Archive for the Yuri Anime Category


There’s No Freaking I’ll Be Your Lover! Unless… ~Next Shine~

January 21st, 2026

There's No Freaking I'll Be Your Lover! Unless… ~Next Shine~ promo art. The 5 faces of the main characters, all wearing different, characteristic, expressions, above some information in Japanese giving the airing information

by Eleanor Walker, Okazu Staff Writer

**SPOILERS BELOW**

This sequel was announced at the end of season 1 in September 2025, and originally premiered in Japanese cinemas in November 2025, then on Japanese TV at the very beginning of 2026. REMOW has also brought the series to Western fans on Youtube, as they did for the first series.

 

All 5 main cast of No Freaking Way I'll Be Your Lover, Unless...members in their school uniforms, with Renako standing slightly forward of the others, a maid cosplay outfit over her arm. Kaho is immediately behind her, jumping and punching her fist into the air

This series is basically an almost exact adaption of volume 4 of the novel series, which I reviewed here on Okazu. As such, if you didn’t enjoy the first season, there is absolutely nothing for you here. This is solely for the fans who wanted more. The animation, art, music, and voice acting haven’t changed at all in style from the original 12 episodes. Picking up where season 1 left off, we can now properly meet the final member of the harem, Koyanagi Kaho, an extroverted cosplayer with a few secrets of her own, and a jealous streak as well.  There is however one very important difference between this adaption and the original novel, which ends with Renako confessing to both Mai and Ajisai and asking to date them both, but the anime ends with a screen showing a text message from Satsuki saying “Hey, you’re already dating two at once, so one more wouldn’t hurt, right?” Obvious sequel bait aside, I do respect that the show didn’t make Renako pick just one of the girls, and actually committed to the harem premise.

It’s nice to see a yuri anime get a sequel, especially when it was announced pretty much at the end of season 1. I hope the bait which was dangled in front of us is taken and we get “Season 2” of the series animated some day.

Ratings:

Art – 7
Story – 6
Characters – 7
Service – 7. Renako has now bathed with every member of the group in animated form.
Yuri – 7

Overall – 7





This Monster Wants To Eat Me Anime, Streaming on Crunchyroll

October 6th, 2025

On dark background of black, blue and blood red, spattered with water droplets that amplify the color, a girl with long black hair and a scaled arm that ends in long-clawed fingers, smiles at use, her eyes glowing, on blue, one gold and inhuman.It can be challenging to go back to the beginning on something you have been following for a long time, to see where – and how – it begins. You’ve watched the story develop, the character mature,  and now you’re back with everyone unsure of the who and what and where. A good example of that is Steven Universe, where a return to the beginning, as Steven is so immature and very, very loud, can be difficult to watch after later seasons.

Not so for This Monster Wants To Eat Me, the anime adaptation of the manga by Naekawa Sae (one of the guests at this year’s AnimeNYC.) 

This story has always been atmosphere first, plot second and the animation really leans heavily into this. One of my favorite things about the visual narrative in the manga is how Hinako is always “drowning.” The darker her thoughts are, the deeper and darker the world around her. Bubbles float past her even in the classroom, as if she takes the deep ocean with her everywhere she goes. 

This is a story about trauma and depression and surviving, and how the horrors of the world take many forms. Including yokai.  Yokai, like vampires and werewolves, are born of fears shaped by the primal dark, the noises of the night,  of getting lost, of the inevitability of death. They are the horrors that we know are not real, but are real enough when we are faced with the truth of the world. A car may go off a cliff and fall into the ocean, but the ocean will not give back what it has taken. If you have ever watched a riptide in the North Atlantic, you may have seen that it is not angry, but it is dark and very hungry. Won’t you come and play in the surf?

This is the vibe of This Monster Wants To Eat Me. 

Something wants to eat Hinako, and Hinako is not opposed, but somehow cannot manage to successfully be dead.

This anime is being spoken of as a “Yuri” anime, but again, I remind everyone that the story is not a romance as such. Yes, Miko’s affection for Hinako is strong, and definitely a kind of love. What Shiori and Hinako may be to one another will not be revealed for a while. In the mean time, sit back, watch the ocean rise up to claim Hinako, and see how her life changes now that Miko and Shiori will vie for her attention…and her life. But not in the way you think.

Ratings: 

Art – 10
Story – 9
Characters – 8, but give it a few episodes
Service – 0
Yuri – This will be debated

Overall  – 10

Beautiful, atmospheric, dark, immensely sad, This Monster Wants To Eat Me, streaming on Crunchyroll, is fantastic.





Otakon 2025 Field Report – Rock Is A Lady’s Modesty Panel

August 17th, 2025

Photo of Miyuri Shimabukuro, Shinya Watada, and Hidetake Nishigaya posing in front of the crowd from the second RockLady panel at Otakon 2025. Shimabukuro-san and Watada-san are holding chibi dolls of the main cast.by Matt Marcus, Staff Writer

The familiar barrage of guitar notes of “Ready to Rock”, BAND-MAID’s opening song for Rock Is a Lady’s Modesty, hyped up an expectant crowd. On stage, however, was not the band; present instead was RockLady’s Director, Shinya Watada, Otoha Kurogane’s voice actor, Miyuri Shimabukuro, and Producer Hidetake Nishigaya. The topic at hand: the staff’s favorite scenes and a peek behind the curtain on production.

The Saturday morning panel was the group’s second during this year’s Otakon, the first being held the day before in one of the larger conference rooms of the Walter E. Washington Convention Center. Having only the chance to visit the conference on Saturday, I was curious whether interest in the series was strong enough to carry a second session. I was pleasantly surprised; despite the smaller room, the attendees, roughly 120 in total, were as loud and raucous as a Fuji Rock crowd (or at least my imagination of such). I was pretty impressed by the number of fans who showed up to hear more about a niche title that aired on a small streaming platform.

The panel was MC’d by Nishigaya-san, with Watada-san and Shimabukuro-san as the guests of honor. Both shared two clips each that were their personal favorites and discussed why. Watada-san highlighted two post-jam ending scenes; Otoha’s first colorful outburst and immediate switch back to lady-like speech from the end of episode 1, and the battle of the bands scene with our full group panting, sweating, in front of a stunned crowd. Both moments were stressful to direct, and he was relieved that they managed to hit with the intended impact.

Shimabukuro-san’s choices were both spirited character moments. First was lead character/guitarist Lilisa and Otoha’s first exchange of vulgarities in episode 3. The second was Lilisa’s defense of the rock greenhorn Tina in episode 8. She would mention that her biggest challenge was keeping her speech intelligible during the not-infrequent torrents of screamed insults.

After the favorite scenes section, the panel moved on to Q&A. Shimabukuro-san mentioned taking drum lessons to get into the role, but given her novice status she did not end up drenched in sweat like her character. The staff were asked about their favorite Western rock bands (Watada: Bon Jovi; Nishigaya: Green Day).

The most interesting revelations came towards the end. Nishigaya-san touted one last surprise: a prerecorded segment with BAND-MAID, who provided both music and motion-capture for the musical performance scenes. Of their anecdotes, my favorite was from drummer Akane Hirose, who said that Otoha’s freestyle drumming in episode 1 was an unrehearsed jam that was requested at the end of a recording session. 

All in all, it was a fun panel. The only mildly disappointing part was that Akira Sekine, the seiyuu for Lilisa, was not there to trade stories with Shimabukuro-san, which could’ve brought out some more lively banter. Also, there was no season 2 tease or even a shoutout to the upcoming localization of the manga coming next month. Still, I was pleased to see that the show garnered enough love for there to be two panels dedicated to it.

After the panel I left the hall and grabbed myself a chili-smothered half-smoke at the Ben’s Chili Bowl stall located at the north end of the convention center’s skybridge that spans across L Street. Given the central location, I had a great vantage point to watch the throngs of anime fans passing by, many in cosplay. While I didn’t see anyone dressed up as Otoha or Lilisa, there was still plenty of RockLady-like rebellion put on display. Perhaps the next time I make it to a convention I will see more proper ladies saying “Gokigenyou~” with middle fingers up.

Rock Is A Lady’s Modesty is available for streaming on HIDIVE, and volume 1 of the manga will be coming out in English via Yen Press on September 23rd.

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, as well as the writer for the blog Oh My God, They Were Bandmates analyzing How Do We Relationship in greater depth.





Bad Girl Anime, streaming on HIDIVE

July 30th, 2025

Six high girls in school girl outfits in various poses. A multi-colored logo said “Bad Girl.”

by Matt Marcus, Staff Writer

Your butt is mine, gon’ tell ya right

So opens Michael Jackson’s 1987 mega-hit “Bad”. I’ve always found this line risible, like a 7-year-old trying to sound cool. Don’t get me wrong, the song is a certified banger, but no amount of buckles or hip-thrusts were going to convince me that MJ knew how to throw down.

Even less convincing is Yuu Yuutani, the titular so-called Bad Girl,streaming on HIDIVE. You see, she wears earrings (that are actually paper clips)! And she doodles on the bus window! That will definitely catch the attention of her beloved senpai and public morals committee member, Atori Mizutori, won’t it? Turns out she’s very bad and being…well, bad. But despite this, she gets her wish, as Atori finds herself fascinated with this small scared animal who follows her around.

Every character is an easily identifiable archetype: we have the socially inept lead; the grumpy gyaru best friend with a crush; the conceited clout-seeking cutesy girl; and the well-admired and respected senpai. Not much in the way of surprises here, although aside from the “school idol” girl they are likeable enough.

Nothing about Atori’s sudden interest in Yuu makes a lick of sense aside from the fact that there wouldn’t be a premise without it. You can’t look at Bad Girl and expect anything resembling verisimilitude or character growth—it’s simply a vehicle to deliver well-worn jokes around our lead struggling to communicate yet failing upwards. There is also a layer of lewdness to the gags that feel very calculated, starting with the OP that includes several moments of our cast posing with each other in the nude for no reason.

The animation is solid, the comedic timing is tight and punchy. It’s a well-executed version of what it is: a gag manga adaptation with few fresh ideas. To paraphrase Wesley Snipes: it ain’t bad.

Art – Cutesy. Very cutesy
Story – Goofy and fluffy
Characters – Here just to be silly
Service – Kya-hoo out of 10
Yuri – Should’ve called this series Down Bad Girl

Overall – It’s not bad, but it’s not particularly great either

You can watch this series on HIDIVE, if you’re bad enough

Matt Marcus is a cohost of various projects on the Pitch Drop Podcast Network, as well as the writer for the blog Oh My God, They Were Bandmates analyzing How Do We Relationship in greater depth.





There’s No Freakin’ Way I’ll Be Your Lover, Unless…, Anime

July 16th, 2025

An ensemble photo of four girls with varying hair colors embracing a girl with pink hair, who appears to be trying to get away.Renako was an introverted nerd in middle school, but now, in high school, she has determined to fit in with the normies. She’s gotten a physical upgrade and somehow was adopted by a popular girl, Mai, which means she’s surrounded by a group of talkative girls. Only, Renako is still an awkward nerd and gets overwhelmed by conversation, blurts out some random word, then runs away mortified.

It was a deeply uncomfortablemaking set-up, but then…

Mai goes after Renako, and after a ridiculous plot complication that we just have to handwave, they talk sincerely about what they want. Renako is assured that she is not required to be eloquent, which leads to the one genuinely lovely bit of this anime, as Mai neatly inserts herself as Renako’s spokeperson whenever she gets overwhelmed. 

On the other hand, Mai wants something far more intimate from Renako – she wants to be her girlfriend. Love comedy shenanigans ensue! Renako and Mai will spend quality time together and, as the second episode develops, will find themselves building intimacy with the other. The conflict is how each desires and interprets that intimacy. Mai is insistent on a romantic and sexual relationship, while Renako is hoping to have a best friend. Both make legitimate cases for their wants but, despite saying she will not force herself on Renako, Mai does. Again, less funny than uncomfortable.

There were several things about this set-up that worked against it, right from the beginning. The nerd trying to fit in with the normies in a media for nerds… well, bzzzt. I don’t care about fitting in, neither should you, nor Renako. Who the fuck cares if you’re a nerd? You’re fine, full stop.

Mai insisting on violating Renako’s boundaries is…not cute. Mai is otherwise likable and relatable, and Renako, after that first scene, becomes increasingly sympathetic. By the end of episode two, I hope they can work something out. But as a driver of a “comedy?” Bzzt.

There is a lot of fan service and it’s neither subtle nor amusing. Thigh shots, a pointless and excruciating leering at Mai in bikini, that kind of thing. Extended bathing scene in ep 2. Bzzt.

The final strike against this anime has nothing to do with the story, but I am VERY salty about this series getting the decent animation that Whisper Me A Love Song failed to get. It seems wholly unfair that the adorable, practically all-ages Yuri that you could show your grandmother was a powerpoint presentation, and Renako’s thighs are better animated than any episode of Takeshima Eku’s wonderful ongoing series. This is especially irking as this series character designs are by by Takaeshima Eku-sensei, so it’s hard to ignore.Oh well. 

On the other hand, the shenanigans actually got me to chuckle once or twice. And I found my sympathy for both characters growing as the episodes developed.

Ratings: 

Animation – 8, sometimes 9, dammit
Characters – 7 with room to grow
Story – 6 same as above
Service – 4
Yuri – 9, in the classic predatory style

Overall – 7

As not-for-me as this series is, I did not hate it and will continue to watch.

There is something that this anime edges close to and I hope it actually addresses – there really isn’t (or, at least doesn’t have to be) that much of a difference between a romantic partner and best friend. It comes up a lot in rom-com manga, I’d like to see a series that delve into it.