Archive for the Yuri Anime Category


Yuri Anime: Azumanga Daioh

February 2nd, 2004

Things I’m Not Going to Write About
Part 5

This week, we’ll continue the series of short opinion pieces on popular and well-known series with yuri content. Why not, eh? Next week, we’ll pick up with some older, obscure works.

Azumanga Daioh:
This isn’t a “yuri” series, per se. One of the secondary characters, Kaorin, is, however, clearly a babydyke in training. Her crush/obsession with the magnificently kakkoii Sakaki is *definitely* yuri.

The manga makes it plain that Kaorin worships and, at least in a vaguish sense, desires Sakaki. The anime loses any of the “vague” about it and makes it really, really obvious. (There’s the seven jets flying overhead with rainbow colored smoke and wedding bells ringing as they dance, or perhaps it was Kaorin’s New Year dream in which she was rescued from a girl gang by Sakaki on a white horse, awakened *just* as they are about to kiss…) The relationship is played for laughs since its completely one-sided, but the whole series is played for laughs, so that’s not a negative thing. This is a loopy, silly series that makes me laugh so hard I snort. And it has yuri. That makes it good in my opinion.

The manga is alreadyavailable in English from ADV Manga and ADV Films has the anime slated for a Spring 2004 release. The downside to this is that the English translation of the manga is pretty lame. For once, the translators kept the yuri intact, but the translation tries so hard to adapt the manga for an American audience, that almost all of the jokes fall flat. It was very disappointing, especially as the manga is really quite funny, at least in Japanese. Unfortunately, ADV decided that we wouldn’t “get” it, if they left Yukari-sensei as an incompetent English teacher, so they changed it to Spanish, thus rendering all of the gaijin and English-language related jokes completely meaningless. As a result, I hold low expectations for the dub adaptation of the anime, but they can’t really screw with the Japanese version, so just watch that.

On an entirely wacky note (as befits this series) my *biggest* complaint about Azumanga Daioh is the lack of decent yuri doujinshi. There are many, many doujinshi of this series – a side effect of the minimalist art, which allows many people to recreate the style easily – but they seem to fall into two categories: 1) sexless parody and gag and ; 2) appalling hentai. Most of the AD doujinshi I saw at Comiket were in the former category, which was fine. But the few hentai doujinshi I saw were just…yeah. I mean, Sakaki and the *cat*??? Chiyo-chan and anyone? Hello? What about Sakaki and Kagura or Kaorin and Sakaki? Sheesh, I would have even accepted Tomo and Yomi…and I’m really stretching there, I think. LOL But bleah…the cat. I swear to god, every series I ever like, the doujinshi pairings are always the most appalling…sigh. There is exactly *one* KaguraxSakaki doujinshi and everytime I see it on Yahoo Japan, it’s starting at $20. I’m just too cheap to spend that on something I can’t see first.

But this is all irrelevant, isn’t it? The series itself is hysterical and I encourage you all to purchase it (not download ripped files…go and get a job, become a productive member of society, pay taxes and support your evil habits honestly) and join us on the Yuricon Mailing List to chat about how funny it is.

Ratings for the Japanese version only: Yuri – 6, Art – 5 (it’s intentionally minimalist) Story – 9, Music – 7, Characters – 8, Overall – 8





Yuri Anime/Manga: Revolutionary Girl Utena

January 30th, 2004


Things I’m Not Going to Write About
Part 4

Shoujo Kaukumei Utena (Revolutionary Girl Utena

Created by Ikuhara Kunihiko and Be-Papas, this surreal series is really four slightly different stories, each of which explores a different facet of the characters.

– The manga is the most straightforwardly “magical girl” entity. The only yuri in it is Anthy and Utena’s ambiguous, but intense relationship.

– For the TV series, this was upped a notch, with the addition of sexuality as a whole as a separate subplot. The TV series explores yuri, yaoi, intergenerational, incestuous and yes, even straight, sexuality, casting few judgements about any of it. In addition, Juri is added to the yuri mix, giving yuri fans yet another uber-cool competent character to admire.

– The movie manga is a step sideways, drawing back to the initial Anthy/Utena relatonship, but nodding to proto-yuri novelist Yoshiya Nobuko, and evoking a more intimate feel, since the story is really about the two girls – and their personal quest.

– The Utena movie is a step in the opposite direction, opening the world up to a kind of meta-surreality. Again, it’s all about Anthy and Utena, but for once, the subtext is made overt in the infamous, but really very cool, lesbian street luge scene.

Artistically, Utena takes a little getting used to, with its constant nods backwards to early Yuri pioneers Yoshiya Nobuko and Ikeda Riyoko.

(The Marimite anime is doing the same thing to Utena, with eyecatch visuals and music that are strongly reminiscent of the Utena eyecatches, not to mention the striking detail of the birdcage-shaped greenhouse.)

The television series also spins all the conventions of “magical girl” anime out of proportion, forcing the viewer to create their own meanings for the symbols that inhabit Ohtori.. But for all that, it definitely holds the current #2 place as poster-child Yurii.

The movie is a whole ‘nother thing altogether. Hyper-real, with both art and story completely out of proportion to any other genre or style, it reads as, either a bizarre acid trip, or to us literature majors, a simple allegory. (Here’s the literal sentence people seem to completely fail to understand: “Utena is the vehicle by which Anthy escapes Ohtori.” Got it *now*?)

Amazingly, there are people who have seen the movie and *still* don’t think that Anthy and Utena are a couple! LOL Don’t you wonder what they saw?

Ratings:

Yuri – 9
Art – 8
Story – 8
Music – 9
Characters – 10
Overall – 9





Yuri Anime/Manga: Sailor Moon

January 29th, 2004


Things I’m Not Going To Write About
Part 3

Bishoujo Senshi Sailor Moon (Sailor Moon)

What is there to say about the series that launched a thousand yuri fans, that hasn’t already been said? Well, lots really. But I won’t say it all here – I’ll just focus on the yuri. :-)

In Season 3, Sailor Moon S, the adorable Inner Senshi (and let’s face, they’re yuri subtext-y enough for any fan!) are joined by Sailors Uranus and Neptune, arguably one of the greatest lesbian couples in anime, manga and related media, ever. Directed by Ikuhara Kunihiko, (director of and creative genius behind Utena,) Sailor Moon gave the world the first anime lesbian couple to ever be portrayed *as such* on Japanese television. In doing so, Ikuhara set the bar pretty high with Haruka and Michiru, instructing the voice actresses to act as if they were married.* In fact, the next time the bar was raised was by this very same man almost ten years later, with Anthy, Utena and Juri in Utena.

It’s more than five years later and we’re *still* using these five characters as poster children for yuri anime and manga, which says a lot, IMHO.

Bottom line, Haruka and Michiru are one of the most romantic, funny, and fun yuri couples, ever. Every year sees new fanfic and doujinshi and even official Sailormoon World art about these two, and now, with the advent of the Live Action Sailor Moon, a whole new generation of kids might one day get to scream “Kakko-ii!” in the general direction of yuri fandom’s reigning queens. :-)

This anime is horrifically magical girl-y, so if repeated transformation footage, girly attack names and goofy monsters bore you, then yeah, it’ll be hard to get into the story. However, if that kind of thing doesn’t put you off, and you want to see where it so much of western yuri fandom began, you might want to get a hold of this season, which is available on DVD. The Sailor Moon manga is available on the Yuricon Shop. A new edition is available in Japan, in honor of the new Live Action series, with spiffy new cover art.

(The SM manga was one of the first titles Tokyo Pop ever translated, and boy was it a learning curve for them! Originally, they changed the names of all the Senshi, only to be met with huge fan resistance. It was too late for the Inner Senshi, but ultimately, the Outers’ Japanese names were retained. I actually have the old Mixx magazine issues with the Outers’ westernized names, before Tokyo Pop got inundated with fan mail begging them not to change Haruka’s name!)

Ratings: Yuri – 8, Art – 8, Story – 7, Music – 9, Characters – 10, Overall – 9

*It’s fairly well-known that it was was Ogata Megumi’s portrayal of Haruka that catapulted me into anime fandom in the beginning, and to be honest, she’s still my favorite. While it will be very cool to see a Live-Action Sailor Uranus, it won’t be MO, boo hoo. :-(

***

This week’s brainstorm

After much thought on the subject, I have now developed a working definition for “porn” versus “erotica” that I’d like to share with you all. There’s quite a few people who think that there is no difference, but I believe there is:

Porn is any representation of sexual conduct with the implicit acknowledgement of a third party who is watching – and for whose pleasure the sexual act is being conducted.

Erotica is an honest representation of sexual conduct between people for their own pleasure.

I came to this conclusion while reading several yuri doujinshi I own. If you agree with it, please feel free to use it. If you disagree, feel free to come up with one of your own. :-)





Yuri Anime: Yami to Boushi to Hon no Tabibito

January 28th, 2004

Things I’m Not Going To Write About
Part 2

Yami to Boushi to Hon no Tabibito (The Travelers Yami and The Hat and The Book) – Based on one of the multitude of H-games in existence, this disappointing anime has pretty much *the* most openly lesbian character in all of 2003. Azuma Hazuki; tall, cool, competent, hopelessly obsessed with her oneesama (their relationship is never clearly defined in the story, but then, neither is anything else in the story like, say, the plot…) Hatsumi. Hazuki is mortified when Hatsumi disappears on her 16th birthday, and follows her recklessly (and kind of pointlessly) through alternate worlds, fending off the advances of other women and hordes of ambiguous enemies, all within the thinnest and only barely plausible of story frameworks. Entire chunks of the anime are like, “huh?”

But, who cares? Hazuki’s hot; her desire for Hatsumi is very physical and made very, *very* obvious. There’s one story arc that is decent and Hazuki gets a  rather poignant kiss from a Hatsuki lookalike. (And don’t we all wish she had just stayed with Princess Fujiwara? I know I do.)

At the end there’s one really decent kiss, although it’s only in a dream sequence. The end of the anime sucks (well, duh! It’s an H-game…did you think it was about *us*?) but it’s pretty and Hazuki is cool and carries a wicked sword. Overall, this is worth a watch, but don’t go into it with high expectations.

Ratings:

Yuri – 9
Art – 8
Story – 4
Music – 6 (either you like it or not. I didn’t ever really like it.)
Characters – 7

Overall – 7





Yuri Manga/Anime: Rose of Versailles

January 27th, 2004

Things I’m Not Going To Write About
Part 1

This week, I’m going to give voice to my opinions about alot of anime and manga series that are so well-known and/or so popular, that it’s hardly worth it for me to even mention them…only they are pretty cool and you might *not* have heard of them before, so here they are.

These are really short review/opinions about the yuri content and overall worthiness of these series – feel free to agree or disagree on the Yuricon Mailing List. After this, we’ll go back to our regularly scheduled reviews of stuff you’ve never heard about. ;-)

All ratings are done on a scale of 1-10, 1 being the lowest and 10 being the highest.

Berusayu no Bara (Rose of Versailles) –

This is *still* one of the great classics of shoujoai manga. Rose of Versailles tells the gorgeous, but ultimately tragic, story of Lady Oscar Francois De Jarjeyes, a woman of the French nobility who was raised as a man. She becomes the Captain of the Guard at Versailles serving Maria Antionette. The story covers the rise and fall of Antionette and the causes and repercussions of the French Revolution, using many well-known historical figures and occurrences. It’s a really human look at the Revolution and a rattlin’ good yarn to boot. (And a decent bit of historical research – almost all the characters with the exception of Oscar and her family, are real.)

Despite its age or, perhaps, because of it, RoV still stands out as a ground-breaking work in shoujo. The anime, sadly, has lost all but the barest vestiges of love between poor, but kind and beautiful Rosalie, and scion of the noble class, Oscar, but in the manga (released last year in a new Japanese edition for its 25th anniversary) there is more than enough Yuri for even me. Both anime and manga are so soap-opera and melodramatic that they are more enjoyable taken in small chunks.

In the manga, Rosalie and Oscar both acknowledge what they feel for each other in a very touching scene. In another time, if Oscar had been a man, if, if, if, they might have become lovers. But they don’t. Nonetheless, if you can get past the uniforms with bell-bottom pants, the art and drama of this soapy story is timeless.

The anime is digitally fansubbed, and frankly, I cannot imagine why it’s never been picked up by any distro company here. The manga has not been scanlated or released her and possibly never will be, so you’ll just have to learn Japanese to enjoy it. :-)

In my opinion, RoV also makes a great introduction to one of the great Japanese cultural icons – Takarazuka – as well. Imagine watching a woman who plays male roles, playing a woman who acts like a man, but falls in love with a man (also played by a women)…all with spiffariffic uniforms and over-the-top acting. It really just doesn’t get any more gender-bendy than this. And Aran Kei as Fersen is unbelievably hot…! LOL

Ratings: Yuri – 3 for the anime, 5 for the manga. Art – very 70s, give it a 8, since it set alot of standards for shoujo that came after it. Overall – 7