Archive for the Yuri Anime Category


Yuri Anime: Maria-sama ga Miteru – Haru

July 20th, 2004

mgsmhA few things occured to me as I watched the first three episodes of Maria-sama ga Miteru – Haru. This series really deserves a careful rewatching of the first season. There are many things which make a lot more sense the second time around – and many more clues to the characters’ natures that weren’t immediately obvious upon the first viewing, when we were focused on getting the sense of the words.

But I’ll save all that for another day. Right now, I just want to linger lovingly over the beginning of the new Marimite season.

The first episode is a flashback to the previous New Year’s day, where we see Yumi and Sachiko still feeling each other out as soeur. The story line shows how much Sei has become part of Yumi’s life – in my opinion Sei is acting more as sempai to Yumi than anyone else, including either of her grand soeur. The underlying theme is that Yumi learns – from an outside, if not entirely unbiased source, Kashiwagi – that Sachiko really seems to enjoy being with her. If we recall, in the Rosa Canina arc, Yumi was still unsure *how* to be with Sachiko, so this is one more step in the development of their relationship. The Valentine’s day “date” was another – allowing Yumi to take control for a little while. The story is meant to set the tone for the season – that was then, now it’s spring, and we’re all ready to move on, but before we do…

The second episode gives us some insight into Eriko – a hitherto mysterious and aloof personality. We learn two key things about her – she’s impulsive and she likes things she perceives as unusual. We also learn, incidentally, that she’s the straightest girl in the cast. In the beginning, she muses that she doesn’t want to go to college, and when Yumi suggests she enter the workforce, she’s surprised by the idea because all she really wants is to be married. She then rejoices in being compared to a dinosaur, (but not for the obvious reasons, which was kind of funny.) My take-away from this episode is that Eriko is far more flaky than we could have possibly known. But her choice of Rei as soeur makes a bit more sense now. LOL

The third episode deals with the imminent departure of the current Rosas. This is a big step for the story and it’ll take up at least two episodes…but it’s inevitable and necessary for the characters, especially Shimako and Yumi, to develop. In the third episode, Sei takes advantage of Yumi’s earnest nature and tells her that it’s traditional for the petite souer to hold a talent show for the departing Rosas. (I am unconvinced, but the ploy works – Yumi is not as cynical as I am.) The key factor is that for once, Yumi – in public and everything – relaxes a little, and as a result, so does Sachiko. I think this is a HUGE factor in allowing Sei and Youko to leave with no regrets.

The next episode looks like it’s going to be a big emotion-fest as we say goodbye to the old Rosas. I’m looking forward to seeing Yumi step up to become Rosa Chinensis en bouton, and even more to watch Shimako meet Noriko. I am sad that we have spent so little time, relatively, with Youko, but this series is always forward-looking and I too, have no regrets about the departure of the Rosas. (Although I hope that the series continues and we do get as far as the trip to Italy and the reappearance of Rosa Canina and Sei.)

As for aesthetics, if anything I think the opening and closing credits are improved – the lyrics for “Pastel Pure,” the OP, are lovely and appropriately sung by our Yuri goggle favorite, the Ali Project. The closing credit images up the Yuri quotient considerably. I defy *anyone* to tell me that the image of Shimako and Noriko isn’t hot. ^_^

All in all, top scores for Maria-sama ga Miteru – Haru. Characters, story, music, Yuri and overall are still strong ‘9’s across the board.

This series is a definite keeper and a worthy poster child for Yuri fans everywhere.





Yuri Anime: Read or Dream The TV, Vol. 1

July 12th, 2004

Part 2

So, Upon rewatching the saga of the three paper sisters and erstwhile writing prodigy, I find that my initial reactions to the storyline and characters are little changed from my initial viewing.

The main thing about the first four episodes is the omnipresence of Yomiko Readman made plain through her absence. From the locket around Nenene’s neck, to the paper-using skills of Michelle, Maggie and Anita, the picture on Nenene’s desk, her search for information, etc., etc., Yomiko’s presence fills every second of this series. It almost seems as if she’s a kind of guardian spirit – which, of course, she isn’t. Future episodes will reveal how very human she is, but at this point, we don’t really know that yet.

I am also impressed with how much of a curmudgeon Nenene has become at 20. It’s taken me nearly twice that long to become so grumpy. My hat’s off to her.

As for the Paper Sisters…they are both more and less annoying that the first time. It strikes me much more this time how innocent and…unfinished…they all seem. It may be 20/20 hindsight, but they really aren’t quite human at this point. Like Maggie throwing out furniture to “clean” the apartment. No one would really do that, unless they had no experience of human interaction.

On the other hand, Anita, who I initially loathed, I find myself watching with more interest. Her annoying qualities seem less pronouced to me, this time around.

However, I still maintain that the second episode of this series is vile. Unfunny, irritating and in many ways pointless, it sets the characters on the board, true, but also annoyed the living daylights out of me. Both times.

For a first volume of an anime seires, however, it’s a pretty damn good beginning. A strong beginning, the weaknesses of the second episode pretty much made up for by good third and excellent fourth episodes. By the time you finish the first volume, there’s more than enough to work with in terms of character and the plot has, at least in part, appeared. Compare this with something like Bakuretsu Tenshi, which took something like 13 episodes to develop any kind of plot.

Fanservice comes in many flavors in ROD The TV. Whether you’re into Gainax bounces, loli, yuri, shota, androgyny, evil psychotics, it’s all pretty much in there, somewhere.

All in all, as anime series go, ROD The TV is still one of the best I’ve ever seen, and Volume 1 is a pretty strong start to an amazing series.

Overall – 9 out of 10 for character, plot, design, writing.





Yuri Anime: ROD The TV, Vol. 1

July 8th, 2004

Okay, so last month, I picked up the first DVD of ROD The TV.

While the story and characters remain excellent (and the subject of the next entry,) this DVD release does have some issues.

Let’s start from the beginning…the packaging. Geneon had this oh-so-clever idea about the packaging. They’ve made it look like a book with the “pages” being slots for actual disks. Let me be clear – not like usual box sets with room for DVD cases – this “book” only accepts the disk itself. For this neat look, one pays nearly ten dollars more than the regular price of the DVD alone. Here’s the problem though – what to do with the other DVD cases that one will have to buy when one gets the next volumes? Good question. Throw them out and lose the art? Cut them up? Stick them, empty, on your already overcrowded shelves? It’s up to you. And there is no, say, discount for future purchases of non-boxed DVDs, which is what *I* would have done – offered $5 off for every future volume you buy in a non-over packaged form.

For your extra money you get a $3 pencil baord with Michelle in semi-transparent clothing in a “sexy” pose and Anita looking appropriately loli on the other side. What will they think of next? Maggie in a lace teddy? I shudder to think.

Now, let’s move onto the DVD itself – the main menu is fantastic. Abolutely the best I’ve ever seen on a licensed DVD. It’s made up to look like the ToC of a book and makes sense, is easy to figure out and navigate. Kudos on that.

The English language track is okay. Personally, I can never stand to watch the dubs, because no matter how much better North American voice actors and actresses are getting, they never really sound natural. And they always cock up the pronunciation of the characters names. It’s about rhythm and phonics. For examples of the dub, check out that official site – you can watch clips with the dub track. It’s not painful, just not my cup of tea.

So, that brings us to the Japanese track and the….subtitles. *They* were painful. Once again, the DVD was made with the assumption that English-speaking viewers are morons who cannot, under any circumstances, understand the relationships expressed by honorifics. Here’s my rant from the Yuricon Mailing List:

“Maggie-chan” became “Maggie dear,” while “Anita-chan” just becomes “Anita” and all the ” -‘nee” endings Anita uses disappear, except when Nenene insists that Anita call her “Nenene-‘nee” (which is really awful in *any* language.) So then, the translators capitulate and use “big sister” as they do when Maggie calls Michelle “onee-san.”

You see the problem. Translating “-chan” as dear, regardless of the actual relationship is awkward and, in many case, incorrect. Drives me nuts. Inexplicably, they simply ignore the existence of “-kun.”

I think I may very well start attending Industry panels, just to ask them what the deal with the honorifics are. If we *all* do that, maybe they’ll get a clue. Send ’em a letter, because emails bounce and don’t look as real as a bag full of “Leave the honorifics alone, please” letters.

I would also have much preferred 5 episodes on the first volume. If it were me, 26 episodes would be on 6 volumes, with 5 episodes on the first and last volume. It seems fair-ish, even though we all know it could really be on 3 or 4 DVDs comfortably. But TPTB (The Powers That Be) are releasing it on *7* DVDs! What’s that 5 of 4 episodes and 2 of…3? That’s pretty cheesy, IMHO.

So, while ROD The TV remains an *excellent* series and chock-full o’yuri, the Volume 1 DVD is, at best, a 6.





Yuri Anime: Madlax

June 29th, 2004

madlaxAs promised, today I’m discussing the rather promising new Bee Train anime, Madlax. Now, bear in mind that a) Bee Train doesn’t have really overt screaming Yuri scenes; b)Bee Train also doesn’t bother tying up all the loose ends in their plots, so alot of what’s going on will never be resolved and; c) that this is a seriously biased overview from a person who has watched way too much anime recently… ;-)

“Madlax” is the name of a young woman, bodyguard and assassin by profession, tragic heroine by role. She lives and works in Gazth-Sonika, a war-torn banana republic in an undisclosed part of the world. It is established early on that, while she is very competent at her job, you probably wouldn’t want to invite her to dinner, since, like Jessica Fletcher, someone is likely to die when she’s around.

Meanwhile, in beautiful, vaguely European, Nafreces, where everyone is affluent and happy, rich girl Margaret Burton is introduced and established to be eternally spacey – perhaps as a result of a trauma she experienced as a small child…perhaps as a result of hallucinogenics in the drinking water, perhaps as a silly plot complication – the one thing we can be sure of is that we will probably never find out.

Protecting Margaret is Eleanor, a hyper-competent and unremittingly weird maid/bodyguard, who is by far and away, the most fascinating character to date. She is involved with…

Vanessa Renee, Margaret’s next-door neighbor who was like an older sister to a young Margaret, but is now no more than a vague memory to the spacey one.

When Vanessa invites herself, quite literally, into Margaret’s life, Eleanor finds her amusing and after a while, it becomes clear to those of us who watch anime with “Yuri goggles” that Vanessa and Eleanor are more than just having dinner with each other. The repartee’ becomes, at times, almost risque’ between them, while Margaret is totally oblivious.

We do learn that there is *alot* more to both Eleanor and Vanessa as they save Margaret from being ravished by a tiresome boy-type character. Most maids aren’t *that* good at hand-to-hand combat. And few of them are likely to be that vicious, either.

Meanwhile, back in the plot, Margaret locates a weird book which has mystic writing, which will in some way involve the token man (who works as an agent for *every* organization in the story), a tribal hot chick whose knowledge will probably not further the plot much, but will create more bath scenes and allow for yet *another* character to be looking for Margaret. (Now that I think about it, the youngish girl who is part of the tribal deal is probably going to involved with Margaret one way or another…)

This all may or may not have something to do with the illegal activities of the company Vanessa works for (and I’m betting Margaret owns, or something…) and a mafia-like organization, Enfan, that has a leader with the silliest and least fear-inspiring name ever…Friday Monday. I kid you not. He sounds like a bad guy from Pokemon, for pity’s sake.

Vanessa has gotten herself transferred to Gazth-Sonika, where Madlax has the nigh on impossible job of protecting her from herself and random assassination attempts. Vanessa’s yuri rating kicks up a notch or two when she invites Madlax to share a bed with her and in screencaps for the episode from last week, she embraces Madlax in a decidedly huggy way. Now all the Eleanor/Vanessa fans are crying, “Poor Eleanor!” Not that I think that Eleanor would mind, much. Madlax has also decided that Vanessa is a Princess and she, Madlax, is her Prince, and we, the audience, all looked for the spinning roses.

Lastly, there is Rimelda, another hyper-competent female sharpshooter, who works for the military and has a total obsession with Madlax, as well as Hisakawa Aya’s sexy “grown-up” voice. Yay!

So, the story is only at halfway and there are many, many plot elements to be sorted out – what the mystic book and Enfan have in common, what it all has to do with Margaret’s disappearance as a child, whether Vanessa goes home to Eleanor, and many, many other things that will never be resolved.

In the yuri goggles, Madlax/Rimelda, Vanessa/Madlax, Vanessa/Eleanor all look pretty yummy and will doubtless provide much fodder for horrible fanfiction and fan art. I can’t wait and I’m sure you feel the same way. :-)

Is Madlax worth watching? Depends – if you like tight stories, then avoid it like the plague. But as always with Bee Train work, the music is compelling, the action is fun (once we moved past the battle dress in the first episode,) and the yuri is pretty strong. Lots of chicks with guns. Lots of chicks in general.

Ratings:

Plot – hahahaha
Characters – 8, for Eleanor alone
Art – 7. It waffles from being excellent to being “eh”
Yuri – 8, maybe 9
Music – 9

Overall – 8

It’s a fun watch so far. Not “Read or Dream” quality, but darn fun.





Yuri Anime: Bee Train does it again

June 28th, 2004

Bee Train, best known for their work on Noir and the .hack universe, have once again brought us thinly veiled yuri subtext with many hints of a cool storyline, uber-competent female characters in a mysterious setting, none of which will be explained or resolved to anyone’s satisfaction in their newest series, Madlax. ^_^

Let’s just recap today, for those readers who do not remember, or have not yet discovered the Bee Train tendency towards Yuri.

In Noir we follow the violent experiences of amnesiac assassin Kirika and cool assassin Mirielle, as they track down their respective pasts and the occult/medieval/conspiracy/quasi-religious organization that binds them together. In the process thereof, we see Kirika and Mirielle open up to one another so far as to use whole sentences from time to time, never actually kill each other, with tantalizing bits of nudity, bed-sharing and affection shown in ways that only a fan could love. :-) A letter, written by Kirika to Mirielle towards the end of the series, beginning, “My beloved Mirielle” is marginally more overt. In a panel at Anime Expo 2002 (which I moderated, so I KNOW they said this, it’s not third-hand info) the Bee Train team discussed the potential relationship between Kirika and Mirielle stating simply that it was there if you wanted it to be, and if you didn’t, it wasn’t. So there you go. Whatever you want to see is the truth.

.hack/sign showed us the burgeoning affection of two young people in the virtual “The World” (the mainstay vitural universe/game that ties all the .hack stories together. Tsukasa, played by a female, but male in “The World,” has been trapped and is becoming, (or has always been) schizoid. Subaru, played by a wheelchair-bound woman, is powerful in “The World” by nature of her experience and skill, more than having any actual *power.* Subaru and Tsukasa bond, and perhaps, start to fall in love. In the final moments of the show, in fact, during the final credits, the two women who play the characters meet in the real, non-virtual world, in what is actually a touching scene. It’s certainly hopeful, at any rate.

Less satisfying was the ending of Avenger, Bee Train’s last series where nothing is resolved…nothing explained, either and the entire story really didn’t make any sense, since everyone was gonna die, anyway. The “yuri” in Avenger reads way more like a mother-daughter relationship, IMHO, but hey, remember, whatever you want to see, *is* the truth with the ole’ Bee Train crew.

Which brings me to the newest series, Madlax. Tomorrow I will review this series in irritating detail for your enjoyment. ^_^ In the meantime, run out and watch all of Noir and the last ten minutes of .hack/sign, so you get the feel for Bee Train Yuri. ^_^