Archive for the Staff Writer Category


Pink Candy Kiss, Volume 4

February 25th, 2026

Cover of Pink Candy Kiss, Volume 4 by Ami Uozumi.Two women in green dresses embrace, lightly, looking forward at us, with soft unfocused eyes.by Eleanor Walker, Okazu Staff Reviewer

At the very end of volume 3, which I also reviewed here on Okazu, an unexpected character from Ema’s past reappears. It’s her mother and there’s clearly some history between them, as within the first two pages of of Pink Candy Kiss, Volume 4 she makes a snide comment about Ema’s hair and clothing choices. Ema also contemplates how long it’s been since she saw her, and how much older her mother looks. Hario does at least stand up for his wife, but the cruelty is very pointed and definitely hurts Ema in a way that I’m sure many of the audience will be able to relate to, so much so that she’s ready to give up on the cafe and have Hario handle it instead. There’s nothing like a mother’s love and support is there? At the end of this chapter, Takara asks Ema if she wants to run away. The next chapter opens with another confrontation with Ema’s mother, but this time it’s Takara standing up for her.

The “will they won’t they” dynamic continues to be the crux of this series, although I do worry about how much longer it can carry the story. We’ve known for a while now that Ema and Takara are head over heels for each other, and I just hope that we get a proper confession from someone sooner rather than later, since we did not in this volume. The characters are still wonderfully messy, flawed and above all, realistically human. For that reason, Pink Candy Kiss continues to be one of my favourite ongoing Yuri series, and I’m eagerly awaiting volume 5. I also think it would make a fantastic live action drama, if a company would be brave enough to produce it.

Ratings: 

Art – 7 It’s still a shame there aren’t colour pages with the chapter art on.
Story – 8 The living apart situation is still a little contrived, but the rest works very well. 
Characters – 10. Ema’s mother is vindictive, cruel and totally realistic, as is Ema’s reaction to her. 
Service – None. It still doesn’t need it. This is a story about women’s feelings, written by a woman for other women.
Yuri – 10 So much yuri.

Overall – 8

 





Star Sword Nemesis

February 13th, 2026

Title art for Star Sword Nemesis. On the left a girl in a jersey jacket and short skirt floats upside down, holding an enormous sword. An older woman, with white streaks in black hair looks askance. On the right a series of concentric circles, with a round blou dot on the other circle and he title of the game.by Ashley Payne, Okazu Staff Writer

Star Sword Nemesis, a new novella from Christine Love, wears its robot anime influences on its supremely fashionable sleeves. You might think that a novel where on the ninth page someone puts up a slide that consists solely of the sentence: “GIANT ROBOTS MAKE YOU STUPID.” would be more of a subversion but no, this story is doing what I have been asking for: make a robot story for the lesbians.

Our heroine Eris is struck with a profoundly relatable problem. Her instructor Halley is so cool and competent Eris’s crush on her is making it hard to focus on their lessons on wielding Star Sword Nemesis. Having a crush on Halley is a profoundly foolish idea, not just because Halley is Eris’ instructor, as Halley was an enemy combatant until a few months ago.

This results in the irresistible force of “I can fix her” meeting the immovable object of “This is the real world kid”. What is truly impressive is that it chooses very different points of tension than you might be expecting if you were familiar with kissing books. It has great fun indulging in the expected peaks of confession and heartbreak and then pushing past them with a refreshing resolution that spins the story forward. The momentum really shifts up at the halfway point, becoming almost impossible to put down.

While the core of the story is Eris rushing headlong into what appears to be obvious betrayal, it is entwined with some of the most impressive sci-fi world building I have had the pleasure to read in a while. We learn about the semi-untopian society of the Trans-Neptunians both directly, with Eris talking with her friends and in the moments when Eris and Halley miss-communicate. It really reminded me of the brief moments in an Ian M. Banks Culture novel. Only here the Trans-Neptunians are not an idealised, post scarcity society, but a small collective holding on to their ideals in the face of direct hostility from the Earth Sphere.

Star Sword Nemesis is only one hundred and fifty-eight pages but it is broken up with wonderful art from Max Schwartz, who illiterates key events light novel style. Only we get more art per page in Star Sword Nemesis in delightful colour too. Frankly, comparing Star Sword Nemesis to a fun light novel is the ideal comparison. It is short, straightforward, has a powerful sense of its world and characters and has a denouement better than most novels.

Ratings:

Art: 10
Story: 7
Characters: 8
Service: 10
Yuri: 10
LGBTQ+: 10

Overall: 9

I know for most of the people who read this blog Star Sword Nemesis is barely an afternoon’s reading and it is well worth one afternoon.





#Gal x Gal Yuri, Chapters 1-11.2 on VIZ Manga

February 4th, 2026

Five gal/gyaru-style high school girls pose together in front of a blackboard. From the left is a blonde-haired girl with red highlights wearing a pony tail, a blonde girl in a bob cut with purple highlights, a long-haired brunette with tan skin winking while showing a peace sign, a blonde long-haired girl, and a the tallest, a silly-looking girl with a very long black hime-cutby Matt Marcus, Staff Writer

Have you ever thought to yourself, “Why search for a new lover when I could be dating my bestie instead?” Well, do I have a yuri for you!

#Gal x Gal Yuri is exactly what it says on the tin. Blonde bubbly Yua and the cool tan beauty Reina are high school comrades in cosmetics who decide to spend a year dating each other, and I quote verbatim, “for the vibes.” We see them go on dates, celebrate birthdays and holidays, become the spring festival mascots of their class (and run a maid café, natch), and finish their year-long experiment very much still in love.

And that’s chapter 1.

My instinct is that the first chapter was a one-shot doujinshi that was repurposed for the serialization, but it’s funny how much gets jammed in there before things slow way down for the remaining ten chapters of the volume.

The dynamic between the leads is simple but fun. Yua is so enthusiastic to the point where she is constantly gushing or gloating about her affection for Reina, in a way that disarms anyone who might have looked sideways at an openly queer relationship (notably, they encounter no trouble with anyone on that front). Reina, on the other hand, plays the “straight man” role mostly by rolling with or occasionally reining in Yua’s flights of fancy. But really, this is a comedy series and the jokes do mostly land. Occasionally Yua’s talk about sex makes me want to take a spray bottle to her, but I can’t say it seems out of character for a teenager.

There are other supporting cast members—a pair of twins Akane and Shion, and Yua’s childhood friend Yazawa (a “rocker” chick who is somehow the most head-empty of the cast)—to help round things out. Yazawa takes up most of the air when she is present, but for the most part this is the Yua and Reina show.

Inoue’s art helps carry this series. It’s cute without being too cutesy; the fashion is, of course, well represented; and I find the reoccurring off-brand Instagram posts charming. The one thing I would say I don’t have a firm perspective on is Reina’s skin tone and what it could or could not signify; my bet is that it’s simply an aesthetic choice.

If you like gals being more than pals, this one is worth smashing that follow button for.

Ratings: 

Art – 8 Appealing, reasonably detailed, used well to emphasize gags
Story – 7 Not a lot of plot but enjoyable nonetheless
Characters – 7 Characters are shallow but very charming
Service – 4 One panel of a bath scene, plenty of sexual jokes, lots of gyaru fanservice
Yuri – 9 Plenty of yuri “for the vibes”

Overall – 8 highly decorated nails out of 10

While the first tankobon is available in Japan, the current 11 chapters (plus two bonus stories) are currently only available in English on the VIZ app and website.

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network. You can find him mostly reskeeting Yuri posts and sports takes on Bluesky @hyperartmarcussan.bsky.social





ROLL OVER AND DIE: I Will Fight for an Ordinary Life with My Love and Cursed Sword! streaming on Crunchyroll

January 30th, 2026

Title art for ROLL OVER AND DIE: I Will Fight With My Love and My Cursed Sword streaming on Crunchyroll, showing a redheaded fighter and a maid withe a bandaged face, surrounded by other characters.by Eleanor Walker, Okazu Staff Writer

From ROLL OVER AND DIE: I Will Fight for an Ordinary Life with My Love and Cursed Sword! streaming on Crunchyroll: “Flum wasn’t chosen for her strength—she has none. No magic, no skill, only an ability called “Reversal” that even she doesn’t understand. So why did God place her in the hero’s party? After being betrayed and sold into slavery, Flum is abused and eventually thrown to monsters for entertainment. Now faced with death, Flum must choose: be devoured or take up a cursed sword said to kill its wielder.”

I’ve had the original novels for this series in my Bookwalker library for a while now, and didn’t really know much about them other than they were incredibly violent and gory, but the anime offered an easier way in. I was pleasantly surprised to discover that underneath the fairly generic “kicked out of the main hero’s party” premise, there are enough stand out elements to make this show worth watching. The first and most obvious of these is that our main heroine, Flum, is female. I’ll be the first to admit I’m not a connoisseur of the genre, so there may be others out there, but the only other series with a female lead which comes to mind is the excellent Sexiled series by Ameko Kaeruda, which you should definitely check out if you haven’t already. Roll Over and Die definitely has a very different tone to Sexiled though, which is much more light-hearted and takes more of a parody angle.

I’ve heard complaints floating around the Internet that the gore has been toned down for the anime, so I did read the first part of the first volume of the novel to compare, and some of the more gruesome moments have been either cut completely or made much shorter and less vivid. However, we do still see Flum being branded on the face very early in the first episode as well as people being eaten by ghouls so it’s definitely not for the faint of heart whichever version you pick. I will give the anime credit though as although the gore in the novel sometimes felt like gore for gore’s sake, the show manages to straddle the line of setting the scene but without overdoing it. It’s very clear that no one in this world is on Flum and Milkit’s side and the very obvious slave branding on Flum’s cheek immediately marks them as lesser once they escape.

They head to the Adventurer’s Guild in the slums of the city, as by becoming adventurers they can earn money from completing quests which will enable them to survive. Unfortunately, the nice man at the guild is also a bit of a bastard, and instead of sending Flum and Milkit on a quest to kill an F-rank monster, they’re tricked into going after some D-rank monsters instead. However, thanks to Flum’s no longer useless ability and cursed sword, the girls are able to kill the monsters and claim their prize, and more importantly, an adventurer’s license from the guild, much to the annoyance of the man who sent them into what he thought was a death trap.

Character-wise, Flum and her companion Milkit are the main protagonists we follow here. Milkit is a slave who Flum rescues from the same dungeon which she was trapped in, and the two begin to work together to survive in a hostile world, and are definitely developing feelings for each other as well. It would have been nice to have a bit more time with them together exploring their feelings when they’re not just trying to survive. This is however one of the other main aspects which makes this show distinct from other “kicked out…” power fantasies. So far, revenge doesn’t seem to be Flum’s main motivation. She just wants to survive and protect Milkit as well. Unfortunately, these first 3 episodes don’t tell us much more about either of them, other than that Flum was chosen by the deity Origin to join the party which would defeat the Demon Lord. One gaping plot hole I couldn’t ignore here is that the Origin just let Jean (another member of the party) sell Flum to the slave trader and didn’t intervene. Maybe this is all part of the grand plan, maybe there’s more going on than we realise.

The character I am most interested in though is Cyrill, another member of the party who is initially friends with Flum due to them being similar ages, however Jean has designs on her and it is implied that one of his reasons for wanting rid of Flum is so that he can pursue her. Flum and Cyrill’s relationship is definitely portrayed in a way that could suggest they were more than just friends, and I would like to know more about them as well as seeing if they reunite further down the line. What Jean also doesn’t realise once he’s got rid of Flum, is that despite her seemingly useless stats and zero magical ability, she helps the party out in other ways, like cooking. Once she’s gone, he’s not getting his food prepared how he likes it and he sulks like the big baby he is. I am looking forward to him getting his just desserts (pun absolutely intended).
In episode 3, we meet Sara, a seemingly pure-hearted nun who has a brand on her neck similar to Flum and Milkit. Sara’s backstory is the most interesting so far, and I hope we get some similar level of detail for the other characters too. She is from a pagan village which was destroyed by the demons and forced to absorb into the Church, including banning pagan rituals such as the use of herbal medicine. (As a personal aside, I’ve been reading about the Scottish witch trials recently for work, and there’s a lot of parallels to be drawn here but that’s probably an article in itself)  Even I, as someone who’s not overly familiar with this genre, have a suspicion that maybe the Church isn’t all it seems to be…

Regarding the art and animation, there’s not really much to make this show stand out. The colour palette is pretty dark, whether that’s an intentional design choice or a saving money choice isn’t really clear, it could just as easily be a bit of both. It does mean Sara’s white robes act as a nice contrast to everyone else’s dark outfits and that the symbolism is incredibly obvious. The character designs are pleasant, although Milkit does remind me far too much of Ren and Ram from Re: Zero.

Overall, I enjoyed this much more than I was expecting to. Whilst there are definitely a lot of generic elements here, the setup and execution is interesting enough for me that I will stick around and see what comes next. If you don’t mind quite a bit of gore, and a well trodden basic premise, you could do a lot worse than this show.

Ratings:

Art – 6. Character designs are pleasant, animation is meh.
Story – 7 There’s enough here to make it stand out from the hundreds of other kicked out of the hero’s party shows.
Characters – 7 There’s a lot to explore here, how I feel about the rest of the show will depend how well this is done.
Service – 8 if you enjoy gore, 5 if you don’t care for it.
Yuri – 8 When the first thing Flum buys for Milkit after they get some money from completing their first quest is a maid outfit…

Overall – 7





I Don’t Know Which Is Love, Volumes 3 & 4

January 28th, 2026

I Don't Know Which Is Love Volume 3 cover. It shows Maria, a pretty lady with long brown hair wearing lipstick, holding up a phone that shows a surprised looking Mei. I’m Luce, and it’s been a while! I’m back today with a double issue of the Yuri rollercoaster, which contains no actual rollercoaster content. I can be found on the Okazu discord as farfetched. Onwards!

In Volume 1 & Volume 2 we saw Soraike Mei get closer, in various different ways, to her five love interests, and generally be something of a lesbian disaster. In Volume 3 of I Don’t Know Which Is Love, she’s practicing for the play, which involves kissing – having kissed both Karin and Kaoru, she’s confused as to why it felt good both times! Good that there’s a certain psychology professor to help her sort it out… Or just make it more complicated? In Volume 4, the play having gone well, Mei ends up in a situation with a drunk Maria, and meets up with her high school crush who broke her heart. Resolving herself to date Karin, she finds her kissing another girl! Riri wants to see her, so invites her to a photoshoot… but it’s in a swimsuit – will Mei, disaster lesbian extraordinaire, even be able to take photos?

This sold as a romcom – and in many ways it is – but it also feels more like watching a race – who can kiss Mei first? Who can date her first? Karin and Maria are pretty ahead, with Kaoru closer behind. I called it the Yuri rollercoaster in previous reviews, and that’s the feel – not much room to breathe. That said, it’s kind of refreshing for a series not to be ecchi per se but to admit that part of romance for a lot of people is sex. These are college students, it’s not weird for them to feel attracted to each other physically, and no one is shaming them for it, although sometimes they’ll tell themselves off – not in a puritanical way, but in a ‘she’s my professor’ or ‘we’re not even dating’ kind of way.Cover for I Don't Know Which Is Love volume 4. It has Karin, a young woman with short blond hair, looking flirtatious, about to lick Mei's finger.

If you really don’t like Professor Maria being one of Mei’s love interests, probably best to sit this out, since she’s not going away. At least Mei is a college student rather than a high school one, but I understand it might irritate people. Of all the love interests, Riri gets the least to do here, only appearing a few times, although she is cute when she does. She does pop up in Volume 4 in a photo shoot, wherein Mei realises she has a thing for boobs.

At the end of Volume 4, Mei asks Maria for a quiet beach spot so Riri won’t get harassed while they’re at the beach. Maria uses this as an opportunity to get all of Mei’s love interests together, so Mei can choose one. Which sounds like a set up for a final volume, but apparently a sixth volume recently came out in Japan, although there is no date for the fifth one in English. It doesn’t really seem to be gunning for any kind of polyamory ending, but neither is any girl really ‘winning’ right now. Mei certainly can’t make her mind up!

Perhaps an issue with this kind of series is that it either needs to be long or short. How Do We Relationship had the time and (I suspect) the planning to carry out that tangled mess of relationships. Although that was more of a serious tone and the intents are different, I’m not sure the author here has a particular plan in mind. As such, I worry it might end up being a bit more meandering. We will have to see; I still enjoy it, but I’m honestly not sure where it’s heading.

Ratings:

Yuri – 10
Service – 6
Art- 7
Characters – 7
Story – 6

Overall – 7

You know, for a series about lesbians, they sure don’t say the word lesbian much. If at all.