It was painfully apparent from Volume 1 that I am not the ideal audience for Tamamushi Oku’s Cheerful Amnesia series. As the story progressed, so many handwaves had to be added to the original premise to keep the joke going and each additional handwave felt more and more threadbare. In Cheerful Amnesia, Volume 4, the story comes to  climax, but…

Arisa’s amnesia has been traced to an overload of positivity, which makes her collapse. But she and Mari are going to get married anyway. Before they do so, Arisa wants to meet Mari’s mother, who has been presented as a conservative obstacle to their happiness. In between Mari stressing that she and Arisa are not having sex and Arisa stressing that they are not having sex, but being far too embarrassed and/or collapsing in an excess of emotion, the entire conversation rolls around the same territory of “boobs,” underwear and “sexy times,” which is great if we are 12 years old. As I am many decades past that, I found it all excruciating. But, wait! There’s more!

Added to the idea that Arisa lost her memory because she was “too happy,” and that neither she nor Mari can manage a single adult conversation about their lives and relationship, even as they plan on having a wedding ceremony, we must confront the fact that Arisa blurts out the most inappropriate and useless information and has absolutely no ability to speak coherently. That gaping mouth does, actually, indicate a person who shouts strange things to complete strangers. But the deal-breaker for me was Mari neglecting to mention her father or siblings, even as she brings Arisa home to meet her family. “Oh, I have a younger brother,” she said and later – as an aside- , “I have a sister, too.” and I just…snapped. What the actual fuck. (-_-)?!?!? Mari has confronted her mother’s disapproval, at least, and I guess yay for that?

Arisa and Mari do get married and, the kiss, when they finally manage it, seems to unlock Arisa’s memories and she does not collapse, so perhaps they will spend the remainder of their lives happily-ever-after.

Of course one cannot take this story seriously. Even knowing that, I found it absolutely exhausting. Nothing in it was even near the realm of “comedy” for me. Since the entire plot was predicated on two adult women who had a long-term relationship simply ignoring their history and not having a conversation, it was both annoying and frustrating. So why am I reviewing it? Mostly to tell our late friend Bruce that he was absolutely right in his final review here on Okazu.

Ratings:

Art – 7 Still noticeably better
Story – … 4
Characters – 5 They are adults who need to grow up already
Service – 6 “Sexy” things. “Boobs.” Come on already
Yuri – 9

Overall – 4

Thank you very much to Yen Press for the review copy. I hope to give it to a loving home.

Oh, and my prediction was totally wrong about the ending, phew. ^_^

Content Warning for off-screen violence and implication of intended sexual assault.

We have thus fa, been paying attention primarily to Ruby Canossa, that breath of fresh air that has come into her staid school that has many secrets, and “Steel” Steph the enigmatic and secretive older girl with a disability. In this volume we belatedly pay attention to Liz, Steph’s sister who is very possessive of and resentful about the older girl. In A White Rose in Bloom, Volume 3 we learn why and…phew, it is a lot.

Liz is, exactly as she seems – attention-starved and spoiled, but trying so hard to find love that she very nearly finds herself assaulted by a tutor. This explains her forcing herself on Steph in turn when she sees the older girl as a savior. It’s clear Steph cares for her sister, but has a lot of baggage with her own life to deal with and little energy for Liz. They both gain our sympathy once again, and now we’re hoping even more that Ruby can form a healthy bond with Liz.

Then we turn back to life at the dorm. A thief, a ghost, dire fortunes and a real-life mystery fill up the pages of the second half of the volume. What is the story of the missing items? Luckily, Volume 4 of Mejirobana Saku,  (メジロバナの咲く) came out last month in Japan (what timing!) but we’ll be waiting until next year to see it in English.

In the meantime, let us again revel in the first full-length serial Yuri from Asumiko Nakamura (creator of Classmates) and how she manages to keep us on a string with a sense of furtive feelings and cryptic histories, even as we delight in the change Ruby brings to the school, and how she forces the people around her to open up. Jocelyne Allan’s translation really manages to capture the dark shadows behind light words that match Nakamura-sensei’s art perfectly. Alia Nagamine’s letting is top-notch retouch for that authentic reading experience. Great work all the way down for the Seven Seas team.

Ratings:

Art – 8
Story – 9
Characters – 9
Service – 5 Predatory behavior and gaslighting is gross
Yuri – 7

Overall – 9

This series is probably flying under the radar – but it shouldn’t. It deserves a few soapbox rants, because it is an excellent edition of a fantastic story by a master story-teller.

In Volume 1, we meet Hinako, a girl who has lost almost everything and, as a result, doesn’t mind entertaining the thought of death. She is befriended by Shiori, a mysterious creature of the deep ocean, a mermaid, who assures Hinako that she wants the girl to live happily, so that she can eat her later.

Hinako’s only other friend, Miko, does not like Shiori and, in This Monster Wants to Eat Me, Volume 2, by Sae Naekawa, we find out why.

But first Shiori asks Hinako the question on all our minds, why is she is such a rush to die? Hinako looks back at the loss of her family and, again, prompted by Shiori, at her history with Miko. Shiori is really a monster, but she seems to think Miko is one, too?

In this eye-opening volume, in which much of what we were told turns out to be half-truths or full lies, Hinako will continue to reevaluate all her choices. When I read this in Japanese in 2021, I commented that it was a “freakin’ brillant volume of a manga” and I stand by that with this English edition. There is an underlying tension to this series that just fills one with foreboding, even when nothing in particular is happening. When the truth is uncovered, it is both a huge relief and a new chill on one’s spine.

This series is just the best summer horror tale with chills, thrills, a little blood and darkness, thus far rooted wholly in Japanese youkai – what lurks in the shadows in Japanese folklore. Caleb Cook once again brings a fantastic, nuanced translation. You can tell who is talking by how they talk. I can “hear” every character clearly. Bianca Pistillo’s lettering is good. I wish she was able to be amazing, but Yen’s house style of subtitling the sound effects is their style and I will just always whine slightly about it. ^_^

Ratings:

Art – 8
Story – 8 Ominous and compelling
Characters – 8 The more we know, the less we know
Service – Blood. Violence. Monsters From the Deep. Secrets. More Monsters.
Yuri – Miko is possessive, Shiori is infatuating

Overall – 8

This volume is headed your way in mid-September. Don’t miss out on this fantastic low-key horror book. It takes all the mortifications of school life and gives it extra claws and fangs. ^_^

I have Volume 8 of Watashi o Tabetai, Hito de Nashi (私を喰べたい、ひとでなし) siting here on my to-review pile and I’m once again hyped to re-read and review it.

Thanks very much to Yen Press for the review copy! This is such a fantastic series, I always can’t wait to read it. ^_^