by Frank Hecker, Okazu Staff Writer
The live-action adaptation of Sal Jiang’s manga Ayaka Is in Love with Hiroko! ended with Hiroko agreeing to accept Ayaka as her girlfriend. Although the live-action series covered all three volumes of the manga, its producers decided to create a sequel going beyond the original story. Thus we have Ayaka Is in Love with Hiroko, 2nd Stage, now streaming on GagaOOLala (along with season 1).
Any sequel faces the problem of matching the appeal of the original while creating a new story that doesn’t retread old ground. Ayaka Is in Love with Hiroko, 2nd Stage attempts this by moving almost completely away from the office setting of season 1 and focusing on Ayaka’s relationship with Hiroko and (to a lesser degree) Hiroko’s relationship with her family.
As 2nd Stage begins, Ayaka has been living with Hiroko for half a year. Hiroko caters to Ayaka’s every need, including making her breakfast and cleaning up after her, but (as Ayaka’s friend Risa implies) Hiroko treats her more like a pet than a lover. Ayaka wants them to be a “real couple” (i.e., to have sex), Hiroko is reluctant to do so, and Ayaka doesn’t understand why. And, quite frankly, neither do we: Hiroko offers excuses to Ayaka (she needs more time to sort out her feelings) and to herself (she’s worried about her “selfish desires”), but this part of the plot requires a major suspension of disbelief, especially now that Hiroko knows that Ayaka’s feelings toward her are genuine.
As in season 1, Hiroko’s ongoing misunderstandings and miscommunications provide the springboard for multiple comedic moments. But comedy isn’t as funny when someone’s getting hurt, and it becomes clear through the course of the series that Ayaka is more and more distressed and confused about Hiroko’s behavior. It’s almost a relief when the show turns to the secondary plot concerning Hiroko and her family (she’s still not out to them) and to the goings-on at Bar Kiyoko (where Risa’s new girlfriend Kyoko informs everyone that Risa has gone from a “clueless puppy” in bed to “a wolf who’ll bare her fangs”). But these digressions can’t compensate for the fact that the show drags on for too long. The plot threads finally resolve in episode 6, thanks to Ayaka’s actions and the innocent intervention of Hiroko’s young niece, a sweet ending that I can’t help thinking could have come one or even two episodes earlier.
As Hiroko, Kanna Mori once again excels at wide-eyed reactions, mixed in with more subtle acting in the final episodes. But the real star of 2nd Stage is Shiho Katō, whose performance as Ayaka is the beating emotional heart of this sequel: We feel her pain, echo her confusion, and cheer her on as she forthrightly declares her love for Hiroko to Hiroko’s sister and mother: “This is how I truly feel. There’s not a single bit of pretense.” Riria Kojima joins the cast as Hiroko’s sister Keiko, who offers some cringey (meta)commentary in response to Ayaka’s outing herself (“I’ve been really into Thai dramas, so I know a bit about this kind of thing”), while former otokoyaku Hiroki Nanami brings sultry sex appeal (along with advice for Ayaka) to Bar Kiyoko as lady-killer Jun.
Ratings:
Story — 5
Characters — 8 (+1 for Ayaka, -1 for Hiroko)
Production — 7 (the subtitles are occasionally clunky)
Service — 4
LGBTQ — 10
Overall — 7
Ayaka Is in Love with Hiroko, 2nd Stage provides a satisfying ending to the story of Ayaka and Hiroko, but it takes its sweet time getting there. Fans of season 1 should expect less comedy, more angst, and increased frustration at Hiroko’s cluelessness and self-delusion.
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