Archive for the Series Category


Aqua Manga, Volume 1 (English)

November 8th, 2007

Before I launch into today’s review, I have another news item of interest that I want to add to yesterday’s news.

English manga guru and editor of Manga: The Complete Guide, Jason Thompson, has named Yuri Monogatari 5 one of the hottest translated mangaof the autumn. Thanks Jason! We think so too.

Okay, so on to today’s review!

Aqua was the predecessor to Aria and is pretty much exactly the same, only a little less refined. This volume is the first of the “new” Aria volumes by Tokyopop. I can’t say I was hugely impressed. I admit to having some actual expectations of quality for this volume, so when I got it, I was disappointed. See – there’s that thing about expectations, again. Not having them makes everything so much easier.

The story of Aqua Volume 1, is delightful, whimsical and fluffy – exactly what one expects from another sojourn on the planet Aqua and the in city of Neo-Venezia, specifically. Volume 1 follows the ironically named Mizunashi Akari as she travels to Aqua to take up a position as a gondolier-in-training at Aria Company, and her adventures once she gets there. For a previous look at the story, here is my review of Aqua in Japanese.

Yuri is confined to Aika’s raging case of akogare. As this is the beginning of the story, her case is a bit more persistent and crushy than it will later become. If you were to read this first, you could easily be half-convinced that Aika’s pretty far gone. It’s a cute, classic “schoolgirl crush”-type crush. ^_^

For the story and characters – I agree with most other reviewers, Aqua is great. But technically…

Aside from the not very attractive new logo for Aqua, the cover of this volume is also burdened by the cover art used for the second release in Japan – a picture I really just don’t like. The first cover was ever so much more attractive. I know it’s just me being old and grumpy – but the picture makes me feel like my eyes won’t focus right.

The reproduction of the color pages in black and white is simply *bad*. Very, very bad. And the reproduction quality for the entire volume fades in and out without rhyme or reason. Maybe it was a printer error, maybe it was something else, but it irked me. Alot. I’ve had similar problems putting together the Yuri Monogatari series, but I’m working with multiple artists and systems, and varying levels of understanding about DPI and format. Tokyopop wasn’t. So what was the deal?

My only other complaint is just me being a total asshole. ^_^ (Hey, why should today be any different?) The preview at the back of the book, which is titled Aqua, Volume 2, is inexplicably actually a preview for Aria, Volume 1. I guess the editor hadn’t read the manga and wasn’t familiar with the actual story. But I was kind of surprised that that wasn’t caught.

Now, the thing that Tokyopop was trumpeting about the new acquisition and the eventual release of their own editions of Aria 1-3, was the new and improved translation. I had no problem with the original ADV translation, but that’s probably because I wasn’t paying attention. I read those first volumes in English once – a million years ago it feels like – and haven’t looked at them again.

I will give TP total props for leaving in all the honorifics. That was great. It was so great that I never even noticed that they were there, because I was just reading the story, not squicking at “Miss Alicia” and the like. So total thumbs up for that, TP. In asshole mode once more, I didn’t much like the font they chose for the words – and you know, I’m not sure I ever really felt that strongly about a font before. There was just something about this one. My last completely absurd LFG complaint is that, while I understand completely that they had to change some things to differentiate from the ADV translation, changing “embarrassing lines are prohibited” to whatever it was that they used just to make sure it was different, felt forced and awkward. AND they were changing the meaning of the words, which is unforgivable. Use “embarrassing lines are forbidden!” or something, if you must. But again, that’s me doing that LFG thing where if it’s not exactly the way we want it, we fans lay on the ground and kick and scream until we get a lollipop. ^_^

Objectively, if one had no expectations, Tokyopop did a fine job, with the exception of the rendering of the color pages. Those were just…bad. As an adaptation from the Japanese, linguistically is volume is good, but technically not so much.

Ratings:

Art – 6
Characters – 7
Story – 7
Yuri – 2
Service – 1

Translation – 8
Reproduction – 4

Overall – 6

For my part, I’m probably going to give this volume to the library and stick with the original Japanese volumes when I want to spend some time with Akari and the crew.





Magical Girl Lyrical Nanoha StrikerS Manga, Volume 1

November 5th, 2007

Perhaps it was a bit of a shock to some to watch the first episode of Mahou Shoujo Lyrical Nanoha StrikerS only to learn that their favorite lolicon fodder were now adults. Ten years had magically passed in the real-world year or so between the second season and the third. During those ten years, Nanoha had grown up not only to become the incredibly powerful mage we all knew she would be but also, along with Hayate and Fate, had moved rather quickly up the ranks of the Time Space Administration Bureau.

What happened in those ten years? A lot, obviously, duh. A few key items were mentioned during the StrikerS anime. Things like, Hayate and her knights’ punishment for the crimes they committed during the Book of Darkness episode, or Fate and Naoha both having serious self-preservation issues when they completely release their limiters and, of course, the infamous moment when Nanoha was severely injured. Also Fate suddenly developing an adoptive brother she takes care of and adopting a daughter of her own came as a bit of a surprise, I have to say. Most 19-year olds are still working out car payments. But there were Erio and Caro, and so we accepted them. Now that I think about it – we were told quite a lot about those ten years.

But let’s face it, there’s a lot more that must have happened. What Fate wore for her sixtenth birthday party, for instance? Fanboys want to know! And they want to see Nanoha and Hayate and the Knights in maid uniforms serving her cake!

Sorry, sorry, I have trouble taking the fandom of Nanoha seriously. But that’s okay – they take themselves WAY seriously enough that they don’t need me.

Some of the events that lead up to StrikerS are detailed in Magical Girl Lyrical Nanoha StrikerS The Comics, Volume 1. This volume includes the transitional A’s to StrikerS chapters. Nanoha, Fate and Hayate have moved up the TSAB chain of command and are looking to develop a new team. This first volume is an early look at the new characters that will inhabit the StrikerS universe: Subaru, Teana, Erio and Caro.

Because the manga focuses on the new characters, with mostly expository discussion between the older ones, Fate gets a few moments here and there fussing over Nanoha, but not much more. Much like the anime – if you took out the big pluffy bed – there’s plenty of plausible deniability. OTOH, you can also easily look at them and see a well-established couple. The lack of PDAs is pretty normal for couples no longer attached at the hip. And the affection between them is obvious.

Erio and Caro are both so nice and cute and earnest that they bore me a bit. Everyone in the Nanoha world seems to come with a tragic backstory, and theirs were, yes, tragic. It’s believable that Fate would be moved to take care of them both. They are introduced a little in this volume. But most of our time is spent with Subaru and Teana.

We establish early on that they are suited to work with each other and that Subaru drives Teana crazy but she can’t get her out of her mind, which sets up Teana as the ever-popular passive-agressive tsundere. Whee. Teana’s redeeming factor is her genuine desire to excel, her competence, and her ability to think creatively. She has some serious leadership potential, as well. Subaru is the kind of character that in any other series would excel on guts alone, but we know that she’ll be practicing until she drops, too.

The level of fanservice for both Subaru and Teana is high, assumably because at 19, Fate, Hayate and Nanoha are too old for the average fanboy. It also gives us the opportunity to see them set up in a variety of completely non-lesbian Yuri situations; since Teana’s obssessive and they touch, that’s enough for most fans to consider it a done deal. I have no opinion either way. If it’s important to you to see them as a couple, go for it. I weigh in on the “not really” side. In fact, if you pressed me hard, I’d tell you that, at the end of StrikerS all of the characters look married to their careers more than anything else.

The story, as I mentioned, has lots of exposition, setting up the development of Section Six and following the future forwards initial training. The next volume will begin StrikerS proper.

I hadn’t ever been moved to follow the Nanoha series’ manga. Now that I’m getting more adult women in uniform, it somehow became far more interesting to me. Amazing, isn’t it? (I also learned that my brain goes absolutely white-noise at three or more panels of military terminology. Like, you can *hear* the flatline, “beeeeeeeeeeep.”) I do enjoy the 4-panels that go along with the manga, that put a lighter spin on, particularly, Nanoha. We spend a little more time that I’d like with Rein. There’s only so much “awww” I have in me every day and my wife takes up most of that in the morning before I go to work. ^_^

Ratings:

Art – 8
Story – 7 (there really wasn’t one, yet, but the exposition was fine.)
Characters – 9 (I would like to have more Signum and Shamal, please….)
Yuri – 1
Service – 4

Overall – 7

If you are a Nanoha completist, obsessive and/or fanatic, you absolutely need this manga. If you liked StrikerS alot, you would do well to take a look at this. I enjoyed it. But then, the greatest strength of Nanoha has always been the characters, and this gives them some extra depth and breadth. So there you go.





Yuri Anime: My HiME, Volume 7 (English)

November 2nd, 2007

Nothing like finally wrapping up a review of a series I first reviewed 2 years ago. Such a sense of accomplishment, I tell ya. Thanks to Ted for not only making this review possible, but for the nifty gift box, as well! (Daniel, Ted’s ahead of you now – quick buy me more stuff to catch up! LOL) Here’s a link to the nifty box version, if you, dear reader, decide that you want one too. The picture is linked to the DVD-only version. And btw, Bandai – I think the nifty box for the last DVD makes a lot more sense than for the first.

I watched this DVD on the plane. I figured that after sitting through an episode of Baccano my rowmates would be thrilled to have something so tame. lol It kind of had all the bells and whistles people who are not anime fans expect from anime – gratuitous service, bloodless violence, colorful battle scenes and lots and lots of tears.

Yes, this volume covers the final, dramatic battles between the HiME, the Obsidian Prince revealing another absurd plot to create a new world, and all the other stuff we were supposed to care about. But since we really only cared about Natsuki and Shizuru, I’ll jump to that.

I’m not a ShizNat fan, but I really think Natsuki stepped up here. It was the right thing to do and the right way to do it. I’m never going to be happy at Shizuru’s behavior, as logical as it wasn’t. Crazy people are crazy, so her “Since I think you’re rejecting me, I’ll just have to kill you” scans pretty much as what one would expect. But, bleah. I did like the Kiyohime reference with the bell. That was a nice touch. One of the few in this volume. Also, I note that the translaton made Natsuki come down on the Yuri side of the equation, which was different than how I heard it originally – more on the, thanks, I’m happy you felt that way, but I can’t love you that way. I’m fine with this version of it.

In episodes 24 and 25, most of the characters undergo some serious self-reflection. That part was very good. And much of the rest was just typical fighting anime blah blah blah. I was extremely disappointed that, when Reito tells Mai that she won’t be able to call her Child anymore, she didn’t say that she could because the most important person to her now was herself. That *had* been where all the stuff that came before was leading, it was what Takumi said to her and Tate, and it seemed like a REALLY big ball to drop.

I found the “HiME sentai” team unforgivable for three reasons:

1) They were pointless. At least in Otome, they did a thing. In this, they basically rush off to land and watch Mai cry.

2) The loss of an incredible opportunity for Shizuru to restablish her sanity and apologize deeply to everyone for the horror she put them through. Instead the cute face and false apology made me want to scream.

3) Natsuki called them a sentai team. Right.

The MOST pointless thing was the final scene between Mai and Mikoto, where Mai is emotionally brutalized for no good fucking reason whatsoever. I was so livid at that, that I had a hard time not putting my fist through the computer screen.

And the final thing that was simply unforgivable throughout were the eyebrows. WTH was going on with their eyebrows? They were horrible.

The epilogue begins off okay, but quickly devolves to the reset that so bugged me and most of my friends. So much character development had occurred in 24 and 25, that to sort of ignore all that and move right back to the same people behaving the same reeked of pathological denial.

The final moments of the series were sweet, as Mai, Mikoto and Natsuki – all smiling – run off to do something fun for a change and a girl from the middle school walks by with a clueless look. We’ll get to see a lot more of that clueless look in Otome since the girl is Arika. And the epilogue was as disturbing in places as it was cute in others. I thought Haruka and Yukino’s moment was great, and I was particularly fond of Akira slicing the apple at Takumi’s bedside. Miyu and Nao as nuns was just cosplay to set up a gag.

The extras were re-visits with the three stars of the series, Natsuki, Mai and Mikoto, with bump-up in the Yuri for Natsuki, and nice self-recognition for Mai and Mikoto. All about love. No other extras, except for the nifty box.

Ratings:

Art – 7, except for those eyebrows
Story – 7, with points off for all those balls on the floor so 5
Characters – 7, with points off for the step back at reset, 6
Yuri – 6
Service – 6 (My seatmate on the left looked up just as naked Natsuki appeared on screen. She laughed. The guy on my right was as turned far in his seat away from me as physically possible. lol)

Overall – 7, but honestly, it was rife with lost opportunity

I think, if I had to pick one thing I really liked about this final volume, it would be the fights between Childs. They were shiny and colorful.

Oh, and by the way – Daniel, I’m only joking!





Yuri Anime: El Cazador, End of Season Review

October 24th, 2007

Reviews are going to be very anime-heavy for the next few weeks, as I have a huge backlog of anime that I haven’t had time to watch, while I’m busy watching new stuff that I will review eventually.

But today I wanted to do a long-overdue review of a series from the Spring season. I had watched it raw but, I wanted to refresh my memory on what happened before I reviewed it. I happily watched it all over again, and am now ready to go on the End of Season review for El Cazador de la Bruja. ^_^

You might want to read my initial review of El Cazador to compare and contrast (and also to see how, ironically, that review began in almost the exact same way that this one did. And I can assure you that it was not at *all* on purpose! I didn’t remember that I had written that until I just read it now.) Okay, so I just re-read it and, I have pretty much nothing to add, except, I think Bee Train came through for us Yuri fans on this pretty darn well.

There is a contingent of people who liked Noir best and therefore did not like El Cazador because it was too fluffy, too silly, not serious enough, not angsty enough. And there probably is a group of people who liked Madlax better, although I haven’t encountered any, yet. I just assume that there’s always someone who has a different opinion *somewhere.*

But I can’t say I liked any of them better than any of the others. They were three different takes on a theme – girls with guns on the run. I commented in my original review that El Cazador almost seemed a parody of itself and you know, I think that that was exactly what they were going for here. It’s much goofier than any of the previous Bee Train series. In-jokes abound, even within the context of the story. Tacos will never look the same to any of us again. :-) And the opening and closing theme animation had just about nothing at all to do with the story, which was nice and pointless. No guy in a mask, no sniper cat. Thank goodness. LOL

Ai Shimizu was fantastic as Ellis. Without ever once sounding less flaky or ethereal, she managed to mature her character in such a subtle, magnificent way that it almost came as an afterthought. Itou Shizuka was great as Nadie, remaining pretty clueless and not-subtle from beginning to end. :-) I found them quite charming and am glad to tell my past self that yes, I came to care about them, as I hoped I might.

Their relationship was total win for me. In the beginning, the idea of the two of them as a couple squicked me out the door. There was no one moment where it changed and became something else – it was a slow process. It was, in fact, the point of all that stuff that other people saw as fluff episodes – they were there entirely to allow the characters to develop a relationship naturally, leisurely. And it wasn’t an even process either. Ellis comes to like Nadie, later Nadie starts to care about Ellis as more than a job. Ellis starts to fall in love, Nadie starts to realize that Ellis mean more than just friend to her. And on and on. Ellis, surprisingly, becomes the seme, the agressor, here; making her case for them as a couple long before Nadie clues in. And it is Ellis who declares her love first, and last. She shoots straight from the hip, too, no implication or ambiguity.

None of the larger plot is particularly shocking or revelatory. The conspiracy is never developed as well as it might be – where in Noir we spend episode after episode poring over Soldats, in El Cazador we spend more time with the people who represent the witches and Project Leviathan, than with the details of the organizations themselves. Which is perfectly fine with me. Rosenberg, the bad guy, is loathsome and his death was way too late in the series. And he treated poor Melissa terribly, something I’m not prepared to forgive, since she was so nice. LA, this series’ crazy stalker character, was loathsome AND annoying and his death was also way too late in the series. But I will forever think of him in conjunction with Ellis setting his crotch on fire, so that sort of evens things out.

Jody “Blue Eyes” Heyward was awesomeness and not *just* cause she was voiced by Hisakawa Aya, who for once wasn’t the creepy stalker character. She was sort of a “good” stalker this time. lol Mitsuishi Kotono, who seems to be working more often these days, which makes me happy, was wonderful as the chief witch, even if she never got a name or a story. Echo and the Bunnymen were never explained, nor were Jody’s henchwomen. But that’s okay. Soldats and Enfant never really made any sense, either. :-) Just go with it.

Ricardo and Lilio. I’m still not at all sure what their roles were – acting as foils, I suppose. The four of them were a kind of oddly functional alternative family for a while there. Or would have been if Nadie had had a clue about Ellis’ feelings for her. Which she didn’t, yet.

And then there was the epilogue. It was pretty much as I expected, in fact, as I would have demanded, with two exceptions – the motivation for the confrontation that would catapult Ellis and Nadie back into their real personas was much stupider than I expected, so that was pretty funny.

In the end, as Ellis once again makes her declaration of love – with an audience this time – there is a HUGELY wooja-wooja beat-you-over-the-head love song playing in the background that is a *strong* indication that this is not meant to be seen as ambiguous or plausibly deniable. The fact that the last line of the song is “My immortal love” helps with that. And so does Pedro’s reaction. (Don’t worry if you don’t know who Pedro is – he’s there to be defeated by Ellis’ love. That’s all you need to know.)

Oh, wait – three exceptions. Jody’s ingenuous comment about her assistant being identical to Rosenberg by chance….yeah, sure. It was a off-beat note that I liked *because it has no explanation.* It just is. Go with it.

So, no, its not Noir with its intense film Noir-ness. And no, its not Madlax with its alternate existences and war-torn world. In the end, it is simply El Cazador, with Nadie and Ellis on the road. And for that, I liked it bunches.

Ratings:

Art – 6 Not good, no. But not “AAAHHH!” either
Story – 7 Sure it had huge holes. Who cares.
Characters – 9 They just grew on me
Yuri – 7 If you weren’t grinning at the end, love song and all, you fail.
Service – 5 – Almost as an afterthought – oh, yeah, we could do an ass shot here…

Overall – 8

Tacos, tacos tacos, oi-ishi-i tacosu. Iketeru tacos ha oi-i-shi ta-co-su. Tee Hee.





Yuri Anime: Simoun, Volume 1 (English)

October 22nd, 2007

So, last week, we were talking about managing expectations in order to enjoy anime more.

And there I was this weekend, staring at Volume 1 of Simoun and wondering – how on earth would I manage my expectations of *this*? ^_^

Here’s the dilemma – I loved Simoun. I named it the best Yuri series of 2006 and I meant it. It was one of the most interesting anime series I have ever watched, and full of so many wonderful points that we can mull over and over to endless annoyance/satisfaction, depending on who you are and what you like.

And I really, really love the folks at Media Blasters. I’m thrilled that they are so genuinely interested in Yuri and want to reach out to the Yuri audience.

But, traditionally, I have not loved MB adaptations. Not because they were bad, but because I thought they were okay, but could have been better. To set the stage, let me explain why it matters so much to me:

I watch an anime with no other expectations than my own, as I said previously. In most cases I can understand some, if not most or all, of what is being said when I watch a series raw. And by doing so, I establish my own understanding of the series. When/if I watch a series subbed, I use it to fill in holes I have, and also to compare my understanding to the subbers’ interpretation. When, after all that, I have loved a series, I want to be able to wholeheartedly suggest it to other people – not only other people who are also already fans, but to people who may not have ever seen the original. And for these last, I need the translations to be all that. Otherwise, what I see as awesome, may come off as being incomprehensible, or uninteresting. Most people who watch an anime are not me. I read fast, seeing the subtitles almost as a subliminal. If the words in the translation don’t match my understanding of what’s being said it jars me. But for a person who relies on that subtitle for the entire meaning of the story, if the words are lazily written, or difficult to follow – or plain wrong, then that person is getting a whole chunk of the story taken away from them. Like having a huge black line through the art – sure you can watch around it, but it’s hard to enjoy.

Okay, that all having been said, let me cut to the chase – overall, I think Media Blasters did a very good job with Simoun. Better than usual, and much better than I expected.

Phew.

It’s not perfect, by any stretch, but I’ll get to that in a bit.

Okay, first things first. I need to thank the folks at Media Blasters with all my thanks. They didn’t just send me a copy of Simoun to review – they sent me the very first copy to be printed in the US. And the cover art is signed by everyone who worked on it. There aren’t any smilies that express the sort of thing I felt when I got that DVD. So, my thanks and hugs to everyone at MB. ^_^

I’m going to start with the nitpicky things, starting with the one thing that has GOT to be fixed, or I’ll go mad, and working my way down in urgency until we go into the good, so we can all have a happy end. :-)

The one thing that has GOT to be fixed, is Rodoreamon’s name. For some reason they’ve got it as Rotreamon, which is just wrong. I double-checked the Japanese official website and the Japanese credits – Rodoreamon. Definitely “do” there, not “to”. It looks wrong and everyone definitely says “Rodo”, so please fix that!!! It just looks bad and doesn’t match what they are saying.

Okay, that’s out of my system. So. The names. I appreciated the consistency in the way names were written. In every case, without exception, the final “u” was removed from names. So, Anubituf, Kaim, Aer. I have no trouble with the transliterations they chose, although I’d have been more literal with Alti, instead of Alty. But okay. However, for Aeru’s name, I’d have left the “u” in, because later on, this is going to be an issue. Her name is pronounced “Ah-eh-ru,” not “Ah-er.” However, as this is not a major thing and it matches well enough, as well as being consistent, I’ll drop it. All the long vowels are written with the somewhat old-fashioned symbols “ā” or “ō” so “Wapōrif” and “Māj”. This leads to one really unfortunate typo. The first time the characters discussed doing a Māj, the “a” is left out and what we see is M_j. Erk. (Later, in the extras, Rodoreamon’s name is misspelled, as “Rorteamon.” Two typos on one disk is really not so good. Guys – ask me to to a last disk check. I know the series, the names, the words. Seriously. I’ll be glad to look it over. I do editing on the side.)

The translation. Overall, I think this might be the best translation I’ve ever seen from MB. They left in the honorifics which, in this case, are primarily “-sama.” Can I just tell you how NICE it is to *see* Alty say “Para-sama” when she’s saying it? Later, in the extras, “-chan” is used as well. I’d have loved to see a screen still with an explanation of the honorifics for the potential viewers who don’t know what they mean, but I am so excited to have the honorifics at all, I can barely contain myself. lol

People’s titles are translated. High Priestess, Governor, Captain. No problem. Country names are not translated, but left as they sound. Personally – I liked that. Thumbs up.

Extra points for making everything they say totally comprehensible. If you were one of the people who saw the extremely incomprehensible fansubs of the first three episodes by a particular group, you’ll know why this is so important – the first three episodes are *crucial* to our understanding of WTF is going on. Making it all make sense is not easy and I think they did a really good job. In fact, until the last episode on the disk, I think the translation was very tight. At the end, there was a bit that I felt got lax and fell back into that “this is what they meant, so it’s close enough.” Or maybe it’s just something about the way Dominura speaks that made the Translator want to make her a bit more…casual. (She certainly comes off an an odd bird. If it was done on purpose, then fine. If it was laziness, then bzzt.)

Also, I’d really like to see a Romaji version of the opening and ending themes. It’s pretty usual for anime and fans like it, because we always end up trying to learn them anyway. Alternate bwtween English and Romaji, or run them at the same time as. Either way, I think it would add some value.

The technicals. Well, the usual thing from Media Blasters – no inserts, which made me sad, because I had asked to have inserts of the cover art that we lost as mini-posters or something. This disk contains episodes 1-6, which is *very* good, but since the Japanese DVDs were two-episode disks, we lost two pieces of cover art in the process. I love the cover art – it’s hugely service-y, provocative and sexy. I had really hoped we get them as inserts. But hey – 6 episodes to a disk is *nice*. The whole series in 5 disks would be awesome. Especially for the price – $20 at Amazon ($15 if you pre-order). That’s just over $3/episode. No complaints here. Especially as I’ll probably be buying some Simoun for holiday presents. ^_^ There’s no dub track (although I know that some people like the dubs, and some people felt that they wouldn’t watch it without a dub, the idea makes me shudder, personally) and only the one audio track. Again, I passed on the idea of a 5.1 audio track, so you can’t say they didn’t know fans wanted it. I wouldn’t mind it myself – makes the music, which is so wonderful, even better.

The disk itself is very pretty. Huh, how about that? It surprised me, because I don’t usually notice the disks. This has to be up there for one of the nicest looking DVDs I own. ^_^

And, the extras. As usual, MB has included the extras from the Japanese volumes, which I like a lot. The first is an excruciating interview with the VAs for Aer and Neviril. And the “MC”, who is a horrible lollipop with eyes stuck on and a computer-modulated voice makes it just that much more horrible. Seriously, just skip that extra. The second extra is much, much better. It’s a trivia and quiz game special, pairing up, well, Pairs. Hosted by Morinaga Rika, Mamina’s seiyuu (who is incredibly cute in a punk-y kind of way, with an unrealistically silly voice) each Pair vies for points on how well they match answers to questions, and know trivia from the anime. I was absolutely hysterical during this segment. I had already seen it raw, but I had missed a lot that went on in the background. It was darn funny. I hope we get more of this kind of thing. And bizarrely, when Toyoguchi Megumi is referred to as “Megu-‘nee” it was translated as that. (Well, “Meg-nee”, anyway.) So…erm, why was Alty’s “Kaim-‘neesan” translated as “Big Sister Kaim?” No clue.

Last up. The actual anime. I was so certain that I’d be disappointed watching Simoun this time around. Remember how we retrofit memories? I fully expected to find all sort of flaws with my memory that Simoun was teh awesome. You know what? I was wrong. God DAMN this is a good anime! Two minutes into it and I was glued to the TV and remained that way for all six episodes. Then I was sad that I didn’t have any more to watch. The music remains brilliant. The story remains fascinating. I love the art, the detailed CGI over not-at-all detailed watercolor. I love the ridiculous contrast between our beautiful peaceful sun-filled country and the enemy’s pollution-ridden world of darkness and filth. I love The Arcus Prima, the Simoun, the fact that Morinas is a tease and the fact that all the seiyuu are women. (The wife reminds me that I also still hate the character designs, especially Neviril’s sex-doll mouth. Which is true, but you can’t have everything.) After more than a year, I still love Simoun.

In terms of Yuri, there’s a lot of service. :-) Lots of kisses. And, while it was pretty subtle for an anime, girl-loving LFs of every gender got their RDA of panty and breast shots. But seriously, Yuri in this volume = Neviril x Amuria. The story revolves around what could have been, what happened and how Neviril can’t move on. She *must* be a lesbian, she’s unhealthily obsessing about her ex. :-) And surely we can’t ignore poor Kaim and her not at all unhealthy interest in Parietta. She gets points for trying *really* hard to make Parietta to look away from Neviril. And it’s not really her fault that she fails. And then there’s Morinas and her obvious, immediate, interest in Wapōrif. Can’t say that she’s just interested in him for his great personality…not yet, anyway. ^_^

Ratings:

Art – 8
Story – 8
Characters – 7
Yuri – 5
Service – 6

Overall – 8

Translation – 7
Adaptation – 7
Technicals – 7
Extras – 6

Should you get it? Hell yeah. Then email the folks at Media Blasters and let them know what they did right – and what they can improve. Let’s see if we can make Volume 2 even better.

Media Blasters responds: In regards to the artwork, we don’t always get the chance to use all of the artwork we receive, especially since we have a disproportionate number of release volumes to the Japanese version. It’s possible we can make an art gallery as an extra on one of the disks…. In terms of translations…the name translations were given to us by the licensor, so we didn’t have a lot of room for interpretation.

This is Erica again: I’m not surprised about the name thing. Thanks, Media Blaster representative, for commenting. It always helps to know what’s going on in the background, so we don’t feel like we’re out of the loop. ^_^