Archive for the Yuri Manga Category


Yuri Manga: Inugami-san to Nekoyama-san Volume 2 (犬神さんと猫山さん)

May 8th, 2014

Volume 1 of Inugami-san to Nekoyama-san, (犬神さんと猫山さん) introduced us to the animal-themed cast of a “typical” Japanese high school. Inugami Hachiyo who likes cats and Nekoyama-san and Nekoyama Suzu, who likes dogs, but maybe not Inugami-san, their classmates Ushiwaka (“ushi” means cow, so she is big-breasted, har har), teeny little Nezu Mikine (“nezumi” means mouse) and their zookeeper, Inugami’s friend Aki (whose name means “autumn” and is wholly unrelated to animals.)

In Volume 2, we add a monkey and a bird to the menagerie. The bird is sickly, ghostly, flightly Torikai Hibari, the monkey is class rep Sarutobi Sora. It is with perpetually irritable Sarutobi (who does not get along with Inugami-san, despite her most puppy-like attempts at friendship) that we encounter the one genuinely laugh-out-loud gag of the book.

Sarutobi really cannot stand when people ascribe the characteristics of her animal name to herself. So she says, quite seriously to our resident mouse (who is, apparently, the most worldly of the bunch and the most likely to use sex appeal to get her way.) Quite seriously, Sarutobi explains that their names are just their names and really, people should stop saying she’s like a monkey, she insists as she picks up her schoolbag and pulls out a banana. I laughed as Nezu-san calmly pointed out that that would have been a lot more more convincing without the banana.

I’m struck again at how bananas are intrinsically the funniest of fruits.

Anyway, we do get a shocking amount of Yuri in between the excruciating gags and Kuzushiro’s typical fake-y Yuri. Nekoyama hallucinates (she thinks, she hopes) that Inugami-san kisses her while feverish and we’re told that Nezu and Ushiwaka are an item. And, as unsubtle as Inugami-san is, she’s going to have to be less subtle than this to get her actual interest across.

Ratings:

Art – 7
Story – 6 Slice of life
Character – 6
FanService – 6
Yuri – 7 Slightly more  in the real world-ish

Overall – 7

The Sarutobi gag all by itself notched this up a point.

Tl;dr:





Yuri Manga: Comic Yuri Hime, March 2014 (コミック百合姫)

April 23rd, 2014

CYHM14Comic Yuri Hime (コミック百合姫), having been split into 2 magazines, reattached and made bimonthly, has now regained the bulk it previously had as a quarterly. At about 640 pages, surely there will be something for most Yuri fans at this point.

The March 2014 issue begins with Amano Shuninta’s new series, “Ayame 14” – a classic “coming of age” story. After many moths of dealing with college students, I wonder if this return to middle school life is a relief or a burden for her?

This issue is a veritable treasure box of tropes: sisters (real and half); dojikko; tsundere; and poor communicators of a dozen kinds, 4-koma, etc. Checklisters and moe-fans will be happy. For the rest of us there’s still some very interesting features.

Minamoto Hisanari has a story, and what a story. It could have been the most fabulous story ever, but fell short of the mark to make a point that didn’t need to be made.  “Sekai ha Yuri de Ochite iru” begins with “Yuri” marriage being made legal in Japan. Not “lesbian” marriage, not “same-sex”, not “gay”. “Yuri” marriage. In a cute scene, the newscaster immediately proposes to the weatherwoman (who says yes.) As women all over Japan are getting married, protagonist Aki proposes to her lover Shuko….who says no.

The point Shuko makes is that, of course she wants to get married to Aki, but not now that it is a fad. She wants to wait until Japanese collective faddishness passes and it’s just for people who really mean it.  Well, okay, but you broke Aki’s heart when you said no, and was making a point really more important than marrying your wife?

The final chapter of “game” by Takemiya Jin (collected volume is out next month) finds Morico unhappy at being forced to play pretend for Becky. Until, somewhat predictably, Becky realizes that it’s Morico she’s in love with after all. An end that, for all its predictability, left me feeling better than Minamoto’s story.

I am SOOOOOO conflicted about “Bousou Girlsteki Mousou Renaiteki Suteki Projec,t” but I console myself that Beniko feels the same way about being trapped in a story that appears to be trying to be all the stories ever all at once and is managing to handle them all unconvincingly. The best moment is Beniko breaking down over giving a hoot about Aoi and Aoi responding calmly – “I’m your partner, aren’t I?” with “aite” as partner, which means, like, the person one is best suited to be matched with. Aoi is right, Beniko and she are indeed suited to one another.

Morishima Akiko’s “Yurrip-chu” comes in with a second vignette about a girl who wants to be one thing and is required to be another. This time we follow the tall, “princely” group member, Sayaka. I’m not sure if their producer is a genius or an idiot, making everyone be something they’re not.

Tanaka Minoru’s “Rock It Girl” is quirky as always, but for a brief chapter, everyone is in a good mental place, well, except terminally low self-esteem Kaname, but Seira’s right on that, yelling at her ’til she snaps out of it.

Something weird happened in “Yuri Danshi.” Hanadera stopped being the lead for a bit. Fujigaya heads to a book shop and is imbued with Hanadera’s Yuri power when trying to convince the bookstore to create a dedicated Yuri section. For once, I actually liked the chapter. ^_^

Ratings:

Overall – 7

There were, as always, many other stories, some good, some bad, some…um, unmemorable. ^_^ But overall a decent volume with some conversation-starters, at the very least.

The May Volume is already on sale, so get your copy today!





CBLDF Presents Manga: Introduction, Challenges , and Best Practices

April 21st, 2014

Quickie personal note – I haven’t had a lot of free reading time in the last few weeks, so my apologies for the slowdown in reviews. Next couple of months ought to speed up as I spend less time with actual people. ^_^.

In 2011, I was approached by Charles Brownstein, Exec. Director of the Comic Book Legal Defense Fund, which was handling more and more legal challenges to manga in schools and libraries,  to edit a book for them on the topic of manga. I was working with JManga at the time and had my hands full, so I regretfully said no, but suggested the amazing Melinda Beasi, Editor-in-chief of Manga Bookshelf instead. Thankfully, Melinda said yes, and as the next few months played out, she and Charles pulled together an amazing team of manga journalists and reviewers to create CBLDF Presents Manga: Introduction, Challenges , and Best Practices. I’m immensely honored to have been a part of this project and I wanted to take a moment to talk about it with you.

The book begins with a solid, short overview of Manga, Anime, OEL/Global Manga, Manwha and Manhua by “Manga Critic,” Kate Dacey. This is followed by an extremely informative discussion on Shounen Manga written very entertainingly by Shaenon Garrity. I’ve been steeped in manga history, but both these chapters had something to teach me – a strong opening from this book.

Sean Gaffney of A Case Suitable for Treatment, also on Manga Bookshelf, handles the chapter on Shoujo manga with solid scholarship and his usual sense of the big picture, while Ed Chavez of Vertical Press brings his encyclopedic knowledge to the incredibly broad topic of Seinen Manga. Shaenon then deals with the least-familiar genre here in the West, Josei and later Boy’s Love. I was able to contribute chapters on Yuri and Doujinshi/Scanlations.  The book wraps up with a detailed discussion of challenges both librarians and teachers might face in regards to manga, penned by Robin Brenner of No Flying, No Tights and Shaenon Garrity, as well as a comprehensive list of resources for defending against challenges to manga in classroom or library.

The stand-out quality of this book is that it is clearly and simply written. Anyone without the slightest background with comics or manga will be able to understand the admittedly foreign concepts presented. For readers with a familiarity with manga, there is a tremendous amount of information you may not have seen or heard before.  As well-read as I am about manga, I learned quite a bit reading this book – and I really enjoyed myself reading each chapter. The slight differences in tone and handling of the material felt more like a panel at a con, than being lectured to. It’s all very approachable and personable, as are the people who contributed.

Ratings:

Overall – 8

This book is an important defensive weapon in the toolbelt of educators and free speech advocates. In addition, it’s a good read and solid source of history and info about manga for fans everywhere. We did good. ^_^ Purchase of this book does raise money for CBLDF to assist them with free-speech issues  and defense of comics and manga, so get two copies – one for you and one for your local library!





Yuri Manga: Okujou PikaPika Romance (屋上ぴかぴかロマンス)

March 31st, 2014

You know what? I think I really, really like Ohsawa Yayoi. Last year I was blown away by her Black Yagi to Gekiyaku Madeline /Strange Babies series, but here we are in her totally grounded in reality collection of shorts, Okujou PikaPika Romance (屋上ぴかぴかロマンス) and I still really like her work. A lot.

In “Shoshin Metronome,” Kawai-san does not like snare drummer Ichibashi-san, but as a trumpet player, she has to sit directly in front of her.  Their relationship changes from prickly dislike to reluctant friendship to maybe just a little more.

Hana and Nozomi have been friends since childhood, but new school friends are pulling Hana in one direction, and she’s not sure if Nozomi is holding her back or not. I didn’t much like this story, as Hana forces herself on Nozomi in a very un-friendly way and a happily ever after does not actually make it okay.

“Double Bind” is probably the realest story in the book, which follows a deeply uncomfortable breakup between two adult  women. Mayu breaks up with Emi to go out with a guy. We follow Emi’s grieving and have to recoil a bit when Mayu shows up again and again, so Emi can’t move on. Worse, Mayu sleeps with Emi as a piece on the side, which enrages Emi. Emi pulls herself together and is starting to get her life back together when Mayu shows up, again, this time having left the guy because she realizes she was an idiot. The story does not have an end, leaving us with Emi’s tearful face. Will they get together again, or not? We don’t know…which is exactly why I think the story works.

In “in secret…?” a student learns there is more to her doofus-y teacher than can be seen on the surface. Carole King’s version of You’ve Got a Friend plays an important role in this story, which immediately made me think of nawoko’s Voiceful.

The final story is an original for this collection which returns us to the somewhat fraught relationship between Kawai-san and Ichibashi-san, as they find more than just a friend in one another.

Ratings:

Art – 8
Story – Variable, but 7 overall. “Double Bind” is hard to read, but really the standout story at a 9
Characters – 7 You like some more than others, just like life. ^_^
Yuri – 9
Service – 2

Overall – 8

Yet again, I find that I connect better to these stories as a collection, rather than individually in Comic Yuri Hime. And I strongly hope we’ll be seeing more from Ohsawa Yayoi-sensei.





Yuri Network News (百合ネットワークニュース) – March 29, 2014

March 29th, 2014

YNN_MariKYuri Manga

Top story of the week: Digital Manga, after months of having it listed as “coming soon,” has formally announced Aoi Hana/Sweet Blue Flowers will be released on their eManga platform.

YNN Corrspondent Niki S. want you to know that Tokyopop has recently started adding its “global manga” titles to Comixology, which includes the by-now out-of-print 12 Days. Excellent news for anyone who missed that book the first time around.

As we look towards the release of the Inugami-san to Nekoyama-san (犬神さんと猫山さん) anime, the third volume of the manga is out next month. Also next month by Kuzushiro-sensei, Heian period gag comic Kimi ni Tamenara Shineru, Volume 4 (姫のためなら死ねる) hits the shelves.

Out from Yuri Hime Comics is another gag 4-koma series, Kimono Nadesico, Volume 3 (きものなでしこ ).

Rakuen Le Paradis, Volume 14 (楽園 Le Paradis ) graced shelves at the end of last month, and I’m sure I mentioned it, but it’s worth a reminder.

I have no doubt that someone out there wants this Japanese Kindle Yuri bondage maid manga Kosoku Maid – Yuri no Saku Choubatsudai (拘束メイド-百合の咲く懲罰台). If you get it, let us know how it is, will ya?

I know *nothing* about Mebae (メバエ), except that Comic Natalie tells us it’s a Yuri anthology slated for an April release.

And the winner for the most ambiguously “good” news this month – webcomic site Champion Taboo, has a comic that stars a Yuri fan called Fragtime, (フラグタイム) Volume 1 of which is available on Japanese Kindle. (Ambiguously good, because anything with “Champion” in the title is not necessarily a good thing.)

It’s been pretty well-covered. but Japanese comic site Comic Walker has opened up for global registration. Some of the manga is English (licensed back from American localizers) and going forward they are planning on translating other, not-previously translated titles. Right now, they have Non Non ByoriFate/kaleid liner Prisma ☆ Illya Drei 3, in English (among about 20 English titles) and the Mouretsu Space Pirate movie manga, Abyss of Hyperspace in Japanese. Registration required and downloading their Publis reader, but totally worth the few moments it takes.

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That’s a wrap for this week! Become a Yuri Network Correspondent by sending me any Yuri-related news you find. Emails go to anilesbocon01 at hotmail dot com. Not to the comments here, please, or they might be forgotten or missed. There’s a reason for this madness. This way I know you are a real human, not Anonymous (which I do not encourage – stand by your words with your name!) and I can send you a YNN correspondent’s badge. Thanks to all of you – you make this a great Yuri Network!