Sailor Moon Super Live Event Report

March 31st, 2019

Sailor Moon fandom is, without question, the most charming, delightful and adorable group of people on the planet. I mean that so sincerely. A more joyful, happier group of people I cannot even imagine.

Yesterday, it was my sincere pleasure to gather together with 2000 of the cutest people in the world, decked out in glorious finery as their favorite Senshi, or in Sailor Moon-inspired clothing, with ribbons and bows and handbags and t-shirts and back packs, all proclaiming their love of this lovable series to see Sailor Moon Super Live.

The performance is not quite a musical and not quite a play. It is more properly a pantomime of the key elements of the first Sailor Moon Arc, accompanied by singing, dancing and a host of really fun stage effects. The opening was worth every penny as the effects allowed integration of manga panels, and animated fore and backgrounds. We are able to enjoy rather sophisticated quick-takes on scenes like Mamoru and Usagi meeting, the gathering of the Senshi and the various battles.  The fight scenes, which combined effects, were especially fantastic when, for instance, black light effects turned Usagi’s classmates into monsters and stage elements, lighting and CGI effects combined for attacks and scenery. All of which made for a fun and dramatic stage. There were subtitles being shown but at one point, they had become rather silly, so when Kunzite was laughing evilly – about all he had for lines – I joked that I was surprised it wasn’t subtitled. ^_^ “Bwahahahah. Hahaha. Haha…” Random spoken lines are also displayed in the background as manga panels. Having seen this, I now understand why it’s called a “2.5D Musical” and I think it works.

The songs sung during the show are all original and, IMHO, mostly forgettable, except the song sung by the Senshi to encourage Sailor Moon, which was spot-on for their temperament and relationship to Usagi, and which was reprised during the concert portion of the show. The concert also included “La Soldier” and an extended version of “Moonlight Densetsu” to which we all sang along.

We had paid for the VIP seating, so when the show was over, we got high fives and hand shakes from the cast and a Super Live fan, along with the concert light stick and t-shirt we had bought before the show. The concert light stick could change colors and I giggled every time we all dutifully changed the color to match whomever was singing. We’re such nerds. ^_^

We spoke with folks about the amazing variety of goods and clothes and designs we saw. A lot of the stuff was fan-created, but without difficulty, we saw official Sailor Moon goods from Her Universe and Torrid/Hot Topics (I was wearing my old Inner Senshi HT shirt from the first time they carried Sailor Moon goods back in the 2000s, and people were recognizing it, which means we’ve all been doing this a long effing time. ^_^). And of course folks trotted out their Japanese brand goods – my wife carried her Sailor Moon x Gu collaboration purse, filled with Sailor Moon hand towel and gashopon Sailor Moon locket purses from Japan. Everyone was decked out in their Sailor Moon finest. 

Before and after the show, there was a flurry of photo activity. I took a few pictures of folks who were dressed up. One set of Haruka and Michiru were magnificently cosplaying as this cosplay magazine photoshoot. They looked so good we recognized them cosplaying as this cosplay. How amazing is that?

 

This group we encountered on the street outside the theater. I asked them if I could use this picture.

For some pictures of the cast and from the performance, check out this article on Theatermania. Unexpectedly, Forbes(!) also has an article on the show and short trailer, as well.

The only, only down side was that the music was so loud, it fuzzed out sometimes. This worked okay for the bad guys’ distortion music, but less so when it was meant to be melodic. I’d totally see this again, but bring earplugs to cut back on the noise. 

Ironically, the night before we had gone to see a bit of contemporary dance, Elizabeth, the dance, by Ann Carlson, which was also a kind of pantomime of female dance choreographers’ work, so as we sat through Sailor Moon Super Live, it felt kind of like it was the same – homage to a pop culture phenomenon as the dance troupe paid homage to high culture phenomenon.

Sailor Moon Super Live was a heck of a collage to celebrate of 25 years of a pop culture phenomenon.

 



No YNN Report Today

March 30th, 2019

No YNN report this week as I am at the theater, enjoying a wide variety of entertainment, from contemporary dance last night to Pretty Guardian Sailor Moon The Super Live today. Never let it be said that my interests are not varied. 

 

 

If you’re going to be there, let me know and let’s at least try and say hi. I’m in last row of the “high-five” seats, so if you come up to me to say hello, I promise I’ll give you a high five. (Warning: I am the worst high-fiver giver in the universe. Not kidding. I suck so bad at it, it’s embarrassing. ^_^;)

Event report to come!



My Solo Exchange Diary 2 Manga (English)

March 29th, 2019

Kabi Nagata’s My Solo Exchange Diary 2 begins with an apology. At the end of the last book, she explains, we may have been rooting for her as she met someone she felt she could begin to imagine having some kind of feelings for. But that person does not come into this book.

Instead, this book is about the revolving door of her life, as she develops an addiction, and does stints in the hospital as she valiantly lives with what is obviously ever-more crushing depression, She’s careful at the end to explain that this manga is just one piece of her life – but that it is, in a very real way, her life. Boundaries are hard for a lot of people and people who are ill or disabled, often have an extra difficult time defining and/or defending boundaries. That she’s set some for us, the reader, at the end is the most positive sign, in my opinion. The conversation with her editor about it is terrific.

Even more importantly, this volume includes an original, non-essay work, “Chika-chan’s Depression” which was surprisingly hopeful.

Nothing about this volume is easy. Nothing about being Nagata-sensei is easy, right now, I think. But this comic essay is an important piece of Graphic Medicine. And regardless of the content, we know this is a story about a queer woman dealing with a severe chronic illness for which treatments are inconsistent at best. Again, it is my opinion that makes this worth reading, as “LGBTQ individuals are almost 3 times more likely than others to experience a mental health condition such as major depression or generalized anxiety disorder” according to National Association on Mental Illness (and if you are suffering from either, please visit the NAMI site or call their helpline!)

No ratings will be assessed for this book, as I do not feel I can adequately judge the content of a person’s life. I hope that her other readers and reviewers will consider that this is her life when doing a review. 



Yuri Manga: Anata no Soba ni Iru to Watashi ha Shakaiin Yuri Anthology (あなたの側にいると私は 社会人百合アンソロジー)

March 28th, 2019

Yuri Anthologies are all the rage. This is not hyperbole. In recent days, both Ichijinsha and Kadokawa have announced multiple thematic Yuri anthologies. So many that I’m scrambling to get them all on the Yuricon Store!

Today I’m looking at one of the “working life” anthologies from Kadokawa, Anata no Soba ni Iru to Watashi ha Shakaiin Yuri Anthology (あなたの側にいると私は 社会人百合アンソロジー).

This is a pretty chunky 270+ pages of a variable variety of stories about adult women. Of all of them, my favorite was the second in the book, irua’s “Best Dishes” which I award top marks for both style and content. It is a simple story, told in the margins of itself about a chef and a food critic. It’s the best kind of story for an anthology – nicely drawn, intense feelings in a short one-shot.

There are names we’re familiar with here on Okazu; Seta Seta, Hisakawa Haru, Mikan Uji, Kururkuruhime and a host we don’t yet know. I quite like this collection, but for one complaint. I really do not care for the cover image. It’s just…not very good. I so rarely complain about art, but really, this is just subpar for a Kadokawa book.

Ratings:

Overall – 7

I’m sure you’ve thought (or perhaps said outloud) that you wished some of these anthologies would be localized for an English language audience. Well, you’re in luck. Yen Press is putting out a different adult life Yuri anthology in June, Whenever Our Eyes Meet…A Woman’s Love Anthology which is an English language edition of Anoko to Me ga Autabi Watashi ha Shakaiin Yuri Anthology (あの娘と目が合うたび私は 社会人百合アンソロジー) which I reviewed last spring. So give that one a try!



Yuri Manga: Galette, No. 9 (ガレット)

March 27th, 2019

Galette, No. 9 (ガレット) is just such a genuinely lovely book, that it took me a long time to read it because I kept paging through it admiring the actual thing itself. Every issue the cover illustration by pen just enchants me.

There a quite a few color pages; inside cover, photos and illustrations, including two absolutely charming pieces, of a lovely white lily themed piano duet 2-page spread by  Murasaki Noa (I’m probably wrong on the family name and welcome correction on  that) and Kabocha’s joyful fireworks illustration. These made a terrific mid-issue break.

This issue includes Petit Galette and a comic from the Galette Meets series, in addition ongoing stories from Morishima Akiko, Morita Miyuki, Yatosaki,  Haru Amano Shuninta and others, as well as one-shots by a number of other regular contributors.

It’s a strong line-up, with a nice variety of art, although the story lines have seemed to settle back into school life more often than not. Nonetheless in my opinion, Galette is always well-worth the money I’ve spent supporting and purchasing it. This one I was pleased as punch to be able to buy at Comitia this winter, which just made it that much better. ^_^ I believe in Galette so much, in fact, that I’ve upgraded my support on the Fantia crowdfunding page for the magazine. I quite like the Gold course, as it provides me with PDF versions of the magazine and Meets. (Sorry, Erin, we won’t be next to each other in the credits anymore. :-( )

Ratings

Overall-9

As always, Galette is available digitally on JP Kindle and US Kindle. Volume 8 is available at the end of this month on Bookwalker.