This summer saw the largest manga exhibition at a museum outside Japan, as the British Museum for their Manga マンガ exhibit, to critical acclaim. A little belatedly, because I was away, we have a review of that exhibit by YNN correspondent Eleanor W. I was seriously sorry that I couldn’t manage a trip to London this summer to see this, so I’m settling in to walk through the exhibit with a friend. ^_^ The floor is yours, Eleanor…take it away!
When I heard about the British Museum’s manga exhibition running this summer, I decided that a trip to our capital was necessary. Since London is 4 ½ hours from me on the train, I made a weekend of it, took my best friend (also a manga fan) and we had a great time. As long time manga fans, we were both curious as to what the exhibition would hold for us, as opposed to people who know nothing about manga or comics.
The museum’s own website invites you to “Enter a graphic world where art and storytelling collide in the largest exhibition of manga ever to take place outside of Japan.”
It’s always nice to see Miyuki
The exhibition began with a quick introduction to manga, including some sample draft pages, some examples of artist’s tools donated by Takehiko Inoue and some videos from editors at the major publishers Kodansha, Shueisha and Shogakukan, wishing the exhibition success.
Once in the main hall of the exhibition there was a lot to see. There was clearly a lot of time and effort taken to cover every aspect of manga and its history and diversity. From focuses on a few specific artists, to a model bookshop where you could take Japanese and English volumes off the shelf to read, as well as information on seminal series like Dragon Ball and One Piece and even a small explanation of doujinshi and Comiket.
There was of course a lot of space devoted to telling the history of manga and how it evolved over the 20th century into what it is today. From ukiyo-e woodblock cuts to early newspaper strips, it was definitely a good beginner friendly introduction to where manga came from beyond Osamu Tezuka.
An example of early Japanese cartoons published in a newspaper, in the style of Western newspaper strips.
I particularly liked this board game
I was happy that there was mention of the Year 24 Group and how they developed shoujo manga and BL, with a particular focus on Moto Hagio.
Leading on from the Year 24 Group, there was another section on Boys Love, though disappointingly Yuri didn’t get a mention. I almost forgive them though, as they included Fumi Yoshinaga and What Did You Eat Yesterday as an example of a different more modern type of BL along with a few pages of My Brother’s Husband, which if you haven’t read already, you absolutely need to.
The curators definitely tried to pick diverse examples of series to show, evidenced by Chihayafuru being right around the corner from a display on Junji Ito and his horror works, a large print of JoJo on one of the walls and a Colossal Titan head model looming in the opposite corner.
Another part I particularly enjoyed was the section about sound effects. Fumiyo Kono (Town of Evening Calm, Country of Cherry Blossoms and In This Corner of the World) has produced a manga guide to the common Japanese sound effects often seen in manga, and uses an adorable rabbit character to explain how they are used and often form part of the art.
Overall, this exhibition was a good balance between not intimidating newcomers to the world of manga, but still providing enough for veteran fans to enjoy. I’m glad I made the trip.
For further reading, take a look at the British Museum’s blog on the exhbit:
https://blog.britishmuseum.org/manga-a-brief-history-in-12-works/
https://blog.britishmuseum.org/an-introduction-to-manga/
and ANN’s report of Viz Editor Urian Brown’s walkthrough video of the exhibit.
Erica here: Thank you Eleanor! I appreciate your overview and I’m very glad that you were able to see the exhibit.
Yuri Manga
