Archive for the Yuri Anime Category


Otakon 2025 Field Report – Rock Is A Lady’s Modesty Panel

August 17th, 2025

Photo of Miyuri Shimabukuro, Shinya Watada, and Hidetake Nishigaya posing in front of the crowd from the second RockLady panel at Otakon 2025. Shimabukuro-san and Watada-san are holding chibi dolls of the main cast.by Matt Marcus, Staff Writer

The familiar barrage of guitar notes of “Ready to Rock”, BAND-MAID’s opening song for Rock Is a Lady’s Modesty, hyped up an expectant crowd. On stage, however, was not the band; present instead was RockLady’s Director, Shinya Watada, Otoha Kurogane’s voice actor, Miyuri Shimabukuro, and Producer Hidetake Nishigaya. The topic at hand: the staff’s favorite scenes and a peek behind the curtain on production.

The Saturday morning panel was the group’s second during this year’s Otakon, the first being held the day before in one of the larger conference rooms of the Walter E. Washington Convention Center. Having only the chance to visit the conference on Saturday, I was curious whether interest in the series was strong enough to carry a second session. I was pleasantly surprised; despite the smaller room, the attendees, roughly 120 in total, were as loud and raucous as a Fuji Rock crowd (or at least my imagination of such). I was pretty impressed by the number of fans who showed up to hear more about a niche title that aired on a small streaming platform.

The panel was MC’d by Nishigaya-san, with Watada-san and Shimabukuro-san as the guests of honor. Both shared two clips each that were their personal favorites and discussed why. Watada-san highlighted two post-jam ending scenes; Otoha’s first colorful outburst and immediate switch back to lady-like speech from the end of episode 1, and the battle of the bands scene with our full group panting, sweating, in front of a stunned crowd. Both moments were stressful to direct, and he was relieved that they managed to hit with the intended impact.

Shimabukuro-san’s choices were both spirited character moments. First was lead character/guitarist Lilisa and Otoha’s first exchange of vulgarities in episode 3. The second was Lilisa’s defense of the rock greenhorn Tina in episode 8. She would mention that her biggest challenge was keeping her speech intelligible during the not-infrequent torrents of screamed insults.

After the favorite scenes section, the panel moved on to Q&A. Shimabukuro-san mentioned taking drum lessons to get into the role, but given her novice status she did not end up drenched in sweat like her character. The staff were asked about their favorite Western rock bands (Watada: Bon Jovi; Nishigaya: Green Day).

The most interesting revelations came towards the end. Nishigaya-san touted one last surprise: a prerecorded segment with BAND-MAID, who provided both music and motion-capture for the musical performance scenes. Of their anecdotes, my favorite was from drummer Akane Hirose, who said that Otoha’s freestyle drumming in episode 1 was an unrehearsed jam that was requested at the end of a recording session. 

All in all, it was a fun panel. The only mildly disappointing part was that Akira Sekine, the seiyuu for Lilisa, was not there to trade stories with Shimabukuro-san, which could’ve brought out some more lively banter. Also, there was no season 2 tease or even a shoutout to the upcoming localization of the manga coming next month. Still, I was pleased to see that the show garnered enough love for there to be two panels dedicated to it.

After the panel I left the hall and grabbed myself a chili-smothered half-smoke at the Ben’s Chili Bowl stall located at the north end of the convention center’s skybridge that spans across L Street. Given the central location, I had a great vantage point to watch the throngs of anime fans passing by, many in cosplay. While I didn’t see anyone dressed up as Otoha or Lilisa, there was still plenty of RockLady-like rebellion put on display. Perhaps the next time I make it to a convention I will see more proper ladies saying “Gokigenyou~” with middle fingers up.

Rock Is A Lady’s Modesty is available for streaming on HIDIVE, and volume 1 of the manga will be coming out in English via Yen Press on September 23rd.

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, as well as the writer for the blog Oh My God, They Were Bandmates analyzing How Do We Relationship in greater depth.





Bad Girl Anime, streaming on HIDIVE

July 30th, 2025

Six high girls in school girl outfits in various poses. A multi-colored logo said “Bad Girl.”

by Matt Marcus, Staff Writer

Your butt is mine, gon’ tell ya right

So opens Michael Jackson’s 1987 mega-hit “Bad”. I’ve always found this line risible, like a 7-year-old trying to sound cool. Don’t get me wrong, the song is a certified banger, but no amount of buckles or hip-thrusts were going to convince me that MJ knew how to throw down.

Even less convincing is Yuu Yuutani, the titular so-called Bad Girl,streaming on HIDIVE. You see, she wears earrings (that are actually paper clips)! And she doodles on the bus window! That will definitely catch the attention of her beloved senpai and public morals committee member, Atori Mizutori, won’t it? Turns out she’s very bad and being…well, bad. But despite this, she gets her wish, as Atori finds herself fascinated with this small scared animal who follows her around.

Every character is an easily identifiable archetype: we have the socially inept lead; the grumpy gyaru best friend with a crush; the conceited clout-seeking cutesy girl; and the well-admired and respected senpai. Not much in the way of surprises here, although aside from the “school idol” girl they are likeable enough.

Nothing about Atori’s sudden interest in Yuu makes a lick of sense aside from the fact that there wouldn’t be a premise without it. You can’t look at Bad Girl and expect anything resembling verisimilitude or character growth—it’s simply a vehicle to deliver well-worn jokes around our lead struggling to communicate yet failing upwards. There is also a layer of lewdness to the gags that feel very calculated, starting with the OP that includes several moments of our cast posing with each other in the nude for no reason.

The animation is solid, the comedic timing is tight and punchy. It’s a well-executed version of what it is: a gag manga adaptation with few fresh ideas. To paraphrase Wesley Snipes: it ain’t bad.

Art – Cutesy. Very cutesy
Story – Goofy and fluffy
Characters – Here just to be silly
Service – Kya-hoo out of 10
Yuri – Should’ve called this series Down Bad Girl

Overall – It’s not bad, but it’s not particularly great either

You can watch this series on HIDIVE, if you’re bad enough

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, as well as the writer for the blog Oh My God, They Were Bandmates analyzing How Do We Relationship in greater depth.





There’s No Freakin’ Way I’ll Be Your Lover, Unless…, Anime

July 16th, 2025

An ensemble photo of four girls with varying hair colors embracing a girl with pink hair, who appears to be trying to get away.Renako was an introverted nerd in middle school, but now, in high school, she has determined to fit in with the normies. She’s gotten a physical upgrade and somehow was adopted by a popular girl, Mai, which means she’s surrounded by a group of talkative girls. Only, Renako is still an awkward nerd and gets overwhelmed by conversation, blurts out some random word, then runs away mortified.

It was a deeply uncomfortablemaking set-up, but then…

Mai goes after Renako, and after a ridiculous plot complication that we just have to handwave, they talk sincerely about what they want. Renako is assured that she is not required to be eloquent, which leads to the one genuinely lovely bit of this anime, as Mai neatly inserts herself as Renako’s spokeperson whenever she gets overwhelmed. 

On the other hand, Mai wants something far more intimate from Renako – she wants to be her girlfriend. Love comedy shenanigans ensue! Renako and Mai will spend quality time together and, as the second episode develops, will find themselves building intimacy with the other. The conflict is how each desires and interprets that intimacy. Mai is insistent on a romantic and sexual relationship, while Renako is hoping to have a best friend. Both make legitimate cases for their wants but, despite saying she will not force herself on Renako, Mai does. Again, less funny than uncomfortable.

There were several things about this set-up that worked against it, right from the beginning. The nerd trying to fit in with the normies in a media for nerds… well, bzzzt. I don’t care about fitting in, neither should you, nor Renako. Who the fuck cares if you’re a nerd? You’re fine, full stop.

Mai insisting on violating Renako’s boundaries is…not cute. Mai is otherwise likable and relatable, and Renako, after that first scene, becomes increasingly sympathetic. By the end of episode two, I hope they can work something out. But as a driver of a “comedy?” Bzzt.

There is a lot of fan service and it’s neither subtle nor amusing. Thigh shots, a pointless and excruciating leering at Mai in bikini, that kind of thing. Extended bathing scene in ep 2. Bzzt.

The final strike against this anime has nothing to do with the story, but I am VERY salty about this series getting the decent animation that Whisper Me A Love Song failed to get. It seems wholly unfair that the adorable, practically all-ages Yuri that you could show your grandmother was a powerpoint presentation, and Renako’s thighs are better animated than any episode of Takeshima Eku’s wonderful ongoing series. This is especially irking as this series character designs are by by Takaeshima Eku-sensei, so it’s hard to ignore.Oh well. 

On the other hand, the shenanigans actually got me to chuckle once or twice. And I found my sympathy for both characters growing as the episodes developed.

Ratings: 

Animation – 8, sometimes 9, dammit
Characters – 7 with room to grow
Story – 6 same as above
Service – 4
Yuri – 9, in the classic predatory style

Overall – 7

As not-for-me as this series is, I did not hate it and will continue to watch.

There is something that this anime edges close to and I hope it actually addresses – there really isn’t (or, at least doesn’t have to be) that much of a difference between a romantic partner and best friend. It comes up a lot in rom-com manga, I’d like to see a series that delve into it.





Mobile Suit Gundam: The Witch From Mercury, Season 1 Blu-Ray Steelbook, Disc 2

April 13th, 2025

The front and back cover and two blu-ray disks of a steelbook set. On the right is a girl with scarlet hair in a white uniform with black and gold collar, on the left is the same girl standing in front of a giant white robot with red, blue and yellow features. The two disk are gold and black. If you have ever watched Mobile Suit Gundam: The Witch From Mercury, Season 1, then you know why it took me this long to get through disk 2 after I reviewed Disk 1 in January. It is large heaping doses of trauma with just enough wholesome that you’re ready to be traumatized all over again.

The duels has been all but rendered moot, by the corporate shenanigans of unsavory adults who see their and others’ children as pawns. The council members frankly lose their minds in this disk. Guel’s arc becomes increasingly desperate, culminating in yet another horrific moment, while his brother Lauda begins his descent toward unhinged. The politics of Space vs Earth, which one might hope makes sense, simply doesn’t. as Earth attacks not the products, but the people, with a team lead by a psychotic pilot. The plot spins out of control, and Shaddiq pulls strings to no apparent purpose. Who was any of that for? It wasn’t going to help Earth, obviously and no one in Space gained, either.

Suletta and Miorine have one of their periodic fights only to be reunited just before they suffer yet another trauma, this one well-intentioned, but utterly horrific, nonetheless. Suletta’s continued “baby seal waiting to be slaughtered” isn’t the right tone one wants from one’s hero…or villain. And one begin to feel that Prospera doesn’t love Suletta so much as sees her as a useful pawn, like all the other adults in this story. Should there be a moment of respite, another trauma will rush to fill the void.

This disk is rough, there’s just no getting around it. Knowing that going in to it did not actually help. Worse, the animation is really very good, one can mostly follow the mobile suit fights, which are always, IMHO, the weakest points of any mecha show. Good animation when terrible stuff is going down, again, does not make it better. ^_^;

Phew. I’ll need a long break between this disk and the next season, for sure.

Ratings:

Art – 9
Story – The continued trauma of children for no reason is so much fun. Not.
Characters  –  Deep breath….8
Service – I’m going to say that the violence is the “service” this time. That’s a lot of detail for animated violence.
Yuri – 5
Rage – 10

Overall – 8

In those few moments when Sulette and Miorine do connect, one feels hope and sees the beginning of a meaningful relationship. I know it’ll be fine, but there’s a lot between the story now and that end.





Project A-ko 2, 3, and 4 Blu-Rays

February 19th, 2025

A Blu-ray cover, a girl with a lot of red hair, in a yello tank top over white -t-shirt runs full speed, while a little girl in pink dress with a flower in her blond hair hangs on. A cool beauty with long blue hair and a glowering man with purple hair in the background.by Matt Marcus, Staff Writer

In the wake of the success of the original Project A-ko film, A.P.P.P. released three sequels, all of which now have Blu-Ray releases from Discotek. All three—running for around 50 minutes compared to the original’s 80—felt a little too scant to review individually, so I’ve opted to combine my thoughts here (much like their previous DVD release from Central Park Media, subtitled Love & Robots).

Project A-ko 2: Plot of Daitokuji Financial Group

Three weeks have passed since the end of the first movie. The defeated alien ship remains perilously perched upon the military command tower at the center of Graviton City, but now it’s been converted to a glitzy shopping mall and recreation center. Of course, this is cover for Captain Napolipolita and her henchwoman D to raise funds for repairs, after which they intend to fulfill their original mission of returning the lost alien Princess C-ko to her home planet.

But this time, the villain is the military industrial complex, in the form of B-ko’s weapon’s dealer mogul father Hikari Daitokuji (or, as I like to call him, Phoney Stark). He sees the alien ship as a goldmine of advanced technology he’d like to steal and exploit for his own ambitions, and so the Plot of the Subtitle are his machinations trying to hoodwink the defense force into doing the dirty work for him. (Notably, he’s been stealing mecha designs from B-ko.)

Meanwhile, our main trio are simply looking forward to a summer break of fun. They end up obstructing both the aliens and B-ko’s father’s schemes, mostly by blowing everything up. Graviton City is left a smoldering ruin again, but life goes on.

All of the elements of the first film are here. The A-ko/B-ko/C-ko triumvirate continue their schtick. There’s a decent amount of mecha and exploding shit. Surprisingly, the non-mecha fanservice is relatively tame; I found the fully-animated scene of A-ko changing into a bathing suit without exposing herself particularly funny, as if it were an intentional troll to those seeking more cheap thrills. Honestly, the funniest bit was how the Alpha Cygnans painted C-ko’s face on the front of their ship, goofy open-mouth grin and all.

The extras are notably sparser than those for the first film (no extra documentaries or feature commentaries this go ‘round). The only unique bonus are screenshots from the PC-88 casino game collection tied to the film, which included several scenes lifted from the film but drawn in that classic 8-bit style.

Overall – 6

Project A-ko 2: Plot of Daitokuji Financial Group Blu-ray available on Amazon and Crunchyroll

 

A red-haired girl in a red dress and a blue-haired girl in hakama and gi glower at each other over their shoulders. Behind and above a gaping blonde with a flower in her hair and a boy in black.Project A-ko 3: Cinderella Rhapsody

This film is based around Spring Break, and every girl in Graviton High School is thinking about romance. A-ko becomes obsessed with a dress she can’t afford, and starts working at a fast food restaurant to save up. B-ko is still using her posse to stalk her, and of course the two are still fighting before school every day. C-ko is starting to feel neglected by A-ko, 

All of this is thrown out of whack when C-ko runs into the street and is nearly run over by a hunky-yet-gormless guy named Kei. A-ko falls for him immediately, followed by B-ko, while the whole time, Kei has caught feelings for C-ko. So much for the Yuri.

Hijinks ensue, which culminates with a destructive showdown in the fancy hotel atop the yet-again-renovated alien ship, which is now a theme park. As the chaos expands, the commander of the defense force decides to neglect his duties this time (off screen, no less), so a group of under-cover protective public works employees mobilize, which turns into a cavalcade of mecha and sentai winks. They even included a cameo by BaBe, the idol duo who sing the film’s theme song “Get A Chance!” (The English Version plays over the credits, the lyrics of which are basically inscrutable.)

In the end, everyone’s heart gets broken. Kei confesses his love to C-ko, who harshly rejects him, while A-ko and B-ko see their fantasies shatter along with the floor of the hotel. Everything resets back to the status quo again. Hooray.

This one definitely feels like a step up from the previous film, but having the central conflict shift to center on Kei was honestly a bit deflating even if, as the trivia notes say, this would have been expected by the audience at the time. I know that the joke is that his cool surface image is actually the result of being too shy to talk, but it’s not quiet a strong enough joke to hang an entire plot on. I also wish more came out of the extensive mobilization scene; having Graviton City secretly be a hotbed of superheroes and super robots could have been used more for the comedy besides “look, an off-model reference!”

As with the previous release, the bonuses are relatively slim, though the trivia section is always a fun treat. I did notice one omission, though, which led me down a bit of a rabbit hole. In the film, we see a brief segment of a porn flick, where a girl with short blue hair (and no clothes) is about to, uh, impose herself on a red-haired girl. The scene is interrupted by the mobilization call (somehow within the movie!) by a girl with orange pigtails. Turns out, these three are the animated versions of an idol group Lemon Angels, a multimedia project that was an offshoot of the Cream Lemon hentai series, much like what Project A-ko began as. Seems like an odd thing to leave out from the otherwise exhaustive trivia notes, especially since they are even explicitly credited.

Overall – 7

Project A-ko 3: Cinderella Rhapsody is available on Blu-ray from Crunchyroll and Amazon.

 

Red haired girl in a school uniform, blue-haired girl in black dress and cowering little blonde girl with a flower in hair are backed by a mecha that looks like the redhead, a pair embracing in wedding clothes of a guy with brown hair and a teal-haired girl.

Project A-ko 4: Final

The aptly-titled fourth film of the mainline series is about two impending threats: a new alien invasion, foretold by ancient inscriptions found in Iraq, alongside the teacher Miss Ayumi’s engagement to…Kei??!?!

Out of all of the sequels, this one has the strongest set-up for farce. Phoney Stark is back as the facilitator of the omiai between Miss Ayumi and Kei. Since he is basically in charge of the military, he orders them to protect the bride and groom from terrorist threats (read: B-ko, who is back on a rampage to steal Kei for herself). This provides cover for the defense force to mobilize against a massive alien fleet that is approaching earth (circumventing the cowardice of the commander who bailed in the previous film).

A-ko is, for her part, is also trying to wreck the wedding, again leaving C-ko feeling abandoned; in fact, her crybaby friend begins to fear that A-ko and B-ko’s love of fighting is going to turn into feisty romance, leaving her alone. When it turns out the fleet is helmed by C-ko’s long-lost mother, C-ko decides willingly to leave. (We are led to believe that Ayumi is tied to the aliens, but that turns out to be a fakeout.) A-ko and B-ko fail to take her back, only for C-ko to unceremoniously show up at A-ko’s door the next day, having changed her mind on leaving. C-ko asks A-ko not to fight B-ko anymore, to which A-ko happily agrees.

To be honest, this one might be my favorite of the bunch. Seeing A-ko and B-kos fights become so regular that even their friends see it as just another ordinary morning got a good chuckle out of me. C-ko getting Yuri-goggles was a fun twist that I wish the movie leaned more into. Still, the plot AGAIN is centered around Kei, who is even less charismatic here than in the previous film.

The extras here match what we saw in the previous releases. Would you know that there are a lot of Lupin cameos??

Overall – 7

Project A-ko 4: Final Blu-ray is available on Amazon and Crunchyroll.

 

All in all, none of these films reach the heights that the first film did, and in some cases detract from it (*cough* Kei *cough*). That said, if you wanted to see more bubble-era OVA hijinks chock full of parody, none of these are an awful time.

 

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, as well as the writer for the blog Oh My God, They Were Bandmates analyzing How Do We Relationship in greater depth.