Archive for the LGBTQ Category


Yuri Manga: Kiss & White Lily for My Dearest Girl, Volume 6 (English) Guest Review by Christian Le Blanc

July 4th, 2018

Hello and Welcome to Guest Review Wednesday, where we welcome back returning Guest Reviewer Christian LeBlanc! It took me a little too long to ask him to do this, especially as he is undoubtedly this series greatest advocate in North America. So, please welcome him, thank him and let us know your thoughts on this manga in the comments. In the meantime, the floor is yours, Christian!

Before going too far into this review, let me first declare my subjectivity, so you can keep this in mind while reading: I am a huge fan of Kiss & White Lily for My Dearest Girl. I get commissions of Chiharu and Izumi when I attend conventions. I proudly wore the 2018 Yuriten K&WL t-shirt while tabling at a con, as well as when I went to my local comic shop the morning this volume was released. I often listen to the drama CDs, even though I only understand about 5 to 10% of what is said. I have a playlist in my head of songs that I think “work” for certain characters. I celebrated when I saw my favourite couple ‘aged up’ for the Yuriten 2018 main illustration, because this confirmed they were still together years later. I loved a single chapter of Volume 5 *so hard* that Erica asked me to write this guest review for Volume 6. So when I say “Everyone should run out and buy three copies of this book!”, you should probably temper that advice and just buy the one copy instead.

So! Kiss and White Lily for My Dearest Girl, Volume 6, introduces us to Amane Asakura and Nina Yuunagi, who are in an open relationship – except Nina doesn’t really want it to be, but is scared she’ll lose Amane if she says anything about it. This is complicated by the arrival of Ryou Hiruma, who develops a crush on Amane (Amane has been helping her out with notes and chores while Ryou’s hand heals…and the crush is mutual). This is complicated even *more* when Nina and Ryou develop feelings for each other – poor Nina gets so twisted up with guilt and insecurity that she has a bit of a breakdown at Ryou’s place, where the gang all ends up meeting and hashing things out.

To put it in even simpler terms: since Nina wants to be in a monogamous relationship with Amane, she feels jealous when Amane and Ryou start getting close, and ashamed when she, also, starts to develop feelings for Ryou.

I was hoping this review would help me ‘get’ their relationship and enjoy them more, but the opposite happened. As interested as I was in reading a story about polyamory, the more I re-read this section, the more I’m convinced that this is a very unhealthy depiction of one. Nina would be a sympathetic character, except she shoves Ryou into some wet garbage, has murderous thoughts towards her right after, and forces a kiss on her later when she starts to develop a (one-sided, at this point) crush on her. Amane would be sympathetic, except when Ryou tells her about the pain Nina is in, Amane takes it personally and gets mad at Nina for not being honest with her. And for her part, Ryou doesn’t tell Amane she wants to get closer until after Nina tells her to back off, allowing ‘spite’ to be a motivator in her relationship with Amane.

Our trio achieves perfect equilibrium by story’s end, and maybe they’ll all be happy together from here on out after they’ve had their touching heart-to-heart, but I can’t help thinking that as soon as Amane falls for someone outside their circle, their happiness will vanish into thin air faster than a fart in a hurricane.

In contrast, returning heavyweights Chiharu Kusakabe’s and Izumi Akizuki’s relationship is much stronger and healthier, and much more fun to read. Izumi wrestles with the concept of polyamory after receiving a flower from Amane (this happens early in the book, before Ryou even appears), but ends up charming the hell out of Chiharu when she gets caught returning the flower (in any other series, seeing your girlfriend handing a flower to someone else would result in chapters and chapters of drawn-out misunderstandings; Canno’s abundance of new characters forces her to abandon these clichés in order to keep things moving, which I find really fresh and appealing). For her part, Chiharu gets a surprise visit from her former crush Hoshino-senpai, forcing her to deal with the last of her lingering feelings towards her, which culminates in a beautiful scene between her and Izumi. We also get a mini-chapter with these two at the end, as well as a very quick check-in with the other couples from the series. There’s even a 4 koma that shows how Ryou hurt her hand, revealing herself to have been the reason Chiharu had to attend an emergency disciplinary committee meeting and be late for her date with Izumi (Canno puts a *lot* of thought into her linking elements).

If you didn’t like Chiharu and Izumi from Volume 2, I don’t know that this volume will turn you around on them. If, however, you’re on the right side of history and swoon over the cute interplay between Izumi’s boundless affection and Chiharu’s cool, sarcastic exterior that hides a painfully shy but deeply loving interior, then you’ll love this book. I think it’s fantastic whenever we get to see a couple being a couple – so many romance stories are about characters falling in love; we don’t get nearly enough stories like this about people just *being* in love.

There’s a really sweet moment where Chiharu tells Izumi the reasons why she’s late for their date – Izumi is stung, but she falls forward into Chiharu’s shoulder for comfort, instead of turning away in anger. That one small detail is incredibly touching to me, as is Izumi’s trust in Chiharu when she realizes, hey, she didn’t do anything wrong (it just took her by surprise).

There’s one even smaller detail which I think is even more important, and possibly more affecting. At one point, Izumi thinks to herself: “Like in a tv show, you have just this one special person…and they tell you you’re special too…maybe this thing with me and Senpai is the same old story. Someone somewhere decided on the ‘mold.'” To Izumi, her relationship with Chiharu is the most natural, normal thing in the world, because of course it is, and I love seeing anybody feel that way. I don’t know if Canno intended it to be such a powerful beat (Izumi’s only thinking it because she’s mulling over Amane’s proposal of polyamory, which Izumi had never thought of before), but it’s right up there as one of my favourite moments in comics, and I think it’s perfect that this was published in time for Pride Month.

Ratings:

Art – 10 (Very fittingly, the only rough spot is when Amane, Nina and Ryou have a group hug)
Story – 10 (I averaged 6/10 for Amane’s, Nina’s and Ryou’s section, and 14/10 for Chiharu’s and Izumi’s section. You know, to be fair and impartial.)
Characters – 10 (see above)
Service – 3 (There’s a topless scene, played with zero salaciousness, which I think is neat; no, I rate this a 3 just for the expressions on the faces of Chiharu and Izumi when they kiss)
Yuri – 10. “How on earth did they let you in high school?” Chiharu asks Izumi; because she tested so highly in Yuri, obviously, which is the most important pre-requisite for attendance at Seiran. Now that I think of it, even the cats outside the school are probably in a Yuri relationship: “You’re so cuddly. Cuuuuute! Maybe you’re sisters?” Oh, Nina. You’re so naive.
Overall – 11, and you should buy three copies.

Erica here: As it happens, I love this volume. In a series that for me is cut, rather than meaningful, this volume stands out as a really excellent and important volume. I liked it in Japanese and generally consider it to be my favorite volume to date.





LGBTQ Manga: The Bride Was a Boy (English)

June 24th, 2018

In The Bride Was a Boy, author Chii takes us on the cutest possible journey through her own life as a transgender woman. She addresses not only issues that she personally had to deal with, but the way she would like readers to understand how she uses various terms and concepts, as well as broader understanding of terms in the gender, sexual and romantic minority lexicon. 

But, as the title might indicate, the story is not focused on her transition, per se, although that plays a role, but on her meeting, falling for, and eventually marrying her now-husband, known endearingly as Boyfriend-kun, then Husband-kun. Both Chii-sensei and her husband come across as lovable and charming. She notes that nothing is perfect, much less their relationship, but you just cannot stop grinning through this book. ^_^

The greatest strength of the story (also arguably, its biggest weakness,) is the relative simplicity of the narrative. A surface reading might lend a reader to imagine that,  it all that seems really starightforward and it all went well that trans folks have it well in Japan…but that is not at all the reading that this book deserves. It’s pretty obvious that the journey is not all that easy, but Chii-sensei is not interested in an emotionally complicated narrative here. She doesn’t shy from explaining the difficulties she faced, neither does she wallow in them. She *wants* us to like her, her husband and root for them both all along in their journey. And so we do.  ^_^

Ratings: 

Art – 8 So cute!
Story – Hopeful, tempered with reality
Characters – 9 Adorable
LGBTQ- 10

Overall  – 9

It’s not wrong to want a happily-ever-after for transgender people and during this particular Pride Month in the USA, I am pleased to be able to recommend this charming comic essay to you all. ^_^ Thanks to Seven Seas for the review copy! It was a genuinely delightful read.





LGBTQ: My Solo Exchange Diary (English)

June 12th, 2018

Back in February, I reviewed Hitori Koukan Nikki (一人交換日記), the sequel to Nagata Kabi’s breakout hit essay manga, Sabishi-sugi Rezu Fuzoku ni Ikimashita Report (さびしすぎてレズ風俗に行きましたレポ) , which was translated as My Lesbian Experience with Loneliness. Now the sequel is out in English from Seven Seas as My Solo Exchange Diary, and I wanted to sit down and take another look at it.

As I point out in my review of the Japanese edition, this volume revolves around Nagata-sensei’s need for human relationships and independent life as a whole individual and the depression and dysfunction which make it hard for her to have those things. And, as I’ve pointed out repeatedly since I read this volume, becoming famous for having created a brutally personal diary of one’s crushing depression isn’t going to be the thing that helps with that depression. Nagata-sensei is honest about her need for praise, her desire to build a healthy ego and her challenges in doing so. It can make for a frustrating, fascinating, hopeless and hopeful ride in this volume. 

Towards the end, she has a chance to finally make a connection with another human, someone who genuinely seems to like her, but she’s blocked by her essential inability to return that affection. This is not a character we are talking about – the is a real person living a real life. So, while reading the Japanese version, I felt hopeful that we’d see her able to reject what keeps her trapped, but after this last week, I’m reminded that we have no “cure” for depression and no matter what we hope, it may never get better. All we can do is hope that the woman behind the name “Kabi Nagata” can find a way out of this. And we wish for that selfishly, as much for ourselves and the next volume of this journey, as we do for her, which is perhaps horrible, but true.

Ratings:

Art – 7 It’s developed into a distinct style
Story – 8
Character – 9
Service – 3
LGBTQ – 7

Overall – 8

While talking with folks from Seven Seas, I commented that as I read this, I kept wishing there was something we could do for her. Short of thanking her for her honesty and courage, there’s little we can do, except root for her from a distance. 

Thank to Seven Seas for the review copy and congrats on having another best-seller. ^_^ Now I’d like Takemiya Jin’s and Nishi UKO’s work please.





Pride Month Manga Thread on Twitter

June 5th, 2018

To celebrate Pride Month I decided to share a LGBTQ manga recommendation every day on Twitter. (Disclaimer: Not every suggestion will be manga. ^_^)

We’re up to day 5 and I wanted to give you all the thread link, so you can follow along – and feel free to suggest your faves in the comments – you know I’m always on the lookout for good LGBTQ manga and comics!





LGBTQ Manga: Claudine (English)

May 8th, 2018

Claudine, by Riyoko Ikeda, is a tragic, yet sympathetic, story about a transgender man. Originally serialized in Margaret magazine, this story is touching and agonizing in equal measure. The story is presented to us as a case study from the perspective of a kind and empathetic psychiatrist who becomes Claudine’s confidant and knows there really isn’t anything wrong with his patient that full acceptance by society couldn’t cure.

The psychiatrist is himself an interesting character and reminded me greatly of the equally kind psychiatrist in Pieta. While this doctor was only able to watch and record Claudine’s life, the doctor in Pieta were able to intervene, allowing Sahako and Rio a chance at happiness. I wonder, sometimes, if Claudine had been written 20 years later, would this doctor have done the same? I feel sure he would have.

Riyoko Ikeda is well-known for the otherworldly beauty of her gender non-conforming characters and anyone who knows Dear Brother or Rose of Versailles, will be used to the character type presented here. Claudine is beautiful and women are attracted to him, but he is not able to maintain a relationship through no fault of his own. And, while there is a Well of Loneliness feel about the conclusion, the end of Claudine’s life is presented not as an inevitability, but a crime committed upon Claudine by society.

For 1978, this was an extraordinary portrayal. It reads a bit old fashioned now, as society moves towards greater awareness and understanding of transgender people, but it’s not stale in the least. 

Of course Seven Seas has done a lovely job of reproductio,n as one expects. I was thrilled to see the talented Jocelyne Allen translating this particular volume. I knew she’d handle it all with skill.  This is a top-notch English edition of a 40-year old classic that I have wanted you all to read for years. ^_^ I recommend it highly. Pre-orders are live; the book is slated for release in late June.

Ratings: 

Art – 8
Story – 6
Characters – 6
LGBTQ – 8
Service – 2

Overall – 7

As I wrote in my 2007 review of the original, “I like to think that, when young Satou Sei was combing literature for reflections of her own feelings and she came across Well, she might have also come across Claudine and, like myself, rejected the tragedy, even as she acknowledged its place in her personal history…. Us Comp. Lit. majors must stick together after all. ^_^”

Seven Seas is branching out into more queer narrative; in upcoming days you’ll also see The Bride Was a Boy, which is a comic essay by transgender creator Chii, as well as My Solo Exchange Diary: The Sequel to My Lesbian Experience With Loneliness. This seems like a perfect start to this week, which will end with TCAF. And, ss we all know, everyone is queer at TCAF! ^_^

Many, many thanks to Seven Seas for the review copy! The original volume of this is one of my prize possessions, it’ll be nice to have it in English!