Hiromi is a tomboy. She prefers pants to skirts, likes to be physically active and, as a child watching Ribon no Kishi, she wanted to be that Princess Knight.
When a beautiful, but somewhat brusque, new student transfers into her class, Hiromi finds herself defending, then befriending Juli. Juli calls Hiromi “Romeo” and casts herself as Hiromi’s Juliette.
Hiromi is disturbed to find that she is on the one hand, caught up in Juli’s apparent delusion about them as a couple, while on the other, having actual feelings for the other girl. Juli’s behavior is not in any way helping as she alternately voids Hiromi’s boundaries while simultaneously drawing clear battle lines around the two of them, cutting Hiromi off from the rest of her friends.
When the school festival rolls around, it’s no surprise that Hiromi is Romeo and Juli is Juliette in their class play. Hiromi finds herself increasingly uncomfortable being cast as a “prince” by the people around her, even though that was what she wanted for herself as a child. She does want to be with and protect Juli, but she also wants to be seen as Hiromi and not some construct, “Romeo.”
During the death scene in the play, Juli kisses Hiromi, who reacts wth surprised violence. Mortified, Hiromi stays home from school until her best friend Maki comes to collect her some days later. She finds Juli has become the center of a storm of harassment and abuse in her absence. When Hiromi shows up, Juli’s emotional damn breaks and Hiromi rushes to hold and comfort her. The rest of the class can only watch as Hiromi and Juli become an actual couple, despite the rumor and innuendo.
Juli’s behavior is no less delusional, but now Hiromi is willing to give in more, since she’s decided that she definitely wants Juli. After Juli tearfully admits that she’ll be moving away at the end of the year, Hiromi and she spend the night together.
After graduation, Hiromi transfers into a new school – a traditional private girls’ school. Her boyishness is no less popular that it was, but she’s resigned to it. She’s told that a new student is transferring in but when she hears a shout of annoyance, disbelievingly, she runs into the next classroom to see Juli sitting there, her hair shorn – a way to keep Hiromi with her while they were apart. They go running out of the room to find a quiet place where they reuinite with a kiss.
So, yes, this had a happy ending, but it wasn’t all that enjoyable. Juli’s lack of respect for Hiromi’s boundaries and manipulative behavior made it hard for me to ever really believe she was in love with Hiromi. Instead, I kept feeling as though she never really saw the real Hiromi at all and was only in love with the Romeo she’d made up in her head. Hiromi’s feelings were equally as difficult to accept, because I can’t be really happy about her falling in love with someone so high maintenance and, well, crazy. I’ve seen this in real life and yes, the relationship can go on for decades, but it isn’t going to be pretty…and everyone around it is *doomed.*
Just about the only thing I really liked was the balance in the beginning scene, as Hiromi is told of a cool new transfer student by her friend Maki and the final scene in which her new henchgirl in the new school tells her about the cool new transfer student.
Sora-iro Girlfriend (空色ガールフレンド) is another collection of a Yuri Hime cell phone comic. Unlike the others, it’s low on the sex, but makes up for it with no-less-creepy-for-being-realistic Lesbian Drama.
Ratings:
Art – 6
Story – 5
Characters – 5
Yuri – 8
Service – 2
I’m not loving this batch of the cell phone comics. This manga was the best of them…. /sob/
I’ve been agonizing over the spiritual symbolism of my first post this year.
My very first reaction upon seeing the cover of the first Yuri Shoujo anthology was to groan with disappointment at the tagline, “First Love.” Ugh. I thought. Haven’t we done that *enough?*
