Yuri Manga: Hayate x Blade, Volume 4

June 9th, 2006

I know, it’s been absolutely AGES since I reviewed Hayate x Blade, Volume 3. (If you haven’t read that review you should, because the contest I held for the volume was very funny.) Now, at last, I have the leisure to review Hayate x Blade, Volume 4. I hope it was worth the wait.

We left off in Volume 3 with a one-on-one battle between Ayana and Jun. On the final page of the last volume we were left with that moment just after the fateful blow, but before we learn who lost and who won. This volume opens up with that same same moment. And the winner is…!

Ayana, who takes Jun’s star with her mad Hoshitori Skillz.

Without missing a beat, Jun springs up to interfere in Hayate and Yuho’s battle. Ayana calls after her to stop, but Jun uses language quite unbecoming a young lady and runs off. Yuho, after a life of weakness and dependence, digs way deep and defeats Hayate, taking the “Heaven” star decisively – only to learn that because Jun, as the “Earth” part of the pair lost first, it renders her victory null. Mudou-Kurogane team gets the win.

Jun and Yuho have a wonderful moment, as Yuho awaits an ambulance to the hospital, which renders nearly every character in the book teary (and in some case nose-drippy and drooly as well.)

The next few chapters is taken up by us meeting and becoming familar with a whole host of new characters, mostly high school students, members of the student council, as they sharpen their skills for their own upcoming hoshitori fights. Only there’s clearly something else going on her…we’re not stupid. Not only are Kureha and Minori and the others practicing, they are working on special weapons. Why? You’ll have to wait until volume 5 to find out! (But trust me, it’s way cool…)

Isuzu and Momoko are still getting used to one another. Momoko is freaked by Isuzu’s reliance on a crystal ball, and the way she pronounces curses on their opponents during hoshitori. This awkwardness is exacerbated by the appearance of Otoha, a woman with that look that says “I have a clever plan”. And she does – she’s got a plan to separate Momoko and Isuzu and steal Isuzu for herself.

The rest of the volume follows Otoha as she widens the distance between Isuzu and Momoko, eventually challenging Momoko to a duel for Isuzu! (da-da-da-daahhh)

Momoko accepts the challenge – but not the terms. She has NO intention of giving Isuzu up and says so plainly. Isuzu is, in the meantime, overwhelmed that two women are dueling over her – and who wouldn’t be? – and deeply touched that Momoko cares about her that much.

In the end, Momoko (remember when she fought for her Rio-‘neeesan?) remains uber-cool, and wins. And Otoha is forced to deal with her own shinyuu, Michi. It turns out that there was a horrible misunderstanding between them and gee, they like each other after all and it was all a mistake, heh heh. ^_^

It was actually quite amusing, my snarky synopsis notwithstanding. The picture of Otoha and Michi running off hand in hand, looking slightly embarrassed and very relieved at the end of the chapter was priceless.

So let’s sum up:

Shizuku and Hitsugi + Momoko and Isuzu + Otoha and Michi = Good Yuri.

Ratings –

Art – 9 I’ve really come to love Hayashiya-sensei’s art
Story – 9
Characters – 9
Yuri – 7
Service – 2
Overall – 9

This is a GREAT series. Another must-have, IMHO. As far from Moonlight Flowers as you can get, but just as good (if not better) in its own, unique way.



Yuri Manga: Moonlight Flowers

June 7th, 2006

Today’s review would never have happened without James Welker, who introduced me to this manga. He was surprised I didn’t know it – after I read it, so was I. How has this manga slipped under the radar of so many Yuri fans for so long? It deserves fame and recognition, at least. So thanks James, for turning me on to Moonlight Flowers, by Tsugumo Mutsumi.

So, let me just say that this is a *very* good Yuri manga. You should click the link above and buy it right away. Don’t wait.

The first half of the volume follows Sahoko, a bride-to-be as she meets Kaoru, a old high school friend. Kaoru has become a floral designer and she offers to design Sahoko’s wedding bouquet.

Sahoko spends more and more time with Kaoru, which starts Sahoko doubting her feelings for her fiancé. We learn that in high school, Kaoru and Sahoko starred in the school play – and Kaoru fell in love with Sahoko. But, when Kaoru kissed her, Sahoko ran away. Kaoru, after drinking too much, admits that she truly loved Sahoko – and because of her history of difficult family life and regret for driving Sahoko away, she is pretty much reconciled to living alone forever.

Sahoko marries (what a GREAT scene that was, honestly) and immediately regrets it. She hates sex with her husband – they trot out the “she was raped in college” complication, which was horribly overused in MIST magazine – and he almost immediately takes a lover. But Sahoko is spending more and more time with Kaoru until finally, one night after discovering her husband out with his lover, followed by a heinous confrontation, Kaoru and Sahoko become lovers.

Sahoko’s husband retaliates by telling her parents, but Sahoko has found strength in her new love and she tells them – and her husband – that she won’t be coming back. He tries to confine her in their apartment when she comes home to get her things, raping her to show her the error of her ways, but after she begs him for forgiveness and explains quite rationally that she will never be his wife again, ever, no matter what he does, he realizes that its a lost cause. Kaoru comes to save her and together they leave him behind.

What James liked best about this manga was that they do not go to America at this point, they stay in Japan and defy public opinion and pressure to make a life together. What I liked best was that Japanese style quotes 「」 are used in every single scene where quotes are warranted except when Kaoru is explaining how hard life is going to be. She says this isn’t California, and then she says in *Western* “” quotes that saying “I am a Lesbian” is a hard road.

The next story is a flashback to Kaoru’s youth, when she was in college and in denial. The adult Kaoru had confided to Sahoko that all the people she’d ever fallen for from childhood were women. But at this time in her life, she had yet to see that. (It’s easier than it sounds to not realize things like that. I only JUST realized I had a crush on my babysitter when I was ten. I mean, like, this week. ^_^;)

Kaoru arrives at a beach house with her boyfriend and another couple. The guy’s parents own the house, and he’s so excited to be there at the romantic seaside with the girl he desires. Only, Kaoru keeps putting him off and she really doesn’t know why. She finds the relationship between the parents disturbing – the wife seems pale and unsatisfied, while the husband treats her like furniture, or a maid. A friend of the wife’s, Kyouko, arrives and the uncle is glad to have his wife, Kayoko, out of his hair as he does his art.

That night, Kaoru goes outside for a midnight walk to settle her nerves when she comes across Aunt Kayoko on the beach, her face alight with anticipation and her arms open. Into those arms runs Kyouko and the two fall to the sand kissing. Kaoru is shocked to her core. This was an *amazingly* sexy and romantic scene – the winning scene of the book, IMHO.

Back in town, Kaoru breaks up with her boyfriend and sets out to find Kyouko, who turns out to be a successful businesswoman. Kaoru admits that she too loves women. Kyouko takes pity on her and invites her back home to talk. When Kaoru arrives at Kyouko’s apartment, she finds Aunt Kayoko there waiting to kiss Kyouko hello.

The boyfriend finds out about Kaoru, then vindictively learns about Kyouko and his mother. Enraged, he calls his father, who comes rushing into town threatening to kill Kyouko. As he attacks Kyouko with a knife, Kayoko steps in between them and takes the blow meant for her lover. Although the wound was not fatal, in the ambulance, Kayoko, who had a previously established weak heart, suffers heart failure and dies.

Years later Kaoru is looking at an art exhibit by the father and in front of a painting of Kayoko runs into her old boyfriend. Kaoru is a different person now – they are able to be civil, even friendly. Kaoru walks away thinking about her own love of her life, now lost, but never forgotten. (And, ultimately regained, but she doesn’t know that yet!)

The last story in the volume is a horror thing about a possessed woman I have never really read. ^_^

So the bad things are the outdated ideas about men and women: all men are evil, violent, possessive and rapists and are the natural enemies of lesbians. And all lesbians are stylish and successful. Hah. That’s all I’m gonna say to that.

Good things are everything else, really. The melodrama was very melodramatic, the romance very romantic, the sex reasonably sexy. Lots and lots of lily-filled backgrounds. Positively reeking of lilies, it was! The art is very classic, in everything from the character designs to the backgrounds. This is “Josei manga” at its most typical. But the art is very clean and doesn’t feel trite, even though it really is. And no school uniforms to be seen. Thank heavens.

Ratings:

Art – 8
Characters – 7
Story – 6
Yuri – 10
Service – 6 (a fair amount of rape here and there)

Overall – 8

Okay, it’s still a story about how a lesbian turns a “straight” woman, which is “meh”, but on the other hand, its a story about a successful businesswoman and so NOT about schoolgirls.

Oh, I forgot to mention – Sahoko is blonde and petite and Kaoru is tall and brunette. This looks so familiar somehow…. ^_^



Negima Manga Volume 10

June 5th, 2006

Once again, today’s review is courtesy of Guest Reviewer Sean Gaffney!


Negima!, Volume 10 continues right where the previous volume left off, with the Festival opening. (It’s a 3-day festival. To date, we’re up to stories for Volume 15 and haven’t even gotten past Day 2. Suffice to say, it’s a big arc.)

It’s a very good volume. Early on Negi and Setsuna discover what Chao’s present of a fancy pocketwatch does – it’s a time machine, and by reading the instructions they can go back and forth across the day. This solves Negi’s main problem of how to pack about 40 events into 3 days, so he sets about visiting the various festival events.

Among other things, Negi visits his class doing their Haunted House, has a ‘date’ with Nodoka, patrols the World Tree with Mana, goes on an unofficial date with Yue, and begins the preliminaries for the Fighting Tournament that will be the focus of Volumes 11-13.

Nodoka fans should be happy with this one, as she gets a lot to do and shows that despite being the shyest of the class, she’s got the most bravery when it comes to admitting her feelings. On the opposite spectrum, we have Yue, who is trying to put things off with Negi and Nodoka because she loves him herself, and the unfamiliar feelings are eating her alive with guilt.

As for yuri fans, our canon couple are pretty much separated in this volume. That does not, however, mean there’s no yuri. At one point, Setsuna makes a pledge to help Negi with his troubles no matter what. Kamo suggests that this sounds like a love confession, and notes that Setsuna said if she fell for a guy it would be Negi.
Setsuna gets very flustered, and says “Look, the one I’ve got in *my* heart is Konoka-ojousama!” After which Negi promptly starts to tease her about this. Setsuna is just adorable.

In the end, we get the preliminaries for the Fighting Tournament, which turns out to be run by Chao, with a prize of ten million yen (about 90 thousand dollars). After the dust settles, Negi, Kotarou, Kaede, Mana, Ku Fei, Evangeline, Asuna, Setsuna, and
Takamichi are the main characters we know in it. And there’s also a mysterious hooded gentleman who calls himself “Colonel Sanders”. Remember him; he’ll be very important.

I remain impressed with Negima, which is much better than Love Hina. It balances comedy, action, and mild romance, and avoids too much squick with Negi being ten, mostly as it reminds us of this constantly. No one is getting any anytime soon in his manga. And Setsuna remains a kickass manga lesbian. With a sword and big fluffy wings, no less.

If only this series was as charming and enjoyable as you make it sound, Sean… ;-)



Yuri Live Action Movie: The Girl

June 2nd, 2006

Sometimes you’re just in the mood for a bit of French lesbian film noir. And then The Girl is exactly what you’re looking for. (At the moment, I’m looking for it too – my copy seems to have walked off after Onna! ^_^;)

But I digress. The Girl is a lovely piece of lesbian pulp film that manages to be fun and goofy and still remain sexy and slick.

Butchy Agathe De La Boulaye (who is just lovely in her clothes) falls for cabaret singer Claire Keim. I know – could it get ANY more stereotypical!? Keim’s male lover is not about to take this kind of insult sitting down, so sexy sulky stalking escalates into violence and a typically Gallic ending. Because The Girl plays out like a smoky, liquor-scented pulp novel, you can relax and watch the pretty, pretty people with low mental commitment, but high pleasure.

Even the director’s comments are interesting – this is just about the only DVD I’ve ever bothered watching the movie with the commentary, and I enjoyed it. It wasn’t a lesson in directing or anything, but the stories that make up the filming of this low-budget, tight-deadline lesbian noir are, in their own way, as good a yarn as the movie itself.

Ratings:

Cinematography: 8 (espcially considering the budget and deadlines)
Characters – 7
Story – 7
Yuri – 10
Service – 3 (Its much too arty for boy porn)

Overall – 8 and a bowl of popcorn.

Wish I could find my damn copy. ^_^



Taking Tonight Off

June 1st, 2006

I’m taking the night off, to eat some strawberries, listen to the Dresden Dolls and read a Rex Stout mystery – a little new school/old school contrast there…how oh-so-hip am I?

Go do something non-anime or manga related, too. It’s good for you.

Don’t forget the whipped cream for the strawberries.

If I’m lucky it’ll thunderstorm. :-)