Archive for the Now This Is Only My Opinion Category


New Year’s Thought

January 1st, 2014

New_Year_wallpapers_New_Year_2014_-_the_year_of_the_horse__a_white_background_047049_I was asked this question today: Is there something you feel you must convey each time you write?

Here is my answer and my wish for you for the New Year.

Think bigger.

Don’t stop at the media, the desire, the skill or the thought that you just had; push it prod it, stretch it, until you can include as much of the wide world as possible in it.

If you’re reading a comic book, learn about the artists who inspire the artist, the dance it referred to, the novel it resembles. Visit the place (at least via the Internet), read the sources.

Always, always think bigger than you are at this moment.

Let this be what drives us all to be greater things than ever before in this New Year. Happy 2014 to all of you!





Why Japan is so Weird and Wacky!

December 23rd, 2013

I’m sorry for lack of reviews –  its not for want of trying, but 1) I’m at the DVD box/Light Novel portion of my piles, so it will be slower and 2) people celebrate various holidays at this time of year, you might have heard of this. I haven’t even begun to think about end of year lists, I really had better do that. /sheepish/

Instead, I wrote this article on Medium:
Why Japan (or China, India, The United States or, heck, Denmark) is So Weird and Wacky!

I hope you’ll enjoy it – and do let me know what you think. All recommendations on Medium and.or comments here are welcome!

 





How to “Understand” Art

November 25th, 2013

You know, we talk about comics here, but I rarely talk about “Art.” This is because: 1) Interpretation of Art is absolutely personal and; 2) The art in a comic is less important to me than the story and/or where story and art intersect. This is why I separate out the Art and Story categories for my Ratings, because the one does not guarantee (or even compliment) the other in manga.

Because I am not naturally visual, I’ve relied on a lot of other people to tell me what I was seeing…and why I should care. Today on Quora, I had a chance to share my process in learning to “get” art.

What is the point of this picture by Carlos D. Donjuan? I understand that it must have something to it because a lot of people seem to like it. I just don’t “get” it. Is there a message? Does it appeal to people emotionally?

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Here is my answer:

Here’s the thing about Art. Not everyone needs to resonate with every artistic endeavor.

For instance, here is a very famous work of Art that millions of people come to see from all over the world. They stand there and sigh and cry and are all sorts of emotionally moved by it:

I don’t “get” it at all. The women have male bodies with breasts. It’s allegory, which I think should not work as a guiding model  for a life after 8 years old or so. People love this painting.

There all different ways a person can enjoy Art. It might speak to you personally on an emotional level. You can think it’s pretty. It can evoke a memory. You may hate it. You may admire the technique, the draftsmanship, the skill…and still not like the piece.

Art is largely subjective. The piece you used as an example means nothing to me yet. Neither did Picasso’s Guernica, until I had a chance to learn about it and really grasp what he was doing with it. I can’ say I “like” it, but I can appreciate it.

I don’t know Donjuan’s art, but I have always liked graffiti and collage as media, so I’m kindly disposed to the piece from the outset. The more I look at it, the more I like his take on portraiture. So, yes, in the time it has taken me to write this, I’ve come to a place where I “get” this piece. Here’s what he’s done. He’s taken a picture of a mother and son and…pets…maybe…

…and rendered it in collage. Both mother and son look happy, even though they have no faces. They look comfortable with each other and their environment – an environment that is…water? They appear to be chest deep in water. 

And oh, look, there is a halo around the child’s head. This is not a “mother and son” this is a Madonna and Child picture. The “pets” are the Evangelists, I’ll venture. And the water is meant to evoke the Baptism, at a guess. 

So, yes…I “get” this painting now. And I don’t dislike it, although I’m not moved by the theme.

***

What does that have to do with manga, you ask? It has everything to do with “understanding” what you see and what you read here. Right now, I’m reading Sakura Trick, Volume 1 (桜トリック), in preparation for the upcoming anime.

Here is the manga art:

sakura_trick_vol1

What can you tell about the series from the picture? Well, right away, we can see it is a school-life romance, so we can guess there will be nothing ground-breakingly new here. But, we can also see that the relationship is consensual…and as this is the first page of the book, we have to presume that the relationship is established either before the book starts or early on. Why do I say that? Because if the relationship is the climax of the story, the first page gives it away.

If we look at the publisher of the manga, we can see that is published by KR Comics. We then know it is very likely a gag comic strip, because that is what they specialize in.

When we look at the anime art, we can see that, if anything, the character designs have been simplified.

skf

We are not yet given any backgrounds, but it seems likely, as it is a gag series that focuses on schoolgirls and the art is simple, rather than realistic, that we’re looking at something rather like Yuri Yuri than, say, Strawberry Panic.  If you said to yourself just now, “Yeah, I knew that,” you already understand some of the conventions and tropes of manga art.

(As an aside, based on all this, I am looking for someone else to consider reviewing the anime for me, since I can tell that it probably will not be my cup of tea. ^_^)

What does it mean when a manga page has a black border and background around the panels? Do you instantly realize that this is a visual indicator of a “flashback?” Then you “understand” this visual cue, probably without realizing it. Certain kinds of motion and speed indicators are almost universal, as well, – think of the visual convention for “scuffle” – a cloud with random body parts and items protruding at random angle and motion lines.

Understanding art is about context. It is up to the artist to initially supply the context or the reader may just never have any idea what is going on. Genre checklists shortcut that process. Evil eyebrows and big-ass swords are indicators of personality and motivation…and skills.

If you pick all this up without explanation, that’s great, but if you’re out there wondering what the heck everyone sees in a particular manga, you’re not alone.

When you next look at at a picture or series that makes no sense to you, you can of course, just slide past it and give it no more of your time – or, you can slow down and see if you can “understand” it.  ^_^

If you have any questions about manga visual conventions and tropes – or you just want to wax poetic or complain about a visual indicator you like or love, hit us up in the comments!





Why We Tell Stories About Stories, at Harvard

November 8th, 2013

wtitle1Sorry for being away for so long. Obviously, I had to spend some days with my family. But in the midst of death life goes on.

Wednesday I had the chance to present my lecture on LGBTQ Audience Interpretation of Comics and Manga to a Gender Studies class at Harvard, thanks to the generosity of Prof. Kerey Luis, a good friend of ours at Yuricon. (And thanks to her wife and another good friend, Jude, for coming and getting us at the airport and chauffeuring us. Thanks so very much to both of you for dinner and fantastic conversation!)

This is the lecture I did at Montclair University’s Chibi-con this past summer and a similar lecture to the one I did in Kanagawa University last month. (Here is the the full-text of the lecture and companion slides to the Kanagawa University lecture. I hope to get the videos up soonish)

The basic idea is that we, as an audience, always reinterpret media as we consume it, through filters we create to fill our own needs. You can most easily see this in fanfic and fanart.. We recreate characters and situations to suit ourselves and tell the stories we want to hear. The first half of the lecture is me introducing myself, my writing and Yuricon, “Worldshaking” Fanfic and Okazu, and the second, more infinitely interesting half is comic pages presented without context, that the audience has to discuss and tell me what they think is going on.

The lecture went well, and the students were very receptive, and then we got to listen to them present and discuss issues of fandom. It was exhilarating, honestly.

Now that the lecture is done for the year, I’ve put the whole thing up, with my notes from Kanagawa on Slideshare. But since the good stuff is the class talking to me about how each panel makes them feel, you’ll have to do the work yourself to make the lecture interesting. ^_^

I am now taking applications for 2014, if you’d like to have me speak for your class, organization or event. Feel free to contact me!





So You’d Like Me to Speak at Your Event

October 22nd, 2013

As a person “invited” several times a year to events that then are confused as to what the word “Guest” entails, I wanted to explain a few things about inviting people to your event:

 

Before you invite someone to speak at your event, know something about what they do.

If you are inviting a funny, but controversial, comedian, you would attend a show first so you know what you are getting into.

If you invite me to speak, please do not assure me that the Yuri panel is all ages, until I get there and find that it has been listed as 18+ only. I do not do 18+ panels. They skeeve me. They are always the opposite of mature. Yuri is not about sex. It’s a genre with a literary history, about which I will gladly educate and engage in discussion.

I do not show videos. I guess some folks are no longer capable of enjoying a panel at an event if images are not beamed into their eyes. If you are asking me to host your zOMG sex! Yuri hentai hour, I respectfully decline. If you’re asking me for a suggestion of a decent Yuri anime to show at your event, just ask. You don’t need me there – the answer is Aoi Hana, contact rightstuf.com for permissions.

If you’ve attended a Yuri Panel or lecture by me, you have seen what I provide. I do not do something else.

 

When you “invite” someone to speak at your event, they become your responsibility.

If they are flying in they, need to know where they will be met and taken care of. If they are driving in they need to know where to park, where they will be met and taken care of.

Someone needs to be there at the airport, train station, car park, to help them through the minutiae of a strange city.

You are the host, they are the guest. Do not leave a guest to make their own arrangements for such things. Of course if you are local to me, I’m glad to handle my own arrangements, but as soon as an event outside my hour or so in the car ride radius, I’ll need you to step up.

You need to lay out what you will do to make their attendance at your event as friction-free as possible. Let them know what you are willing to do for them and what you cannot possibly do. In a sense, you are applying to them to get them as a guest.

 

Don’t assume your event is worth making an effort to get to. 

This is the #1 disconnect I encounter on a regular basis. Events ask me to speak all the time, but provide no transportation, accommodation or food options. (Or, possibly they offer me hot dogs and bagels in their staff room.) I am not a college student. I do not wish to spend my time and money attending your event, only to be given the option of sharing a room with staff, and eating warm yogurt in your green room. Thank you, but no. Unless your town is otherwise on my bucket list, I probably won’t come without at least a token effort on your part. Free admission to your event may not be a draw for me, if your event isn’t otherwise a must-go for me.

 

Before you “invite” someone to your event, make sure your Con Chair and the entire organizing committee is backing you.

I cannot tell you how often I am invited by Programming or the Guest Person, only to agree, clear my schedule then learn that, oh wait, the Con Chair already spent that money on some other guest. To be very honest. this has happened so many times that at this point I no longer say yes to small events unless they can confirm upfront that they are not wasting my time. “Informal” invites, are not invitations – you’re asking me to pay my own way to your event for your own entertainment.

 

Talk to your Organizing Committee, come up with a formal procedure for inviting guests.

To make your event process as smooth as possible, develop a Chain of Command on guest invites. For instance: Anyone can suggest  potential guest. Org Com. votes on it. If suggestion is approved, Guest Chair writes out proposal – Programming and Con Chair have to approve it, so they know what they will be on the hook for. Then you ask potential Guest.  Have your offers and answers ready – We’ll provide XYZ, you provide ABC.  No, we can’t fly you First class, but we can offer a plus one, etc, etc.

 

If it doesn’t work out, there are no hard feelings.

Please do not be annoyed if I reject your offer. I’m not annoyed at you, I promise. This is business. It just isn’t going to work for me to fly myself out to your event, pay for my own hotel room, so I can sell a few books and do a panel for you. Thanks anyway.

 

I know you’re doing your best to run your event. Consider this advice from someone who has been there before you and wants you to not have to reinvent the wheel. ^_^