Archive for the Yuri Manga Category


Tsukuritai Onna to Tabetai Onna, Volume 1 (δ½œγ‚ŠγŸγ„ε₯³γ¨ι£ŸγΉγŸγ„ε₯³)

January 2nd, 2022

I am so excited to be able to review this particular book as my first review of 2022! Since I first read this on Comic Walker, I’ve been super excited to get it as a collected volume.

Tsukuritai Onna to Tabetai Onna, Volume 1 (δ½œγ‚ŠγŸγ„ε₯³γ¨ι£ŸγΉγŸγ„ε₯³) is what I’d like to think is the future of Yuri. Nomoto-san is a office worker who is stressed. As she sits down to eat lunch a male coworker “compliments” her lunch by commenting that she’ll make a great wife. Nomoto understandably resents the implication that her life is nothing more than practice to be useful to a man.  Angry, she goes home and cooks a massive meal, far more than she can eat.

Just the day before she had seen her next door neighbor, Kasuga-san, a large women, who had come home with multiple buckets of KFC for herself. In a moment of courage, Nomoto offers some of her too-large-for-one meal to Kasuga. And so, a friendship is born.

In this first volume, Nomoto will make meal after meal, while she enjoys Kasuga’s enjoyment of the food. When Nomoto gets her period and is down with bad cramps, Kasuga realizes something is up immediately because she can’t smell any food cooking – and so she texts to see if she can do something for Nomoto. I was all in, but that simple act of kindness pinged all my *THIS IS GOOD* alarms.  And indeed, Kasuga understands Nomoto’s issue, buys her pads, pain killers and they make comfort food together. It was perfect.

Kasuga offers money to Nomoto, because she rightly understands that Nomoto is spending a lot more on meals than normal. Nomoto tries to refuse, but Kasuga’s reasoning and sincerity would be too much for anyone. ^_^ At this point, Nomoto is starting to realize how much she enjoys her time with Kasuga and we can see that Kasuga agrees, when she invites Nomoto on a drive out to a farmer’s market. They shop for fresh veggies, eat ice cream and generally have a lovely time. They continue to have fun together, including making a 5 liter giant flan in a rice cooker. ^_^

The volume ends with Nomoto asking Kasuga to spend Christmas and New Year making and eating food. In an omake, Nomoto buys a brand new platter just because it would be pretty to serve something for Kasuga in. And indeed, when she serves her fried rice, it is a perfect platter. As Kasuga finishes every last grain of rice, Nomoto thinks that she is so very glad she had some courage that day.

Okay, in case you can’t tell, I LOVE this manga. Everything about it is just right. It has a woman who is not the same slim, small, fashionable working woman we keep seeing. I’ve just flipped through and I don’t think we see Kasuga working, but her work jacket has a logo is similar to that a large distributor of alcoholic beverages and she drives, so I’m going to take a leap and assume she does delivery for an alcoholic beverage distributor.

Here we get to watch adult women loving food and eating to their heart’s content without any tiresome thoughts on /insert something stupid about what women should or should not do./ This will always appeal to me. The way to my heart is through food and food manga. ^_^

I know from reading further on Comic Walker, that Nomoto’s thoughts about Kasuga will change and she will realize that she likes her, which you too can read if you pick up Volume 2. (That’s next on my to-read list.) In a Twitter conversation some months ago, it was also noted that this manga comes with a content warning for workplace sexual harassment, but unless I am missing it, I don’t see it on the book or site anymore. It’s pretty plain by Nomoto’s reaction, that she’s very uncomfortable with the man who approached her at work. Nomoto’s feeling are implicit in that one scene. I like that the story focuses on the two of them, without an external “reason” Nomoto doesn’t like men. The scene where she realizes she likes Kasuga is charming. It doesn’t need a reason, other than her affection. Update: CW has reminded me that the content warning was for Chapter 16, so I had forgotten something. My mistake.

Kasuga is a character marked with very subtle expressions. For this alone, I’d call this art amazing. Her face changes very little, but even slight shifts carry a lot of weight. Especially compared to excitable Nomoto, Kasuga almost seems to have no affect, but that’s not at all true. Nomoto and we can tell exactly what Kasuga feels with subtle, but telling shifts in her expression.

The focus on eating and mouths here is not gross, completely unlike a similar obsession in Blue is the Warmest Color movie, which I found creepy and intrusive.

In a lot of ways, I think this story is emblematic of a shift in queer story-telling overall. So much of queer work in the last century was rooted in trauma (isolation, rejection, ostracization, etc.). Now we’re seeing more positivity in our fiction and I’m all for it.  I would like to see much more Yuri sitting in a place that isn’t a closed-off fantasy world but also gives no or little room to intolerance.  Yes, of course, harassment and violence exist in the real world and yes, definitely there needs to be some manga that addresses that. And…there are some now and there will be more. I’m glad to see this one that is about something else entirely – two women bonding over food.

Ratings:

Art – 9
Story – 9
Characters – 9 We don’t know much about them, but what we know is sufficient to know them
Service – Does massive platters of food count? No? Then…no.
Yuri – 2 in this volume, more to come.

Overall – 9 but only so there is somewhere to go up.

And so I start this new year with a “best of breed” and declare Tsukuritai Onna to Tabetai Onna as a harbinger of great work to come in the new year!

If you get the book, there is a QR code to download the cover art as a digital poster…and so I have. ^_^





Matching App Yuri Anthology (γƒžγƒƒγƒγƒ³γ‚°γ‚’γƒ—γƒͺη™Ύεˆγ‚’γƒ³γ‚½γƒ­γ‚ΈγƒΌ)

December 22nd, 2021

Ichijinsha has a whole pile of new anthologies these days, almost all of which fall so far out of my interest zone, I’ve picked up only one of them. This one, Matching App Yuri Anthology (γƒžγƒƒγƒγƒ³γ‚°γ‚’γƒ—γƒͺη™Ύεˆγ‚’γƒ³γ‚½γƒ­γ‚ΈγƒΌ) or, as we’d say Dating App Anthology, I got purely to round out an order with Amazon JP.  ^_^ I was pleasantly surprised by the collection, but also have some thoughts about how collections are built.

I know I’ve told you all a million times about my experiences with anthologies over the years. Generally speaking, in western anthologies (other than those that are chronologically or alphabetically arranged, they go along a loose-ly defined pattern of arrangement: You start with a strong/popular story or a famous/popular person up front, then have increasingly imperfect/less popular series in the middle, put the weakest story/newest creators in the middle to 3/4 through and finish with a strong/popular story. Manga magazines regularly do this. You’ll see new creators’ one-shots in the middle of the second half of the magazine and really popular (so popular that they only publish a few pages once in a blue moon) in the back to anchor the super-popular stuff up front. It’s not a hard or fast rule, things shift around all the time, and “strong,” “weak” and “popular” are all subject to any number of interpretations but, generally, this is how it is done.

Except, for some reason, Yuri anthologies. Okay, okay, I’m being hyperbolic, but I can certainly think of other anthologies and collected volumes that open with the weakest story; something just so bleah that I’m hard pressed to keep going.

Yeah, this anthology does that. Pretty much every story was nice. The first one was a siscon story and….no. It worked on zero levels. Well, the art was okay. I read it, made a “bleah” face, remembered it had been in Comic Yuri Hime magazine and I had “bleahed it there, too” and forgot to pick the book up again for a few weeks.

Thankfully, the very next story redeemed the volume completely.”Cinderella Night” by Akatsuki Kazu, follows an uber ikemen-cool band member and an employee at the venue who end up bonding over cute mascot items. I loved the art style, the characters and the plot, which motivated me to keep reading.

The remainder of the stories cover a number of possible and  improbable situations; best friends who turn out to be perfect for one another, a match that just works out really well, a gal and an introvert, and an idol who just wants to be liked for herself. You might assume I’d also nope out of this one, but I thought it was quite nice.

The last one is an honest-to-goodness magical girl story, which was also quite excellent. Poignant and triumphant as well, somehow… .

Ratings:

Overall – a strong 8.

Other than that first bleah story, this was, honestly, one of the best themed Yuri anthologies from Ichijinsha. And, of course, the bleah is in they eyes of the beholder. You might love it. ^_^





Comic Yuri Hime, January 2022 (γ‚³γƒŸγƒƒγ‚―η™Ύεˆε§«2022εΉ΄1月号)

December 21st, 2021

After the text-heavy cover story for 2021, Comic Yuri Hime, January 2022 (γ‚³γƒŸγƒƒγ‚―η™Ύεˆε§«2022εΉ΄1月号) treats us to a new image-heavy, story, this one by, I believe the characters are pronounced Isshiki (一色). The cover has an underlying texture with image and lettering as a spot gloss over, which makes for a really interesting feel that aligns with the collage look of the layered art. The title lettering has returning to a a funky font. I’m mentioning all of this because I really like this. A lot. I love that they are coming up with wholly new design aesthetics every year and using the cover as art and story as well as basic information. Remind me to tell them this next time I fill out the monthly questionnaire.

Following this is information about the Comic Yuri Hime Pop-Up Shop that opened in Akihabara, and has now moved to Nagoya. You can absolutely buy goods on the online shop, if you have either a buying service or shipping service, like Buyee or Tenso. Of course I bought some stuff. ^_^

The manga gets off to a fantastic start with “Watashi no Yuri ha Oshigoto desu!” by Miman. We step right into Nene’s backstory and…wow. First of all, Nene is the first lesbian character in the story and she’s not shy about it. Secondly, we are quickly approaching a reckoning with the woman who broke her heart and I’ve got my popcorn ready. This issue was great – Nene’s long been my favorite character – but yeah, cannot *wait* for the February issue!

In  Takeshima Eku’s “Sasayakuyouni Koi wo Utau,” Yori is trying to understand her own feelings about Himari, including the jealousy she’s now experiencing. Part of what makes this story so good is Yori is very honest with herself and Himari.

“Kimi to Shiranai Natsu ni Naru” finally has caught up to itself. Bike returned, Megumi and Haru get dinner (at last!) and a new friend to help the celebrate their summer of freedom.

You know I don’t usually talk about Citrus, but this issue someone actually smiled!

“Kaketa Tsuki to Donuts” is heading for a climax, and so, inevitably, both Asahi and Hinako doubt themselves. Which makes  a perfect double header with Usui Shio’s other series, “Onna Tomodachi Kekkonshitemita.” Hopefully that one only has a 2-chapter funk to deal with.

I also don’t usually bother to talk about “semelparous,” but this page had me howling with laughter. I know some folks like this, but I just cannot take it at all seriously. This is comedy, surely?

And finally (for me), Inui Ayu continues her tale of how amazing her girlfriend is in “Kyou mo Hitotsu Yane no Shita.” ^_^

CW reminds me (thank you!) that this issue also has the beginning of an essay by Pikachi-sensei about life with her girlfriend.  ^_^ It really feels like a tipping point has been passed. 

As always this is merely a selection I particularly enjoy. There are other stories I like and others I don’t, but I am confident you’ll find something you like.

Ratings:

Overall – 8

Lesbians in two issues in a row. Smiling faces in Citrus. It’s already a great new year for Comic Yuri Hime!





Tsukiatte Agetemo Iikana, Volume 7 (δ»˜γεˆγ£γ¦γ‚γ’γ¦γ‚‚γ„γ„γ‹γͺ)

December 13th, 2021

When I reviewed Volume 6 I said of that volume that it was like a fever finally breaking. “You don’t feel β€œgood,” per se, but you feel better, somehow.” Well, the fever is gone and Tsukiatte Agettemo Iikana, Volume 7 is the volume I have been waiting for.

We have watched Miwa and Saeko go through some serious identity and life stuff since Volume 1. They are not the same people we met, nor should they be. In fact, this is the most “college life” story I have ever read; where the people, their choices and behaviors are all totally appropriate for their age.

Saeko and Miwa have moved on from their relationship – and are doing pretty well at being friends. Saeko’s relationship with Yuria is facing some bumpy parts of the road, but Yuria is a stronger person than Saeko and these two will have new, exciting problems to deal with.

Miwa has a whole different issue. Her new kouhai, Tamaki, really, really wants to be her girlfriend and Miwa thinks she’s super cute, but is still hesitant to ruin a budding friendship. That’s going to be a developing situation.

 The characters and the art have grown, Tamifull’s narrative skills are excellent here. We’ve been with them through a lot…and we’re still here as they enter the next phase of their lives. And I’m here for it. 

What a great volume.

Ratings:

Art – 8
Story – 9
Characters – 9
Yuri – 8
Service – 5

Overall – 9





Comic Yuri Hime December 2021 (γ‚³γƒŸγƒƒγ‚―η™Ύεˆε§«2021εΉ΄12月号)

December 12th, 2021

Comic Yuri Hime, December 2021 (γ‚³γƒŸγƒƒγ‚―η™Ύεˆε§«2021εΉ΄12月号) was a terrific end to a year of pretty darn good Yuri manga!

To begin with “One Hundred Years Distance,” Hanna Ren’s science-fiction time-travel plague-focused cover novel wraps up with a message for all of us to get vaccinated, wear masks, wash our hands and care for one another. Japan gains a new Youtuber, as Shizuka send her message across time from 1921. Kesshin’s art was wonderful,I really enjoyed this story, but oh my goodness did I dislike the teeny-weeny font size.  Still, it was the best of the shousetsu this time around.

Takeshima Eku’s “Sasayakuyouni Koi o Utua” has moved into a new arc that I will not spoil, but the stakes are completely different than “does Himari love Yori?” now and it’s way more interesting. We’re seeing more of Yori’s real self and watching her learn to ask for help.

“Kimi to Shiranai Natsu ni Naru” by Keyyang had a pretty weak start, in my opinion, but seems to have found itself and is now ready to fly! Having been stranded, our two protagonists head to a relative’s home. In a call to her aunt, Hi-chan and Haru take the leap from lovers to engaged and their lives instantly become brighter. NOW I’m ready to see what happens.

I…loved…”Suszume-chan to Mahou no kiss,” a zombie story by Nimu. Just a fantastic short story.

“Lonely Girl ni Sakarenai” is now, finally, addressing Ayaka’s problem, the source of the entire story – that she is terrible at taking tests.

“Onna Tomodachi to Kekkon Shitemita,” by Usui Shio was kind of frustrating, in part because it was realistic. Kurumi and Ruriko are starting to see the cracks in what is an unbalanced relationship.

Low-key one of my fave stories this year has been “Odoriba ni Skirt ga Naru” by Watane Yuu. Kiki has an honest and loving talk with her former partner – and forever best friend, Shion. Now, Kiki and Michiru can move forward together as dance partners.

As always, there were many more stories in this issue I read and either enjoyed or didn’t. This was a strong and varied volume that topped of a year full of a lot of stuff I loved and a lot I would be happy if you scoured out of my brain. In other words, something for everyone. ^_^

Ratings:

Overall – 9

One of the most solid years I can remember since 2011 or so.The January 2022 issue is already out, I have already read it and cannot *wait* to review it!