Mabataki (まばたき)

February 15th, 2024

A woman lies on the floor, her orange hair spreading around her like a river flowing towards us.Mabataki (まばたき) is a collection of short stories by Battan, creator of Run Away With Me, Girl. This is another manga I picked up while in Japan (I think this one was picked up at the Shibuya Animate) because I had not seen anything about it. It was interesting, more than entertaining and both very good and not-good in places. It is also variably Yuri, depending on how much overt romance you require in your Yuri

The first story, arguably the Yuri-est of the bunch, follows a young woman who is called by someone else’s name when she purchases cigarettes from an elderly kiosk vendor. It is instantly obvious that the elderly woman imagines the young woman to be an old love from her high school days. It it poignant, and sad and ultimately not resolved in any meaningful way.

The other stories explore relationships between girls and women in varying uncomfortable ways. A girl who has everything offers a kind of patronage/friendship to girl who has nothing, and is rejected, at least in part because she didn’t understand a damn thing about the other girl.

The story that was the best was also the least entertaining for me. “Hatsunatsu no Soshiki” follows a girl who has just lost her mother. Around her, following her, with her at all times, crowding the space she occupies, are word ballons filled with all the places people have told the girl where her mother is. This is an uncomfortable, but very well done story about how personal grief is.

The final story follows a  woman who meets a mermaid, maybe while on a vacation. This was a surprisingly sweet little story and I’m glad it was the final one in the collection.

Honestly, if you like Battan’s art, you’ll probably like this collection. You might even want to suggest it to Kodansha to license. As I read it, I discovered that I don’t particularly like Battan’s art. It was a shock to me, as I rarely have negative reactions to art in manga unless egregious service stands in for plot, and character. For some reason, as I continued reading, I just had the most viscerally negative reaction to this art. I’m not entirely sure why, but let’s just say I am not a fan.

Nonetheless this collection takes on some big emotions: Grief and loss, life and love and does some interesting things with them.

Ratings:

Because I found the art so unpalatable and it’s a collection, we’ll just got straight to an overall score

Overall – 6

I don’t regret reading this book, but I can’t imagine I’ll retain much beyond “Midori no Maka no Mizutama”‘s visual of grief crowding around  the main character.



I Don’t Need A Happy Ending, Guest Review by Eleanor Walker

February 14th, 2024

A woman and her maid embrace gently, on a bed surrounded by draped cloth.Hello, it’s 3 opossums in a trenchcoat disguised as a person back for another review. You can find me dotted around the Internet as @st_owly. Today I’m reviewing I Don’t Need  A Happy Ending, a collection of short stories,  by Mikanuji, the creator of Assorted Entanglements. I liked that series well enough to go in blind on this one when I saw it in the bookstore so here we go.

I’ve always had a soft spot for short stories. Telling a complete tale in a limited amount of pages is a skill unto itself, and a good short story anthology should have something for everyone. With that in mind, I cannot recommend the first story in this book, “I’ll Never Fall In Love With You”. It’s rapey, creepy and everything I dislike about yuri manga written for the male gaze all rolled into 36 convenient pages. 

Happily, the second story in the book is much more pleasant. This is the titular story “I Don’t Need A Happy Ending” and features a historical forbidden love story between a mistress and her maid. Unlike in the first story, the characters actually feel like people rather than sex objects, and without giving too much away, they do get their happy ending. I will freely admit I’m a sucker for historical romance and as someone who adores Victorian Romance Emma, by Kaoru Mori, this scratched the same itch. 

Back to the present day for “I Don’t Know What Love Is,” which features a nihilistic college student and her adoring kouhai. I didn’t particularly care for this chapter either, but it did at least have more plot than the first one and the characters are adults this time. The author also really likes drawing people having sex in (semi) public places.

4th in the collection is “A Day off from Work” in which two childhood friends finally realise their long held feelings for each other. Short and sweet, it’s always nice when two people find each other.

The penultimate story in this volume also appeared in “Whenever Our Eyes Meet: A Women’s Love Anthology” which is also available in English from Yen Press. Another office romance, this time the new temp at the company is the main lead’s fling from the night before, and she’s not out at work. More semi public sex and everyone is happy.

Finally, we finish with a sequel to “I Don’t Need a Happy Ending,” which begins with a timeskip of several years, and that is merely a convenient plot device for more illicit sex. It takes 3 pages before they’re at it.  

Overall, your mileage may vary. as to be expected with an anthology. The author definitely has certain tastes which are reflected in this collection, and if her tastes don’t align with yours you might leave disappointed. For me “I Don’t Need a Happy Ending” and sequel were by far and away the standout of the book, with the others ranging from “get me the brain bleach right now” to “ok that was cute but utterly forgettable.”

Ratings:

Art – 8. The sex scenes are well done and the boobs don’t look like balloons. 
Story – Anywhere from 3 to 7
Characters – Anywhere from 3 to 7
Service – 10. This one is rated M and shrink wrapped for a reason
Yuri – 7. It got better as it went on. 

Overall – 6.5

 



The Moon on a Rainy Night, Volume 3

February 13th, 2024

Two girls in bed, bathed in a golden glow. A girl with light-colored hair girl watches a dark-haired girl intensely as she sleeps.I’ve been filled with joy reading this series since my first glimpse at it almost two years ago. In my review of Volume 3 of Amayo no Tsuki, (雨夜の月) I said, “we get the last piece that would make this series perfect, IMHO. Whatever happens now, I am in the front row, rooting for everyone.”

Representation is a complex matter. It’s incredibly powerful just to see or read about someone who is like ourselves. In this way, this series has been fantastic, in providing excellent representation of disability and the way accommodation can function when people understand what it is intended to do. But in both narrative and real life the best representation is to actually meet someone like yourself and understand how their lives play out. In The Moon on a Rainy Night, Volume 3, Saki meets two critically important people.

First, she randomly meets a hair stylist in training who, quite disconcertingly, “sees” Saki, in a way that she is not yet ready to see herself. Akira’s gaydar absolutely pins Saki, and the younger woman is on the receiving end of a cautionary tale about first loves which makes her more self-conscious about the skinship between Kanon and herself. This becomes a bit of a crisis, as Kanon’s sister asks Saki to keep Kanon company one night. Kanon sleeps over and Saki is ecstatic and panicking all night long.

And then, Saki meets Kanon’s former friend, Ayano, who warns her about the price one pays as a caretaker. We can see right away that Ayano’s situation was different, and tragic on several levels –  but the warning Saki receives is, once again, reasonable. In both cases, she is seen and understood, and yet, not understood. Representation is complicated. Saki is going to have to figure this one out for herself…but not on her own, one hopes. Kuzushiro is pulling out all the stops here.

While translation, lettering and editing are all fantastic, technically, this book is a bit problematic. On the Okazu Discord, we recently had a discussion about the indifferent quality of recent print books from Yen and Kodansha. This book arrived with the cover cut too short for the pages. I might have assumed that was a fluke, but a second copy – from a different company – was the same. My last few volume of books from Yen have likewise been not-great quality. She Loves To Cook, She Loves To Eat had pages cut unevenly, and both publishers have had low-ink faded pages in recent volumes. As I type this, I notice the spine is not lined up correctly in one of the two copies I have. These are production issues that need to be addressed. I hope they’ll both improve their QA a bit this year.

Ratings:

Art – 8
Story – 9
Characters – 9
Service – Really not
Yuri – 4, LGBTQ – 6

Overall – 9

Volume 3 put this series on my top ten lists for last year (and Volume 4 and Volume 5!) It’s a tremendously good series, with a LOT to say about life. If you’re not reading it yet, I really think you should.

Volume 6 of Amayo no Tsuki is out in Japanese and Volume 4 of The Moon on A Rainy Night, will be headed our way in April.

 



Yuri Network News – (百合ネットワークニュース) – February 10, 2024

February 10th, 2024

In blue silhouette, two women face each other. One wears a fedora and male-styled attire, one is in a dress and heels. Their body language is obscure - they may be dancing, or laughing or fighting. Art by Mari Kurisato for Okazu

Yuri Manga

Melonbooks is doing a promotion if you buy Volume 2 of Kininatteru Hito Ga Otoko Jankakatta (気になってる人が男じゃなかった), by Arai Sumiko, you will be entered into a drawing for a signed copy. Purchases must be made by February 18th.

Galette No. 29 (ガレット) is available for pre-order through Fantia until February 16. Galette web is taking 140 character descriptions for “a world of Yuri,” for a shorts in the magazine. This would be in Japanese, but if you think you can do it, why not take a stab at being part of the project!

Probably no one but me cares, but ANN’s Joana Cayanan says that Sukeban Deka Pretend (of which I have reviewed Volume 1,  and Volume 2  and read, but did not review, Volume 3) will end in March. It ‘s been a lot of fun. I think Wada-sensei might actually not have hated this one.

 

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Yuri Anime

Members of the Birdie Wing staff will be doing an event in Osaka on March 3. Luminaries include the producer, director, art director and other staff, and they will be doing an audience Q&A. I find this lingering of the anime very interesting. 

Of course, JP companies decided that since Birdie Wing went so well, we need more…golf anime. Sigh. So we’re getting the generic sounding Sorairo Utility. Undoubtedly there will be no Yuri, and it will be real golf, which just utterly misses the point of everything we loved about Birdie Wing. Check out Crystalyn Hodgkin’s article on ANN for details. It probably isn’t Yuri, but it will be cute girls doing things cutely.

For another cute girls doing things cutely anime, we may wish to check out Yoru no Kurage ha Oyogenai (夜のクラゲは泳げない) for which an anime is coming in April. Check out the trailer on Youtube and grab the details on ANN from Joanna Cayanan.

Also coming in April is the anime for Sasayakuyouni Koi wo Utau, which is both cute girls doing things cutely AND a darling Yuri romance. Some of the voice actors will be attending a preliminary screening of the anime. Details can be found at Comic Natalie.

 

Yuri VN

The demo of Love In A Bottle from Studio Élan is available now on Steam and Itchi.io. “Ankora the Love Demon only has a month to prove she can live on her own, but the CUTE SINGLE LADIES IN HER AREA might turn out to be a distraction! Can she settle down and find love?! “

 

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Other News

Alex Mateo has the news that a new Nogizaka46 Sailor Moon musical will be opening in Tokyo this spring. This is the first in four years and will feature performers from the 5th generation of the popular idol group.

Casey Baseel on Sora24 News, has the news that Sailor Moon art manhole covers will be appearing in selected sections of Tokyo that are related to the series.

Bluesky has opened to the public, please join the anime/manga/comics community there! There is a Yuri feed run by Seriously Sempai and my Yuri Resource List, which I am rebuilding slowly as folks move over. If you know of – or are! -an artist, writer, game dev, notable or company related to Yuri on Bluesky, contact me there, and let me know, so I can add it to my list!

Dafne Veliz take a look at The Tezuka Revue: How an all-woman theatre troupe influenced the Godfather of Manga,  for Anime Feminist.

YNN Correspondent Patrricia Baxter wants you to know that comic Influenca by Jade LFT Peters is available for pre-order now. This Short Box Comics Fair entry is a collection with a queer take on a zombie apocalypse.

 

If you’d like to support Yuri journalism and research, Patreon and Ko-Fi are where we currently accept subscriptions and tips.  Our goal now, into 2024, is to raise our guest writers’ wages to above industry standard, which are too low!

Your support goes straight to paying for Guest Reviews, folks helping with videos, site maintenance, managing the Yuricon Store and directly supporting other Yuri creators. Just $5/month makes a huge impact! Become part of the Okazu family!

Become a part of the Yuri Network, by being a YNN Correspondent: Contact Us with any Yuri-related news you want to share with us.



Oni to Yoake Yuzikiyo (鬼と夜明け 夕月夜)

February 8th, 2024

Girls in Edo-period haori over school uniforms wield swordsWhile shopping in random bookstores in Japan at the end of last year I kept seeing books with girls in school uniforms wielding swords. I did that thing where I pick a thing up, then put it down, then pick it up at the next store…. ^_^; Eventually I found a copy of Volume 2 signed by the creator, so I nabbed both volumes there….neither of which were Volume 1. So please forgive me if I get some of this wrong. I am coming in to this story in the middle.

So, let’s start from the beginning. Oni to Yoake is a web series by Ikuta Hana, about the members of a school kendo club who have the reborn souls of important swordsmen of the Bakumatsu, which was the end of the Edo period. Bakumatsu Joshi Kousei Oni to Yoake, Volume 1 (幕末女子高生 鬼と夜明け) begins the story with two high school girls who have the reborn souls of Sakamoto Ryouma and Toshizo Hijikata. Sakamoto transfers to Koharu High School, where the spirits of late Edo period warriors attend school, and falls in love at first sight with Hijikata, a member of the public morals committee. However, love is strictly prohibited by school rules. Got that? Good…because that is not what I am reviewing today. I haven’t read that. ^_^ That series has a Volume 2 and a Volume 3 thus far. I picked up Volume 2 because it was signed. But based on how confused I was reading this volume, I guess I had better start with Volume 1. ^_^

Oh wait, but it gets better. The book we’re looking at today isn’t the main story…it’s a sequel!  Oni to Yoake Yuzikiyo (鬼と夜明け 夕月夜) follows girls from a different school who also have the souls of Bakamatsu Shinsengumi swordsmen (or the infamous Hitokiri, which we’ll get to in a bit.)

Todo Yoshino, who has the soul of Toudo Heisuke, and Okita Sou, who hold the soul of  Okita Souji,  are having problems in their already established relationship. And there is something disturbing going on at their high school.  The Shinsengumi vs. the Hitokiri is about to begin. 

You may be familiar with the Four Killers of the Bakamatsu, called the Hitokiri from Ruroni Kenshin. Kenshin is supposed to be a former Hitokiri, on the run from the Shinsengumi.

Also, I know next to nothing about the Bakumatsu period! So there’s that complication as well. Ask me how lost I was? I was “stay up hours reading Wikipedia entries on the Shinsegumi and the people in this book” lost. LOL But I think I have the gist now.

This volume depicts the problems between Yoshino and Sou, and a historical intermission in which their souls’ previous bearers met, along with the  the purge of deserters, and, according to the books synopsis, “the events leading up to the Ikedaya Incident.” This is followed by a  “BL edition of the story with further new-souls of long-dead people being paired, along with school festivals, Valentine’s Day, and events at the high school of Izumi Kazusa and Tsuji Kaneshige,” who are dating.

You can tell this is an online comic, as it is in full-color. The art is good enough and dynamic when it needs to be. I’m interested enough to go back to Volume 1 and see where this started  – and to have stayed up late reading articles on the Bakumatsu and Shinsengumi, because why not?*  The real-life people seem pretty awful, though, for all the reasons you might expect.

Ratings:

Art – 8
Story – 8
Characters – 8
Service – The boys do a cross-dress cafe, if that’s for you. I preferred the girls in Edo period men’s clothes, in the flashback
Yuri – I have *no* idea. 6?

Overall – 8

There is also a second stand-alone volume,  Oni to Yoake  Zenya (鬼と夜明け前夜 )

Girls with swords and karma. Totally in my wheelhouse.

*But! When I came across the Neale Incident I was amazed to find that I knew about that from, of all places, the Kunoichi Bettegumi Igarashi Satsuki (くノ一別手組ー五十嵐五月 ) series! Who says that vampires aren’t good for anything? (Well, me, obviously.)