Yuri Manga: Hana ni Arashi, Volume 3 (はなにあらし)

January 15th, 2020

Chidori and Nanoha have a secret, we are told in Volume 1 and Volume 2. They are lovers, we are told. And we will have to believe what we are told, because what we are shown is two young woman in a romantic relationship that, for completely sensible reasons, they prefer to keep secret from their friends. They aren’t doing a particularly great job of hiding it, but the relative self-absorption of people means they are hiding in plain sight. The only one who has cottoned on to their relationship is Nanoha’s younger sister. She, admittedly, has had the benefit of seeing them during their off-school hours when they, for one moment, let their guard slip and were holding hands, while on a date.

In love, probably. Lovers? No. Not yet. They are still in very early stages of their romance. Holding hands is where we are at.

In Volume 3 of Hana ni Arashi (はなにあらし), we accompany them as they celebrate Chidori’s birthday, and the gang goes over Nanoha’s house for a summer sleepover.

Unusually, this volume does not just end on a generic feel good moment, but with Chidori spotting someone we don’t know, but she clearly does, talking about her “kouhai” on the phone. What this will mean to us will wait until the next volume to find out.

Ratings:

Art – 6
Story – 6
Characters – 6
Yuri – 3
Service – 2 There was some gratuitous Chidori decolletage for us, the readers, not for Nanoha, which was depressing.

Overall – 6

I guess I am reading this series now. ^_^



Haru to Midori Manga, Volume 2 (春とみどり)

January 13th, 2020

In Haru to Midori, Volume 2 (春とみどり) having committed to being a foster parent for her late childhood friend’s daughter, Midori struggles daily to separate her feelings for Tsugumi from the child who looks so much like her. Haru is trying to create a life with this woman who clearly loved her mother, but who seems to have little life of her own.

Tsugumi’s belongings arrive at Midori’s place, and her child’s first thought is to throw it all away, starting fresh. Midori, though, goes through it, knowing the value of items that have no value but are irreplaceable. Haru watches Midori interact with her own mother, able to see the bonds between them, and reflecting on her own bonds, now permanently severed.

In turn Haru and Midori become ill. Haru finds herself comforted by this woman who is not her mother, but finds it in herself to care for her. When it is Haru’s turn, shes not surprised, but still befuddled to be mistaken for her mother, by a feverish Midori.

The gyre turns and turns, spinning Haru and Midori in a circle around their memories of Tsugumi, but every spin, brings some small change in them. Haru’s new life begins to take form and almost amazingly, so does Midori’s. Midori who now wears new clothes to work, and is teased by Haru and her mother and has, at last, started to realize how little she has moved forward since Tsugumi left.

This series is neither melancholic nor nostalgic, although we spend a lot of time looking backward. If it were literary, I’d read it as if it was a memoir told by an adult Haru about this moment in her life. “That time my mother’s friend (who was in love with her) took me in after her death.” It’s a sad series, because death is sad, but there’s bits of humor and comfort that keep it from becoming maudlin.

This is only Yuri in retrospective, as they individually unpack Midori’s feelings for Tsugumi. I hope that they can be allowed to come to care for one another without it becoming romantic, as that would reek of lazy writing.

I have no idea what will become of Haru and Midori, but wherever they end up, I think this has been good for both of them. I can easily imagine that they will come to rely on their relationship through Tsugumi less and on each other more.

Ratings:

Art – 8
Story – 8
Characters – 9 A lot of time is spent in interior monologue
Yuri – 3 Only in retrospective, as they individually unpack Midori’s feelings for Tsugumi and
Service – 0

Overall – 8

Still awkward, yet sincerely and appealingly so, much like Midori herself. Still ongoing online at Comic Meteor, I’m looking forward to a third volume.



Novel: The Traitor Baru Cormorant

January 12th, 2020

Baru Cormorant is a savant. Even as a child, she had a brilliant understanding of systems and numbers. The Imperial forces of the Masquerade comes to her island with their Incrastic laws, their insistence that Islander way of life and relationships are unhygienic, demanding adherence to their laws in return for dentists and inoculations from the diseases they brought, Baru is taken to the Imperial school, trained to better her mind, and ignore her unhygienic physical desires.

In The Traitor Baru Cormorant, Baru Cormorant is shaped into a tool of the Emperor by a man, known as Itinerant, who knows exactly what he has in this young woman. What he does not know is that Baru is playing the double-agent. Even as she is sent to far-off Arduwynn as the Imperial accountant, Baru’s long game remains the same – the complete destruction of the Empire.

Baru is herself absolutely, fascinatingly loathesome. At her truest and most heartfelt, she is a young woman falling in love against the general laws of her government and the specific situation in which she finds herself. Alone, because she insists on being alone, honest, because she refuses to fear the truth, Baru is a genius who betrays everything and everyone she knows. There’s a lot to love about the character and a very little to like. And yet, she is sympathetic.

This is a book explicitly about the short- and long-term effects of colonization, of imperialist classicism and, most importantly of how economies look to economists. Baru is an accountant and thinks in the movement of money and we are forced to think that way as well. This is a story of strategy and tactics, one of the very, very few stories in this post Game of Thrones age that actually understands history as a “game” of influence and power. Seth Dickinson does a remarkable job of staying out of the way of his characters, something that is hard to do these days, when readers are groomed to expect every series even remotely like this to end up as a HBO series.

Most importantly, 3/4s of the way through the next book, I have no idea what might happen. That is a high compliment from me.

Ratings:

Characters – 9
Service – 2 Sex and sexuality are bluntly described. But attraction is attraction, love is love, nonetheless.
Violence – 10 There is a lot of violence. Of a lot of kinds, from war to torture to general bloodyminded bullshit
Lesbian – 9 Yes. And No. Then Yes.

Overall – 9

It’s not a 10 because the series has to end perfectly for it to be a 10 and it might not do so. But this could be revised. As an individual book it was damned close.

Thanks to those friends who recommended it to me. You understand me well.

It’s been an unbelievably good era for queer science fiction and fantasy and Tor Books has been absolutely killing it with their offerings.



Yuri Network News – (百合ネットワークニュース) – January 11, 2020

January 11th, 2020

We’ve got a big pile of news to start off the year!

Yuri Anime

Via YuriNavi, the promotional video for Adachi to Shimamura is up on Youtube, astronaut and all.

Crunchyroll has Yuri anime Asteroid in Love. It looks to be a cute little club + childhood promise Yuri story.

Funimation has stared streaming If My Favorite Pop Idol Made It to the Budokan, I Would Die for subscribers.

A number of YNN correspondents wrote in to note ANN’s Crystalyn Hodgkins has the details on Mamoru Oshii’s new vampire girl-meets-girl comedy anime, Vladlove.

 

The Yuri Network News report is made possible by Okazu Patrons. Your support funds reviews, interviews, news and helps pay writers. As little as $5/month can make a huge difference!

Yuri Manga

We have a couple of new items on the Yuricon Store!

Kanojo no Idea, Volume 1 (彼女のイデア) about a high school student and a classmate who is an actress.

The second volume of Chayama to Mizuno (水野と茶山) by After Hours creator Nishio Yuhta, completes the set of this Romeo and Juliet style story.

Via Melon on Twitter,  Tanizaki Junichiro’s Manji, a “forbidden love” story, between two women, one of them married, has been turned into a manga by Motomachi Natsuo. Check out the digital edition on Global Bookwalker.

 

Yuri Events

2020 is already shaping up to be a lot of fun. My first speaking event of the year is with the Japanese Translators of NYC at Baruch College on January 21 at 6:45:  “Beyond Politeness: Challenges in Translation”  is free, but you must reserve a spot by January 17th.

February will see the first of two Girls Love Fest events in Japan. Once again in the Tokyo Metropolitan Industrial Center Asakusa, GLFes 29 will be held on Sunday, February 2, 2020.

I’ll be participating in Mechademia 2020, “Ecologies,” May 30-June 2 in Kyoto, Japan. I’m kind of freaking out. ^_^

 

Bloom Into You News

Via Nakatani Nio’s Twitter account, the Bloom Into You Artbook, Yagate Kimi ni Naru Astrolabe (やがて君になる画集 アストロラーベ ) is slated for a February release in Japan.

Via Senior YNN Correspondent Sean G, Dengeki Bunko lists the third Bloom Into You Regading Saeki Sayaka light novel is slated for a late March release in Japan. The first book is available in English, and the second book will be out for June 2020, and(!) Volume 3 has a scheduled September release for the English edition.

How can that be? Well, Japanese companies are less interested in pre-orders than American companies. Their industry is very much “just-in-time” inventory oriented, a process helped along by excellent countrywide logistics. Even now that online buying is more common, quite often, pre-order links don’t appear on Japanese online retail sites until days before a book will be released in stores. Because American manga releases run a a comic-release model, pre-orders are critical to ordering and stock, so pre-order links appear as soon as the items they are “solicited” for entry, months ahead of time.  ^_^ This is why US companies beg you to pre-order books from bookstores. Those are the only numbers that count.

Check out this fantastic Bloom Into You, Touko and Nanami Figurine. It says it’s 1/8 scale but I went on a tear about that scale on Twitter and determined that it’s actually more properly 1/9 scale. ^_^

 

Other News

The Fragtime OVA production committee is putting together a book of production materials in order to raise money for the staff members who worked on the anime, but have not been paid for their work in the aftermath of Studio Tear’s bankruptcy filing. Kim Morrissy has the story over on ANN.

Yuni, creator of Nikurashii Hodo, Aishiteru, (which has been licensed by Yen Press as I Love You So Much, I Hate You,) shares this collection of adult women in love, with us on Pixiv.

 

LGBTQ News

Via Autostraddle we can all get excited for a new season of Gentleman Jack and via Pink News, we have a brilliant article about the women working to decode the 20 volumes of Anne Lister’s diaries.

From their twitter feed, we have a lovely little comic from mieri hiranashi that she translated into English for her audience, The Moment I Realized I Wasn’t Straight.

Rica Takashima let us know that her artwork will be on display at the Fukuoka Asian Art Museum Dec 2-March 17 as part of the LGBT and Social Diversity Exhibit.

Niki Smith’s new queer kidlit book The Deep & Dark Blue is available in print, paperback and digital!

Ross Johnson over at Barnes & Noble takes a look at 11 Works of Trans-Positive Science Fiction & Fantasy.
 

Become a YNN Correspondent by reporting any Yuri-related news with your name and an email I can reply to – thanks to all of you – you make this a great Yuri Network! Special thanks to Okazu Patrons for being an essential part of the team!



Yuri Manga: Yuri to Koe to Kaze Matoi, Volume 1 (百合と声と風纏い)

January 10th, 2020

In Yuri to Koe to Kaze Matoi, Volume 1 (百合と声と風纏い) Matoi is a young woman who doesn’t really get love. She can see her sister and her friends on about romance and attraction all the time, but it just doesn’t touch her, until… One day, while running late, a thunderstorm makes walking home seem very unappealing. She can’t reach her mother by phone, so she resolves to wait it out. A woman, older than Matoi, but not by much, enters, sees Matoi waiting and offers her a ride home on her motorcycle. Matoi takes the offer. When she gets home, she finds she’s kept the other woman’s extra helmet. 

Matoi learns that the other woman is Yuriko, who runs the gas station in town. She lived with her grandmother until the old lady died, and her parents are out of town. Matoi finds herself intrigued by Yuriko. They start spending time together, share their lives;  they take rides on Yuriko’s bike, Matoi shares the music she composes with Yuriko. Yuriko has reasons to avoid intimacy, but she’s finding herself wondering what she thinks about the young woman who watches her with such interest.  Matoi wonders if she’s falling in love and what that means when shes leaving for Tokyo in a few months to go to college.

This series is the first I’ve seen from the Lilie Comics imprint, from a publisher Dogenzakashobo. A quick visit to their site tells me they also do BL titles and have other Yuri titles by Hakamada Mera and Kabocha, so I’ll be back to take a look later, for sure. ^_^ I know I picked this volume up when I was in Tokyo at one of the Yuribu, although I can’t remember which one. I know I did, because it came with a illustration paper as they often do in the stores.

This story was quiet, and complex, happening primary through Matoi and Yuriko’s respective inner dialogues. Of course I want to know what happens, but I expect no high drama, nor a particularly happy ending. I won’t complain if I’m wrong about the latter. ^_^ What I like best in this story is that characters feel fully developed. They aren’t constrained by oddly conservative values, they have agency and society.

RenMei’s art is competent enough, if not nuanced. We are expected to understand the meaning of things like glances, without them being all that clear. But that is a mere quibble and overall the art is decent.

Ratings:

Art – 7
Story – 7
Characters – 8
Service – 3 A shower scene (for plot reasons, could also have been done differently)
Yuri – 3

Overall – A strong 7

 

Whether Matoi and Yuriko ever develop a relationship beyond this friendship/infatuation thing that they have now remains to be seen and I remain here to see it. ^_^