the tone of the story. No only are there some not-quite-the-same terminology when it comes to LGBTQ terms in Japanese, but there are inevitable cultural differences as well. Volume 1 is a good set up for this story which is unusual in Japanese manga merely for being a coming-out narrative. While that is very common in western LGBTQ literature, its still pretty rare to see it as a plot in manga.

There are a lot of elements to like in this volume. The art is brilliant; both evocative and expressive. When Tasuku encounters Haruko, who cheefully describes herself as a lesbian and speaks of her “wife”, Tasuku’s internal closet walls shatter in a magnificent page. The idea that Tasuku has older role models – something that is so critical to young queer folks – makes this manga an important resource for both younger and older gay folks who sometimes don’t really think through their own internal homophobia. It’s terrifying, as Tasuku discovers, to admit to yourself that you are gay, but it doesn’t have to be traumatic, if there is anywhere you can turn. And, let me remind you that no matter where you live, there are people you can turn to. The Internet is your friend. Here are some US-based LGBTQ youth resources, but a search engine can help you find resources near you. Hopefully the generation growing up now sees plenty of folks around them who are queer and happy, which will make great inroads into the feeling of being alone that so many of us dealt with.

Emotions are raw in this manga, and relationships are confusing, which, if my memory serves me, was pretty much exactly the way it was in high school. Tasuku’s journey through this landscape is compelling. It is also fantastic, in all the meanings of the word. There’s a lot to get through here and it is my – and I hope your – pleasure to be here for all of it.

Ratings:

Art – 8
Story – 9
Characters- 8
LGBTQ – 10
Service – 0

Overall – 9

Volume 2 will be available in July,  Volume 3 in September and Volume 4 in December this year, so you won’t have to wait too long for the whole story to play out. This terrific series is currently on the top of the LGBTQ Manga category and I expect it to be there for most of 2019. ^_^ Thanks to Seven Seas for licensing this series – you did good.

 





LGBTQ Comic: Summit Volume 1, The Long Way Home (English)

March 24th, 2019

Lion Forge Comics came out of the gate in 2011 at full speed. With leadership that loved comics and embraced and supported diverse creators, stories and audience, and very talented folks working for them at every level, they have it all going on in the right direction.

I had been told to keep my eye out for this particular book, and now that it has been collected in a graphic novel, I thought it time to buckle down and give it a good look.

Summit, Vol.1: The Long Way Home follows the story of Valerie “Val” Resnick-Baker, the only surviving member of a space mission to deflect an asteroid hurtling towards Earth, a mission which failed horribly. Also killed in the subsequent impact was Val’s girlfriend Kay. A year after the event, Val is not okay, even if Earth is slowly recovering, thanks to Lorena Payan, visionary CEO of Foresight Industries.

The story is told in non-linear segments, tracking back and forth from before the “event” to the present in which Val learns the whole truth about what happened and explores the powers the event left her with. She rediscovers old allies, makes new friends and finds out who not trust.

Val is a woman who was pair-bonded with another woman. There’s no reason to expect that her next lover, should she take one, will not be a woman. Val is a lesbian lead character and then the story happens. This is a refreshing take on the whole issue. Her sexuality is not a “thing. It’s not a plot complication or a climactic reveal, it’s mere a fact of her existence.

That her lover is dead is such an overplayed plot point that I almost feel a little bad for writer Amy Chu. I guessed she was straight, or she might have not chosen this really threadbare backstory to begin with. But I’ll give her and the rest of the team the benefit of the doubt that the story will involve some character development. Even Kate Delafield eventually moved on and found herself in love with someone new. Took ten years and a couple of novels, but it did happen.

The characters here are strong, the world of Summit is set loosely based around Foresight Industries’ Mexico City Headquarters. Summit is a solid work. The art by Jan Duursema and lettering and coloring are all exactly what one wants from a western-style comic book. The plot is not complicated (if anything it’s a tad predictable,), which makes Volume 1 a good place to begin from, and sets up what I hope will be a solid superhero narrative going forward.

Ratings:

Art – 7
Story – 7
Characters – 7, except for Fiona, who deserves an extra point or two
Service – 0
LGBTQ – 4 There’s no squeamishness, it remains to be seen if it’s relevant to Val’s future as it is to her past

Overall – 7

The cast of and staff working on the series look like the world we live in, which gives me hope that there is someone at Lion Forge who is queer as well and can keep this series from falling into all the plotholes of lesbian literature. If Val starts drinking, I’m going to write a cautionary letter, that’s all I’m sayin’.