Tokyo Journal: Sailor Moon in Harajuku and Shopping for Yuri in Akihabara

November 27th, 2017

It was a beautiful Sunday in Tokyo, so we decided to enjoy the crowds in Harajuku. First stop, we hit up Kiddyland, where character goods are plentiful and the bathrooms are clean. (Stores “for women” in Japan always have clean, spacious bathrooms, with changing tables for children.) Kiddyland had some familiar banners hanging overhead.

 

 

We then made our way over to the La Foret building to see spend money at the Sailor Moon store. Which we did. My wife was >this< close to buying a $400 purse, while I mused about losing enough weight to fit a Japanese women’s Medium to get a hoodie.  Instead we bought stuff.

Including, I might add, stuff for you, dear readers. This year’s New Year Lucky Boxes are going to be lit.

We saw a poster for the upcoming Sailor Moon classical concert and while we won’t be here for it, we did grab a bunch of these awesome promo posters.

We stopped on Takeshitadori and had a cute waffle dessert with our lunch, that we yet again forgot to take pictures of. We also ate it like it was our last meal. ^_^;

For dinner, we crashed the TCAF get-together at a lovely izakaya near our hotel. Caught up with translator extraordinaire Simona Stanzani,, met and had a lovely conversation with indie game developer Christine Love, comic artist John L. Gehron, and bunches of folks who were here with the TCAF crowd, and eat good food (some of which I *finally* remembered to take a picture of!)

The duck sukiyaki below was brilliant. I will totally eat at this place again for this dish.

 

Today was Akihabara day. Traditionally, I begin this day with a statement that I won’t be buying much. As is traditional, I then follow this up by buying too much. Today I kept with tradition.  BUT…and this is a big BUT, things were not the same at all. It is much easier to find Yuri in Akihabara than it has ever been.

Toronoana still has a multi-publisher “Yuri Corner” clearly labeled, with all sorts of creator art and advertising on the walls.

 

And a lovely ad for the Kase-san series.

I picked up a few things I hadn’t heard of or known about, which is always the best. Exactly why Yuri sections are so important, in fact.

The Animate doujinshi section also had a separate “Yuri Corner” with some reasonable inclusions. 

Comic Zin featured both prominent Yuri artists doujinshi on the second floor as you walked in and a section labeled Yuri. I thought I got a picture of this, but apparently took it from the wrong angle, so you can’t see the labels, duh. No large banner, but the shelves were clearly marked and they were right in the front as you walked in. I picked up some doujinshi by Hakamada Mera and Morinaga Milk.

 

Gamers also has a multi-publisher “Yuribu” section, clearly marked and, surprisingly, nicely varied. I’m going to admit that I was expecting skank world there. The last time I visited Gamers, it was all creepy all the time. Not at all true of  the Yuri section, although it favored the moe.

They also had a special exhibit in honor of the release of the 8th volume of Ichigo Mashimaro. There were goods, bags, t-shirts of which I bought two, one each in my least favorite colors, white and pink, because the designs were brilliant and coolest, actual original pages by Barasui.

I’m always surprised and pleased at these new “Yuri” sections, because they will change the way people can shop for Yuri. Up until now, people had to know what to look for, where. These new “Yuri” sections, that are multi-publisher and in some cases, multi-format, with novels and manga together signal the continued legitimacy of our growing genre.  

Even more exciting, the Animate store in Akihabara does not have a Yuribu because, of course, you remember that they chose to locate it in the “girl’s” store in Ikebukuro. In my opinion, this is a major success, separating “Yuri” from being the purview of men, and laying it in our laps and yes, that was meant to be a pleasantly salacious analogy. ^_^

 Tomorrow is our last full day and we intend to spend it and all the rest of our money locally in the girl’s Yuribu. ^_^



Tokyo Journal: Comitia, CAT 2, Character Alley and Yuribu

November 25th, 2017

Hello Okazu Readers! I am writing you from beautiful Tokyo! (This is said with no irony. I like cities and have always liked Tokyo.)

Every morning I am greeted by this view. We’ve had lovely weather.

Made a short visit to Animate, in which we found the Yuribu (Yuri club) proudly displayed by the door.

Only bought one book, because it was the last copy on the shelf there, but will be back to do actual book shopping later. Instead we bought these.

Remember a few weeks ago, when I reported there was the Animate Girls Festival and Asagao to Kase-san anime had a booth? This is what is left from the goods at that booth. I bought everything that remained (except two that escaped my notice.) 

The wife bought a Sailor Moon collaboration purse at GU, with a little jewelry to hang off it.

We had a lovely dinner with James Welker, who always makes us feel at home.

We’ve hit up half of Book-Off, and a bookstore here, but it was Thursday that we really got the buying ball rolling. At Comitia, I bought multiple copies of Galette, and a number of other original Yuri doujinshi. Not as many as in previous years, because after the 35th one titled “Hajimete” or “Hatsukoi” I just felt a bit eye-rolly. Folks, please learn to write a story beyond “there is a girl, she likes another girl. The other girl likes her. The end.” Thank heavens for some of the folks doing Yuri about adults.  I’ll do a much more detailed review of everything when I get home. 

We then wandered through the Kaigai Festa, the International Comics Festival, where I spoke with folks at the TCAF table. And I spoke with Sonia from France, as I bought her English-language Yuri comic (about schoolgirls in love for the first time, of course).

Next day we hit up Mandarake where I managed to find some stuff to buy (duh) and had a nice lunch with Deb Aoki. The three of us stopped for a rest at the Murakami-owned coffee shop, where I had a Murakami latte.

It was a very relaxing way to ease into buying too much stuff, because the next day, we hit high gear. 

Comic Arts Tokyo 2 is the second year of a small independent comic show, held at the Tokyo campus of Temple University. I found a number of awesome people and things. Among them were An Nguyen, creator of So Pretty, Very Rotten, a very talented artist named Erica Ward (so, obviously I will remember her name! ^_^) And I bought this awesome painting from Makiko Kodama.  Yes, I went to a comic show and bought a painting. ^_^  This is all the things. Rokurokubi is my favorite youkai, in uniform, kissing another Rokurokubi, cutely in a cafe. Squee. 

 

We then had lunch with the indefatigable shoujo scholar Fujimoto Yukari-sensei,  who was delightful as always. She  had a gorgeous Utena-collaboration themed handbag, based on Anthy’s dress from the movie. We were so jealous.

It was a magnificent night so after we left Fujimoto-sensei, we decided to head over to the Toyokawa Inari Shrine. We made some offerings, lit some incense and candles and said farewell to Bruce. It’s been a rough trip without him and we apologize to everyone we’ve met with for moping, but we’d been coming to Japan with him for 12 years and we feel his absence keenly here.

Once that had been done, we headed over to Tokyo Station Character Street. Where I unloaded a mass of money in a beauty shop that was selling Sailor Moon, Utena and other series goods. This store had bath and beauty items for adult women, who just happened to want their bath bombs to look like, you know, the Outer’s henshin wand toppers. (^_^);

And an Utena bath set, journal, stickers and calendar which will need to be put together before you can see how awesome it is.

 

And then we dragged ourselves back after a lot of walking and shopping. Next up, Harajuku for Kiddyland and the Eternal Sailor Moon shop and probably Yamashiroya.



LGBTQ: The Further Fattening Adventures of Pudge, Girl Blimp

November 24th, 2017

Ah, the 1970s. I hated them. Born too late for the drugs and sex, I only got to enjoy the velour and the bodysuits. In fact, on December 31st, 1979 at 11:59 PM I said, “Well thank god that’s over.”

I find stories about the 1970s even more excruciating than the 1970s themselves, I’m not a very nostalgic person. Reading about idealistic young baby-boomers going to the city, living in squats and doing lots of drugs makes my skin crawl. I mean, sure, if it worked for you, great. But all I see is Hepatitis C. I know, I’m a square. ^_^; Nonetheless, I recommend reading The Further Fattening Adventures of Pudge, Girl Blimp.

In the 1970s, Howard Cruze famously curated Gay Comix, among which was the work of pioneering lesbian comics creator Lee Marrs, with her touching story of a small-town girl coming to the big city of San Francisco in hopes of finding something like love (or, sex, that would be fine too.) Pudge is, as her name indicated, overweight, and while that isn’t really relevant to her story, it’s easy to see that it would resonate with an entire generation of young women struggling to be more than the guy-next-door’s wife whose husband bought her a new girdle every birthday. And being a relic of that earlier time, this book is not at all what we might expect in terms of body size acceptance. “Not politically correct” seems vastly understated.

The art is very “American Comix,” style crowded; messy and hard to follow, often intentionally, with very loose panel structure.

Pudge does things that seem rather cliché now – she attends women’s sexuality workshops in which they look at their own vulva, smokes pot, lives in a commune in which no one is really competent to keep it running, works on a co-op newsletter always on the edge of bankruptcy, participates in street marches, etc. (It’s a little like the 1970s are a comic book that didn’t becomes rare, everyone has a copy and we’ve all read it.)

Pudge spends a lot of time pursuing sex and when she finally has it…is unimpressed. It’s not until she has sex with a member of her women’s group that it all makes sense to her. And her life making sense to her is the actual story here.

But more than just being yet another relic of an age, The Further Fattening Adventures of Pudge, Girl Blimp is a story of the beginning of a movement.  In the 1970s, young women were rejecting the plans that were laid out for them by their parents and picking up the bricks and nailbats we carried through the AIDS crisis and which we’re still carrying today to fight our way against an establishment who wants (needs) us compliant and silent. And the beginning of America gay comics, a story we are still very much in the middle of.

Ratings:

Story – 7
Art – 6
Characters – 7 Earnest, rather than likable
LGBTQ – 5 Lesbian sex is the mindblower
Service – Sort of. There is nakedness and stuff, but it’s not really salacious…..

Overall – 7

It’s not a lesbian story per se, but it also is.



Yuri Manga: Comic Yuri Hime December 2017 (コミック百合姫2017年12月号)

November 22nd, 2017

With the publication of Comic Yuri Hime, December 2017 (コミック百合姫2017年12月号), the very first year of having a monthly Yuri manga magazine comes to an end. And what a year it has been. In the same way that I felt trepidation for the debut monthly issue, worried that it might be skewed toawrds interests away from my own, I felt similarly for this issue, which highlights some new artists. (While meanwhile, most of our best-loved artists have joined the team at Galette Works.) Unfortunately for me, the Comic Yuri Hime series they are putting the most money into are the ones I like least, so, how would I feel after reading this issue?

I’m pleased to say that Comic Yuri Hime is ending the year about as strongly as it began. Which is to say that it begins with an energetic young woman entering high school and befriending the morose rumor-laden classic Japanese beauty girl. Yep. Still trope-y as heck. ^_^

The cover couple seem to have made up and are cute and wintery. (I wonder, a bit, about people still motivated to draw the same one tropey couple as always. Really? REALLY?!?)

I’m reading two completely separate “girl falls for her sister-in-law” series at the same time, so I find it hard to remember in which the brother is alive and which not. In tMnR’s “Tatoeto Dokanu Kedatoshitemo” Uta’s crush is not as secret, I think, as she’d like us to believe. This chapter focuses more on Kaoru’s relationship with her husband. I’m more uncomfortable with this series since Reichi is alive but in any case, this story has become so depressing, I’m considering dropping it. No one seems happy ever.

After it’s dark opening chapter, “Shiori wo Sagasu Page-tachi” takes a turn sideways, to Chitose’s childhood friendship with Rikako.

“2DK, GPen, Mezamashitokei” gives us a glimpse of what Nanami’s coworkers think of her, and then we watch her spin in the cycle she’s created for herself.

Tsuitsui’s art is a mess, but despite myself I keep liking the story. In “Astrology ha Mawaru” a cool girl is torturing herself about a lost (opportunity for) love, until a young woman ends up taking up her attention.

And no surprise I adore Taneko’s “Model-chan to Jimi Mane-san” about a beautiful model and her new manager. The whole thing felt so Mist magazine, it made me grin. Even the cover piece was like, “throwback!”

Ratings:

Overall – 8

As always, there were many other stories I didn’t review, or even read, but others I did read, but didn’t mention. There’s a host of moe-type stories for folks interested in that, at least a few stories for those of us who prefer not. A reasonable mix. But forgive me, please, if I cannot *wait* until Yuru Yuri, Citrus and NTR are gone and free the space up for something else.

The January 2018 issue is on sale now. I know I look forward to another year of Comic Yuri Hime!



New Essay on Yuricon Essays Page!

November 20th, 2017

Last week I had the extraordinary pleasure of lecturing for the Gender and Fandom class at Harvard University. I cannot express what joy I have when I stand up in front of a class and get to expound upon the vagaries of  publishing, sales, communications, queer manga and the role fans have played in the evolution of it all.

I’m always asked if I’ll have a video up and the answer is usually no. It’s still no today, but at least I can share with you the full text of the essay on which this talk is based. 

How Fandom Made Queer Manga Possible is up on the Yuricon Essays Page today. It’s also been added to the Big Book o’Yuri, which is closing in on 2/3 done. ^_^

While I was in the area, I also hit up the Boston Museum of Fine Arts to see the Murakami / Tsuji collaboration, Lineage of Eccentrics exhibition. It was fantastic.  And…it was fanart! Basically they pulled items out of the MFA collection and Murakami did a riff on the item. You can see what I mean a little on this video preview on the MFA’s website.

The MFA also had a delightful “showdown” exhibit, pitting Kuniyoshi’s bright colors and  Shounen Jump-eque heroes against Kunisada’s sophisticated body language and pretty women in Showdown! Kuniyoshi vs Kunisada. It probably comes as no surprise that I favored manga-like Kuniyoshi, but really think Kunisada’s work is stellar.

Thanks to everyone who came to the talk and thanks again to Kerry for the invitation and Jude for junketing us around. It was lovely to see you. (And also Brigid and Kate, who met up with us for dinner the night before.)

I hope you all enjoy the lecture!