Yuri Network News – (百合ネットワークニュース) – May 5, 2018

May 5th, 2018

Just before Yuriten opened in Tokyo, there was some big Yuri news!

Yuri Anime

Nakatani Nio’s Yagate Kimi ni Naru manga, which is sold as Bloom Into You by Seven Seas in English, has been greenlit for an anime! ANN has details and the main visual which was also on display at Yuriten.

I still have a lot of mixed feelings about this series. At lunch after Yuriten, we were discussing what makes a thing “Yuri.” Kawamoto-san’s position is similar to the Yuricon definition – anything with character or characters who fee emotional, physical or romantic attraction to another woman. I said that that’s the official position of Yuricon, but what I personally look for is, you know, two women actually in love with one another. Morishima-sensei and I were kinda in sympatico on this. Yagate Kimi ni Naru is Yuri, but it’s still not what I’m looking for in a Yuri story. Kase-san is. Two women who are actually in love with one another is a lot to ask from an anime, I know. ^_^

Speaking of Kase-san, the Shosen Book Tower in Akihabara will be hosting a Kase-san event from the end of May through the middle of June, with a Kase-san “Museum”. According to Comic Natalie, there will be a book signing by series creator Takashima Hiromi-sensei on June 2.  The fifth book in the series, Sakura to Kase-san with a new, original Drama CD (さくらと加瀬さん。) is on sale at the end of May. The OVA will be in theaters in Japan on June 9th.

Yuruyuri is getting a 10th anniversary anime, ANN reports. Speaking of not-really Yuri in any meaningful way. ^_^

Nozomi/RightStuf is losing the license to Maria-sama ga Miteru and is currently selling all it’s stock off at $12/season litebox set!  Get them while they last.

 

Yuri Manga

Nishio Yuhta’s After Hours, Volume 3 (アフターアワーズ) has hit shelves in Japan.

Yuri manga quarterly, Galette, Issue No. 6 (ガレット) will be released this month!

Seven Seas has licensed Yuri one-shot manga Bocchi Kaibutsu to Momoku Shoujo (ぼっち怪物と盲目少女), which is on my to-read pile, as Beauty and the Beast Girl, with a 2019 release date. It it is the story of a blind girl who falls in love with a monster girl who has secluded herself away in the forest. More details can be found in this report on Crunchyroll News.

 

Live-Action

Netflix will be streaming the live-action Kakegurui, according to ANN. I’ve been watching some of the live-action anime-based stage plays on Amazon Prime and they are less good than one might hope. ^_^; I didn’t review Blood C  – The Last Mind, because it, while not terrible, had little enough to do with the series as I knew it and there was no Yuri at all, even if you squinted this time.

 

Other News

ANN has a report of Intersex manga creator, Arai Shou’s life and work being made into a documentary. Seibetsu ga nai! is currently being crowdfunded and is worth taking a look at.

Matt Alt has a fascinating article in The New Yorker called The United States of Japan. “Hit Japanese products such as Pokémon have long captivated us, but Japan’s most influential export might be its own lived experience.”

 

Yuri Events

Yuriten 2018 in Tokyo is over and so is Comitia, but there’s still a bunch of stuff coming up, so get your calenders ready!

Toronto Comic Arts Festival – May 12-13, Toronto, ON, Canada – I’ll be moderating a Queer Romance Comics panel and conducting some interviews and there is always a lot of queer content and comics to enjoy. If you’re there, do drop in and say hi!

Girls Love Fest – May 19, Oota-ku, Tokyo, Japan – As, always, this is a combo event. Girls Love Fest will be joining AiFest and related “cute girl” doujinshi events at the Oota-ku Industrial Plaza Pio. The participating circle list can be found here. If you’re planning on attending,  please contact me about doing a report for us.

AnimeNEXT 2018 – June 8-10, Atlantic City, NJ, USA – I’ll be a guest, doing some panels, giving piles of stuff away. Definitely do not miss this! There’ll be loads of Yuri and lots of fun!

Yurithon – August 3-5, 2018 – Montreal, Canada  – This was so much fun last year, I recommend it highly. All the benefits of a small con, with Yuri-focused programming and the massive Dealer’s Room of a larger event. ^_^ It’s literally the best of all worlds. I really want to get back, but I just can’t do it this year because of other things I have scheduled. So, again, if you’re planning on attending, please contact me about doing a report for us. And I’m gonna put this back on my calender for 2019!

 

Become a YNN Correspondent by reporting any Yuri-related news to anilesbocon01 at hotmail dot com with your name and an email I can reply to!

Thanks to all of you – you make this a great Yuri Network!



Yuri Manga: Nettaigyo ha Yuki ni Kogareru, Volume 1 (熱帯魚は雪に焦がれる )

May 4th, 2018

Konatsu has moved to a small beachside town. Her father has stay where he is for work, so she’s basically on her own. She’s hoping to be able to make friends, but isn’t great at it.  She meets Koyuki, who is working at the local aquarium and is unusually interested in the older girl. Although they go to the same school, circumstances are just not giving them the chance to to get to know one another.

As the school festival approaches, Konatsu takes a leap and joins the aquarium club to be nearer to Koyuki.

Koyuki, for her part, is equally interested in Konatsu and, like the other girl, feels reticent about reaching out. But more and more she finds herself thinking about Konatsu. On the day of the school festival, when Konatsu reacts with joy at seeing Koyuki, she finds herself embracing the other girl with all her heart.

Nettaigyo ha Yuki ni Kogareru, Volume 1 (熱帯魚は雪に焦がれる ) by Hagino Makoto, is a charming little love story about two girls and a cute salamander.

There is a lot of Yuri out right now. Of course the Asagao to Kase-san theatrical release is getting a fair amount of promotion, so it was no surprise to see the trailer screening at the Yurimate event at Animate, and it was equally expected to see the Love To Lie Angle anime featured at Gamers store in Akihabara. But what a surprise to me to see a door-sized poster, and mini-museum for Nettaigyo ha Yuki ni Kogareru at Gamers, as well! 

 

 

 

 

This was unexpected for several reasons. One, the series is really quite charming and sweet and has no service of the kind in which Gamers specializes. It’s just…nice…without any fetishtry. Not T&A, no lolicon. So I was pretty darned shocked to see it featured at Gamers, of all places. As you can see from the pictures, there were some goods items on display. Had I wanted, I could have bought the mug with my purchase of the second volume of the manga, but did not. Reproductions of pages were on display and a message board for visitors. I jotted a short note in English for that and reminded myself to finish Volume 1 when I got home so I could tell you about it! 

Ratings:

Art – 8
Story – 7
Characters – 8
Service – 1 on principle only, there really isn’t any
Yuri – 7

Overall – 8

It’s really just a lovely little story and you’ll learn a little bit of marine biology as you read it. And the word for “salamander.”



Yuri Manga: Kago no Shoujo ha Koi wo Suru (籠の少女は恋をする )

May 3rd, 2018

In a time and place that isn’t our time or place, and in a reality of infinite girls’ schools in Japan in which infinite combinations of experiences occur, Kago no Shoujo ha Koi wo Suru (籠の少女は恋をする) takes place.

Chizuru comes to a school where nothing is meant to be seen as it appears. She’s assigned to triple room with twin sisters who are clearly in an incestuous relationship, which sets the tone for the rest of the story nicely. The younger twin, who is unwell (although we don’t know if it is a physical or mental ailment) is aware that her sister has another lover, although she doesn’t know whom. All of the girls at the school, she confides to Chizuru have been discarded and “graduation” means they are sold to some man to be “married.” The reason why I say this is meant to appear to be other than what it looks like, on account of everyone in the entire school acting as creepy as possible, it looks just like what it is.

The sister shares her own sad tale of being neglected by parents until they end up in school. Chiziru reflects on her own life, parentless, unwanted by an aunt who could see her son’s and husband’s desire for Chizuru turning criminal, so sending her off to the school.

With so much creepiness, one is unsurprised that the first volume ends with Chizuru, who has barely had time to unpack, receiving a notice that ominously declaares her “practical training” will begin. (Thanks j1m1 for the correction!) What is slightly surprising is that she meets a beautiful naked girl in the garden and is immediately captivated. When the girl warns Chizuru away, it only increases her interest, of course. I am less convinced that she had the same effect on me.

What will happen? I’m sorry to say, I probably won’t find out. I really liked the look of this book physically – nice art, pleasant cover design, but there’s a nastiness about the story that set my teeth on edge. 

Ratings:

Art – 8
Story – 6
Characters – 6
Yuri – 9
Service – 5 Not that much visually, but there a definite salaciousness in the storytelling

Overall – 6

Theoretically, I hope Chizuru saves/runs away with the mysterious naked girl, but I’m not sure I’m going to stick around to see it. ^_^



Yuri Meguri 2018, Part 4

April 30th, 2018

Art by CannoMy last full day in Tokyo had arrived. I’m sorry I didn’t have a chance to catch up with more people, but today it was all business.

First stop, back to Aoyama for another spin around the Yuriten, (photos can be found on the Yuriten photoset on Facebook) The lighting made it a little difficult to get some of the pictures, as it does. What makes it easy to see, makes it hard to photograph. ^_^; I arrived before it opened, and was able to do a quick headcount, the ratio was 30/70 women to men, with a surprising age range in the women. The men all looked young to me, which means nothing, everyone does, now. ^_^ Every box of the next round of Lucky Boxes will have Yuriten goods, you can be sure.

Every day at the Yuriten, there is different signed art by the participants on the table at the end. Today’s, as you can see included this image, is by Canno.

Because my next stop after Aoyama was Harajuku, I decided to walk. It was a very pleasant 20 minute amble through back streets full of galleries and clothes stores.

As I headed down toward Harajuku, the stores shifted not-at-all-subtlely from art and fashion to fashion as art. (On the way to Aoyama that morning, I was on the train standing next to a young lady who was clearly dressed up for the location. She was trying to see the train map, but she couldn’t from her seat; I could see that Harajuku was next and said “tsugi” We both laughed. )

My first stop was Kiddyland, where I was on a mission for my wife. But legitimately, they always have surprising items, this time they had a bunch of Sailor Moon and Card Captor Sakura goods. Picked  up some stuff there, and headed over to Laforet where I spend too much time and money. (And sang along with the music. Can you imagine working in the Sailor Moon store? You’d be so goddamned sick of the Sailor Star Song, or Otome no Policy or whathaveyou, with them playing on an endless loop.)

So, there are two Sailor Moon stores in Laforet. on Floor .5. (This is not a typo – it’s a half floor between the basement and Floor 1. Take the elevator to Floor 1 and walk down the stairs to Floor .5.) One store is high end fashion items, purses for $450 kind of thing and gashopon, because of course, and across the hall is the goods store. 

The goods store has some exclusives, including a series of little teeny senshi dolls that looked like felt outfits on corks. They were both adorable and awful and I fought myself for while and opted to not get them. 

There were a ton of Uranus x Neptune goods, incluing 3 new phone case designs. I didn’t get those, either, but did get a phone charger with this design.

I took Takeshitadori back up to the train station. Have I mentioned that it’s Golden Week? Unsurprisingly, there was a crowd. It wasn’t the worst crowd I’d ever seen, but it was the touristy-est crowd I’d ever seen.

Dropped my stuff off a the hotel and decided to have one, long, lingering walk around Ikebukuro. I went down to Otome Road for the first time this trip. There’s nothing there for me at this point, but I like to experience it anyway. 

I like that I don’t recognize most of the series advertised here or in Akihabara. I don’t play the games, don’t listen to the drama CDs, so they all seem strange and familiar at once. The cafe this time, for instance, was themed for a series called “Hypnosis Microphone” which I have never heard of – I could look of course, but at the moment, don’t know if it’s a game, a book, or what – that Animate expects is popular enough to support a cafe.

Fun, huh? ^_^

(Update: I looked it up, ヒプノシスマイク -Division Rap Battle- is a series of “rap battle” CDs voiced by male seiyuu. Huh, that’s a new one on me. Like Catcher in the Rhyme by voice actors on CD.)

I stopped in Uniqlo and was very thankful there were no Rose of Versailles t-shirts, as I’ve really spent too much already. ^_^; Then over to Tokyu Hands to do some shopping for the wife. And finally Animate, where I managed to find one of the last two books on my list, and had one more spin around Yurimate. I wrestled with myself over getting a ticket to Kase-san, to get the postcards, but I just couldn’t. I only want the images for my screensaver anyway.

This morning I had a quick walk around looking for Pokemon (why are the ones I don’t have so far away?!?) and food and now I am wrestling with packing everything. My poor suitcase.

Thank you Uchida-san, Kawamoto-san and Morishima-sensei, Simona, Laura, Jotaro and James! I had an absolute blast. Mata ne, Tokyo. And, thank you all for joining me on this adventure! 



LadyBroad Ledger Independent Newspaper

April 29th, 2018

I talk a lot about supporting the comics ecosystem here and to celebrate the support Okazu is getting from our own community, and give back to that ecosystem, we launched a series of Microgoals for the Okazu Patreon this spring. These goals allow Okazu to directly impact creators by giving them the kind of income they need to be able to live so they can do their work. This kind of patronage is different than the project-based crowdfunding at Indiegogo or Kickstarter and I want to talk about that for a moment.  Creating is a process and, generally speaking, readers only grasp some pieces of that process. And one of the things people don’t grasp is that it’s work that deserves to be paid for. Not just the end result…all the middle stages, too. 

In early crowdfunding days, I knew of one comic artist who attempted to crowdfund their daily expenses as they worked on a book that they would then also have to crowdfund. They did get some money, but backers were resistant to the idea of paying the creator’s rent or food. I understand why, of course. “Backers” want to “back” a thing; a production, a publication, something concrete that they can see and hold. In the same way that investors don’t invest in ideas – they want to see that something has been built and is being used, backers expect results…whether they are putting money in a Broadway play or a database or a comic, it seems unreasonable to ask people for money for paying your rent while you write the play or draw the comic.

But the reality is that for comic artists, there are only a few ways to make a living off their work. Comic strips and comic books are not stable, long-term gigs (and, as with most industries, only a few make the numbers that let them make a living from those.) Anthologies are piece-work. Until recently, there just hasn’t been a simple system to charge for webcomics. This piece of the ecosystem has been precarious for some time, but the technological reinvention of patronage is a key factor for creators who have been searching for a way to live.

My objective with the Okazu Microgoals is to contribute to creators’ ability to live as they create. And I am specifically choosing marginalized voices and diverse creators, with an especial focus on the queer community. To that end, I have chosen a fabulously talented Native writer, Nakawē Writer Mari, whom you may remember from the Absolute Power: Tales of Queer Villainy! anthology, with her brilliant story, “Chrome Crash.” Mari is, incidentally, closing in on her primary goal, which is to achieve a level of patronage that will allow her to have ADA-accessible housing. If you think you can help her get a little closer to that, I’d appreciate it. 

My second choice was the subject of today’s review – an honest-to-goodness local newspaper out of Burlington, VT. The Ladybroad Ledger is “a group of female and nonbinary cartoonists from Vermont. Our goal is to produce a FREE twice annual newsprint publication to promote comics and comic art by femme Vermont cartoonists and distribute it throughout the state.”  As a result, the ads are not local to me, but give me hope for a vital, inclusive, and diverse community in a place as alien to me as Bali. ^_^

The Winter Issue includes comics on community, motherhood, food, politics and a decidedly queer comic “Frenchman’s Cove” by arby essex. It is brimming with love of comics for comics sake. I’m very pleased to have a few extra issues some of which will be part of the next round of Lucky Boxes. ^_^ Just to be able to share the love of comics, I will also give one issue away here. Entering is easy – suggest a cool Patreon to add to the list of people we should follow (and hopefully support) in the comments (make sure you’ve got a real email attached to your WP profile) and I will pick a recipient of this fantastic niche print newspaper. Remember – I’m looking to support comics and creators with disabilities, folks of color and/or queer folks. Drop your suggestions in the comments with links so everyone can check them out and maybe win a copy of the Ladybroad Ledger!

Ratings:

Overall – 8

THIS is the kind of stuff I love supporting, which is exactly why I like independent comics shows best, like the upcoming Toronto Comic Arts Festival in Toronto and Comitia in Tokyo.