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Archive for the Magazines Category


Comic Yuri Hime, November 2020 (コミック百合姫2020年11月号)

November 4th, 2020

There were loads of great stories in Comic Yuri Hime, November 2020 (コミック百合姫2020年11月号). The cover is one again Rolua’s scifi-ish ouvre, which I am really enjoying. Honestly so far, maybe my favorite year since the 2011 reboot covers.

The issue starts off with a rough chapter of “Watashi no Yuri ha Oshigoto desu!” by Miman, as everyone in Liebe Cafe struggle with the tangled relationship between Hime and Mitsuki, as the cafe celebrates a double birthday event for Kanako and Mitsuki.

“Futari Escape”  takes us to, among other places, the Fukui Prefecural Dinosaur Museum. Honestly, I love that we have an honest-to-goodness Yuri travel to random places series. I’m not in love with Taguchi Shouichi’s characters, but I forgive that because…dinosaurs.

Overall, Shime’s “Yurizukushi no Kyoushitsu de,” we focus on Oohkouchi Kisaki, a rarity in Yui manga. Kisaki is genuinely heavy, not just plump. She’s also well-loved by her classmates and a badass at volleyball. It is so refreshing that her weight is neither a joke, nor a caution, and the girls around her adore for her self.

The star story this issue is “Hayama-sensei to Terano-sensei ha Tsuiatteiru” by Ohi Pikachi, as Hayama-sensei has something very important she wants to ask Terano-sensei…. Look, I know this series is complete fantasy, but please allow my fantasy in which women who love each other are given room to be adorable and adored.  ^_^

“Watashi no Oshi ha Akujyaku Reijou,” hit a key scene which, if I described it to you, you would stare at me like I was crazy. Don’t believe me? Okay – Rei blackmails Claire’s father into allowing her to be Claire’s maid. Yes, blackmail. See?

Equally as wonderful is Ohsawa Yayoi’s “Hello Melancholic!”. I mean, yes, I love that Minato and Hibiki are starting to communicate – that Minato is starting to communicate, specifically and yes, they may be on the same page after all…but I love that Minato took the reserve chair position in the grownup band, too. She’s changed so much already.

“Kaketa Tsuki to Donut”s is moving towards a climax, so this chapter is the new girl meets the old girl episode. Hinako is going to have to figure out what she wants. It’s not that simplistic, of course, because adults. ^_^ I love everything about this story – art, story, characters. Usui Shio is my jam right now. (Also Yuni, but that’s a review for another day.)

Inui Ayu’s autobiographical comic has gotten to the heart of every lesbian relationship – who cooks and who cleans. ^_^

Ratings:

Overall – 9

A fantastic issue this time and I look forward to the final issue of the year to see what it brings!





Comic Yuri Hime, October 2020 (コミック百合姫2020年10月号)

September 16th, 2020

Comic Yuri Hime, October 2020 (コミック百合姫2020年10月号) was such a fast read, that I had put it on the to-review pile and then questioned myself. Had I actually read it already? Really? But in fact, yes, really, I had read it twice through! That’s not uncommon, but upon the third go-round, I had to admit that this was a pretty good issue. ^_^

I’m still loving the cover art by Rolua.

New story “Odoriba ni Skirt ga Naru,” (translated as “The skirt rings at the landing,” which is definitely the machine translation. I found myself spending too much time unsuccessfully trying to come up with a version that sounds more elegant,) was a lovely little intro chapter. I hope I really enjoy this feels-like-a-classic-Yuri-manga about ballroom dancing from Utatane Yu.

“Watashi no Oshi ha Akujyaku Reijou,” was pretty fun, but I’m going to withhold discussing it, until I review the Light Novel…this chapter brought up a few points I want to cover.

I actually laughed out loud at  Taguchi Hiichi‘s “Futari Escape” as a dreamscape and dinner merge to become Sushitaro, the talking sushi.

In “Hayama-sensei to Terano-sensei ha Tsukiatteriru”, Ohi Pikachi takes the opportunity of a class trip to explore seasickness…and tell the story of an older woman who is on her way, after a lifetime of separation, to be reunited with the woman she loves. Two thumbs up for that from me!

Ohsawa Yayoi’s “Hello Melancholic!” takes a major turn, as Minato finally turns to someone else for advice and finds that getting help is a good thing. She admits she’s never had anyone she can talk to, and Ema seems to just the right person to start with.

And “Umineko Bessou Days” ends. No real drama, our protagonist, Mayumi, learns to speak her mind and she gets to live happily every after! I bet that the next story Kodama Naoko does will be chock full of horrible people. ^_^;

Ratings:

Overall – 8

As always, I read most of the stories, except a very few. There is one jarringly explicit horribly conceived porn story that I’d gladly use as kindling, and some other stuff that I won’t miss if it disappears, including the ever-befuddling endless page count of Yuri Yuri and its identical spin-offs. But overall, a very decent volume, with some interesting features.

The November 2020 issue hits stores in Japan this week!





Galette, No. 15 ( ガレット)

September 2nd, 2020

Galette, No. 15 ( ガレット) continues the excellent work that we’ve seen all along, with names that are engraved now into a kind of Yuri Hall of Fame: Morishima Akiko, Morinaga Milk, Hakamada Meru, Inui Ayu, Morita Miyuki, Kitta Izumi and Momono Moto…

…and Akiyama Haru.

I know I sat up straight as can be when I saw that name on the masthead. It’s long enough ago now that maybe the Yuri-reading audience doesn’t remember Akiyama Haru’s adult-life series, Octave, but I sure do. A decade ago, before the current rise of Shakajin Yuri, Octave was a lovely, complicated story about complicated adult women in a complicated relationship, both professional and personal. It’s pretty exciting to see the name back and in Galette magazine, no less. It’s a good day for Yuri.

This volume is once again available in print, JP Kindle, digital on Bookwalker or digital, in Japanese on US Kindle. It has the usual lovely interior illustrations, and pen’s stylish cover art. The only thing missing from this issue is completely understandable, but somehow missed the more for that. This issue has no photography, a stark reminder that there is a pandemic out there.

Ratings:

Overall – 8

Overall, a good volume, and I’m glad to see that the hiccup that made Volume 14 a collector’s item is history. Manga artists are surprisingly resilient.

Next issue, we welcome back Amano Shuninta! You’ll excuse me, if I hope to see Takemiya Jin again soon, as well.





Comic Yuri Hime, September 2020 (コミック百合姫2020年9月号)

August 27th, 2020

This cover wins. It is, in a lifetime of reading comics and decades of reading Yuri manga, my favorite cover of any Yuri manga ever. The foldout cover, with art by Rolua, is the wholly goth image of an angel with a drippy gold halo and black feathered wings, holding a woman to her chest, the credits and title of the magazine visualized as tattoos across her arms and back. Two thumbs up from me. Animate apparently included a postcard of the full picture with purchase of this issue.

Comic Yuri Hime September 2020 (コミック百合姫2020年9月号) is a very good issue for me. Individual stories were good, and overall it’s a pretty solid volume. But I really wanted to review it this week, because Seven Seas re-announced the Light Novel for I’m in Love with the Villainess and since the manga is running in this magazine, I felt extra motivated. ^_^

This volume starts off with the once-again popular “lesbian sex worker helps a woman get over her nervousness about sex, “with the addition of secondary plot about Asumi’s first love clearly being a sex worker as well. Gosh, I wonder how that will work out?

Takeshima Eku’s “Sasayakouyouni Koi wo Utau” was adorable for what it didn’t do as much as what it did. Yori looks up what to do on a date and, for once, we are not obliged to presume that what she found was nothing but porn. Phew! Her choices of behaviors, the ratings for them, and her honesty with her new girlfriend, was fun and refreshing,

“Watashi no Oshi ha Akujaku Reijou,” which is headed our way, as per the Seven Seas announcement above, remains goofy with the second “high class manners” contest I have now encountered in a GL Bunko. ^_^ Protagonist Oohashi Rei, having woken up in the world of her favorite otome game, finds herself challenged by her love interest, the game villainess, Claire-sama. But. Rei is familiar with the world from having played the game so long and is able to best her challenger in a series of contests that included schoolwork, magical skill and a test of refined manners at the table.

I don’t know where “Kudan Folklore” is likely to take me, but so far, I’m kind of into this apparently dark, but so far mostly unformed urban folklore kind of gothy ghost thing with a reasonably smart and confident lead. More importantly, it was the first time I’ve seen the phrase “mochi ha mochiya” and had just read a great thread on it on translator Jocelyne Allen’s Twitter (which was mostly around how Google will not take the place of a real translator any time soon.) It means, something like if you want mochi, you go to a mochi shop…in other words, go to the right place/people for the right thing.

I will now formally admit that I adore Osawa Yayoi’s  “Hello, Melancholic!” and while Minato faces her own fears, I’m all for her and Hibiki figuring out what they mean to each other.

“Watashi no Yuri ha Oshigoto desu!” is clearly winding down. The staff of Liebe cafe ask Hime and Mitsuki to sit down and have it out between them, but the conclusion isn’t conclusive.

It was lovely that Saki’s sister was all for Saki and Asuka being happy together, rather than a tired jealous-little-sister stereotype in “Hayama-sensei to Terano-sensei ha Tsuskiatteiru.” This made the third or fourth story where a tedious stereotype was just left behind and it strongly affected my overall feeling about this issue.

mintaro’s “Pochi Climb” limps to an end and I feel nothing. It never really seemed to know who it was for. It wasn’t a sport manga, it wasn’t a romance, it was just an idea that never gelled.

I know it’ll end eventually, but I’d be thrilled if “Kaketa Tsuki to Donuts” by Usui Shio just went on forever. It doesn’t even have to have conflicts, just let’s sit back and watch people figure out stuff in a gentle Jousei manga style.

Inui Ayu’s autobiographical work just slides along one cute interaction at a time. Along with Usui’s story, these are the best way for me to end this issue. ^_^

As always there are other stories I did read and others I did not in this issue and hopefully, you’ll find something to enjoy yourself. You can buy this in print from Amazon JP, or digitally on JP Kindle and Global Bookwalker.

Ratings:

Overall – 9

What pushed this volume up in rating was a refreshing lack of tiresome, old-fashioned tropes just not being used. It’s super past time we have non-bratty little sisters and protagonists who are smart and athletic actually being confident, instead of emotionally tortured wrecks, and supportive friends and lovers, instead of pointless miscommunication. What a relief!





Galette, No. 14 (ガレット)

August 23rd, 2020

Galette, No. 14 (ガレット) marks a shift in my collection and starts with a multi-layered tale of woe. ^_^

Due to the  pandemic, this issue was offered in limited amount to backers as a physical publication, and eventually, it was offered to overseas backers but, for a number of reasons, I was unable to purchase the physical copy. Mostly, it was timing.

Jumping forward, Volume 15 is also being made available to backers but due to chicanery and corruption on both sides, packages sent by Japan Post to the USPS are now being held up for a minimum of 8 weeks on the Japan side, and who know what will happen on the US side. This is not hyperbole. When I shipped a package from Japan in July, I had the choice of around $200 by DHL (around, but I was completely unable to get an actual estimate off the DHL site, because the English-language page wouldn’t accept the Japanese address and vice versa, of course.  Apparently Tenso will only tell me what it actually costs after I commit to DHL shipping. So I chose JP Post to USPS – this was before the current administration’s open interference with the US Post Office – and was told right up front that it would take 8-12 weeks to ship. I have a package sitting in a warehouse in Kawasaki since July for, as far as I can tell, no reason whatsoever, except to make using a public service unappealing and shifting us to much more expensive shipping by private company, making what was already a huge barrier to overseas purchases practically insurmountable for normal humans.

As a result of this utterly malicious fuckery on both sides of the Pacific, I find myself unable to purchase the physical copies of Galette magazine. I’m saddened, but I upped my backer level, so I get a PDF copy of each volume when it’s released. Yay digital!

So here we are at No. 14, my first digital-only copy. I’ve linked to the Global Bookwalker version, which I also bought, because I wanted to see how it read. Honestly…I love it on Bookwalker. I use Bookwalker on a tablet, and it’s almost the same size as the magazine. I love being able to read the page on a large screen and page through it as I might in a physical copy. When I get the PDF, it reads on a browser as vertical, but I’m going to see if the Bookwalker reader will handle the PDF. It ought to. For those of you in Japan, it is also available on JP Kindle.

All the continuing stories are still continuing, which means ongoing works by Morinaga Milk, Morishima Akiko, Hakamada Mera, Hamano Ringo, Yatosaki Haru, Uno Jinia and Kitto Izumi and Momono Moto;  some of which are doing surprising and sometimes really interesting things. Morinaga Milk’s characters Rena and Yuna have moved into a larger home and are about to embark upon building a life together. This isn’t just “let’s live together,” this is “we’re a couple and this is us figuring out our lives together.” Kitto and Monomo’s “Liberty” has taken a dark turn and I really don’t know at all where it’s going.

But the winner this issue was definitely Hakamada Mera’s “Sekai ga Owarau sono mae ni.” It was just a really good chapter, probably some of the best work I’ve ever seen from her.

There was a fun take on Cinderella by Ei Imura, and the usual compliment of photography and art. All of which make Galette a satisfying read, that I look forward to every issue.

Ratings:

Overall – 9

Volume 15 is available as PDF and physically by mail to backers on Fantia at Gold level or higher, on Amazon JP Kindle and, kind of weirdly, in Japanese on US Kindle, but not yet on Bookwalker.