Welcome to Volume 17 of Yuri Hime (コミック百合姫), which was both very good and very bad – sometimes at the same time.

The cover story, and new series by Eiki Eiki and Zaou Taisho is…really frustrating. It’s the 22nd century, all the men are dead and women have, for some reason, reinvented hesterosexist society for themselves. Women are either “Adam”s who play the male role in a relationship or “Eve”s who are the female role. In effect, the entirety of human society has become Takarazuka. The protagonist of this story, Aoi, is an “Adam,” attending an “Adam’s” private school. The number one rule of this school is that Adams MAY NOT have relationships with one another – only with Eves.

Not only is this ridiculous, it does something I am simply unhappy with – it turns this story into a BL/Yaoi story since it is *painfully* obvious that Sakura and Aoi will be the main couple here. I find this vexing. Severely vexing. Frankly, it just pisses me right off. I have nothing against BL. I understand that Eiki and Zaou specialize in gender-bendy stuff. But. I do not think this is as cute or clever as they do. Gender is, IMHO, far more complex an issue than sexuality. Yes, it is true that anyone with anyone in this manga will be “Yuri” by default, but the faux-heterosexism and overt “homo”phobia annoys the hell out of me. Editorially, it’s sheer genius. Nonetheless, I am irked and disappointed by it.

In fact, so much so that I find myself obsessing about the lessons I’ve learned about all-female societies when the men are all dead, from comics:

1) Women will be unable to restore any of the existing infrastructures – even after several years. (Y The Last Man)

2) Women will become drug-addled and power addicts with a penchant for dressing as if it was the eve of the French Revolution. (Project ICE)

and, now…

3) Despite the fact that there is only one sex, women will mandate a two-gender model and make same-gender relations illegal.

(Do NOT suggest early feminist sci-fi to me. DO NOT. The all-female societies of almost all of those sounded worse than death too. I read them all and hated every one of them. Such bitchy politics. UGHUGHUGH.)

I ask you – is it so wrong to want a story about an all-female society where the women are like, say, women? Guess so.

Moving on before I bust a capillary, “Tokimeki Mononoke Gakuen” follows Arare as she gets really, really, *really* close to going all the way with Kiri, but doesn’t.

New series “Himekoi” lost my interest in, like, the first page. Girls wear underwear. Yahoos. One of the characters wears a kind of S&M-ish thing. I don’t know or care why. Goofy chibi art and BDSM are not a match for me.

The essay this month is about “Infimary after school” a story I don’t know, which is kind of cool.

“Para Yuri Hime” is sort of a comic essay/story kind of thing that you might find in Mist or Anise and one day I’m sure I’ll sit down and read it all the way through. ^_^

“Graffiti” is *exactly* the kind of doujinshi story that works best for me. Two girls are writing messages to each other on the desk they both use at different times. They meet, becomes friends and fall in love. I would so very much like to have this story continue, but it probably won’t. It was my favorite of the new works.

A very short “Sweet Peach” chapter that was almost, but not quite 4-koma-esque. More a survey of characters than a chapter of the story.

Next up is a side story from “Yuru Yuri” which read just like a chapter of “Yuru Yuri.”

Some time ago I reviewed Papaya Gundan by Aoki Mitsue (Volume 1 and Volume 2) and found it to be good. I’m glad to see Aoki joing the ranks of the the Yuri Hime team. The story is quite typical; smart girl Yuri and dumb girl Hime are childhood friends. Not only does their time together pull Hime’s grades up but, when it comes to love, she’s the smarter of the two.

And we’ll end off on a also-kind of typical, but pleasantly doujinshi-like “Back Shot.” Ema sits behind Kanae and finds herself fantasizing about her. When she gets a glimpse of Kanae’s breast under a sleeve, or bra under her sweaty shirt, Ema pretty much looses her cool. Because they have to work together, Kanae soons discovers the truth and has to confront her own feelings. Another Hatsukoi has begun. (That’s like 4 “first loves” in the first half of this magazine.)

Although the Eiki/Zaou story is stylish, it put me off. I’m glad to see some new artists, some new, if kind of the same, stories. There’s some excellent (and not so much) stories to come in the second half, so tune back in tomorrow!

Yuri Hime S, Volume 9 (コミック百合姫S (エス)) is…Yuri Hime S.

I keep wanting to like it, I really do. And mostly I kind of sort of enjoy it. But it is not for me and I am reminded repeatedly of the fact as I face chapter after chapter of stories like “Yuru Yuri,” “Love Cubic,” “Minus Literacy,” “Cassiopeia Dolce” and the new series “Konohana Teikitan.” They are simply not for me. Like or not like is beside the point. I’m the older sister reading a younger brother’s Yuri and just not feeling it.

It’s not even that the golden allure of schoolgirls’ thighs are nothing to me, it’s just that there’s nothing *happening* in these stories, because the fetishism fills the pages so full with cat/wolf/elf ears and bathing suits and underwear that the characters don’t have any time to develop. Take “Shingami Arisu,” a story that had a pretty bloody opening in which our protagonists meet over a murder. Well, in this next chapter…our protagonists meet over a murder. It was pretty much the same *exact* chapter all over again.

Or take “Flower Flower” for instance. In the beginning Nina was tsundere, Shu was all sincere and hopeful and her sister was kind of weird. Now, Nina is intermittently tsundere, Shu is all sincere and hopeful and her sister is really weird. There’s been almost no progress or change.

Many of the stories feel less like a story and more like a story idea repeated over and over.

Which is not to say that there aren’t some good stories here.

Uso Kurata’s “Apocalypse” is pretty standout. Two classmates play an MMORPG and find that their characters’ relationship is several step ahead of their own, but their feelings for one another are totally in sync.

Natsuneko offers a nastly little BDSM short that I would have liked more if it had more body to it.

Orange and Yellow, by Hiyori Otsu was an entirely predictable doofus best friend story that was made enjoyable by the art.

And most standout for me was the massive multi-crossover chapter by Fujieda Miyabi in which characters from Ame-iro Kouchakan Kandan, Kotonoha no Miko to Kotodama no Majyo to, Iono-sama Fanatics (unnamed, because the characters are owned by another company), Alice Quartet and “Otome-iro Stay Tuned” all meet for tea. It’s noted that the Amber Teahouse seems to be REALLY popular with female couples….

Overall – 7

It’s not awful, really. I just keep hoping for better and getting more baths. Sigh.

Oh and utter fail is Yoshitomi Akihito’s “Futari to Futari” which is a rehash of the same story he’s doing for Tsubomi. He’s getting paid twice for the same story, what a cunning plan. Snooze.

Butterfly 69 is everything that is good and right about Yuri manga. It makes me happy to be a manga reader.

Right from the first panel of the first story that ever appeared in Yuri Hime, I found Natsuneko’s art appealing. It has vibrancy, an energy that lacks in most manga these days. It’s not just that there’s action and energy depicted. The characters feel lively and real – even when the situations are ridiculous and unreal. Which they mostly are. ^_^

In “Butterfly 69,” the title story and one of my two favorites, we are introduced to Maria, the mixed-race singer of Butterfly 69 and Ageha, the prim and proper President of the Student Council at the elite music school Maria attends. Maria is an affront to everyone and everything at the school, with her crazy clothes and earrings and wild not-really Japanese self. Unbeknownst to the student body and staff, Maria and Ageha are engaged in a passionate love affair. Maria is given the opportunity to make it big overseas, but will have to leave Ageha behind, so she says goodbye the best way she knows how to – with a concert that rocks the school to its core.

Sakura is a young dress designer and her lover Dahlia is a model just about to become the Next Big Thing in “Quilt Queen.” This story reminded me strongly of Mist magazine stories, with the dress designer theme and a conflict straight from the pages of The Well of Loneliness.

Two sisters share a delusion in “Beautiful Pain.” My favorite part of this story, honestly, is that not just once, but twice, someone is hit by a truck. Made me laugh. I know, I’m a terrible person. :-p

In the unique, funny and offbeat story, “Okujou no Kiseki,” two women meet as they ponder committing suicide by jumping from the same roof. The joke is on them because they have been jilted by same girl. What makes this story really different, aside from the silly-awful premise, is that both women actually say they are Lesbian. Mind you, its sort of spit out as a little bit of self-loathing right before they throw themselves off a roof, but hey…. Oh and by the way – the story has a happy ending. Just in case you were worried.

“Spicy Sweets” was the first Natsuneko story to run in Yuri Hime and, as I said, I just liked it instantly then and no less now. Aki is a high school student with the dream of becoming a pastry chef and Yuu is a runaway daughter of a Yakuza household. There’s basically no reason to think they could ever live happily ever after, but they do. ;-)

As an omake for this collection, we get “Butterfly Effect” in which thwarted plans and jerky people keep Ageha and Maria apart – but not for long.

My *only* complaint about this volume is that they should have dropped the sister story and included the vampire story. It was much stronger.

Ratings:

Art – 9
Story – 8
Characters – 8
Yuri – 10
Service – 3

Overall – 9

The art is not at all moe, the stories run the gamut from classic Yuri to funky weird to absolutely silly, and in every case are thoroughly enjoyable. The manga is an easy candidate for my Best Manga of 2009. I very much look forward to more from Natsuneko.

Set in the Heian period, Itoshi wo Tome ~ Kimi ga Kokoro ha ~ (愛しをとめ~君がこころは~) is a story about noblewomen Tachibana and Sakura, whose older sister had been a lady of the Emperor’s palace, but had died. Sakura is living with Tachibana’s family as a courtesy.

Tachibana falls in love with Sakura’s tearful face early on but as much as they wish it, their story is not as simple as “Happily ever after.” First, Tachibana is betrothed to the stupidest, most cheerful doofus ever. His words are decorated with ASCII art just to give you an idea of his depth and intelligence. When he discovers Tachibana and Sakura locked together in an embrace, Sakura is able to convince him to be their friend and ally.

But a far, far worse threat is around the corner. Tachibana remains engaged to her doofus, knowing he won’t press the issue – but when Sakura is called up by the Emperor to be one of his women, there is no escape. Tachibana wails that as a woman she is powerless, but then comes to the surprising conclusion that even as a man, she would have had no power over the whims of the Emperor.

To protect her beloved Sakura, Tachibana takes her place in the Emperor’s bed. It is not a happy moment for either woman and eventually Sakura interrupts to stop what she cannot bear to see or hear.

The Emperor claims that he has no intention of separating them, instead asking them to have sex in front of him, to “prove” their love. They do, because it’s that or have sex with him (the saving grace of this scene is that he is young, attractive and not doing anything that would make a Yuri fan cry while he watches.) Unrealistically, he allows them to leave, unharmed. And despite my and Tachibana’s suspicion, he appears to be as good as his word. The book ends with them in each others arms thanking the gods that each other exists.

I can’t say I liked this book, really. It wasn’t vile or anything, but it just didn’t grab me. The art wasn’t up to either the Heian clothing or the “beautiful people” that populated the Imperial Palace. The few glimpses of actual Heian-style art served to really pull us down to reality on what was considered beautiful during that time – something I did quite like. I would have liked a more elegant style, something more Mist-like.

Mostly, I just didn’t like the story. It was very “Plot? What Plot?” Tachibana and Sakura barely talk before they are having sex and the sex isn’t really portrayed well. (If you do that to breasts, guys, it hurts. I recommend not doing that if you don’t want to be slapped.) The scene where the Mikado has them have sex in front of him is, perhaps surprisingly, perhaps not so much, the sexiest scene of the book.

The *best* scene of the book, IMHO, was a moment when Tachibana carves Sakura’s name (桜) into her arm with a knife. Sakura grabs the knife and threatens to carve Tachibana’s name (橘) into her own arm. That’d be a heck of a carving.

This manga is a collection of another of the cell phone manga distributed by Ichijinsha. I’m not sure I’d subscribe to it – there is better out there.

Ratings:
Art – 6
Story – 5
Characters – 7
Yuri – 8
Service – 6

Overall – 6

OTOH, it didn’t suck massively, either. I’ve read better, I’ve read worse.