Archive for the Okazu News Category


Happy 15th Birthday, Okazu!

August 14th, 2017

On August 14, 2002, I created the domain okazu.blogspot.com and wrote,

Welcome to Okazu!

“Okazu” (おかず) is Japanese for appetizers – and is slang for lesbian sex because, you know it’s not *real* sex. ^_^

It’s also a good name for dribbles of writing that aren’t stories – just thoughts and comments and updates on things I’m doing. Most of those “things” will be Yuri-related, some will be about women in comics and others will be me screwing around as I travel the world. Whatever it is that brings you here, welcome and enjoy the tasty Okazu. ^_^

The day after, I wrote,

“Day Two Blog –

Water is running low, I’m feeling weak. There is no end in sight.” ^_^;

I didn’t have a point, or a mission, particularly. I was planning an event at Meow Mix in New York City and I thought having a central place to communicate from seemed like a good idea. I think. Because, honestly, I don’t remember what I was thinking, exactly. 15 years is a really long time. At first, Okazu was mostly a list of the events I participated in, promoting Yuricon and the Revolutionary Girl Utena Movie with CPM’s blessing. (Which, like a genius, I never actually wrote about. The first Film Festival post here was the BFI Gay and Lesbian Film Fest in London, in March 2004.)

I know that I was planning on running the first Yuricon in 2003 and as running an event was kind of complicated, but people seemed to think it was as easy as ordering a pizza, I wanted a place to write about some of the issues we’d face.

By October I said,

In effect, 2002 is over for me. Now the Yuricon staff and I will be focusing on entirely dull and uninteresting administrative things – signing up vendors, advertisers, sponsors, etc.

 

In November, I buckled down and really started talking about building a convention. I wrote The Anatomy of an Anime Convention 101, Part 1 | Part 2 | Part 3 | Part 4 | Part 5.

And, as the year came to an end, I went, willy-nilly, to Japan to see Comiket. Because why not? That was the beginning of the Tokyo Journal category here.

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Can you see what’s missing? Up to this point, I really never once thought about writing reviews. It just never occurred to me, honestly. You can really see that I assumed no one but me was reading this blog because the first news/review I posted was on the New Hana no Asuka-gumi manga in March 2003. I’ve never been delusional about this series – it’s complicated and obscure and was not of interest to too many people in the United States in 2003. In fact, including me and Rica Takashima…the total number was probably 2. 

By May, I was fully focused on the upcoming Yuricon event. but I took a moment to write up what was the first of what would become the Yuri Network News. Tokyopop had licensed Between the Sheets by Erica Sakaruzawa – that was certainly newsworthy! And I had, for reasons, decided to go into manga publishing and was pushing our first book, Rica ‘tte Kanji!? by Rica Takashima. It bears repeating that the reason I met Rica was that she had come to that Meow Mix event in 2002. When she told me she was a Yuri manga artist, we both knew our meeting was kismet. 

June 2003 came and with it, an obsessive chronicling of Yuricon 2003.  It rocked and I’m really glad we did it. ^_^

That summer was filled with any number of events and it wasn’t until November 2003 that I reviewed my first anime. All these years I’ve remembered it as being Air Master, but it turns out I’m wrong and the first anime I ever reviewed here was Stellvia of the Universe! Remember that one? I was just thinking about it the other day. Maybe it’s time for a rewatch, huh? ^_^

Another surprise for me is that my first Maria-sama ga Miteru post came before the end of 2003. You’re able to watch my obsession with that series grow in realtime in my posts, from “Hey, this is an interesting thing you should know about,” right to “Must consume all of this immediately.”

I’m not at all surprised at the continuing appeal of many of the foundational series for us, series that set Yuri fans on the path to understanding and enjoy this genre, like Sailor Moon and Revolutionary Girl Utena. I’m thrilled to pieces that old classics like Rose of Versailles and Dear Brother have found renewed interest in a modern age.  I’m still waiting for everyone to rediscover the wonderfulness of Devilman Lady. ^_^ And we’ve encountered so many new series that have established their place in the Yuri canon, from action-adventure like R.O.D and Bodacious Space Pirates, to “new classics” like Sweet Blue Flowers and Puella Magi Madoka Magica. Not to mention amazing, moving series over the years like Simoun, Kaleido Star, and the Girls with guns on the Run trilogy of Noir, Madlax and El Cazador de la Bruja, which gave us so many hours of conversation! And let’s not forget the “classic” Yuri parody series Strawberry Panic!  and Kannazuki no Miko, a series that launched a whole new kind of Yuri fan in the mid-2000s.

We were able to run Yuricon 2005 in Tokyo and the Yurisai and  Onna! in 2007, both of which I like to think helped set Yuri on a whole new track toward genrehood. As we hit the 10 year mark, the country was heading towards a depression, publishing and distribution was radically altered and the end result was that we shuttered doing both manga publishing and events, but Okazu and Yuricon pivoted to an exciting new focus – public speaking and writing articles on Yuri that would help establish Yuri’s genre bona fides.

And so it has gone, for 15 years, juggling events (both mine and other people’s), talking and writing about Yuri anime and manga. This blog has been through a few renewals over the last decade and a half (and we’re looking at another one in the near future,) but it’s basically stayed the same. I’ve basically stayed the same, I think. Maybe. Or maybe not, but I don’t feel different, although I have less patience with spending time on stuff I’m not going to like, especially as there’s so much great stuff being released these days.  ^_^

What absolute has stayed with me for 15 years as the primary focus on Okazu is this:

Yuri is a way to build a bridge from American lesbian culture to Japanese lesbian culture. It’s true that Yuri is not “ours” as such, having so many owners, but it centers around our stories. That’s really the core concept to me. It’s true that readers, publishers and creators may not be LGBTQ or even interested in telling LGBTQ stories with any sense of  realism or honesty, but in the end, it’s our stories, and our opinions about those stories, that turn Okazu and Yuricon into a community for people all over the world. In 2017, I’d say we’ve been successful. I see more genuinely LGBTQ content in manga and comics and cartoons this year than I ever have before. (Anime is still lagging behind, but that’s not all that surprising.)

And above all other things, it’s that community that I want to celebrate today. I thank you YNN Correspondents, Guest Reviewers, my staff who travel with me and help keep this place running, folks who comment, folks who correct my mistakes and folks who simply enjoy the posts here – you, the Yuri Network, are the pride and joy of Okazu.  

My sincere and heartfelt thanks to Okazu Patrons.You are a major part of why I can keep doing this day after day. You’ve gotten me closer than ever to being able to pay Guest Reviewers, and allow me to give them tokens in thanks now. You’re helping me travel to events I report to you and with the media I consume and review. You’re all an important part of the team here at Okazu, thank you. This post was made just for you at your request. ^_^

I want to end with especial thanks to my wife who is my editor, my #1 fan and greatest supporter (as well as the best clever idea generator a person could ever ask for!) I can never thank you enough. Love you.

Thank you all and a very Happy Birthday to all of us!





Yuricon at Yurithon!

August 1st, 2017

Please join us August 4-6 in Montreal, Canada for Yurithon, part of the Otakuthon event. I’ll be joined by some of my senior staff and dearest friends (but not all, and we’re really going to miss those of you not there!) and we’re doing a bunch of panels. I’m bringing a bunch of stuff to give out as prizes, so come with your best questions ready!

Here’s where you can definitely find us!

Friday: 5:00pm-6:00pm: The Secret History of Yaoi and Yuri
In this presentation, I trace the artistic and literary roots of some of the common tropes of Yuri and BL.

Saturday: 1:00pm-3:00pm: Must Read/Must Watch Yuri
This is our “flagship” panel – 90 minutes of Yuri anime and manga. We’ve brought animation clips and and tons of stuff to watch and read. Prizes are primarilyy for this panel. Bring it on!

Saturday: 7:00pm-8:00pm: A Yuri Otaku in Japan
We’re going to give you the Yuri-focused downlow on getting to Japan, staying there, shopping there and going to events there. Want to know where to get Yuri? Join us and find out.

Sunday: 1:00pm-2:00pmYuri Court”
This is a silly game I made up on the spot for a con Sunday. ^_^ Participants will “present a case” for a Yuri being Guilty (of being crappy) or Innocent (by being good) and a panel of judges (not just me, so don’t worry that I’m gonna slam your decision. There’s three of us, I can be outvoted. ^_^) will decide on a verdict. I hope to have some prizes left to offer folks for this game.

If you’re an Okazu reader or a member of the Yuricon community, please introduce yourself. I want to meet you all and thank you in person. ^_^





Hungry for Yuri? Subscribe to Okazu!

February 22nd, 2017

In 2015 I wrote a post called Supporting Your Local Comics Ecosystem in 2015. In that article I address the issue of the people who work on comics/manga and the people in those industries who rely on people paying for those comics legitimately.  In that article I wrote, 

“Entertainment is created by artists, but also by their assistants, their editors, the art directors, the layout people, the printers, and web developers, sales people, delivery people, all the way down to the part-time bookstore employees who shelve stuff and the post office who delivers it. I know you know this, but I want to say it:  If you have ever once thought “Hey. I want to work in comics” you might also want to think about this –  if everyone makes comics, but no one buys them – where does the money come from? When you buy something, you are contributing to a larger economic system that sustains those jobs and the people who work them”

Okazu readers overwhelmingly support this ecosystem. You buy the stuff you read and watch and listen to, you subscribe to journals, to blogs, to legitimate online streaming sites. I am so very thankful. I know that my readers are active participants in the industry they enjoy. It’s one of my greatest pleasures to know so completely that you are the market as well as the audience for Yuri.

Here in 2017, we’ve been given an unprecedented number of Yuri manga releases and events. I want, of course to be everywhere, and do everything and tell you about all of it. But I can’t. I spend about 20 hours a week on Okazu now and there just isn’t enough time and money to be everywhere. 

In the past, when you subscribed to Animerica or to OtakUSA magazine, you didn’t get an ad-free experience. In fact, advertising was what paid for print journals far more than your subscription did. The subscriptions paid for the content, the ads paid for the everything else that made it possible to print a magazine.

Okazu isn’t a monthly magazine. It’s a free, 4-6 times a week, no-ad experience. I don’t ever want that to change. So why do I ask you to subscribe? To pay for the content, just like in the old days. Good writing takes time and effort and people who do it deserve to be paid. And to get you that content, human beings have to buy things and go places. Those take time and money too.

So once again, if you read Okazu regularly, I’m asking you to contribute to the ecosystem here. We’re just  very few dollars permonth off our 2016 goal on Patreon and this year it is really important for us to be able to pay Guest Reviewers. 6 more people at $5/month  ~ 6 more heroes and we’re over that mark. And, because I really  mean it when I say I care about the content, I’ll make sure Guest Reviewers are rewarded with something more than just thanks, even if we’re not at the 2017 goal yet.

Please help us get to more events, be able to review more Yuri and above all, reward our Guest Reviewers! Please consider subscribing to Okazu on Patreon. There’s week left to be entered in the Patron Contest, so subscribing now enters you in a chance to get a box crammed full of *stuff.* Who doesn’t want that?

To those of you who have already become Patrons, thank you. You are truly my Heroes!

 





The Perqs of Okazu Patronage Lucky Box Contest!

January 27th, 2017

Hello my friends. I wanted to take a moment to thank you all for, well, everything. Thank you for reading and commenting (some fantastic comments on yesterday’s post! I think I replied to all of you) and guest reviewing and, not at all least for being Patrons. Your patronage has made it possible for me to review a lot of cool stuff and has helped me report on very cool events.

I’m going to be giving a talk in NYC in March and in April I will be flying out to San Francisco to participate in Queers & Comics 2017 with brilliant creators and writers and academics. And so, I am turning to you hoping to entice you to become part of my Okazu Patreon, with a little added incentive. ^_^

As a Patron of $5/month or more you get a badge that proclaims that you are an Okazu Hero or Superhero. At $25/more you get a nifty little omamori I made up special for Okazu no miko, which was the super dorky, yet loving, title I came up with for that level. ^_^

When you, as a Patron, have supported us for $25, no matter what the level, you are entitled to your own personal Yuri chat with me. I’ve done this a few times with Patrons at a couple of levels and it’s always a blast.  This year, we’re also adding something a little different.

As you know, every winter I put together eclectic collections of Yuri manga, toys, random items, candy, utter crap and other cool things and hold Lucky Box sales. This year, I’ve got a couple of boxes, jam -packed full of manga, magazines, candy, toys, stickers and random crap and I’m giving them away to Okazu Patrons. I’ll be holding two Lucky Box Raffles special for Okazu Patrons. 

One raffle is especially for current Patrons. (I loathe contests that exclude current customers. Aren’t they just so vexing?) I’ll be emailing them shortly about that.

And, this is where you come in –  I will be offering one exclusive Lucky Box raffle entry for new Patreon supporters who join before February 28, 2017.  

Become a Patron at any amount and you’ll be entered into a raffle to win a exclusive Okazu Lucky Box. People who have gotten them in the past have described them as “Amazing…in a couple of ways,” “Full of strange stuff, but fun!” and “I love it!” I always cram the box as full as possible.

Disclaimers & Restrictions

Sorry, but there has to be a few restrictions.

You *must* be over 18 to receive  a Lucky Box. I don’t police what goes in it and some magazines and manga are likely to be for not-children readers. I may throw in a lolly for your kid, or for you if you don’t want to share.

Lucky Box winners must be from the continuous 48 states. I use US Postal Service flat rate boxes, which means that I can cram a ton of stuff in the things, but it also means there’s limits on where they can go. However, if you subscribe from overseas, I will figure something out to thank you. I have really cool postcards and I’m not afraid to use them. ^_^

In conclusion, please consider helping me get to Queers & Comics, help pay Guest Reviewers and help keep up the work we do and the fun we have here at Okazu by subscribing on Patreon.

 





2017 Okazu Patreon Campaign State of the State

January 8th, 2017

With the help of our Okazu Heroes and Superheroes we have accomplished so much, I wanted to give you all a “state of the state” video message with my sincere thanks. So here is the 2017 Okazu Patreon Campaign video.

Since 2014, with your help, we’ve been able to get the Yuricon Store up and running as the most comprehensive all-Yuri-in-one-place resource on the Internet. Now we’re looking internally, to pay guest reviewers for their efforts. Thank you to all Okazu patrons and here’s to a rosy future for us all in 2017!