Archive for the Series Category


Bad Girl!, Volume 1

June 19th, 2026

A dark haired girl wearing a blazer and tie with her mouth open and a shocked expressionby Eleanor Walker, Okazu Staff Writer

Your enjoyment of Nikumaru’s Bad Girl, Volume 1 will depend entirely on your tolerance of the combination of 4-koma manga and misunderstandings so obvious that they must be deliberate. Even now, Azumanga Daioh is still the master of the genre in my humble opinion, as well as being one of the first yuri-adjacent series I ever encountered, back in the early 2000s.

Bad Girl is the source material of the titular anime adaption, reviewed here on Okazu and available streaming on Hidive. Our protagonist Yuu Yuutani has a crush on the head of the school disciplinary committee, Atori Mizutori, who’s so popular she has her own fan club. Yuu therefore decides to become the titular “bad girl” to try and attract Atori’s attention. Unfortunately for her, she has good grades, perfect attendance and has never been in trouble ever and her idea of being bad is to write in the condensation on a window. Hijinks ensue.

This series is basically “Notice Me, Sempai” the manga. Yuu’s attempts to be bad are kind of adorable, like a little kid acting out to try and get the adults around them to pay attention to them. Like all 4-koma/gag series this is like popcorn, best consumed a few pages at a time, otherwise it gets tooth rottingly sweet and outstays its welcome very quickly. Don’t think too hard about it, otherwise it all falls apart. Just enjoy the silliness.

Ratings:

Art – It’s definitely cute. The colour pages at the beginning are nicely done.
Story – What story? It doesn’t need one though.
Characters – A lot of silliness
Service – n/a
Yuri – Mostly just an unrequited crush at this stage.

If you like your cute girls doing cute things with a yuri flavour you’ll probably enjoy this series. Volume 2 is scheduled to release in English later this summer, and the series is up to 5 volumes in Japan. I am curious as to how much story we’ll actually get out of this premise, so I will at least stick around for volume 2.





Revolutionary Girl Utena The Movie: The Adolescence of Utena in N. American Theaters June 21-22

May 29th, 2026

Title poster for Revolutionary Girl Utena The Movie: The Adolescence of Utena, a brown-skinned woman with flowing dark hair in a flowing white dress floats diagonally upwards, a pale-skinned woman with flowing pink hair in a white school uniform jacket and shirts floats diagonally downward from the same center.It is with joy that I heard that Revolutionary Girl Utena The Movie: The Adolescence of Utena is getting a theatrical release in the United States (and, apparently Canada!) Yesterday, GKIDS made their official announcement and I spent some hours tracking down every theater I could find that will be playing this movie, so before I rave about why you should go see it, here’s the most important information, about where and when.

 

Where To Watch Revolutionary Girl Utena The Movie: The Adolescence of Utena

The following movie chains are carrying the movie.  The chain in my town is running the movie in my old hometown, but not here, so check for the nearest location.

AMC Theaters

Cineplex

Regal Theaters

Cinemark Theaters

The GKIDS announcement only mentions AMC, so do take a look at local theater chains…and, if there is a chain that is showing it that I have not included, let me know in comments. You don’t have to mention that the chain theater near you has it, unless it’s a chain I don’t have here.

 

When To Watch Revolutionary Girl Utena The Movie: The Adolescence of Utena

June 21-22, 2026

These are the most common dates, but I have seen 21 and 23 for some theaters. Check your nearest theaters for time and dates. 

 

Why You Should Watch Revolutionary Girl Utena The Movie: The Adolescence of Utena

In 1990s, we had two anime series that were foundational for the growing Yuri fandom.  One of the directors for Sailor Moon was Ikuhara Kunihiko. Under his direction in the third and the beginning of the fifth seasons, we were introduced to Sailor Uranus/Tenoh Haruka and Sailor Neptune/Kaioh Michiru. This young lesbian couple changed the world, by making an anime one of the very first portrayals of a lesbian couple on Japanese TV.

Following that series, Ikuhara built a creative team, known as Be-Papas, and they created an anime and manga series, Shoujo Kakumei Utena (少女革命ウテナ) Revolutionary Girl Utena in English. (This link goes the category on Okazu, where you will see many, many posts about the series and its influence. One of those posts was included in my book: Retrospective of a Revolution – 20 Years of Shoujo Kakumei Utena.)

This movie is the one of four alternate versions of the Utena narrative. The TV animation is a 39-episode fantasy exploration of magical and school shoujo tropes, gender, abuse and redemption. It’s fantasy and funny as hell, with intense and fabulous background music.  At the moment it is out of print, but if you check your library system, you might find one of the many releases available. I know I donated at least one to my library. The manga from Viz Media, is another iteration of the narrative. It is much less queer.  The manga for the movie, the fourth iteration, is largely the major influence for me to discover the history of the references in the series, launching me on my trajectory of learning the artistic and literary history of Yuri.

And then there is the movie. This movie is visually one of the most astonishing experiences I have ever had. I first saw it on a shitty VHS copy from an illicit video rental place, then was able to see it on the big screen at the Japan Foundation in NYC.  It is my eternal pleasure to have introduced this film at the Frameline LGBTQ+ Film Festival in San Francisco. At that time I spoke to an audience of 1200 people (about 1000 of which had no idea what it was about)  at the Castro theater, with Ikuhara himself sitting in the front row. 

This movie is a magnificent work, often intentionally inexplicable, (sometimes unintentionally) with symbolism that may appear profound, and may not. The music is gorgeous and meaningful. The voice acting is memorable, even more so as  we have lost Kawakami Tomoko, Utena’s voice actress.

Please go and see this movie while you can…and if you find you cannot understand it, just let it wash over you, like the roses on the dueling ground. I promise it’ll be worth it.





Watashi no Oshi ha Akuyaku Reijou, Volume 12 (私の推しは悪役令嬢。)

May 21st, 2026

Cover of Watashi no Oshi ha Akuyaku Reijou, Volume 12 / 私の推しは悪役令嬢。Story by inori., art by Aonoshimo. Surrounded by white lilies, a young woman with long blonde curls, in a red fatasy-style school blazer and dark blue skirt with voluminous white petticoats, turns towards us as if to curtsey, her blue eyes and smile very gentle.The end draws inexorably nearer, in Watashi no Oshi ha Akuyaku Reijou, Volume 12 (私の推しは悪役令嬢。) Salas holds the Revolutionary Government in his hands, while the Provisional Government lead by Dole and the nobles seem intent upon driving the commoners to rebellion….

…which was the plan, Rae finally admits to Claire. Claire finally learns that everything Rae and her father have done is to save her, and all she has to do is stand with the Revolution. But Claire is a noble through and through. And she’s always been the “Villianess,” willful and obstinate. Claire turns herself in to the Rebel forces, know that she is going to die. 

Rae becomes despondent. Everything she has done, all the allies she has made, has failed to save her love. But those allies are stronger than Rae knows, and when Misha gets into her face and say, “hey you’re not the only one who gets to interfere with friends’ love lives.” And then a wild card shows up and suddenly, we have hope once again. 

 Watching Salas manipulate everyone (and gloat about it) is enraging, but as horrifying as it is, we must acknowledge that Dole was, in his own way, just as manipulative. It’s easy yo see him as a good guy masquerading as a bad guy, but…he also was, genuinely a bad guy, too. 

This is a powerful and deeply emotional volume, then sets up all the pieces for Rae and Claire to face one another from opposite sides of a philosophical gap for the final time.

Ratings: 

Art – 9 Aonoshimo’s art is wonderful.
Story – 10 This is still one of the best climaxes in Villainess media
Characters – 10 Claire practically grows wings here
Service – 1 A kiss. A sad, bittersweet kiss.
Yuri – 10

Overall – 10

Based on the timing, I expect this to go about 14 volumes, unless there is a coda…which I hope there is. Let’s not forget to write Comic Yuri Hime and ask for more!





Roll Over and Die: I Will Fight For an Ordinary Love With My Cursed Sword, Episodes 4-12

May 4th, 2026

Main visual for Roll Over and Die anime: 2 girls are in the foreground, the one on the left has apricot coloured hair, the one on the right has silver hair and is wearing a maid's uniform. Other characters appear in the background

By Eleanor W, Okazu Staff Writer.

This review contains spoilers.

When we left Flum and Milkit at the end of episodes 1-3, reviewed here on Okazu , a man called Leitch has asked them to retrieve some illicit herbs to turn into medicine for his sick wife. Remembering that the Church has outlawed such magic, they are joined by Sara, a nun who is willing to defy Church law. While searching for the herbs in a cave outside of the city, our main antagonist Dein, (the man who tried to trick Flum and kill her when she first came to the Adventurer’s Guild looking for work) collapses the entrance, leaving Flum and Sara trapped inside.

If you didn’t enjoy the first 3 episodes, then there’s nothing here for you. As I suspected in my previous review, there is more to the Church than meets the eye, but I was pleased to see it built up in such a way that we gradually learn more as the show goes on, rather than just a massive infodump all at once. An abandoned underground laboratory proves to belong to them, and Flum’s name appears in the papers left behind. Flum reunites with Eterna, a witch from the Hero’s party who quit after an argument with Jean, and is furious when she learns that Jean secretly sold Flum into slavery. Dein and his men continue to pursue Flum, and a new character, a blind girl named Ink, joins the group, as well as some other former members of the hero’s party.

Dein is not the greatest antagonist ever created. He is revealed to be a pawn of the Church and gets a disproportionate amount of screentime for how ultimately inconsequential he is as a character, before he is finally killed by Flum in episode 11. I feel the show would have been much more interesting if Flum and the group had gradually built up to fighting Origin as the final boss, but it may be that the anime just wasn’t able to do this in the 12 episodes available so I don’t want to judge too harshly on that basis.

Artwise, the same dark moody colour palette as in the first 3 episodes prevails. Some character designs are more interesting than others, and most of the budget seems to have gone on the gore, particularly (CW) the torture scene at the beginning of episode 12.

There’s lots of potential directions the story could have gone in, but ultimately I did enjoy this version of it, including Flum and Milkit’s relationship. I liked that the show isn’t shy about making their feelings for each other clear. This is about two girls who desperately need each other and desperately want to protect each other and that’s what they do.  Whilst it does lean on the ick and gore a little too much in places, the setting is still interesting enough that I’d watch a season 2 if it gets made (there were potential threads left dangling to set one up) and I’m curious to read more of the novels too.

Overall, if you’re looking for something in the “kicked out of the hero’s party and wants revenge” genre that’s a little different from the norm with some genuinely nice relationships between the characters, I’d recommend giving this one a go as long as you can deal with the gore.

Ratings: 

Art – 6
Story – 7
Characters – 6
Service – 8 if you enjoy gore, 5 if you don’t care for it.
Yuri – 8

Overall – 7

Eleanor has been a fan of anime and manga for over 20 years, and has several thousand volumes to prove it. Since discovering the original Seven Seas translation of the first 2 Strawberry Panic! light novels back in the early 2000s, they fell down the Yuri rabbit hole and never looked back. They can be found around the Internet under the handle st_owly, and live in Scotland with their wife and 2 cats.

 

 





Yamada to Kase-san, Volume 5 (山田と加瀬さん。)

April 9th, 2026

Two young woman stand before background of colorful cat face silhouettes, cups and toothbrushes. The taller, with dark brown hair wears a brown bear sweat jacket with ears on the hood. The short woman with collar-length blonde hair, wears pink and white stripes sweater and a white cat ear Alice band, as they hold toothbrushes and bathroom cups.There are several extraordinary things about Yamada to Kase-san, Volume 5 (山田と加瀬さん。)  that I want to call out. 

First, this series has been one the most persistent works I have ever read. It “should” have ended several times; when Pure Yuri Anthology Hirari was cancelled after a respectable 4 years and when the initial series ended on Web Hirari. Instead of becoming an interesting relic of Yuri history,  Takashima Hiromi-sensei kept drawing.

The Kase-san series moved to the online edition of Wings and then to the print edition of Shinsokan’s flagship magazine. It’s even been the cover series. Kase-san and Yamada graduated, moved to Tokyo are going to college…and now they are living together! This volume makes Takashima-sensei’s 10th volume of the series.  All of this is just…amazing. Not miraculous, though. I believe that Takashima-sensei just works hard at the series and keeps it thriving.

In Volume 5, we turn to Yamada who is living her best life…a little too hard. In her desire to buy beautiful things for her . and Kase-san, she is pushing herself to her limits. This choice ends up hurting Kase-san unintentionally. Thankfully, Yamada realizes that her failure to prioritize her time in the right ways is her own fault and they make up, agreeing to prioritize their time together. It’s almost nice to be annoyed by Yamada for something other than low self-esteem. ^_^

Kase-san and Yamada are entirely relatable than in this volume and there’s no sign of the jealousy from previous volumes, just the small day-to-day adjustments we make as a couple. 

Ratings: 

Art – 9
Story – 9
Character – 9 
Service – eh, 2?
Yuri – 10

Overall – 9

So congratulations to Takashima-sensei for this 10th volume of the Kase-san series, which still bears the Hirari comics imprint – which is the last notable thing I wanted to point out. ^_^ Still carrying the Hirari torch, 12 years later. How incredible is that?