Jigoku Hanazono (地獄の花園)

October 17th, 2021

Jigoku Hanazono (地獄の花園) is absolute trash, hilarious and unforgivable, and probably puzzling to anyone who isn’t deeply interested in girl-gang lore. It’s a movie tailored almost perfectly to my tastes. It will be released on DVD and Blu-ray in Japan in a few weeks, available through this transparent affiliate link.

Tanaka Naoko is a totally typical Office Lady in a large corporation that employs a large female workforce. The workforce has split into factions very like the “Ladies” gangs. Naoko, and her typical, non-faction colleagues, end up dodging the inter-departmental battles that break out between the various factions. Until one fateful day all three factions at her corporation encounter Hirose Ran, who transfers in and takes them all over. For a time, peace reigns.  But when other corporations hear of Ran’s power, they begin to encroach upon their territory, and Naoko is kidnapped to lure Ran into a battle.

And then the movie gets weird.

If you take a look at the official cast page, you’ll note the thing I like best about this movie…and the thing I liked least.

The thing that immediately become obvious, is the heavily embroidered gang outerwear, reminiscent of tokkou-fuku of Japanese motorcycle and scooter gangs, only in bright colors worn over office uniforms. The factions mimic gangs in patois and behavior as well, which is always sort of ridiculous in media, but especially so as it’s played for laughs here.

You’ll also note that one of the corporations has a gang in black and that all the women in that gang are played by men. This is something I have encountered in a few other gang or gang-esque movies, like the live-action Cutey Honey movie…the most powerful women are played by men and are thus meant to be grotesquely ugly and horrible.  I do not approve. First of all, women are completely capable of being grotesque and ridiculous on our own, thanks  In this case, it is again a woman who is the most powerful, so that’s cool. And the men are seasoned actors with years of yakuza dude roles under their belts, so that worked as well. Overall, it was no more than another eye-roll in a movie basically built out of eyerolls. All of the actors chewed up their roles with gusto, which helped the movie hustle along to it’s utterly ridiculous end.

A palpable friendship builds up between Naoko and Ran and it becomes the lynchpin of the climax, so I really cannot tell you what happens. You’ll *have* to experience it for yourselves. I will tell you that any and all Yuri is punted off the roof in the final, bewildering scene that is so gobsmackingly ridiculous that it is almost funny, but still really annoying. Naoko agrees, is all I’m saying.

There is an English-subtitled trailer from FujiTV, which I hope means this will make the rounds of western Asian film festivals next year. I’d love to do a watch party with you all.

 

Ratings:

Cinematography – 9 Perfect and awful
Story – 9
Characters – 9
Service – 0 Not really, but tropey gang fights is a kind of service
Yuri – So close, but no

Overall – 8

Really hoping for an EN release, but the JP Blu-ray is in my cart, baby.



Yuri Network News – (百合ネットワークニュース) – October 16, 2021

October 16th, 2021

Yuri Manga

[Boyish²] Butch×Butch Yuri Anthology has made its Kickstarter goal with more than a month left! That means you have plenty of time to back this anthology. With so much support they are considering doing a print volume, as well as digital.

Via Fayorei on Twitter,  Bookwalker is running a coin boost sale on Inori’s I’m In Love With the Villainess Manga and Light Novels! (These are both affiliate links, so I get a pittance of coins if you pick something up with them.^_^) The sale ends Oct. 20th.

While we’re talking ILTV, Sekai Edition has just announced a Spanish edition of the Me Enamoré de la Villana light novels!

We have some new items up on the Yuricon Store, which means these are all, again, affiliate links.

Zaou Taishi and Eiki Eiki’s early 2000’s Yuri series for what was then Yuri Hime magazine, are being reissued as complete editions. Love Gene Double XX Complete Edition  and Haru, Natsu, Aki, Fuyu Complete Edition (春夏秋冬 完全版) both include new pages and new cover design.

Lonely Girl ni Sakaraenai, Volume 4 (ロンリーガールに逆らえない) is hitting Japanese shelves this week. I am so glad this story didn’t just wrap up after Sora and Ayaka started to go out. It feels more substantial, somehow.

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Yuri Navi is reporting a new Yuri series starting in Comic Cune magazine. Lily-Lily-La-La-Land, is set at a private girls school and begins with a confession.

Also via Yuri Navi, Kimi to Shiranai Natsu Naru by Keiyyang, will begin and get color pages in the New Year’s first  issue of Comic Yuri Hime.

Again via Yuri Navi, Mikanuji’s new Yuri + food manga Sempai, Oishii Desu ka? (先輩、美味しいですか?) has begun on Young Ace online. I kind of found the premise a bit depressing, so I hope our protag gets to eat whatever she wants.

Via Aki Yanagi on Twitter, another food + Yuri manga that has really intrigued me, Tsukuritai Onna to Tabetai Onna,  (作りたい女と食べたい女) by Yuzaki Sakaomi, has been given a content warning – something that is very rare in JP manga. But this, Aki-san, says, is done as a kindness by the author, as it includes scenes of sexual harassment. This was part of a great conversation with translator Jocelyne Allen, who noted a single chapter in Witch Hat Atelier which was likewise tagged with a CW in Japan.

 

Events


AnimeNYC is on the way and – if everything works out – I’ll be attending on Saturday, to cover the event as press and be part of a GEEKS OUT panel on queer manga. Vaccines and masks will be required, so make sure you’re sorted. If you are there, say hi after the panel. ^_^

I’m also going be recording a session for the New York Public Library, with a whole lot of much more qualified folks, to talk about LGBTQ+ Manga in the Library. The livestream will be Nov. 17 and I’ll drop the link as soon as I have it.

It looks like we’ll be doing our cover reveal for By Your Side: The First 100 Years of Yuri Anime and Manga as part of our annual Okazu Patron Online Holiday Party. My publisher will be a special guest. Dates will be chosen on the Okazu Patreon. We’ve been doing this the last couple of years and it’s a lot of fun!

Spring 2022 is already lined up for a bunch of interesting things, so stay tuned!

 

Anime News

In another example of how the universe is unfair, Wataten is getting an anime film. Egan Loo has the details on ANN. While that mess gets money poured into it, I’m in Love With the Villainess remains unanimated thus far. (I still have hope.)

Kakegurui XX has been licensed by Sentai Filmworks, with a Q1 2022 projected release.

 

Other News

ANN’s Lynzee Loveridge reports on a Sailor Moon-themed at illumination at Sagamiko Resort. The resort’s official website has an image that makes it look kinda fun! I know I’d go, if it were doable. ^_^

I know I keep mentioning this, but. Via Yuri Navi, the 4th Yuri Bungei Shousetsu Contest is live! Pixiv, Comic Yuri Hime and Hayakawa Publishing have been sponsoring this short story contest and we’ve gotten a fair amount of decent works so far. I just went and bought the print versions of the second and third contest winners from Booth.pm. ^_^

ANN’s Kim Morrissy has this great article: TMS Entertainment’s 1st Female Producer Explains How the Anime Industry Can Improve For Women. Well worth reading.  ^_^

 

Thanks to our Okazu Patrons who make the YNN weekly report possible! Support us on Patreon to help us give Guest Reviewers a raise and to help us support Yuri creators!

Become a YNN Correspondent: Contact Us with any Yuri-related news you want to share and be part of the Yuri Network. ^_^



Anata no Yoru ga Aketera (あなたの夜が明けたら)

October 15th, 2021

Anata no Yoru ga  Aketera (あなたの夜が明けたら), translated on the cover as After Sunrise, Haru Harukawa Collection is a collection of shorts by, obviously Harukawa Haru. Some of these shorts have appeared in other collections, such as the Shakaijin Yuri anthology brought out in English here by Yen Press as Whenever Our Eyes Meet.

These stories are varied in tone, adult couples to a surprisingly poignant maid/mistress story, office stories and, inevitably a few high schoolers. A couple of the stories have some problematic age gaps, but whether you find that unpleasant or not is yours to decide. The stories themselves are not generally creepy. Sex is implied, or alluded to with tasteful nudes, rather than graphically depicted. But, like many of the kinds of stories I prefer, the emphasis is on emotional closeness, rather than physical relationship. And that is where I found the most problematic, content.

The first story is a classic modern fairytale. A woman who lost her husband hires a sex worker to sleep with. Not have sex…actually sleep. She cannot sleep alone. Now that she finds she can sleep this way, she has the sex worker fired from her agency, so she can…what? adopt her? own her? hire her?… full time. And because the client is so wealthy, she expects the sex worker to not work. What will she do with her days? she asks.  Whatever she wants, is the reply. My head is full of alarms and sirens throughout.  It’s fairy tale world, a sex worker and client fall in love live happily ever after. But…whatever she wants? Maybe she wants to be a sex worker, Ritsu. Did you never consider this?

A few of the stories had this “cool story, bro” quality, where if I told you the idea it would be fine, but when you dig down a bit, it is not so fine. Which made me like this book more than if it had just been one bland happy ending after another.

Ratings:

Art – variable, but mostly 8. You can tell the early stories.
Stories – 7
Characters – 7
Service – surprisingly little to none
Yuri – 8

Overall – 8

Like an acquired taste, the stories had a complicated enough flavor to leave me with something to think about.



Tensei Oujo to Tensai Reijou no Mahou Kakumei (転生王女と天才令嬢の魔法革命)

October 14th, 2021

Here’s a phrase I’m using more and more these days: “Ahead of the English language edition.” Yesterday, Mariko gave her impression of a book that will be heading our way from Seven Seas and today, I’m looking at the manga for a Light Novel that has recently been licensed by Yen Press as The Magical Revolution of the Reincarnated Princess and the Genius Young Lady with a projected March 2022 release date.

Volume 1 of Tensei Oujo to Tensai Reijou no Mahou Kakumei (転生王女と天才令嬢の魔法革命) is the manga for a light novel of the same name. (The FTC has reminded Amazon to remind me to remind you that links to booksellers here are affiliate links and I therefore make a pittance when you click them and purchase items. I will have to figure out a simple way to do this that doesn’t drive us all crazy.)

Princess Annisphia has a lot of unique ideas about magic, most of which don’t fit with the common learnings about magic in Parettia. There’s a reason for that. Annisphia isn’t from Parettia – she’s been reborn into this world from ours and she’s dedicated to creating magic that heats her bath and tea and gives her a flying broom.

Euphilia is a high-ranking noble girl whose life has been thrown into chaos, as her betrothal has been canceled and her reputation destroyed. When Annisphia literally crash lands on the scene of Euphilia‘s shaming, the princess loses no time – she bodily throws Euphilia over her shoulder and takes her home, where she asks the King if she can keep her. Annisphia needs Euphilia – a genius at magic – to help her create better magical tools.

Volume  1 is a rough start to this story, to be very honest. The first chapter is mostly Euphilia’s former fiancee’ screeching at her, endlessly. Annisphia showing up is literally the only reason I kept reading. Traumatized, Euphilia is unable to help her own case throughout the volume, getting few coherent words in. I was in serious doubt about this “genius” until the final pages of the book. Had I been the editor, the story would have begun the morning after the crisis, with flashbacks to everything, then moved on from there.Instead we are treated to page after page of Euphilia being reviled publicly for…I’m still not sure, but I got tired of the screaming and skipped.

When Annisphia has brought Euphilia to the castle, the princess is at pains to reassure the genius noble that she is wanted and welcome. But then the book takes some time to leer salaciously at Euphilia as she dresses and it just feels absolutely disgusting of us, honestly. Poor Euphilia has had a horrible few days and we are literally centimeters away from her crotch in the most absolutely creepiest possible gaze. By this point, I had already decided to stop reading the story…more than once. For some reason, I persevered. And the book did get better.

Annisphia takes Euphilia into her workshop. We get a primer on magic and how Annisphia is not (for reasons we understand) tied to the elements. But she can and does create magic stones, which stand in for her ability. Euphilia, however, is genuinely a magical genius (ahah!), with the ability to use all the elements. Annisphia wants to create magical tools for and with Euphilia. And so she does.

Euphilia wakes the next morning depressed and lonely in the King’s castle, sure she’ll be abandoned again. Annisphia finds her and in a moment dispels her fears….the Princess has made her a magical sword which can change, depending on which attribute she wants to use! Annisphia and Euphlia are clearly going to make a powerful team.

Ratings:

Art – 6 Good enough, but the service was foul
Story – 6 There are hazards on these roads
Characters – 8 Annisphia carries the lot of them in this volume
Service – 7 Yes, but why?!? Ugggh.
Yuri – 0 Not so far, but clearly we are going to head there

Overall – It was hard to like intitially, but the end pulled it up to a 6.

Can Euphilia clear her name with Annisphia’s help? Will that matter when the Princess is clearly on the side of the Genius? Will I get volume 2 or just read chapters over at Comic Walker? I guess we’ll have to wait and see.



Gunbured X Sisters, Volume 1 (ガンバレッドxシスターズ), Guest Review by Mariko S.

October 13th, 2021
Welcome to Guest Review Wednesday on Okazu! This week we welcome back Mariko S whose reviews are always a delight to read. Ahead of the Seven Seas edition of this seies, Mariko is taking a look at Gunbured X Sisters, Volume 1, (ガンバレッドxシスターズ) and I for one can’t wait to see what she says about it. Welcome back, Mariko and take it away!
 
I am not an aficionado of vampire tales. I’m not a fan of nunsploitation movies. I don’t care for stories of spectacular violence or body horror. But when I ran across Mitogawa Wataru’s demented yuri-nun-vampire-girlswithguns-horror-erotica mashup manga… somehow, I knew it was for me. There is nothing subtle about this manga: It is proudly exploitative and violent. There is ugly lesbian sex and plenty of blood. But if just the idea of the sentence “sexy lesbian nuns hunt vampires with ridiculous weapons” makes you smile, you will love this book too.
 
Dorothy (Dolores to everyone but Maria, for reasons) is the daughter of the head of the Church, and a prominent nun in the monster extermination division of the abbey. She is slated to be the next leader of the Church and is treated with awe and deference by all that she meets. To public appearance, she is the picture of the Church’s ideal, trained in every aspect of running the Church and combating monsters. But privately she is a deeply, deeply damaged young woman. Her mother seems to have died when she was very young. In childhood, she witnessed the nursemaid that raised her be torn to pieces by vampires. She has become obsessed with the idea that vampire/human hybrids called “dhampirs” exist, and that finding one is the key to her quest to exterminate all vampires and effect her revenge.
 
Maria is the dhampir that Dorothy has been searching for all these years. Hated by humans and vampires alike, she and her sister Noelle were orphans. One fateful day a few years earlier, Maria helplessly watched as her sister was kidnapped by a vampire, and has spent all of her time since then hunting vampires from the shadows in hopes of finding her.
 
Of course, fate and circumstances conspire to bring the two together. Maria, chased by a horde of vampires she cannot defeat, crashes into Dorothy’s chapel, and is gravely injured. Once Dorothy realizes what she is, Maria gets a quick education in dhampirology. To this point, Maria has nourished her vampire side with blood bags, but a drink straight from the source triggers a powerful transformation into a bondage-geared beast. In that state she is capable of wielding the huge cross-shaped transforming gun that Dorothy totes around, which is specifically designed for dhampir use. Afterward they reach a detente – Maria will subjugate herself to Dorothy and work with her as a Red Sister, in order to further her mission to find and rescue Noelle. In return, Dorothy will be able to use Maria’s power in her quest to annihilate the vampire scourge.
 
Introductions aside, the rest of volume one is devoted to peeling the onion on the workings of the world and its societies, both vampire and human, as well as deepening our understanding of our heroines. Maria is crass and boorish, and absolutely uninterested in conforming to the expectations of a sister or of obeying Dorothy. But Dorothy in turn has a sadistic streak, and delights in manipulating Maria into doing her bidding. That completely unsubtle sub/dom dynamic is a major part of their relationship, especially at first. They undergo some missions that provide both spectacular stages for violent action, as well as further the mystery of just what the vampire legions are up to. We are also eventually introduced to Shanon, the princely woman who leads the Knights of the Cross, the male equivalent of the Red Sisters in the Church. She has been in love with Dorothy since childhood, and is her self-appointed protector.
 
Let’s talk about service. In case everything I’ve already written hasn’t made it abundantly clear, this series is a confection of pure uncut service from every direction. There are shower scenes and bedtime seductions and bondage and clothing destruction. There is every manner of salacious angle chosen to show off legs and breasts and butts. Maria wears a “combat habit” that is basically a miniskirt and corset, and after her magical girl transformation to dhampir mode wears even less. There are buckets of blood and violent deaths and huge explosions. What I appreciate most is that Dorothy and Maria are never cringing victims who are abused by the story for the reader’s pleasure (only to win in the end to make all the torture “ok”). No, they have power and agency at all times. They are not cute. At all. They are foul-mouthed crazy assholes, and I love them both for it. Also worth noting is Dorothy’s character design – if you like full-figured women but are tired of the anime aesthetic of a twiggy girl with two beach balls strapped to her chest, then Dorothy’s zäftig frame may be right up your alley. She has big hips and big breasts and they look and move like they should – A+, Mitogawa-sensei.
 
Yuri is a slow burn in this series. Dorothy is clearly obsessed with the idea of “owning” Maria the dhampir. There is a lot of playing around with vampire lore and tropes to suggest a conflation of Maria’s bloodlust with sexual desire for Dorothy. But they are both so screwed up and self-absorbed at this point, that most of the Yuri is veiled through their power dynamics. The late introduction of Shanon introduces another Yuri trope to the story, and there will be more, much more, in subsequent volumes.
 

Ratings:

Art – 10     Totally subjective, but the detailed-yet-sketchy renderings of gothic churches and dark alleys and horrible monsters and sexy nuns is, to my mind, perfect for this story.
Story – 7     Points for innovation, points off for cohesion (there’s a lot of hand-waving for anything that doesn’t get us to the next scene of mayhem). Also, having grown up Catholic, the concept of the Church operating in this way is absolutely hilarious.
Characters – 9     Did I mention “shit-talking lesbian nuns-with-guns?”
Yuri – 5    Not so much yet, outside of some variably tasteless exploitation scenes between Dorothy and Maria.
Service – Yes.

Overall – 8

 
Note: the title is a bit of a Japanese play on words, combining the words “Ganbare!” (Do your best!) and “Red Sisters” (the name of the combat division of the Church’s nunnery). The author’s romanization (which differs from the katakana), “Gunbured”, also suggests a reference to a “gunblade,” presumably the cross-weapon that Maria wields as a dhampir.
 
Attempt at obligatory limerick:
 
In a modernist medieval town
Hot nuns fill bloodsuckers with rounds
With a Church ineffective
And each her own objective
Dorothy and Maria get down
 

Erica here: Outstanding! Extra credit for an obligatory limerick. ^_^

As a quick reminder, Seven Seas English-language edition of this series is slated for March 2022 release. It sounds like utter trash…I look forward to it. ^_^ Thank you again, Mariko for this review and we look forward to hearing about future volumes from you.