When spring rolls around (or, when in theory it should be rolling around again, but instead the weather steadfastly lingers at near-freezing and it pisses us all off…) I get the urge to answer questions. Why? I don’t know! But I do.

So, once again, I am taking questions from you, my dear readers about life, love, Yuri, whatever. As always, there are a few ground rules:

1) I will not answer questions about “what is your favorite….” I find them difficult to answer, as I really don’t have favorites.

2) No “ham or cheese” or “Coke or Pepsi” questions, please.  They aren’t all that interesting for any of us and I can tell you honestly, the answer is almost always “neither of the two.”

3) If you want to ask me what I see as the future of Yuri or why I like Yuri, I beg you to read all the previous iterations of my answers to these questions. If you have a real question about Yuri that I have not previously addressed, bring it on!

4) Please, please, no questions that can be answered by 30 seconds of actually READING one of my reviews here. Also, asking me “what do you think of so-and-so anime/fandom” is not going to give you the external validation you crave nor will I rise to the bait of using it as a springboard to rant about a fandom, either.

5) Lastly no “define the term” questions. The answers have been posted here: http://okazu.blogspot.com/2008/03/okazu-glossary-of-terms.html.

Now, I realize that this makes it harder to ask me questions. But the harder you work at the questions, the harder I have to work at the answering, so it’s a fair deal. The funnier the question, the better chance of an amusing answer. ^_^

I will also be cheating this time and perhaps using more of the questions I got for the UBC lecture, but didn’t have time to answer. ^_^

I don’t promise definitive answers, just the best I can come up with without moving an inch from my sofa.

Feel free to post your questions here in the comments! I very much look forward to them.

I’m in the middle of watching Mahou Shoujo Madoka☆Magica (魔法少女まどか☆マギカ). A number of people mentioned I ought to watch it and a regular reader and commenter here suggested in conversation on Twitter that it would change the way I thought about Magical Girls Series. I replied that I felt that that was highly unlikely. Today’s post is why.

This is not a review of Madoka. I’ll do that when it’s complete. In short – I think there’s a lot of interesting elements in the story, both in terms of plot construction and visual design. I marathoned the first 8 episodes yesterday and am still watching, so that says something. ^_^ Today I want to explain, in a roundabout, allegorical way, why the plot complications in Madoka did not surprise me all that much.

Tools you need before becoming a Magical Girl:

1) Extensive reading of major literary works

This is why “average” middle-school girls are so often pegged by magical sidekicks to become Magical Girls. If you are an adult, former Comparative Literature major, you’d recognize irony and other literary plot complications when you saw it and not fall for things so quickly. So, make sure your kids read O. Henry and W.W. Jacobs as early as they are emotionally capable of reading them. Adam also suggests adding the story of Faust to the list and I agree. Perhaps some of the more annoying Arabian Tales, in which promises by genies are twisted, as well. dmunder7 also correctly suggests that Greek Myths – especially those involving Delphic prophecies be on your child’s early reading list.

2) A healthy dose of cynicism

Again, most middle-schoolers are not yet steeped in the ways of the world and actually think that they are important. If you make your kids aware of the larger world and the horrors humans perpetrate upon one another at a young age, they are much less likely to fall for a line, whether it be the guy who asks them to help him find his lost dog in the woods, or the cute magical creature offering to fulfill dreams.

3) A list of questions

If anyone offers you a chance to be a magical girl, start asking these questions. Unless you get a complete answer to all of them, say no and walk away:

– What are all my powers and what do I have to do to use them? This includes weapons, spells, mantras, poses, songs, familiars, etc….

– What is the downside/trade-off to using my powers (health, lifespan, suck energy from people, etc…)

– Who are my enemies, how do I recognize them?

– Do we have past connection, do we have a current connection? (If we have a past connection, how did I defeat them last time? If we have a current connection, how will defeating them affect their daily life now?)

– Why are they my enemies?

– What are the risks I am taking (death for me, death for my loved ones, destruction of everything in the known universe, etc….)

– What’s the long-term effect of doing this? (Do you wipe our memories, do we all die, but save the world, do we get to return to a normal life…how do I get out of it, once I’m done?)

– Do I have allies? How can I recognize them? What are their powers?

– Did we have a connection in the past and how does it affect our connections (if any) now?

– What else do I need to know that I haven’t explicitly asked, but will affect me if I don’t know it?

– What’s in it for you?

If you have any questions you’d add, feel free to do so in the comments. I’ll add the best in to the list.

I hope this gives you a better perspective of my perspective of Madoka, as well. I’m going to watch a few more episodes now. ^_^

***

IMPORTANT NOTE: This is not a list for Making a Magical Girl Anime. It’s a list to help you decide whether to become a Magical Girl…just like it says in the title.

There have been a lot of conversations on forums about the issue of why Light Novels do not sell well here in the West. Tokyopop discussed Light Novels recently on their editor’s blog and Seven Seas talked a little bit about the Strawberry Panic! Line when they put the third LN on hold.

Fans, of course, are sure that it’s all the publishers’ fault. They don’t sell them right, advertise them right, censor them, change the covers, don’t have enough babies who grow up to be people who buy Light Novels.

It’s well established that manga has a swiftly growing audience, but that the market has not grown with the same verve. Online aggregators of manga distributed without permission gain hundreds of thousands of readers, while those very same titles struggle to break even in sales.

Light Novels are a special problem. In Japan they primarily exist as franchise extenders. Of course there are some exceptions – and those exceptions are always the ones that are successful enough to turn the formula on its head. However, for a large number of LNs, the audience for the series/author/imprint already exists. There rarely is any need to promote beyond an ad or two in the magazines in which the the stories are serialized.

Here in the West LNs don’t have:

1) The magazines that serialize chapters monthly
2) Any other media tie-ins (unless they do and then the title is much more expensive to license)
3) The audience – LNs are, for the most part YA/older teen…maybe young adult… material. There are rare series which transcend this, but mostly it’s teens and early twenties.

In Japan, readers already know the material from Number 1) and 2) or follow the author. Here – this is rarely true. LN readers are, realistically, a niche of a niche, mostly because of other media tie-ins, like anime, games or manga. Most regular novel readers don’t know LNs exist and if they do, they don’t care. On top of that, you have the same problem as all other media in the anime/manga world – the audience is orders larger than the market.

Yes, there’s a teeny little problem with marketing and shelving. Let’s look at that rationally:

First, there’s the issue of marketing.

Let’s say you have an unlimited budget…where do you place a print ad to sell this great new book? You probably don’t know…because there really *aren’t* too many good places where you can put that ad. Name a good magazine for Teens. How about Older Teens? How about Young Adults? If you named a magazine, think about how many people you know who actually subscribe to it and read it. If you named something niche, like a Gaming magazine, imagine how many people who read that magazine might really want to curl up on the sofa with, say, Gosick. Okay, so I picked a magazine at random. GamePro, and checked their advertising rates. One ad – an ad that will run in one issue – for a 1/3 page ad is…$12,750. Name a LN that’s likely to sell to the readership of Seventeen magazine.

How many ads do you see when you read a magazine? How many make you call the number or buy the product?

Advertising only works if you can saturate the audience. That’s a lot of $12K ads.

And if you put in an ad on magazine/website, you only reach the people who see it, and notice it, which is a small fraction of people.

You might say – well, advertise it online – but of course that compounds the problem, because where people go for information is fragmented into thousands of sites, ad systems are fragmented into hundreds of affiliate systems and you still have the problem of people tuning out ads. For more on this see my discussion of promoting manga.

The conclusion – there is no way publishers of Light Novels can effectively advertise their products to reach a larger portion of a potential reading audience. They *could* advertise to librarians…and I believe some do. And then the problem becomes the Libraries’, to try and attract readers of those novels.

So that’s the problem with fans’ exhortations to “advertise more.”

Now, let’s look at the common wisdom that LNs would sell better if they were shelved in the fiction section, or with the YA novels.

The first thing that *has* to be said – bookstores are dying. Distribution without permission has become so widespread that children today have never been in a library or a bookstore before. They just assume they can get things for free online – and they don’t really know that it’s illegal or immoral. (When you do something wrong, you get punished. If no one punishes you…it must not be wrong to do.)

So, the idea that a book will sell better if it shelved properly in a bookstore is a fallacy from the start. YA audiences aren’t using bookstores that much in the first place. Nonetheless, YA fiction is a hot commodity, what with Twilight and Harry Potter and all. So you get your LN shelved in the YA or fiction section.

Now it’s competing with millions of other fiction titles. How are you going to get it noticed? There are *way* more fiction novels published every year than there are manga – even when Tokyopop was cranking out 10 titles a week. How many publishers are putting out manga regularly now? Viz, Tokyopop, DPM, Vertical, Yen, Seven Seas, maybe a few others. If every single one of these was popping out a lot of books – let’s say 50 books a week. There are (very roughly) 6000 books a week being published in America. Of course not every book ends up on a bookstore shelf, but fiction is a very, very competitive field – and YA lit, which is incredibly hot right now, is no less competitive.

Perhaps you decide to go for a row end cap display. This will separate your books from the pack a little, but then you’re back to the fact that bookstores are a dying breed. Only people who walk into that bookstore will see that display – which means you need to position those displays in high traffic stores, probably in major cities. These will have to be coordinated through your distributor – they are not cheap.

If you shelve the books with the Teen Lit or the Fiction, they will simply get lost in the rows and rows of authors whose name have some meaning to the audience. How well will Hasekura do compared with Meyer?

So you shelve it in with the manga. Now it gets lost in titles that are shelved alphabetically. How are people going to find it? Either way you go, you’re “wrong” according to fans.

Speaking of Meyer and Hasekura, let’s take a look at Yen Press for a second. Kurt Hassler has probably the most intimate knowledge of the book-selling industry in the manga world right now.

Yen licensed Spice and Wolf Light Novels. The “audience” for these novels have been hostile – very vocally – in every possible way. I have seen accusations that the novels were censored (they were not) that the new cover destroyed the artistic integrity of the books (this despite the fact that a slipcover with the original art was available…and that the original art was pretty basic.) The reality was that those fanboys – the established audience of the series – had no intention of buying the novels no matter what Yen did. All their complaints these were justifications of the behavior they were going to do anyway.

Yen then licensed and created a manga for Twilight – this instantly blew away any records of manga sales in America to date. It had weird looking typography, word balloons that obscured faces and above all, it was Twilight, an already much-maligned series. The fangirls who were the audience for this manga were also the market. It sold like the proverbial hotcakes.

There are two defining factors here: one, I believe that girls buy what they want more than boys do. In conversation last night about this topic, Sean Gaffney noted that all but one title on this week’s New York Times Best-Seller list of manga is “for girls.” Black Butler (also from Yen) has an astounding four volumes on the list and Hetalia has both of their released volumes. Naruto is the only series not explicitly “for girls” but it also has wide cross-over appeal…as most Shounen Jump stories do.

The second fact is the one that is most relevant to today’s discussion – to put it simply, Twilight had an a priori market. These fans know Twilight, they are devoted to Twilight and will buy Twilight materials.

The difference between marketing and selling a novel by Hasekura and one by Meyer is the difference between selling a novel you wrote vs one written by Stephen King.

The problem with Light Novels is this:

How do you promote and sell a book that 1) no one has heard of 2) has no *mainstream* media tie-in 3) no *where* to effectively advertise it 4) an audience that doesn’t want to pay for it 5) immense competition from domestic authors backed by larger companies with high-recognition names and major media tie-ins.

Figure that out and you have the winning formula for selling LNs.