Begun in 1972, in the pages of Margaret magazine, Riyoko Ikeda’s historical epic of the French Revolution has finally come to an end. The final chapters of Rose of Versailles, Volume 14 (ベルサイユのばら), follows the last of the players on the stage of this drama.
The volume follows Rosalie, the commoner rescued from poverty and death by Oscar Francois de Jarjayes, and given entré into French noble society, adopted by a lady of Marie Antionette’s court and, finally, happily married to former thief, now revolutionary Bernard Chatelet. As the final days of the revolution wear on, the revolutionaries turn on one other and Bernard is caught and killed. Rosalie and her son escape Paris with the the help of Girodel and eventually find their way to Sweden, where Hans Axel von Fersen’s star has ascended. Given shelter in Fersen’s home, his sister Sophie is not overjoyed to have them there, but is kind enough.
Rosalie’s son Francois (named after Oscar) enters university, where he is befriended by Fabian Nobel and is kept closely informed of revolutionary thinking in their adopted country. When the young king of Sweden falls from his horse, rumors say it was an assassination attempt – and that Fersen was involved.
Tensions rise as the Swedish people demand an end to royal rule, Fabian and Francois are caught up in the riots. Francois saves Fabian, but Fersen is pulled from his carriage and beaten to death by a lynch mob. A few months after his death, his name was cleared and Fersen was given a state burial.
The book ends with the succession of Swedish King Oscar 1 in the mid-19th century. Rosalie, now an old woman, reminisces about the people she loved and lost, including her beloved Oscar. That’s the only Yuri in this book – her eternal affection for the woman who changed her life and for whom she fell, very hard.
She dies peacefully and is reunited once again with her husband, Bernard.
With that, the last person involved in the narrative of Rose of Versailles passes out of even the fictitious realm of existence.
It helped – as it always does- to have Wikipedia open as I read this volume. Today’s review is brought to you by the entry on Hans Axel von Fersen. And, in the way the universe has of giggling at me, one of Marie Antoinette’s necklaces was unveiled just yesterday for the first time, (this video is in French) before it was auctioned off. Here’s another article (in English) about the jewelry that will be auctioned. I don’t think it is too much of a stretch to imagine just how many people these jewels might have fed when you look at what they go for now.
As we look back at 40+ years of Rose of Versailles, I think it’s safe to say that was exactly the story – we were never supposed to sympathize with Marie Anthoinette. The nobles could have, at any time, simply eased up on the commoners and would have almost immediately averted a revolution, but they never even considered it. As we sit precariously balanced in between rapacious capitalism and oligarchy, we’re looking at a mirror, however darkly tinted, not all that much distorted. It’s not a fun place to be, when we are reminded that even the heroes of this story died ugly.
Ratings:
Art – 8
Story – 8 Strikingly historical when it can be
Characters – 8 I always liked Rosalie
Overall – 8
Rose of Versailles is over, but history moves on. And there are so, so many tears in both.
