Archive for the Series Category


Three Books For Fans of Revolutionary Girl Utena

December 15th, 2021

Today’s review is a video!

Revolutionary Girl Utena was a major gateway anime for a generation of Yuri fans. 20 years later, it is inspiring literature. Check out these three titles for their Utena references and roots!

 

Books mentioned:

Silk & Steel: A Queer Speculative Adventure Anthology on Kindle
Featuring stories by:
Ellen Kushner * Aliette de Bodard * Yoon Ha Lee * Neon Yang * Jennifer Mace * Django Wexler * Freya Marske * Claire Bartlett * K.A. Doore * Alison Tam * Ann LeBlanc * Cara Patterson * Chris Wolfgang * Elaine McIonyn * Elizabeth Davis * S.K. Terentiev * Kaitlyn Zivanovich

A/CINet Case Files: An Inside Job by Erica Friedman on Kindle

The Terra Ignota Series, by Ada Palmer

Too Like the Lightning
Seven Surrender
The Will to Battle
Perhaps the Stars

(links to Amazon, but these are available at any bookstore or site)

Today’s t-shirt: Hana & Hina Afterschool, by Milk Morinaga, from the 2018 Yuriten event:

Hana & Hina Afterschool is available in English form Seven Seas.





Otherside Picnic, Volume 6, Guest Review by Sandy F.

December 1st, 2021

Welcome back to Guest Review Wednesday on Okazu. We’ve had 17 guest Reviews this year, 10 of them since September. Thank you so much to our Okazu Patrons for making this increase possible! I’m super excited to have more voices on Okazu and different perspectives for work I like (and works I don’t! Hint, hint: tune in next week. ^_^)

In the meantime, welcome back Sandy F. with a look at the most recent release in one of my favorite scifi-horror series. Take it away, Sandy!

Otherside Picnic Volume 6, out now from J-Novel Club, starts with Sorawo and it quickly becomes clear that something has happened to her. We discover she has lost her memory and her connection with the Otherside and the people she knows through that connection. Though she hasn’t lost her appreciation of Toriko’s beauty.

So begins what is a change from Iori Miyazawa’s usual approach for Otherside Picnic. Instead of a collection of Files, we have one narrative. And much of the actions happens in our world, with a number of trips into Interstitial Space, a phenomena we have encountered before. And Hah! there is a new player, T, for Templeborn, who pursues Sorawo and others involved in the exploration of the Otherside.

In this File of Otherside Picnic we follow various encounters between T for Templeborn, Sorawo, Toriko and others as they confront T’s agenda, with chase scenes and quite a bit of action including a trip to the DS Facility. The glimpses of Interstitial Space are fascinating and mysterious. But I felt that Interstitial Space is more of a distorted reflection of our world, and I missed the Otherside and its glimpses of mysteries beyond human understanding.

There is only one substantial scene in the Otherside and to me it was like a tweet from the Yuri Manga Bot, a twitter account that suggests Yuri plot ideas. In this scene we witness Sorawo and Toriko sharing in the joy of construction. A delightful scene and a reminder that as well as its terrors, the Otherside is a haven and a place of connection for Toriko and Sorawo.

In this File we continue to follow Sorawo and her tentative progress of confronting her own personal terror, personal relationships. There were a few Sorawo and Toriko scenes when I squeed just a little bit. They are definitely making some progress, with Sorawo surprising Toriko, and me, with her willingness to be more open about how much Toriko means to her.

I also appreciated watching Sorawo deepen her relationships with other people. For example, in a conversation between Sorawo and Akari ‘Karateka’ Seto, Sorawo confronts the disturbing reality that despite what she may think of herself, people might want to get to know her and like her.

And we are also given some glimpses of Toriko’s childhood that I believe gives us insights to why she enjoys exploring the Otherside with Sorawo.

One quibble I had was I thought this File was a bit busy with other characters such as the reintroduction of Runa Urumi as well as the girl from File 19. Sometimes I wondered if their role was to fill some space in the story, rather than contribute to the narrative itself.

The art was an interesting mix of action shots and characters, with more evocative images thrown into the mix. One with Akari I found particularly haunting.

I enjoyed the translation, especially the odd British word or phrase a feature that I associate with this series.
All in all, a great read, as always worth the wait. And now after the recent release of the album cover for Volume 7, the wait begins for the next great read!

Ratings:

Story – 8
Character – 9
Service – 4
Yuri – 7

Overall – 9

Erica here: Thank you Sandy! For me, the most impactful part of the series is that stunning opening, which really calls everything into question.

And, of course, since that amazing cover to Volume 7 was released, we’re all looking forward to the next book. ^_^ It hits Japanese shelves in a few weeks and I expect we’ll be hearing more about that soon from J-Novel Club. ^_^





Bloom Into You Anthology, Volume One

November 12th, 2021

The Bloom Into You Anthology, Volume One is something we didn’t used to see much in the west – an “official” collection of shorts about the characters by artists other than the creator. It’s a testament to the popularity of Bloom Into You, that this series had two volumes of this official anthology. Today we’re looking at Volume 1.

To begin with, I find I never reviewed this volume in Japanese. Having re-read it now, I know why. It’s a fun read and very enjoyable if you are a fan of the series or, more specifically, of Yuu and Touko. Most of the stories focus on them and their dynamic, often with a kind of goofiness that I imagine is very appealing if you like them. Here you’ll discover works about Bloom Into You by other Yuri artists such as Canno,  Yuriko Hara and tMnR.

Tthis volume had a few stories I enjoyed.  Particularly, “Onigiri, Croquettes, Rolled Eggs,” by Okara Miyama, which looks into a bad day in the life of Yuu’s friend, aspiring writer Koyomi. It’s a lovely look at friendship.

Also appealing to me was Kazuno Yuikawa’s “In the Box,” for – again – taking a deep dive into Sayaka’s feelings about and relationship with Touko.

It’s a no-brainer that I like “Bitter Coffee Time” by Hiroichi, for focusing on Riko and Miyako.

This volume was beautifully lettered by CK Russell, and nicely translated by Jenny McKeon. The small error of Sayaka’s birthdate has already been acknowledged and will be changed in future editions. I wouldn’t mention it at all, except people do like to jump on that kind of thing, so I wanted to assure you, it’s been noted already.

Which brings me to a point I want to make yet again – should you see an error or have a sustainable argument against a translation choice, there is an effective means to communicate this to companies. Go to their website, click their contact forms, write a politely worded message detailing the error. Remember human beings work at these companies, so do be sympathetic. The wrong thing to do is become rude or vicious in a public forum, so avoid that if possible. I assure you, being polite works. I’ve addressed many problematic language issues in the years I have been writing here. All you need to do is be polite.

If you loved Bloom Into You and want more time with Yuu and Touko and their friends…this is the book for you!

Ratings are variable on account of it being an anthology.

Overall – 8

Bloom Into You Anthology Volume Two (linked here by an amazon affiliate link. I’ll get it up on the Yuricon Store when all the options are avaialable) will be out in January, so you have another chance to indulge your passion for this series, just around the corner.





I’m in Love With the Villainess, Volume 1…again!

October 29th, 2021

It’s not unheard of that we sometimes review the same book more than once here on Okazu. Books that were published by one company, then again by another are the most common culprits – like Azumanga Daioh by ADV Manga and again by Yen Press or Aria by ADV, then again by Tokyopop. We’ve definitely had more than one reviewer taking a look at the same material such as various perspectives on the Citrus anime. Today marks  – as far as I can remember – the very first time I am reviewing the same book that I have previously reviewed. And let me tell you, I’m really happy to be doing it!

In March, I took a look at the first volume of the manga for I’m in Love With The Villainess, which I had previously read in Japanese, but not reviewed because of delayed shipping.  This was followed by a review of Volume 2 in Japanese.

In the end, there were some problems with the first volume in English that I felt were impossible to ignore. I wrote a polite, detailed email to Seven Seas. I, like you, love this series, and wanted – needed – it to be perfect.  Imagine my surprise and delight to hear back from them recently, with an offer of a new edition!

So, today, for the first time ever on Okazu, I am reviewing the exact same book for the second time. Today I am looking at I’m in Love With the Villainess, Volume 1, written by inori, art by Aonishimo, character design by hanagata.

The story follows a Japanese office worker, Oohashi Rei, as she finds herself transported to the world of her favorite otome game, Revolution. Freed(?) from her previous life as a wage slave and given the chance to be the game’s protagonist, Rae Taylor as she is now known, pursues her favorite character – the game’s villain, Claire François.

The beginning of the story is goofy, as Rae plays the fool to Claire’s stereotypical high school rich girl villainess. But, as the story goes along, Rae’s behavior seems to have a different meaning and Claire begins to wonder what makes this odd and annoying commoner tick. We are also introduced to the rest of the players from the first novel of the series.

My sincere concerns about the word choices have been wholly alleviated. Claire remains high-handed and imperious, but now lacks any signs of vulgarity or uncouthness. She is the high-born noble daughter that Rae, and we, fell for. ^_^  I thank everyone on the Seven Seas team for going back over this translation and smoothing the rough patches out of the book. My especial thanks to translator Joshua Hardy, and editors Dawn Davis and Peter Adrian Behravesh, Also, some recognition to Courtney Williams who was given time to letter and retouch, which gives the story a smoother feel than just jotting in translated sound effects. (I know how hard that is and why it’s not possible for the artiest of s/fx, but I always appreciate the effort.) And once again, Nicky Lim’s cover design is lovely, with the embossed title.

As an added bonus, I genuinely think the illustrations by Aonoshimo-sensei actually enhance the story. This volume is of course, early days on this collaboration, but I know from later chapters, the art is good and will become fantastic.

This is the edition we wanted. Now I can recommend the manga as highly as I do the light novels. ^_^

Ratings:

Art – 8
Characters – 9
Story – 8 It will improve over time. ^_^
Service – 5 Nudity and bathing
Yuri – 9

Overall – 8

Volume 2 is heading our way in English in winter 2022 and I look forward to it with as much enthusiasm as I do Volume 3 in Japanese. Thank you Seven Seas for this review copy, and for taking our concerns and desires so seriously. It is very much appreciated.





Watashi no Oshi ha Akuyaku Reijou. Volume 5 (私の推しは悪役令嬢。)

September 9th, 2021

What if you had the chance to remake the entire world in order to save the person you love…and learned that the world was never what it seemed?

The first thing you will note about Watashi no Oshi ha Akuyaku Reijou., Volume 5, (私の推しは悪役令嬢。) by Inori, with illustrations by Hanagata, is that it is a large-ish volume. That is because there is a lot to get through.

We left Volume 4 with a number of major and minor plot points up in the air. Since, once again, you will be able to read I’m In Love With The Villainess, Volume 4 this winter from Seven Seas, I will not spoil those plot points, except to say that they are mostly all entirely relevant to Volume 4 and only one is relevant to Volume 5. This volume mostly takes place in the Nur Kingdom and when I tell you “the world was never what it seemed,” please consider that as much of a spoiler as you will get from me beyond the cover art, which is also a spoiler. I’m actually glad I read this on Amazon’s Kindle app, because the translation dictionaries made it that much easier to wade through some of the terminology. My Japanese vocabulary is not up to economics and finance, and other specific disciplines.

Because so much happens here – loss and gain and loss once more and salvation and damnation and eternity, it’s actually impossible to talk about it, so I will content myself with the least important thing I told Sean Gaffney as I messaged him to spoil the living hell out of it. If you are familiar with Doctor Who, you will entirely understand how everything in this book works…and how it must work. ^_^ This leads to the only criticism, if you can even call it that, I have. Because of that specific narrative structure, there was no way to give it a punchy ending, which was perfectly okay. It ended as it had to…and then didn’t end for a few more post-epilogue shorts. When you like your characters, it’s hard to let go, I understand completely. ^_^ 

Inori-sensei’s writing has evolved. Originally published as a webnovel, the chapters moved quickly, were carefree and goofy. The story began to take on a serious bent as the plot unfolded in later volumes. Through everything, the writing was very, very aware of LGBTQ+ issues in the real world. This is true through the very end of the story. What has changed is that the writing now is very visually descriptive, where before it was narratively descriptive. Inori-sensei clearly has the currently running manga and any potential future anime (which has not yet been proposed, the author’s note states) in mind. That kind of writing works very well here in what must be described as a grand, sweeping, epic finale, in a way that it would not have in the earlier volumes.

Typical of a Light Novel, the art is portraiture and serves to illustrate the characters, rather than the scene. Hanagata’s art has also improved and evolved, which is kind of fascinating, because we got to watch it in real time.

So what can I tell you about this volume? I can tell you that a couple of times I thought the story was going to make me cry. It didn’t…until it did, and the character that did that, was probably one of two characters I would have absolutely guaranteed that you could not get me to care about. ^_^

While this book wraps up every loose end – even the ones it creates – and finishes the story as such, Inori-sensei is still hard at work. “She’s Such a Cheeky Commoner,” is the story (not entirely the same content) from Claire’s point of view. You can read the webnovel of this if you become a subscriber to Inori’s Pixiv Fanbox.

Ratings:

Art – 9
Story – 9
Characters – 10
Service – Very little, for perfectly good reasons.
Yuri – 10
Queer – 10

Overall – 10

I said of Volume 3, that it was juggling and plate-spinning on a high wire, I called Volume 4 a “wild ride.” Volume 5 of Watashi no Oshi ha Akuyaku Reijou. was an epic parade of the entire circus. ^_^