Yuri Manga: Pulse, Volume 1 (English)

December 15th, 2016

One of the greatest pleasures I have as a Yuri manga fan is seeing the development and growth of an artist I like. In 2015, I had the chance to introduce you to Ratana Satis, a talented Thai artist, who had put together Lily Love, a story of two college students who fall in love. Earlier this year, I was able to review the English translation of the story. As with Godley Malabanan’s Tagalog Yuri comic World Canvas, my only criticism was in the typicality of it. Lily Love is a classic “Story A” without much to differentiate it from the many others of it’s sort.

Still, I loved Ratis’ art and her characters, I was thrilled to be able to pre-order her newest series, Pulse. Volume 1, which arrived as a gorgeous hardcover volume that is now sold out. I hope that it will be re-released as a softcover, but it can be read online for now.

The hardcover is large, like a bande dessinée, with a color cover wrap, and a one-color image on the book itself. The pages are full-color, each with two strips down the page lengthwise, as one reads online. The pre-order came with a color postcard of the leads, a pin and the book includes a color fold-out poster.  It pretty much pulls out all the stops. ^_^

Pulse is, in short, the story of a heart surgeon  who has no heart. Mel is a successful heart surgeon and a playgirl. She has her pick of the nurses and other lovers, but has no interest in a relationship. When she meets Lynn, a college student who needs a heart transplant but will not get one, Mel feels an unsual, for her, sense of attraction.

Lynn recognizes Mel’s interest but also can see that Mel herself is isolated from others – by choice, but still.., so she comes up with a ridiculous idea. If Lynn can make Mel fall in love with her, she’ll get the surgery, and only if Mel will do the surgery. Well, Mel refuses to commit to the last bit, but takes Lynn’s bet. As the volume comes to a close Lynn has moved in with Mel, in order to better push her case.

There’s a lot to like in this story. Mel is kind of cold, but not a jerk. That is to say, she’s not unkind, or rude, she’s simply uninterested in other people. The sex is nice and always consensual. In fact, that’s one of Mel’s two additions to Lynn’s contract. Sex, should it happen, will be consensual and Mel is not changing her life at all for Lynn’s benefit. Seemed perfectly reasonable to me.

The attraction between them is instant and by forcing them and us to give it time, we can enjoy the tension instead of rushing them to a conclusion. 

The fact that both Lynn and Mel are adults appeals to me, just as Donut and Pew were, but with the added layer of an adult not in school. This is something we really have to grasp, in a scene where Mel and Lynn are present when a car accident occurs and Mel jumps into caring for the victims. 

The last thing that really made the story stand out was that men exist in this world, as relatives and colleagues. It’s not one of the all-women-all-the-time worlds. This world is the world.

Once again, I have nothing but praise for Satis’ art. Mel is sexy and adult and competent and a little aloof, and Lynn is cute and we want her to win so she’ll get a new heart. 

I also want to shout out to the Three Musqueerteers translators, who continue to put out excellent work.

Ratings:

Art – 10
Story – 9
Character – 8
Yuri – 10
Service – 6

Overall – 9

Pulse is an excellent story, and a beautiful book, and I look forward to reading more.



Halloween Trip to Japan – Guest Post by Bruce P.

December 14th, 2016

Hello and welcome to Guest Review Wednesday! Today we have an extra-special report  by our dear friend and co-conspirator, Bruce P, who ran off to Japan without me. :-( Settle for what always promises to be a good time, in the company of a great writer! Take it away Bruce! 

 

On a trip to Japan this Halloween I was able to attend a couple of events that might be of interest to Okazu readers. The highlight of which was an exhibit of artwork by Yamagishi Ryoko, the exceptionally talented shoujo mangaka who authored Shiroi Heya no Futari, one of the earliest Yuri manga.

But first – a visit to the Akasaka Red Theater, venue for the live performance of Grand Stage, the Takarazuka-esque CD voice drama series that Erica has been reviewing. The final show was already in progress as I arrived in Tokyo, so it was a race from the plane to the bus to the hotel to the subway to Akasaka. Sweating, stumbling (long flight), I arrived in time, if I could just find the theater. Everything was working out so well. It really was a lovely autumn evening, and the Akasaka streets, sparkling with neon and echoing with gentle laughter, had a delicate nocturnal beauty, pole dancing places glowing softly in the night.

Problem was, I had real trouble locating the venue.  As it turned out I wasn’t looking low enough. Descending from the sidewalk, behind some outdoor tables with pumpkin candles, the theater entrance looked a bit like an access to a storage cellar. Grand stage indeed. But the display posters were colorful. It’s interesting that the title graphic includes both a lily and a rose, a wink at the spectrum of gender/orientation conflation possibilities.

 

Less than a minute after I found the theater the show let out, and that’s timing. The audience numbered half a dozen or so, mostly women in floppy hats and clunky shoes.

They all seemed pleased with the show and there was much picture taking as an earnest theater employee (left), with over-caffeinated efficiency, immediately began pulling down the posters.

It really was a nice night-before-Halloween, and I was happy to see that the nearby Akasaka Toyokawa Inari Betsuin had put up their pumpkin lanterns (or maybe not).

On Halloween itself the new Mayor of Tokyo had fun dressing up as Princess Knight.

In Shibuya a lot of other folks had fun dressing up too. Those having the most fun were shown repeatedly on the news being carted away in ambulances and police cars.

The Yamagishi Ryoko exhibit was in the Yayoi Museum near Tokyo University. The Yayoi is dedicated to exhibiting print illustrations and manga art from the Taisho and Showa eras – essentially the 20th century. I had been to this museum some years back for an exhibit of works by the illustrator Takabatake Kashou, at which I snapped up the poster below.

Happy to get reacquainted I headed out to the Museum:

Sign on chair: Closed Today. Improvising on a trip (‘blundering about Japan’) is enjoyable, and takes less work than planning, but I do see a lot of these signs.

I returned a couple of days later. The exhibit was absolutely worth the extra trip. Yamagishi-sensei was part of the talented group of female shoujo mangaka known as the Year 24 Group, which also included Ikeda Riyoko (Rose of Versailles), Hagio Moto (Heart of Thomas), and other exceptional artists. The exhibit was on display in two large rooms, with walls and center display cases in both lined with a tremendous selection of Yamagishi-sensei’s work. About a dozen people were there enjoying the art.

Here are just a few of many examples that caught my eye, imaged from a book that was essentially the exhibition catalogue. Photography was not permitted in the exhibit.

Dream (1978). 1930’s cool.

Left and Right (1969), debut manga.

 

Hi Izuru Tokoro no Tenshi (1982), artwork for a record cover.

 

Secret Love (1986). Columbine and Camelia.

While I was busy taking notes (who knew there was a catalogue?) an older Japanese couple approached in curiosity and introduced themselves. Long-time Yamagishi fans, they had made the trip down from Sendai just for the exhibit. They were pleased, if puzzled, to find a westerner so interested in her work that he would take notes, when there was such a nice catalogue, and we had a lovely chat. They really wanted to make sure I knew that Yamagishi-sensei wasn’t just a manga artist, she was a real artist. While I believe the line to be a lot more elastic than that, there is no doubt that she is an artist in every sense of the word. Here is a link to the exhibition poster.

My only regret was that the original cover art for Shiroi Heya no Futari was not on display. There was too much art for the space, so the display items changed, and that one wasn’t up at the time. But the exhibit was absolutely worthwhile (and is running through Dec 25, so if you hurry…). Definitely the highlight of a great trip.

Well, um, that and the Perfume concert in the Nagoya Dome. If you’re partial to music with your lasers.

E here: Thank you Bruce for the report (and the copy of the catalogue. I’ve drooled over it many times already). It’s always great to hear your travel stories!



Yuri Manga: Cocytus Perfect Edition (コキュートス 完全版)

December 13th, 2016

Back in 2014, Kodama Naoko, in pre-NTR  days had two short series that had run in Comic Yuri Hime magazine, collected under the title Cocytus. (Cocytus is one of the five rivers that runs into Hades. Cocytus is the river of lamentation. Isn’t that a cheerful title? The other rivers are Styx, Lethe, Acheron and Phelegethon, because I know you know I care about such things. ^_^)

Now her work has been republished in a final format as Cocytus Perfect Edition (コキュートス 完全版). The two series follow couples so close to being identical that I had to keep reminding myself that it was two separate series.

In the first, a cheerful schoolgirl finds herself intrigued by, protective of, and eventually interested in a melancholic classmate.

The second and title series follows, again, two classmates, who are close and getting closer. Ultimately, they decide to remain together without a sexual relationship. We see them in the short original epilogue as adults who have established a life as a couple for themselves.

There’s nothing really bad about Cocytus, certainly nothing that lends itself to lamentation. The characters are pleasantly bland, with small moments of humanity that, should they have been developed, might really have led to a great story. But they weren’t.

I’m not particularly fond of Kodama’s tendency to draw her Nadesico-type character with deadish eyes, but that’s a fairly small quibble.

Ratings:

Art – YMMV, but for me it’s 6, tops
Story – Same
Characters – 5 They never really develop beyond quick flashes of “oh”
Yuri – 4 By default, rather than by intention
Service – The title story has some rather pointless nudity

Overall – 6

If you either like Kodama’s work generally, or would like to look back a bit at an earlier series, Cocytus is a nice enough read, if not particularly compelling.



Lecture at the University of Michigan – Ann Arbor on January 19, 2017

December 11th, 2016

It is with the greatest of pleasure that I announce that I will be doing a lecture at the University of Michigan in Ann Arbor on January 19, 2017. 

I’ll be presenting Alt Manga, Queer Manga: Telling Our Own Stories about how fan and creator perceptions and desires transformed into commercially successful manga and anime genres.

I am told that the lecture will be open to the public with RSVP. As soon as I have information on this, I will share it. 

Thanks to Jennifer Robertson and the Center for Japanese Studies (CJS) at the University of Michigan for the invitation!

 

 



No YNN Report This Week

December 10th, 2016

Life. You know. ^_^;  

In the meantime, you should be ordering a bunch of copies of Absolute Power : Tales of Queer Villainy for yourself, your friends, your children and your friends’ children. ^_^