Archive for the Series Category


New Anime Season Winter 2008: Mai Otome 0 ~ s.ifr OVA 1

February 29th, 2008

How many of the Mai series have you followed? I slogged through some of the HiME and Otome manga before calling it quits and I avoided Arashi completely. (For some reason, the manga is so much more vile than the anime and light novels, it’s genuinely intolerable to me.) I’ve watched all the anime, read the light novel and listened to two of the Drama CDs. Much of which I have reviewed here at Okazu. :-)

Which brings us to today’s topic, the newest of the anime releases, Mai Otome 0~S.ifr, OVA 1. (Available in English from Funimation.) This series clearly looks like a step back in time, an origin myth if you will. And like all epic beginnings, it starts off with good epic CGI, epic action and epic background music.

Sifr Fran, our heroine, starts the episode off having been kidnapped by our old friends, the Schwarz. She is saved by a Windbloom combo of Bruce Windbloom and his Meister Rena, with an assist from Sister Shion and her Meister Raquel and one of the Five Pillars of Garderobe, Elliot Chandler.

Once Sifr is safe and sound, we introduce everyone, including Arika’s eventual mother Rena Yumemiya, who pretty much doesn’t look at all like what we would expect. And if you have been keeping up on all of the different iterations, you may recognize Shion and Raquel as Shion and Mayo from the Mai HiME: Destiny light novel. For sanity’s sake, I refuse to even think of that at the moment – it’s just easier to take S.ifr as a whole new ball of wax and learn everyone the way they are presented to us.

Rena is greeted with much Yuri loving by Elliot. Apparently Elliot and Rena were in school together and Elliot misses Rena *a lot*. This is followed by some teasing of Shion, that in a lot of ways was very annoying, because even as they were implying that Yuri relationships exist in both Garderobe and Church, they explicitly state that its forbidden in the Church, and it’s a dirty little Otome secret. UGH.

We’re also treated to some bath service and nudity, because apparently we like that kind of thing.

Sifr is still the target of Schwarz, and while Elliot appears to be on our side, she receives an order from the Garderobe headmistress to kill Sifr if Schwarz gets a hold of her. Schwarz helpfully attacks, there’s some good action that Sunrise animates quite well, much better than the “peacetime” scenes, all of which precipitates two things. Peace-loving, violence-hating Rena is forced to materialize fully and fight off a Miyu unit, M-9, and Elliot is forced to show her hand. Rena wins the first battle, and ties on the second and the world explodes as Schwarz flies off with Sifr.

Personally, I’m betting no one died.

Lots of stuff to come in the second OVA, including Rena getting her sapphire robe, and erm… stuff.

Ratings:

Art – 8
Story – 7
Music – 8
Characters – 7
Yuri – 5
Service – 5

Overall – 7.5

For a first episode, I think S.ifr had pretty much every bang we can expect for our buck. I particularly liked the fact that there were less panty shots than usual, (replaced with the slightly less scuzzy obsession with adult breasts) and there were definitely more adult characters per square inch than in all the other Mai series. I’m looking forward to getting to know Garderobe’s new Headmistress, especially. She has EPL written all over her. ^_^





Yuri Drama CD: El Cazador de la Bruja, Volume 2

February 28th, 2008

My goodness,the El Cazador Drama CD, Volume 2 is a cute Drama CD. Set somewhere just past halfway into the series, after Ellis has started to realize that Nadie is more than a friend, but well before Nadie clues in, this Christmas story finds our two adventurers on the run with Santa Claus.

Not *the* Santa Claus, of course. In this case, the story begins with Nadie telling Ellis that she remembers a Christmas in New York City. Ellis presses her for details, which Nadie is loathe to share. When she – reluctantly – begins the story, it goes something like this. “Santa Claus was running away.”

At which Santa Claus comes running out of a store and into their car, importuning them to floor it. After some banter, they take off. Nadie is amazed at the irony when Clive, the Santa in question, turns out to be the *same* Santa as that in her New York story.

The opening credits are an opportunity for Ellis to keep changing the title of the story, inserting “New York” in every version, until Nadie puts a stop to it.

Eventually Ellis learns the New York story, and why Clive is (still) on the run. There’s gunfights and poignant moments, and Ellis using her newfound powers, and LA being a freak, and Ricardo being whipped by Lilio into dressing as Santa (red poncho) and walking around with a llama with a red nose. And each scene narrated dryly, as usual, by Jody “Blue Eyes” Hayward.

In the end, Clive was wearing a red shirt for a good reason, and Ellis and Nadie are forced to confront Clive’s mother, now a nun, with the gift he had made for her. Ellis’ innate honesty and goodness force Clive’s mother to forgive her son and they move on, having once again changed the world one person at a time.

The story is a little thin, but there were a few excellent scenes and one very un-excellent scene. ^_^

The best scene, IMHO, is Blue Eyes asking one of her henchwomen to stay for a drink, since it’s Christmas Eve and all. She begins interrogating the woman – likes, dislikes, hobbies, etc. None, comes the answer. Blue Eyes makes fun of the woman a little, but when the questions are turned on her and she doesn’t have any better answers, the henchwoman notes that they are the same. Scene fades out. My imagination doesn’t. ^_^

The most horriblest scene involves LA singing the Amigos tacos song. Try imagining it. That’s not nearly half as bad as it actually was. 0_0

And the funniest scene comes right at the very end in a 12-second track, when Ricardo, Liliio, and the llama, drive by Nadie and Ellis. ^_^

The bonus track was very long, with quite a lot of conversation from the main cast. Miyano Mamoru, LA’s actor, is quick to point out that LA is not, in fact, a pervert or hentai – his feelings are genuine love for Ellis. I agree, but it doesn’t make him any less horrible.

Hisakawa Aya is bemoaning the fact that Rosenberg’s voice actor, Miyake Kenta, isn’t with them this time and wouldn’t you know it – he walks in at that very moment! “Uso!” Hisakwa says, and a conversation that has nothing at all to do with us listeners erupts. ^_^

No physical extras, but the cover art is just about exactly as cute as the story inside.

Ratings:

Art – 7
Story – 7
Characters – 8
Yuri – 3
Service  – 4

Overall – 7

While not as love-love as the first El Cazador DCD, the second is still fun.





Yuri Anime: Battle Athletes Victory, Volume 8

February 21st, 2008

In keeping with my tradition of being out of step with the large majority of Yuri fandom, I would like to take some time today and review the final volume of this mostly-unknown-to- today’s-generation-of-Yuri-fans anime.

Battle Athletes Victory Volume 8 is arguably the worst final volume of an anime I have ever watched. ^_^ It resurrects every irritating characteristic of the earlier volumes, manages to insert some entirely new, even *more* irritating concepts and then play it all for laughs, so if we get irritated, it’s obviously our lack of a sense of humor that’s the problem, not the fact that the story is a truckload of horseshit.

At the end of Volume 7, you may remember, Akari has won the title of Cosmos Beauty AND beaten her mother’s record, as unlikely as that seems. And, you may also remember, that the aliens chose that very moment to attack.

In Volume 8, we learn that the whole Cosmos Beauty thing was a cunning plan by schoolmaster Grant Oldman, in order to train a cadre of unbeatable female athletes to do one thing – take on the aliens! Oh my god, how clever he is! Not to mention nearly immortal, but they sort of gloss over that.

In any case, Kris is recalled (with her cow), Anna shows up to cook for the team, Ichino is added to the roster along with Akari, Jessie, Tanya, Mylandah and Lahrri, and we face off with the aliens, with “Mister Miracle” as our coach.

Of course, the aliens cheat.

And of course, we manage to somehow hang on despite the obvious bias. And, of course, it comes down to the final race, which is, of course, a dash and, of course, we’re relying on Akari and Kris. And, of course, the aliens pull out the ace up their sleeve. Because they are clever too, they have brought Tomoe Midori BACK FROM THE DEAD to race against her only daughter. Even better, they bring her back at the age she won the Cosmos Beauty title, so she’s actually a year younger than Akari. Bet you saw that coming, huh?

Akari has the usual crisis of identity, and Kris gets her to gambare again and in a complete shocker, she saves the Earth and wins.

The story doesn’t end there, however. The epilogue follows mostly everyone as they set out on their post-alien invasion lives. In most cases they stick with athletics, but we’re treated to a funny final scene with bratty Tomoe teasing Akari, and the absolutely shudder-making idea that her parents are together again and now expecting a baby.

And we all live *happily* ever after.

It just occurred to me that you might think, reading this, that I didn’t enjoy this volume. That isn’t true. I did enjoy it. But not for any of the above. ^_^

I spent most of the volume watching the only two reasonably sane characters left, Mylandah and Lahrri. They spend the entire volume in a world of their own. No one is gonna tell me that they aren’t totally together. And they’re damn cute together, too.

For Yuri fans who like their Yuri a little less subtle, Kris immediately pins Ichino to the wall about her total gayness for Akari. Kris insists that Akari is her’s, but Ichino won’t even admit she’s interested, although she’s immediately jealous. So the two of them engage in a bizarro rivalry throughout.

My one real question about this volume is – who named it “Volume 8: The Human Race”? Because I think that person deserves a blow to the head.

Ratings:

Art – 6
Story – seriously, it’s so over the top with dumb, it’s practically genius – 7
Characters – 6
Yuri – 4
Service – 5

Overall – 7

In the end, the end of the anime was nothing as satisfying as the manga, where Kris and Akari kiss in front of the known universe and Mylandah and Lahrri retire to a tropical love nest. But it was what it was. If Kris’ cow and Grant Oldman’s panty fetish made you laugh in the first seven volumes, you’ll probably think volume 8 was just fine. ^_^





Yuri Manga: Kyoshiro to Towa no Sora, Volume 2

February 20th, 2008

Let’s play a game, shall we? I’m going to review Volume 2 of Kyoshiro to Towa no Sora as if Kaon and Himeko were the protagonists. Pretend you don’t know they are not. Read it all the way through and then *honestly* commment about the series. Because my guess is, all you Kannazuki no Miko fans would LOVE Kyoshiro, if Kaon and Himiko were the leads, regardless of how junky it is. (Of course it’s junky. Kaishaku writes junk. It’s all they have ever written.) The bottom line is that you loved KnM for the Yuri kisses, not for the story, despite how awesome you say you thought the story was because the story made little sense and rape really isn’t romantic no matter how you’ve chosen to fill in Chikane’s motivation in your head. Since the Yuri in Kyoshiro is secondary, you all *suddenly* noticed that Kaishaku suck. ^_^

Here we go.

Once upon a time, there was a girl named Himiko. She was very gentle and kind, and a very talented artist. Because she was so talented, she was recruited to attend an exclusive school run by the charming, but overbearing Ayanokouji Mika. Mika-sensei ran the school like a harem, taking various students, including Himiko, as lovers. But her true interest lay with a girl named Kaon. Kaon was tall and beautiful and powerful – because she was not human. In reality, she was the human form of a powerful weapon, an Absolute Angel. Himiko and Kaon fell in love, but they could not be together, since Kaon was Mika’s possession. They stole moments together and kisses here and there, but all the time they knew that Mika owned them both.

One day Mika commanded Kaon to kidnap a girl, which she did. But she was weakened in the attempt. The girl was immediately claimed by Mika as her own, and given to Himiko to take care of. But when the girl’s previous owner sent his weapon to take the girl back, Kaon was too weak to fight. Himiko kissed Kaon to giver her “mana,” the energy she needed to fight. But it was too late. The other weapon, named Setsuna, and her owner, Kyoshirou, took the girl away. Kaon was punished by Mika for failing, and she and Himiko were once again kept apart.

The next chapters follow the girl’s adventures as she is returned to Kyoshiro, but not left at peace. She learns that she too is an Absolute Angel, something that she simply can’t handle, having thought she was human all along.

And then, Mika and Kyoshirou’s crazy older brother shows up. Everything is about to change.

Ratings:

Art – 7 Orders better than usual. I wonder what happened.
Story – 7
Characters – 7
Yuri – 7 Don’t forget that Mika is an EPL, too
Service – 7

Overall – 7

Admit it. If Kaon and Himiko were the protagonists, you’d love this story and wouldn’t be able to sit still waiting for Volume 3. Yuri fandom is willing, able and wanting to watch absolute crap (cognitive dissonance will assure us that it is good, as long as we liked it, anyway) as long as the lead characters are a Yuri couple.  ^_^

Kannazuki no Miko isn’t as good, and Kyoshiro isn’t as bad as you think you think. ^_^





Maria-sama ga Miteru Drama CD 11: Cherry Blossom

February 11th, 2008

Is there any one among us hard-hearted enough not to swoon when Noriko relates her first sight of Shimako under the sakura tree, looking like Maria-sama come to life? Not me, certainly.

Maria-sama ga Miteru: Cherry Blossom Drama CD set was lovely. Simply lovely.

For the plot, please take a look back at my notes on Part 1 and Part 2 of the novel. (I had not yet begun translating the books at that point, so these are notes/synopses not full translations and therefore still available on Okazu.)

The first CD in the set recounts “The Sakura Among the Gingkos,” the portion of the novel in which we meet Nijou Noriko for the first time, and she meets Shimako. Incidentally, we also meet Matsudaira Touko, but I’ll get there in a bit.

“Sakura” follows Noriko as she meets Shimako and deals with some mild bullying because of their developing relationship. (The latter is only partially true, but she doesn’t know that.) The story climaxes during the Maria-sai, as Shimako is forced to out herself as the daughter of a Buddhist priest.

The Drama CD of this part was fantastic. Noriko, a transfer student from a co-ed school, has always seemed to me to be the most grounded of all the characters in the series. She comes off here as so *normal* it almost takes one’s breath away. Confronted in the beginning of the story by Touko and two other classmates and their positively Baroque formal Japanese, it’s really no wonder she feels disoriented and alien at Lillian.

Noriko’s meeting with Shimako is related very prettily. Noriko’s happy obsession with Shimako is instant and very much *right* on that line between friendship and love. It’s powerful – and mutual. The “outing” scene was horrific. From Noriko’s point of view, it can only be seen as heavy-handed…at best. When Shimako admits to being the owner of the juzu and Noriko bursts into tears for her – it was very moving. Once again, the Marimite cast is superlative.

The second disk of the set, “Background Noise,” covers the same circumstances from Yumi’s point of view. We see the concern Shimako’s friends in the Yamayurikai have for her, and how much they are, really, trying to help. However…to her credit, Yumi spends the entire story thinking that they are handling it really badly. They are, and I’m glad Yumi recognizes it. Itou Miki’s over-acting Sachiko is both hysterical and really cringe-making. As I listened to the scene in the church, I kept thanking the universe that I was no longer a teenager. ^_^

The other half of “BGN” is the introduction of Touko who, if you will please excuse the language, is a total twat. Kugimiya Rie is spectacular as the entitled, manipulative Touko. I’ve grown so used to her – and she has changed *so* much in the course of the novels, that I had completely forgotten what a slappable little creature she is when she first arrives en scene.

Listening to her snipe at Yumi, a thought suddenly hit me. Rainy Blue is coming up. I’m going to have to sit through those DCDs. Ugh. Ughughugh. I don’t know if I can do it. Oh well…I have Kohitsuji no Kyuuka to look forward to, after that whole thing is over. I’ll just grit my teeth and cope.

In happier news, we get a little Sei-service, when Yumi visits her, and after the Maria-sai.

For the first time, there is a bonus track where we get some very amusing comments and a lots of “natsukashii”s and “hisashiburi”s by the voice actresses. I was very glad for the bonus track. It’s about the only time we hear what the seiyuu have to say for themselves – it is immediately apparent that this group feels *very* comfortable with each other at this point. And that they’ve got a load of in-jokes. Also, I found it amusing to hear several of them refer to the series as “Marimite.” ^_^ I don’t know why, it just tickled my fancy.

The one physical extra is a postcard of Hibiki Reine’s art of Noriko. Pretty, as always.

Ratings:

Story – 7
Characters – 8 for Noriko and Shimako, 4 for Touko, 7 for everyone else
Yuri – 5 It worked a bit better visually, with those long, lingering “just kiss her” moments
Service – 8 who else buys these other than us obsessive fans? ^_^

Overall – 8

This is me, grasping at the Touko of Bara no Hana Kanmuri and trying to forget the Touko of Cherry Blossom, signing off.