Archive for the LGBTQ Category


Yuri Manga: Fu~Fu (ふ~ふ), Volume 1

December 2nd, 2011

If Yuri Danshi was written to give Yuri Fanboys a taste of what it feels like to have one’s emotions parsed uncomfortably closely, then Minamoto Hisanari’s Fu~Fu (ふ~ふ) was clearly written to explain important things about lesbian relationships to those same Fanboys in the cutest possible manner.

We are introduced to Kinana and Sumi, who have just begun living together after having been a couple for some time. Now that they are living together, they talk about what to call each other, since “lover” no longer is enough. Kinana asks if she can be Sumi’s bride, but that doesn’t feel right either (although Sumi does use “hanayome” 花嫁 later in the chapter.) Eventually Kina suggests a homonym for the word fuufu, which represents husband and wife, 夫婦. Since they are both wives, they should be called fufu, 婦婦. (So, technically a neologism and not really a homonym, since fuu and fu aren’t pronounced the same, but I don’t suppose that anyone but me cares about that.)

The second chapter of this volume is by far and away my favorite. If you are a regular reader, you know how much I long to read stories that focus on domestic life of an established couple. And, perhaps,  you know about my fondness for my big pluffy bed. So to have a chapter in which Su-chan and Kina go out to buy a pluffy bed of their own makes me happy beyond words. The fact that it’s a brutally adorable chapter helps.

Sumi and Kina go on a honeymoon, we meet Kina’s big gay sister Kanana, and their equally gay neighbors Hayase and Komugi. Every chapter is filled to the brim with appallingly cute lesbians.Of course no one uses the “l” word, but Hayase and Komugi do state plainly that they are lovers. Close enough.

The final two chapters are stories that ran in ES-Eternal Sisters, Volume 1 and Volume 2, from back in 2004 and 2005.

What I said in my original comments on Fu~Fu stands – this manga is important. Using moe art and adorable characters, this series quietly, cutely teaches Yuri Danshi what a lesbian relationship looks like, what is important to us, what daily life is like.

My personal favorite scene is the beginning of chapter 3, when Sumi announces work is over, and Kina points out how patient she’s been. They both stare at each other and throw their arms up…and give each other a great big hug. I mean, really. How cute/real is that? That kind of thing totally happens in my house nearly every day. (No, that is not sarcasm. I mean it.)

So, if no one I know was pining for a glimpse into the inner life of a Yuri Fanboy, almost everyone I know has been waiting with anticipation for a series like this, in which a lesbian couple is portrayed with honesty, affection and healthy dollop of cute.

Ratings:

Art – 8
Story – 9
Character – 10
Lesbian – 10
Service – 5

Overall – 9

Fu~Fu  is *so* close to perfect, Minamoto-sensei deserves heaps of praise. I’d like more of this please!





Cute Wendy Comic (English)

November 17th, 2011

girlyset-caseThis summer I contributed to Josh Lesnick’s Kickstarter for the publication of his webcomic Girly in a spiffy hardcover, limited edition box set. I did this entirely because he had a premium of an Otra and Winter figurine set and I’m helpless before the offer of relatively obscure webcomic figurines. (I’d be the first one lining up to buy figurines of Yuriko and Midori, our Yuricon mascots, but as I can’t draw and have no toy industry contacts, it’s kind of a non-starter. PS – This isn’t a request for help or advice on how to do this. As I say, it’s a non-starter right now.)

In any case, I knew once I saw the figurines, I had to be part of the Kickstarter.

 

Who wouldn’t be helpless in the face of this? Okay, fine, lots of people who are not me.

 

Anyway, with my very awesome hardcover limited edition box set and the figurines, I received a copy of Cute Wendy, Josh’s side comic to Wendy. Where Wendy followed the adventures of Wendy and her sidekick, Cute Wendy was the product of many hours of anime watching, potato chip eating, video game playing, masturbation and exhaustion, not in that order.

Cute Wendy is, in short, a slickly printed pile of WTF. Cute Wendy and her sidekick have adventures, but little to no effort is made for those adventures to make any sense, have any resolution, or meaning at all. By the end of this volume, unresolved chaos became the status quo and it was almost disappointing when Wendy and her sidekick actually did resolve a thing.

Don’t get me wrong here – I’m not dissing Cute Wendy. I just don’t want you thinking it’s a story. It’s not. It’s a series of throw-away plot ideas and leftover fast food with some vaguely imagined lesbian sex thrown in for fun. In fact, “Lesbian Sex” is mentioned quite often, although rarely seen beyond a kiss and a smoke afterwards. “Lesbian Sex” becomes a refrain that repeats, just to let us know it’s a thing in the comic.

If you are of the opinion that Lesnick’s art is not up to snuff, then Cute Wendy is not going to convince you otherwise. And the fever-dream story telling isn’t likely to win anyone over, but that’s not why you’d be reading Cute Wendy anyway! You’d only be reading this if you already liked Wendy or Girly and wanted to see the fever-dream side story. Which I now have. I look forward to revisiting Otra hitting people on the head with giant dildos as a return to normality. Cute Wendy was just that WTF.

Ratings:

Art – Still better than anything I can do, so 6
Story – There kind of isn’t one – 2
Characters – 6
Yuri – 8 They have Lesbian Sex, I’m informed
Service – 7 It’s pretty much written by/for Fanboy, but not nearly as intolerably awful as, say, Shin Koihime Muso

Overall – 5 It’s not being enshrined, but I’m not throwing it out, either.

My very sincere thanks to Josh for being so pro-Yuri and for being a very decent Fanboy. Also, cool figurines!





Dolltopia Comic (English)

November 15th, 2011

Abby Denson’s Dolltopia is a light allegory about the plastic dolls we grew up with and what happens when they question their life of plastic conformity and consumerism.

I first encountered Dolltopia back in 2008, when Abby gave me a copy of the mini-comic (that’s western indie comicspeak for doujinshi) of the series. I was captivated by the idea of toy dolls rebelling against their intended fate, and their desire to be unique and independent.

Dolltopia is, as I said, an obvious outsider allegory, that is nonetheless charming for being obvious. Colored brightly in black, white and hot pink, the art speaks of punk roots, and a childhood of cutting and dyeing doll hair. (Which Abby admits to.)

For Yuri fans, there is one established girl-doll couple in the series – Candy O and Candy X. They are shown providing emotional support for one another, even in the most stressful times. Honestly, they are a very cute couple.

There’s also a little guilt-inducing chapter about the way we abuse our toys, both physically and emotionally. ^_^;;

Unfortunately for me, Amazon shipped me a damaged copy, so I was unable to read all of Abby’s afterword, but other than that minor setback, the entire story about identity and being your own person would make a great holiday gift for a budding young outsider in your life.

Ratings:

Art – 7
Story – 7
Characters – 8
Yuri – 8
Service – 1, but only on the principle that there is always someone out there fetishizing something.

Overall – 8

The book comes with dolls you can cut out, and non-conforming outfits for them to wear. I thought that was a cute touch.





Yuri Manga: GUNJO (羣青), continued

October 24th, 2011

It’s been a while since I talked about GUNJO (羣青), hasn’t it? The first volume was brutal and awful and wonderful and the second volume was, as I keep saying, like eating the most delicious razor blades ever.

And now, as the story approaches an end, I want to talk about it once more. Now, while it’s still in that Schroedinger’s Cat phase of not being over, but already ended. (It has to be ended, or nearly so, just because of the publishing schedule of magazines.)

As I read each new chapter, I find myself scanning the faces of the woman who was abused and despised by everyone ever who was supposed to have loved and cared for her and the only person who ever actually did,  wondering how this series could end without them both dead, wondering if they will ever be free, wondering if they will ever smile again, wondering if I’m as or more pathetic than they to even think that they might.

Look at the scan above. (I left in all the ghost images from the pages in front and behind this tableau, because this is what the pages look like when I read the chapters in the magazine.)

“Hey!” says the brunette, who Japanese fans call Megane-san because she wore glasses.

“…Mm?” says the blonde, called “Sensei” by Japanese fans because she was a vet, before she became a criminal.

There they are, facing each other down, having survived so much together and yet not together at all. The brunette gets angriest when the blonde shows her any kindness, the blonde gets angriest when the brunette becomes self-deprecating. Neither can let each other go….neither wants to be left alone….neither wants to be with the other. They are suspended in a relationship so intimate that they loathe each other for it, but when they think about it a little, they don’t dislike each other at all.

Where can this series go? I have absolutely no idea. I sit around sometimes and try to predict the end. Will Megane-san give herself up, and let Sensei return to what’s left of her life? Or maybe they will die in a freak accident, solving the entire problem? Or maybe they will be free, after all, the police haven’t caught up to them yet….maybe they can escape…and then I slap myself for being a fool.

You don’t know what the brunette says next. I don’t know what will happen next. Like every chapter of GUNJO, this one keeps us suspended on a knife bridge, spikes on one side, swords on the other. This moment is not a breath of fresh air – it’s the moment before the breath is punched out of us.

GUNJO has been the hardest thing I have ever read in my life. I love it to the point of incoherence.  It’s long moved past being about a lesbian, and I don’t even know what it’s about anymore…other than life and death.

However it ends, no matter how much it hurts (and it will, of that I have no doubt,) I’ll still consider this one of the greatest stories I have ever read in any language. Thank you Nakamura-sensei. Thank you for GUNJO.

要約:これまで読んできたあらゆる言語の作品の中で、最も優れた物語のひとつ (要約/翻訳 |小松さん)





NYCC Panels: From the Other Side of the Table, Part 1 XX: The Women of Queer Comics

October 17th, 2011

This weekend, over 100,000 people attended New York Comic Con, mostly to get free stuff. But some of those people attended panels where free stuff wasn’t the draw and of those panels, I was privileged and honored to participate on two.

XX: Women of Queer Comics took place on Friday night. Sponsored by Prism Comics, the moderator was author, artist and singer (and Yuri Monogatari contributor) JD Glass. The panel consisted of:

Joan Hilty – Former DC editor and creator of Bitter Girl

Kris Dresden – Creator of these things matter, hush and other comics

Jennifer Camper – Creator of Rude Girls and Dangerous Women and editor of the Juicy Mother anthologies.

Paige Braddock – Creator of Jane’s World
 
Abby Denson – Creator of Dolltopia and Tough Love: High School Confidential
 
Rica Takashima – Creator of Tokyo Love ~ Rica ‘tte Kanji!? and Aozora Art

and, erm, me. (I love the picture above, because I was leaning back as I listened, so I’m not visible. ^_^;; I’m behind Abby.)

To say that I was feeling a bit like a pretender is an understatement. I was *the* only non-artist on the panel.

Anyway, the room was full, the panel was funny, the crowd was great and we had a teriffic time. I loved hearing the other panelists’ stories about how they got started doing comics and what motivated them now.

JD’s questions covered how everyone got started (short version: no one else was doing it and it seemed the right or only thing to do,) what keeps them going (short version: same as last answer and it’s who we are) and what positive changes we’ve seen (short version: more queer characters in all levels of comics, creators, editorial, staff, characters, etc.) This last led to the best line of the panel, IMHO.

I began talking about how, when I started, Yuri was just porn for creepy guys and Camper leans forward and says, “And now it’s porn for creepy dykes.” I’m still laughing at that.

Everyone was witty and grounded and real and I do not believe I have ever been so honored in my life as I was to sit up there with such amazing women.

The grand takeaway from this panel was: What are you waiting for? Do it – draw/write/publish – do it already and do it yourself.

Thanks JD for the chance to be on that panel – and thanks to everyone who came and asked such great questions!

PS – I gave out prizes to people who asked questions, so they got free stuff anyway. ^_^