Archive for the Yuri Manga Category


Yuri Manga/Yuri Anime: Sukeban Deka

March 3rd, 2004

Does it really matter whether Yuri is shounen or shoujo? Depends on what you like. If you like something with action, implausible fanservice and gratuitous Yuri scenarios, you might want to stick with the shounen stuff. You want angsty emotion, and perhaps a fleeting kiss, then shoujo’s got your number.

But what, you ask, if I like shoujo manga, but I also like sex and guns and violence, and sex? Well, obviously, I wouldn’t have brought this up without an answer, would I? ^_^

Sometimes mangaka just write whatever they feel like – and frequently, that *whatever* makes for shoujo manga that’ll appeal to the shounen fan. Here’s one classic example:

Sukeban Deka – Wada Shinji, 1973-1983, Hana to Yume Comics

This series screams *1970s* in a way few things can. Between the art, the clothes, and the casual hedonism of the characters on their off time, Sukeban Deka really is an icon of the “me” generation.

In short, a high school delinquent by the name of Asamiya Saki is offered an unrefusable deal – escape from prison and we’ll make you a high school detective, with police powers. She declines, so the police blackmail her by threatening to execute her mother, who is on Death Row for killing her father. Reluctantly, Saki agrees, but only because she actually cares about her mother (something which will bite her in the ass over and over again…) To escape her prison, she enlists the help of all the girls in her cellblock – including poor Kaoru, who has the unsavory job of seducing the lesbian warden. (Great scene – we see Kaoru making up to the warden, who leads her into the office, hand on ass…the next scene has Kaoru gargling in the bathroom.)

The Sukeban Deka OVA is a great, short intro to the series, with a very strong Yuri subtext between Saki and Junko – it’s only two episodes and well worth the money. Saki’s adventures in the anime closely shadow those of the first arc of the manga, as she frees her old high school from the threat of three insane sisters. In the longer, 22-volume manga, the arcs take us to various schools filled with corruption and vice, several juvie prisons – each weirder than the last, right up to the last one where the warden raises giant snakes – and even to the shores of America, twice. East and West Coasts.

This is not a series for the faint of heart – there is a *ton* of violence, with blood and everything, and many of the main characters die. Sukeban Deka is no girly, wimpy series where everyone is always all right in the end – I mean they DIE. In fact, it’s safe to say that *all* the main characters die by the end of the series. (It’s also safe to say that by the end of the story, the mangaka was stone sick of this story and killed everyone off, so no one would *ever* ask for a sequel. ^_^)

One of the more delightful relics of the 70s is the less restrictive atmosphere of the story – Saki smokes and drinks with abandon, despite her extremely underage-ness (she’s 16.) in fact one of my absolute favorite pictures of Saki is her smoking, with a lowball in hand. I love that picture. :-) At least twice, she drinks herself insensate – you won’t be seeing *that* anytime soon in a shoujo manga these days.

Does it, “got Yuri?” Well, yes and no. There is, as I said, a TON of subtext between Junko (the first victm, erm, friend) and Saki, especially in the anime, and during the course of the story Saki gets and gives many a same-sex kiss. Some of them are real, too, not just goofy pecks. Late in the manga, as yet another character dies in Saki’s arms, she confesses that she’s loved Saki all along and plants one on her, but good. Of course, because Saki is so goddamn cool, she’s got more than her share of adoring fangirls everywhere she goes. And, lastly, practically every evil nemesis, of which there are many, obsesses about Saki in a way that is just this side of sexual.

So, yes, there’s plenty o’Yuri, except….

The best couple in the story is straight. The love of Saki’s life (and vice versa) is her mentor, Jin Kyouichiro. And let me tell you – I was rooting pretty hard for them to get together by the end. They are absolutely perfect for each other. In fact, right now, they hold the number one place in my heart as “fave straight couple”. Jin is tall and cool and Eurasian and packs a gun. He’s the perfect foil for Saki and they look really good together. So, despite my love of Yuri, the real love here is straight. But it doesn’t take away from the fun-service for a second. :-)

The Live Action Sukeban Deka, TV series and movies seem to go off on a tangent, rewriting most of the story, but keeping the basic idea. Seasons two and three create whole new characters and lose Saki altogether. Nonetheless, this show can be seen as the origin of the whole girl-gang madness that filled the 1980s (in manga and in real-life) that later gave rise to such wonderful series as Hana no Asuka-gumi and YajiKita Gakuen Dochuuki, both of which I’ve mentioned in this blog before, but am too lazy to find – look through the archives. Both Asuka and YajiKita have new versions out right now, too, so maybe we’ll see Saki ressurected, after all. LOL

Because it ran in Hana to Yume, we know that Sukeban Deka is technically shoujo, but the actual story has so much violence and…more violence, some of a sexual nature – and is written by a man – that we’d be hard pressed to see it as a typical shoujo. Is it worth watching/reading? Hell, yes – if you don’t mind seeing major characters die extremely violent and bloody deaths. And giant snakes.

Ratings:
Art – 7
Story – 8
Characters – 10
Yuri – 5

Overall – 8





Yuri Manga: Air Master

February 26th, 2004

Okay, I’m a little tired of talking about shoujo Yuri titles, so I thought I’d cover a few shounen Yuri series of note.

Air Master

I’ve talked about this one before, I know, but it bears repeating. The basic plot is…well, there isn’t really a plot. It’s about an ex-gymnastics champion turned street fighter. Her gymnastics skill manifest as a distinctly unique fighting style which involves seriously BIG air. Hence the name, “Air Master.”

Aikawa Maki is a great heroine. Competent and cool in her millieu, sort of dorky and insecure outside it, she’s surprisingly human and likable. Her friends are quirky and funny, and her enemies even quirkier and, in many cases, funnier. Of these, the best, by far and away is Sakiyama Kaori, who may possibly be the funniest, most imaginative and most likeable psychotic to ever grace a manga or anime.

The Yuri comes in right at the start, as Maki’s new friend Mina develops a raging crush on Maki, which quickly develops into a raging lust for her. In the anime, this is seriously minimalized, but in the manga, there’s some terrific scenes as we get to see what Mina’s actually thinking (hoping/wishing/fantasizing ) about in regards to Maki.

There’s a few downsides to this series – for one thing, the manga art is *seriously,* distractingly ugly.  There’s some intense fighting violence (which I quite like) and some serious sexual violence, as well (which I don’t.) Episode 24 of the anime is one of the single most violent 20 minutes I’ve ever seen animated that didn’t involve guns or mutating things. The little old lady who sat next to me on the plane while I watched it on my computer, almost had a heart attack, poor thing. And there is unneeded and egregious, yet expected service.

On the good side, you have great characters – I mean REALLY great. With the exception of one or two characters, even Maki’s opponents are engaging and fun. In the tradition of shounen fighting anime, most defeated opponents become allies, so it’s nice to have them stick and around and keep coming back. Rematches with defeated opponents are actually better than the original fights, as Maki’s skills keep improving over the series.

Ratings

(Manga) Art – 2
(Anime) Art – 6
Characters – 9
Story – 7
Yuri – 8

Overall – 8





Yuri Manga: Paros no Ken/ Sword of Paros

February 19th, 2004

Yuri Classics That Don’t Suck
Part 2

Paros No Ken ( Sword of Paros ) – 1986 – Yumiko Igarashi

This is a fairy tale, plain and simple. Once upon a time, there was a kingdom called Paros, which had a beautiful Princess. Erminia, the Princess, prefers to dress and act like a Prince – but it’s no secrect that she’s actually a woman.  (2026 update: My reading of this missed the obvious point that Erminia is AFAB, but is trans masc or nonbinary. So as you read my review, please keep this in mind that my Japanese was not so great 22 years ago. It was not an intentional slight.) Her best friend and partner-in-crime, a nobleman’s son, Yurias, is always willing to go riding out with her – they make a dashing pair as the cross the countryside on their steeds.

One day, Yurias and Erminia see some humble washerwomen by the river. A wild horse is headed straight for them and Erminia rushes down to protect the beautiful maiden who is threatened. Erminia saves the washerwoman, Fiona, immediately, there is serious chemistry between them. Because, despite her lower than humble status, Fiona remembers a time from her childhood, when a beautiful Prince saved her, and she has always been sure that he would once again come for her. When Erminia saves her from the runaway stallion, Fiona is absolutely dumbstruck – this is her Prince, she’s sure of it!

They part, but Erminia can’t seem to get Fiona out of her mind, while Fiona becomes subject to a great deal of taunting from the other washerwomen. After all, Fiona’s wonderful Prince is really a Princess – and well beyond her reach. Erminia keeps coming back to look for her washer girl, even going so far as to help her with the washing. Yurias begins to realize that Erminia’s feelings are more serious than just a little infatuation…just as he realizes that he’s fallen in love with Erminia himself.

The King demands that Erminia choose a husband, or he’ll choose one for her. When he picks Yurias, Erminia just laughs, but her father puts her under house arrest until she comes to her senses. Yurias sneaks in her room and switches clothes with Erminia…if he can’t have her, at least he can help make her happy. He brings Fiona to the castle and she and Erminia sneak off to the town for the festival; they dance, and drink and, in front of the fountain, they kiss. Parting, they swear that what happened wasn’t a fluke, but Fiona determines to never see Erminia again, so she can be married and bring the kingdom the stability it needs.

In the meantime, a storm is gathering outside Paros. The next kingdom over is planning on invading and only a strong front will be able to save her country…but Erminia doesn’t care about Paros, she only cares about Fiona, the beautiful peasant she has come to love. She tells her father that she’ll hold a tournament to find a suitor – if a man beats her, she’ll marry him. Convinced she’s better than any man, Erminia defeats challenger after challenger. But the enemy Prince is powerful and equally as convinced that he can defeat Erminia. To weaken her resolve,  he has Fiona is kidnapped and raped. Fiona escapes, but doesn’t tell Erminia what happened, knowing it would only upset her. During the competition,Yurias is blinded in a duel with the enemy Prince. The Prince defeats Erminia and, as the invasion begins, Erminia’s father dies of a heart attack. Erminia is locked in her room until she gives in to the enemy.

Fiona escapes from the enemy and dresses as a page to sneak into the castle where is tearfully reuinted with Erminia. In the end, through Yurias’ sacrifice, Erminia and Fiona escape to build a rebel force, and to live together in happiness, vowing to regain Paros one day.

Despite, or perhaps because of, Ermina’s selfishness (and who among us wouldn’t sacrifice everything for the woman we love? ^_^) this is one of THE best classic Yuri stories ever. The girl and the girl ride away into the sunset to live happily ever after.

Like her predecessors as Girl Prince, Sapphire in Ribon no Kishi, and Oscar in Rose of Versailles, Erminia struggles with gender roles. Unlike them, Erminia and Fiona they end up together. Just ignore the fact that that her entire country has to suffer for it, we don’t know those people anyway. ^_^

It really just doesn’t get better than that! ^_^

Ratings:

Art – 7
Story – 8
Characters – 9
Yuri – 9

Overall – 8





Yuri Manga: Love Vibes

February 18th, 2004

loevibesAfter the last few reviews, you’re all probably wondering if there are any early Yuri stories worth your time, i.e., where the girl gets the girl and they all live happily ever after. The answer is, of course, yes, yes there are. And this week I’ll be looking at a few of my favorites. Love Vibes by Sakurazawa Erica from 1996, is classic Yuri that does not suck.

Mako is happy with her boyfriend, so when she’s propositioned by outspoken lesbian Mika, she’s flattered, but not really interested. Mika’s goodnatured about it, and steals a kiss betwen friends. The two women become closer as time passes and a real friendship begins to develop.

But as Mako’s relationship starts to falter, she finds herself turning more often to Mika for advice, then comfort. Mika finds herself hopelessly attracted to Mako, but she’s not stupid and won’t wait around for Mako to change. She meets and falls for a mysterious and beautiful stranger, who has a bizarre story of her own. (I mean, a *bizarre* story…)

Mako and Mika’s relationship stalls, as Mika begins to date this fascinating new woman. Mako desperately tries to figure out her feelings for Mika, and for her boyfriend, who now wants to be reconciled. Neither relationship works, and ultimately, Mika and Mako end up together.

Mika is happy enough, living for the moment, but Mako becomes increasingly concerned about her sexuality and being labeled. When she meets a man who recognizes her as “lesbian” she has a little crisis of identity. And to add to her stress, her boyfriend is back, and now he’s angry at her for leaving him for a woman. In the meantime, Mika’s former lover has come back as well and wants to see her again. Ultimately, a final confrontation leads to a happy ending as Mako and Mika literally run off hand in hand together.

Like most Sakurazawa stories, the characters are wildly imperfect. Mako’s vacillating and unintentional manipulation is frustrating, but in alot of ways, she’s the most realistic character. I wish there *were* more girls like Mika in this world, but there aren’t – her self-confidence is unreal, but delightful. The story is, like so many josei stories about the spectrum of human sexuality,a little overwrought in its consideration of “what is gay?” but overall, this is a huge step forward from earlier yuri stories, where all that consideration leads nowhere. This is not the perfect yuri story, but it’s a happy one and therefore worth a look.

Ratings:

Art – 7
Story – 7
Characters – 7
Yuri – 7

Overall – 7





Yuri Manga: Between the Sheets

February 17th, 2004

Miserable Classics of Shoujoai!
Part 4

Between the Sheets – Sakurazawa Erica, 1996

Saki and Minako are as close as two friends can get only…Minako realizes that she really wants to be closer. Unfortunately, not only is Saki straight, she’s really not a good person, playing various boyfriends off each other and off Saki. Ultimately, Saki finds comfort with one of Minako’s jilted boyfriends, as both of them seek to get closer to Minako through each other.

This story is altogether unsatisfactory as an early Yuri story, but it’s actually a pretty good exploration of immature sexuality. Minako seems charming to the other characters, but from a mature perspective she’s manipulative, superficial and mercenary. Saki’s weak-willed, and the various boyfriends are all clueless and selfish. There’s really not a single sympathetic character in the story. (Gosh doesn’t *that* make you want to run right out and get a copy?)

Nonetheless, this was one of the first josei manga that explored a Yuri theme and *the* first translated to English. The art and story are more adult that the average shoujo manga and the consequences have more to do with the essential qualities (or lack thereof) of the characters, than circumstance. This alone makes it worth a read.

Tokyopop produced an English edition and I have to say, they did a really decent job of expressing the bleakness of this story well in their translation. This is NOT a story to read if you’re a young lesbian looking for some reflection of lesbianism in manga…but as a character study, it’s pretty good. It was also Tokyo Pop’s first step into josei manga – an interesting choice for a company trying to reach a mostly shoujo audience.