Archive for the Series Category


Yuri Anime: My Hime, Volume 6 (English)

October 18th, 2007

You wake up on the wrong side of the bed, stub your toe on the dresser and almost choke on your cereal. When you sit down to watch anime under circumstances like that, the *last* thing in the world you want is something happy and carefree. No, you want to wallow neck deep in someone’s life that sucks more than yours does.

Welcome to My HiME, Volume 6.

Despite the uptick on the misery quotient, this is my favorite of all of the volumes for this series. And my deepest thanks to Ted who provided it for review and the entertainment of all Yuri-kind.

Mai’s life isn’t getting any better and now, as Nagi predicted ever so snarkily, the HiME find themselves turning on one another. Nagi sort of misread the feminine mind there when he told them that the winner gets Highlander-esque powers. Because they didn’t really care about that. But once a whole bunch of manipulative assholes dig their fingers into a situation like this, and the natural inability of the human under pressure to think clearly, with the addition of hormones and outside stress levels, you just know someone is going down.

And down they go.

Despite the losses from our ranks in this volume, there are some really great moments.

One of the best has got to be when Mai and Mikoto accidentally witness Akira and Takumi in an embarrassingly tender moment. We know Akira is a girl, but they don’t, so it has a little gender-bendiness to add to the titillation and cringe-making cuteness.

Of course, for Yuri fans, this volume also offers the horribly over-used, abused and mused upon scenes where we learn, at last, what we already knew – that Shizuru is very gay for Natsuki. Really? We’re shocked. SHOCKED, I tell ya. We also get to see Shizuru jump all sorts of aquariums of sharks and go from competent and crushy to ragingly mad rapist and psychotic murderer. Hey, but she’s so cool – clearly Natsuki’s an idiot for passing that up.

(Which makes me wonder why there was never any hue, cry or outrage that Shizuru was the tedious psychotic lesbian stereotype? When Sharon Stone did it, everyone screamed in anger. Why did everyone continue to idolize Shizuru when she went batshit crazy? I know why *I* liked her. She has a polearm and I like psychotic women. But that’s me. Surely that can’t apply to every nutball in Yuri fandom? ^_^)

This is probably not a spoiler anymore (and all my posts are at least partial spoilers, and I will say some mildly spoilery stuff after this as well,) but I imagine that someone will get pissed at me for writing it (again). So if you do not want massive spoilers, stop reading here and pick up again after the second set of thre asterisks.

***

Some extra spoiler space for the weak of constitution

As much as Shizuru’s descent into madness is interestingly animated, with nice background music, lots of purple lighting and a cool polearm. It is Yukino’s defeat and Haruka’s reaction that makes this volume purest win.

Shizuru defeats Yukino heartlessly (and somewhat pointlessly, as well. Yukino was never a threat to Natsuki in any way. But try reasoning with a madwoman….)

As we all knew, Yukino’s most important person is Haruka and immediately, she begins to disappear. Of course, she has no idea at all what’s going on, but she gets all the points in the world from for forging ahead and punching Shizuru up the conk as she fades.

If that was not your favorite moment, well, then, you’re not coming over for lunch anytime soon. That’s all I’m saying. ^_^

That moment was so win, that clearly the writers realized that they had made the wrong person in that pair a HiME. They corrected the oversight for Mai Otome. ^_^

Extra spoiler space on this side for symmetry.

***

Other stuff happens too. We delve into mostly every HiME’s backstory and find that each one is essentially human, and therefore manipulable. And Miyu gets resurrected, because, we need Ayanami Rei clones in order for this to be a real anime. Also Mashiro turns out to be something other than what she seems.

The DVD extras are sort of interesting and sort of not. The first is a long, slow, lingering look at an inexplicably bound and hunkified Reito. No hollow-chested lad here – he’s so muscular he looks western. I imagine that this was service for the three gay guys who watched this series ’cause let’s face it, no one but me likes the hunky guys – everyone else seems to go gaga for the hollow-chested lads. Blecch. Next up is a retrospective by Natsuki about how much she treasures Shizuru’s friendship. She is clearly talking about friendship and nothing more, but that hasn’t stopped hordes of ShizNat fans from pointing out that she is also talking about Shizuru and not, say, her mother. The last extra is a bunch of words randomly spoken over pictures of Midori and Mai in bikinis.

Ratings:

Art – 7
Story – 7
Characters – 7
Yuri – 7
Service – 7

Overall – 7

So, sure, we all get beat over the head with the misery stick and sure our “best lesbian candidate goes nuts (along with mostly everyone else) and sure the rewards for lesbian love are death, destruction and despair.

But hey, it’s a great volume! ^_^;





Yuri Anime: Battle Athletes Victory, Volume 7

October 15th, 2007

Properly speaking, Volume 7 of Battle Athletes is the penultimate volume, but realistically, it’s the conclusion of the story. Everything that has been masquerading as the plot for this bundle of clichés is tied up neatly here. In other words, we finally learn who wins the title of Cosmos Beauty.

Did we, in fact, have any doubt who would win? All we needed to do was watch the first episode and note that our protagonist was not only the least talented, least deserving and least competent person in the show, but also the most annoying, to recognize that she would of course, be the winner. I’ve talked a lot about the idiot savant hero/ine here. Akari is pretty much the epitome of the type. Her mad skills only kick in when she’s boosted by an outside stimulus. Thankfully, there are many recent anime that go the other route and show us the hero/ines practicing until they drop. Because I am not naturally talented at anything, and everything I have ever become even mediocre at has been because of long hours of practice, it’s no surprise I prefer that latter stories to the former. :-)

But.

Battle Athletes was from way back in the stone age, about a decade ago. It is decidedly old school in its power-ups – as well as in animation, music, voice acting and, well pretty much everything. As it also is rife with Yuri, I’m inclined to be generous. Plus, if you’re watching Battle Athletes in the first place, you gotta know to manage expectations anyway – this is not and never will be high art. :-) (Remind me to share my recent moment of satori about expectations and anime with you all sometime.)

So, we have two decidedly Yuri-riffic couples facing off in the finals of the CB tournament. The two best athletes evar versus two newcomers. In their defeat, Lahrri and Mylandah find each other, and get a nice little backstory which ties them neatly together, leaving Akari and Kris to have last minute angst at/about one another. In the manga, this was fueled by Akari learning that her father chose Kris over her, for no other reason that that he is (apparently) a victory-obsessed psychopath. In the anime, we learn that Kris cannot run the day chosen for the race, due to religious observances. Hmm…which is punchier plot complication? Hard to decide. At least the manga father wasn’t “Mr. Miracle” the chocolate hound. (Which always reminds me of a very evil drawing in the Jesus Drug doujinshi for this series. It’s just not right that that image is burned into my head…)

In the end, of course Kris gains dispensation to run. At last, Akari and she face off in a final battle.

Because it’s so much better, let me talk about the manga here. (And before I do, let me just remind you that the manga is LONG out of print, so please don’t ask me where you can find it. I got my copy at Book-Off, the used manga store, and I have also seen it for sale at Mandarake used book store in Tokyo. If you have a buyer, you can try looking on Yahoo JP auctions or the Amazon JP marketplace. Good luck.)

In the manga, Akari and Kris tie for first. Then they kiss in front of everyone in the whole world. Having achieved her dream, Kris returns to the Beginners to become a priestess.

In the anime, Akari wins and Kris disappears to return to the Beginners to become a priestess. Akari, having just been crowned, runs after her, catches up to Kris and her cow. Kris gently kisses her goodbye.

Read those two paragraphs again. Can you *guess* which one I prefer? I think you can.

And that’s pretty much it. Akari is Cosmos Beauty and she beat her mother’s time. Wow. Amazing. :-)

Oh, wait, here come the aliens! We’re under attack!

End of volume.

There were so many ways this volume could have been *brilliant*. Instead it was all right. Although Mylandah x Lahrri = win. And they will continue to be win through the farce that will be Volume 8. There really was no Akari x Kris, except in the hearts and minds of fans. Bloody shame if you ask me. But that too will come back like the bad penny it is in Volume 8. Because we can never have enough of our old friend old-school UST, i.e., “unresolved sexual tension.” (Remember, this was a staple for all anime of the time – not just Yuri or Yaoi. It won’t make it less annoying, but it makes it seem less unfair.)

So, for a resolution, it kind of wasn’t. I’d REALLY like to see this anime remade, this time with the right ending. ;-) Kanon, pfft. I want to see an updated BAV.

Ratings:

Art – practice profiles please – 6
Story – clinging to cliches is cheesy – 6
Characters – alas and alack, a lack – 7
Yuri – opportunity and motive, but no crime – 5
Service – as you like it – 5

Overall – slightly better than the sum of its parts, minus one for the cow – 6

For what it is, which is incredibly silly old-school junkiness from Mediaworks, Battle Athletes is pleasantly entertaining, without being good. ;-)





Yuri Manga: Applause, Volume 3 (Japanese)

October 10th, 2007

For previously published summaries and reviews of Volume 1 and Volume 2, click the respective links. Now here we are, at Applause, Volume 3.

Applause began its life as a very shoujo manga, but once it hit New York grew up into something thoroughly josei. Both Shara and Shelle, aka Junaque, have left their childhood behind them and so has the artist. Art, story and sensibility have all moved on from the world of the ridiculously privileged atmosphere of a European girl’s school into a still somewhat enchanted, but more realistic look at show business in New York City. (Back to that “practicing ’til you puke” thing. I don’t mind watching people becoming the best of the best – as long as they work for it. No idiot savants with magically appearing mad skillz need apply.)

Shara, having decided to never again wait for Shelle, moves in with a gay couple, Jon and Chris, and their dog Oscar. She returns to the dance studio at which she previously studied and her life, which had been a storm of emotional upheaval, calms down again into something she can live with and in. To add to her happiness, she meets a man, Shalat, who is perfectly compatible with her as a dancer, as a friend and eventually, as a lover. Shalat is part Asian Indian, and he loves his heritage. His apartment is decorated to reflect this, and Shara loves how he is an amalgam of places, times and dreams. The two of them are extremely happy together.

When an open audition announcement goes out for brand new Broadway show, Shalat and Shara vow to train and audition together, which they do. And together they make the final round. As the final auditions begin, it is announced that, yes, the auditions are partly to fill background dancers, but one role will be a lead role. To judge who is most suitable for the role, the show’s other lead actress is brought in. As Shalat watches, Shara goes pale, and seems to become completely paralyzed. The lead actress, of course, is to be Shelle Bejart.

When Shara’s name is called, Shalat calls her name too, trying to keep her by his side. Shara completely breaks down, as Shalat tries to coax her into telling him what is wrong. With tears streaming down her face she apologizes and leaves him, to follow Shelle after all, hating her own weakness the whole time.

Shortly thereafter, it is announced that Shelle and Shara will be starring in the most anticipated new Broadway show, “Modern Dancer.”

The story of “Modern Dancer” is about a former dancer Maria, played by Shelle, who has become crippled (emotionally and physically). Another dancer, Tracy, tries to convince Maria that she can still dance. In the climactic scene, Tracy takes Maria into her arms and they dance, even though Maria cannot stand. It’s pretty great melodrama and the art for this scene is awesome and over-the-top every time we see it (and we’ll see this scene *a lot.*)

At first, it’s a terrible fit. Shara and Shelle aren’t speaking and they don’t gel well at all. The media starts to report how they think Shara is a bad choice for the role of Tracy. Whether to provoke Shelle or Shara or just to cover his ass, Georges brings in a young male dancer, Fred – who is instantly irritating – to potentially take over the part of Tracy, if Shara can’t get it together.

Shara takes some time to visit Alphie and Gerald and the gang and get her head on straight.

The media uncovers the fact that Shelle and Shara went to school together. Shelle says that Shara was just another underclassman, that they had no special relationship. Shara, on the other hand, when questioned about Shelle, comments on camera that she never knew anyone with the name “Shelle Bejart” at school.

The two of them continue to breakdown in pieces and the show starts to fall apart too. One day, just as in the last volume, Georges takes Shara out on his yacht. This time, she’s also accompanied by Oscar the dog and when he jumps into the water, so does she. Georges also dives in and again, kisses her, but this time, she doesn’t seem to be affected by it at all. When they arrive back at the marina, soaked to the skin, Shelle is there. She gives them both the cold shoulder.

Georges continues the losing battle of wooing an increasingly frigid Shelle. He holds a big birthday party for her, which Shara attends, but can’t stand to watch the circus that Shelle’s life has become. She leaves, but Shelle follows her in her car.

Shelle confronts Shara and they lose it completely at one another. Shara runs off in anger. Shelle, trying to catch up to her, gets into an accident, which Shara witnesses. Forgetting her anger at Shelle, she goes running over, screaming Junaque’s name, and drags a semi-conscious Junaque from the car. Junaque/Shelle and she cry together. That night they end up back in Shelle’s shore house and once again, they have a few days of bliss together.

Back at rehearsal, no one can figure out why, but suddenly, they work perfectly together. The climax of the play is climactic and breathtaking. Fred is defeated – Shara owns the role of Tracy – sadly, he sticks around anyway.

Meanwhile, back at home, Chris has collapsed. No one knows why, but he is in the hospital.

Then the media attacks again – this time with a call to Shelle. Is it true, she’s asked, that you are Shara were lovers in school? Poor, fragile, confused and weak Shelle, lies. Then tells Shara to stay away – she doesn’t want the media to know about them. Rejected for the third time, Shara falls apart. Again. (It’s true – she was the first to reject Junaque, but I think she’s paid the price, really…)

But the show must go on – and it does. In the last chapter we see the whole of “Modern Dancer,” but it’s almost a reflection of Junaque and Shara’s lives so far. And together they dance their feelings out in a beautiful final scene. “Modern Dancer” will obviously be a success.

End of Volume

So, yes, heaps of melodrama. I feel bad for Shalat, personally, because he was a nice guy and didn’t deserve the drama. Shelle and Shara clearly do deserve one another. Oh, and don’t feel *too* bad for Georges – there’s a sense I get that he and Fred were very close. ^_^

Technically, the artist clearly hit her peak here. There’s none of the crowded panels and confusion of the first volume here. The only thing – and this is me being picky – is that the dance moves look dorky a lot of the time. OTOH, modern dance looks dorky a lot of the time. So there you go.

Ratings:

Art – 8
Story – 7
Characters – 7
Yuri – 8
Service – 3
Overall – 7

Volume 4 – anyone want to place bets on the ending? I bet you’ll never guess what happens. Seriously – go ahead and guess in the comments. (No cheating if you know. Only if you’re guessing!)





Best Student Council, Volume 4 (English)

October 4th, 2007

Best Student Council, Volume 4 is silly. I know that that will come as a shock to you. But it is. The volume is subtitled “The Secret Lives of Students,” which is pretty accurate for the first three episodes.

The first two episodes are a two-part look at two students with secrets – covert squad member Kutsugi Kotoha and Covert Squad VP Ginga Kuon. Because Kuon’s secret (which isn’t a secret to either Kanade or Nanaho) is shocking, Kotoha feels that Kuon is a huge threat – and that she will no longer take orders from Kuon. Of course, it all works out, because Kanade’s secret is also really obvious. (Sorry if that seems a bit obscure. I’m trying to not spoil too much.)

Episode three is both the funniest episode and the most painful of the entire series. Cyndi’s mother is due to arrive and we all learn that Cyndi has been telling her a pack of (not very intelligent) lies, which the entire Council spends a lot of time and money trying to make come true. The best scene of the episode has to be when several of the council members are forced to hula dance as Cyndi has dinner. The episode ends with a stunning confession by Cyndi about her true love, which happens to be the only male member of the cast. The only non-human, as well. I particularly liked Cyndi’s mother’s vile and crude Japanese language skills which frequently had her saying the exact opposite of what she meant – and usually very rudely, as well.

The final episode is an exploration of the fragility of women’s friendships. I’ve been a bit mean the last couple of weeks about Japanese men, so just assume the rant and let me explain a thing. In most cultures, when a woman got married, she was taken to her husband’s house and basically, never saw the light of day again. This relic still exists in anime/manga in the seemingly bizarre idea that after a women marries she will never again see friends or be able to work or anything. It seems bizarre to us that women would simply have to stop working, but lots of them do, still.

All of this is to explain why the fourth episode is supposed to be “funny.” In this episode, the two teachers deal with marriage meetings and their friendship. The moral of the story is the assumed “women’s friendships are weak, because as soon as a man comes into their lives, they stop being friends.” That this was mandated by culture and law never seems to sink into the superior male’s mind. (It’s not like they’d make a saying “Women’s friendships are weak, because after we’ve screwed ’em, we put them in a box and never let them out.”)

The bottom line – I hated this episode, and I hate all similar things, like Doki Doki School Hours‘s “Mika-sensei’s getting married we’ll never see her again,” episode. Welcome to the 12th century.

For the technicals, as usual, there’s no extras worth calling extras on the DVD and the case…well it has a case. ^_^

But aside from the irritating premise of the last episode this is another funny, silly disk of Best Student Council. With some serious Kuon time.

Ratings:

Art – 6
Story – 6
Characters – 7
Yuri – 2
Service – 4

Overall – 6

Not a lot of Yuri, but some good Kuon service, which has to be worth *something*. ^_^





Kyoshiro to Towa no Sora Manga, Volume 1 (Japanese)

October 3rd, 2007

Kyoshiro to Towa no Sora is Kaishaku’s version of CLAMP’s Tsubasa Chronicles. In this story, many popular elements from past Kaishaku stories are gathered togther under the umbrella of a new alternate universe plotline, so we can enjoy them all over again for the first time. (That Kaishaku and CLAMP are in no way similar is a given – they just happened to use a similar story construction technique.)

I’m not an expert on Kaishaku continuity but, as I see it, this story is most likely a continuation of the Koutetsu Tenshi Kurumi (aka Steel Angel Kurumi) story, in which the “Angel” technology that was awakened in the Meiji period has been refined over time into the “Zettai Tenshi” or “Absolute Angels” of some possible, post-apocalyptic future.

In KtTnS, we are first introduced to Shiratori Kuu, an insipid blonde with a dream of a Prince who saves her from the obscurity she so richly deserves. When mysterious, princely, Ayanokouji Kyoushirou approaches her, it’s like a dream come true. Or a nightmare, as Kyou immediate rips her shirt to (assumably) look for some kind of mark. But since he doesn’t explain himself, it’s just plain old tedious sexual molestation. And, when Kyou reaches out a hand to take Kuu with him, it makes perfect sense that she’d go because his being cool and princely makes up for his being a molester. (This is meant to be read as irony. It annoys and bothers me quite a bit that the standard male fantasy in Japan is non-consensual. I worry that the women haven’t killed all the men, too. But then, the marriage and child-bearing rate is dropping at an alarming pace, so maybe they are. But I digress)

As in the anime, Kuu is immediately thrust into a world of service and violence, as the poor, insipid girl is kidnapped and rescued repeatedly for reasons that no one quite explains – although they obviously all know what’s going on. You’d think that Kyou could take five minutes and give it a shot. But, no. It’s more important to see Kuu bathe.

Volume 1 of the manga is a little light on the Yuri. We do get a short hiatus with EPL Ayanokouji Mika, who does loves her some girl toys. And we get the briefest glimpse at Kaon and Himiko, this story’s reincarnation of Chikane and Himeko from Kannazuki no Miko. But the Yuri is painted with a light brush, because there’s a bunch of fetishes they have to cram into this series and Yuri’s just one on the list.

I quite liked the Kyoshiro to Towa no Sora anime. It made some sense, Kyoushirou’s brother was so far over the top that he came back around the bottom again, Kaon and Himiko were an obvious couple and had a nice ending to their story. I expect the manga will turn out to be much of a muchness. It’s not like I have high expectations for this, or anything. ^_^

If you like Kaishaku enough to enjoy the recycling of characters, then you should get your 600 yen’s worth. If you’re an OCD Yuri fan, you might want to wait ’til Volume 2, which ought to have more Kaon and Himiko.

Ratings:

Art – 7
Story – 3
Characters – 5
Yuri – 2
Service – 8

Overall – 6

ADV has licensed the anime for this series, so you’ll get to see the Kaon and Himiko-themed specials on the DVDs. Honestly, I think they managed more Yuri in the anime than in the manga, where Kuu’s roommate also managed to be tainted with the same brush as Mika, her love slaves, Kaon and Himiko. But we’ll see if the manga can achieve parity.