Ten to Chi no Moribito, Part 3, New Yogo Koukoku Hen (天と地の守り人〈第3部〉新ヨゴ皇国編)

November 27th, 2016

ttcnmnybAt last. 

We arrive at the final chapters of the long, dark travels of the female bodyguard Balsa and her ward, young Prince Chagum.

It’s been about 9 years or so, since I first encountered the anime Seirei no Moribito (released as Moribito in America by Media Blasters and recently re-released on DVD and Blu-Ray by Viz Media.) I still consider this to be one of the finest anime I have ever watched – superior even to the books it was based upon.

I’ve reviewed most, but not all, of the novels here on Okazu. 

When we left the narrative in Part 2 of the final arc, the Tarsh Empire is massed to attack Chagum’s home, New Yogo. As the story opens up in Ten to Chi no Moribito, Part 3, New Yogo Koukoku Hen (天と地の守り人〈第3部〉新ヨゴ皇国編)., Tarsh arrives at the plain where Tanda and the other men of his village have been impressed by the army to do manual labor. Unable to do anything at all, Tanda can only watch as the men and boys he’s grown up with are slaughtered around him. The tide is turned only by the timely arrival of troops from Rota and Kanbal.

Torogai, having confirmed that the waters of Nayug are about to overflow into Sagu and boiling and unfettered, will destroy New Yogo, has gathered as many of the Yaku shaman she can, in order to do a dangerous spell that, if successful will help to warn people, and if not, will destroy her. Another of their number had recently attempted it, but had died trying.

Chagum returns to the Palace in New Yogo, only to find that his father is not the man he (nor I) thought he was. He comes to court bloody from his first battle, scarred by knife and sword, and finds the man he thought was his father, viewing him as a hated rival. Chagum tries to warn him of the impending flood and the war, but he and his message are rejected. (And finally, I see that the Emperor was not really all the nice all along. The live-action got it right and I was wrong.)

Almost immediately, one of the Generals attempts to assassinate Chagum, but Shuga, who knew it was likely, is there to heal him. While healing, Chagum is pulled into Nayug, where the water spirits tell him about the flood. Still in Nayug, Chagum goes to his father’s court, but cannot be heard. He is able to cause a ruckus and get Shuga’s attention. Shuga, who has been warned by Torogai also tries to tell the court, but he too, is not fully successful. He tends Chagum’s body and awaits the end.

Torogai completes the spell and is able to save many people, by getting them away from the river before the flood.

But the hero of the story is down in Tarsh. The pirate Hyuugo, whom we had thought was dead, is brought home, barely alive. There, after the old king dies, with the two sons vying for the position of King, Hyuugo tells Prince Raul that he cannot win against the alliance of New Yogo, Rota, Kanbal and Sangal and the only thing he should do is immediately withdraw. The day after Raul is made King, the war is over.

And I stared. Um, huh? That’s it? Boom? No more war? Yup. End of war. 

Chagum’s father and most of his court died in the flood of boiling water out of Nayug. Tanda lost his arm and his will to live in the war and is suffering from PTSD. Balsa is tending to him, knowing there’s nothing she can do. Slowly, New Yogo is rebuilding, but a lot of people will never return home. As summer dawns, Tanda finally turns towards healing and he and Balsa finally kiss.

Chagum is walking through the palace and find his younger sister and brother. Tortured by the idea that he is about to become “the voice of god” and knowing perfectly well that he is merely a human, he decides he’ll rule in such a way to make his siblings’ lives peaceful. Two days later, Chagum becomes the Emperor of New Yogo.

Summer passes, then fall, then winter and spring and once again it is summer. Balsa returns home, paying one last visit to the old lady Masa who took in Asura and Chikisa (from Kami no Miribito, Part 1 and Part 2,) who have decided that they are ready to think about returning to Rota. Finally, Balsa returns to her home, where Tanda is cooking her dinner and Torogai is hanging out drinking. 

The End.

Ratings:

Overall – 8

Other than the abrupt end of the war, nothing was really surprising in this novel. Nonetheless, I’m kind of glad that we got to see Balsa and Tanda end up together. The plotting in the novel series has always been a lot of set-up for a handwave ending (which is one of the several things that the anime did better than the novel), but the characters have always been worth it.

Turns out there is one last book in the series (other than the cookbook, Balsa’s Table.) Nagareikusha: Moribito Short Story Collection, (流れ行く者: 守り人短編集) follows Balsa as a young girl, traveling with her foster father Jiguro. Undoubtedly, I’ll end up reading it eventually. 

But this is the last of the Balsa and Chagum books and, for a series that took me about 5 years to read, it was pretty damn good. Now I can kick back and watch the live action and complain about all the changes, just like a real fan should. ^_^



Yuri Network News – (百合ネットワークニュース) – November 26, 2016

November 26th, 2016

YNN_MariK

Yuri Manga

From Dengeki Comics comes Eclair – Anata ni Hibiku Yuri Anthology (エクレア あなたに響く百合アンソロジー), a Yagate Kimi ni Naru (Bloom into You) anthology, with works by Hirao Auri, Kitao Taki, Kanno, Mekimeki  and other Yuri creators.

NTR: Netsuzou Trap and Citrus creators Kodama Naoko and Saburouta have a round table discussion about their works and Yuri generally, on Comic Natalie. (In Japanese.)

Comic Natalie also  reports that Kimi ni Yagate Naru and Happy Sugar Life are banding together for a special 16-page collaboration to be sold with Volume 3 and 4 of each series, respectively.

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Support Yuri News, Review and Interviews! 

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Yuri Anime

Just in time for your gift wish lists, we’ve added a couple of Funimation titles to the Yuricon Store:

 Yurikuma Arashi Complete Series (BD/DVD)

Riddle Story of a Devil Complete Series and OVA Limited Edition.

Not anime, but definitely Animation,  YNN Correspondent astrojensen suggests this animated sci-fi short, Orbitas. It’s worth a watch. ^_^

 

Manga/Comics News

Crunchyroll News has the scoop on the Twitter-comic announcement by Aoki Ume of the 9th volume of Hidamari Sketch (ひだまりスケッチ).

ANN reports that creator of Jormungand and Destro 246, Takashi Keitarou, is starting up a new manga series. Just as a guess, it’ll have some fetishy Yuri, because his work usually does. ^_^

Refinery29 has a first look at America, Marvel’s new title starring a queer Latina superhero, America Chavez.

 

Light Novel News

Yen Press has announced they will be publishing the Sound! Euphonium light novel. ANN has the news.

 

LGBTQ News

Alison Bechdel last drew a Dykes to Watch Out For comic strip when Bush was president. In the intervening 8 years, she hasn’t had a lot of reason to worry about her characters. But like so many in the post-election pall, she found herself looking towards them.  And so, on November 23, 2016, Alison Bechdel drew a new Dykes to Watch Out For strip. It says so much about the need the LGBTQ community has for this and her place in our artistic community that her site was crashed by the sheer number of visitors she received.  

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I’d like to editorialize here for just a second. I’ve received a number of kindly-meant emails from the straight, white, men of the Okazu family, most of which express calm reproach for my tone of late. I love you all, but I respectfully ask you to listen with sincerity to the fact that we, your LGBTQ, non-white, non-male, non-Christian friends and family are terrified. Not irrationally so, as the incoming government will be informed by and run by actual white Christian nationalists. It is already, not all right. 

Thank you for understanding.

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From Japan, we have two PSA poster campaigns that offers up hope for a better world.

Yodogawa Ward in Osaka has a launched a LGBTQ issue awareness campaign, which speaks to issues like bullying over sexuality and gender presentation. 

And, in Aichi prefecture, the “We’re All Normal” poster series, teaches folks about the toxicity of presumed gender roles, and prejudisce around sexual and gender identity. 

 

Know some cool Yuri News you want people to know about? Become a Yuri Network Correspondent by sending me any Yuri-related news you find. Emails go to anilesbocon01 at hotmail dot com. Not to the comments here, please, or they might be forgotten or missed. There’s a reason for this madness. This way I know you are a real human, not Anonymous (which I do not encourage – stand by your words with your name!) and I can send you a YNN correspondent’s badge.

Thanks to all of you – you make this a great Yuri Network!



Yuri Drama CD: Grand Stage Romance Review 2 Subaru Ryoya (グラン・ステージ ロマンスレビュー 第2幕「昴涼夜」)

November 25th, 2016

gsrrsrLesson learned. When one has a week-long migraine, one should not listen to Toyoguchi Megumi yelling at one for 40 minutes. 

Learned, because that is the bulk of the content of Grand Stage Romance Review 2, Subaru Ryoya (vラン・ステージ ロマンスレビュー 第2幕「昴涼夜」) – Ryoya yelling at you. ^_^;

You may recall from Ryoya’s original Grand Stage Drama CD, that she is imperious and demanding and that we, as the Christine to her Phantom, have a lot to live up to. As the second series Drama CD opens, we have failed to live up to her standard and she is furious with us.

One of the many things I like about the Romance Review series is that the behavior “we” engage in (as narrated by the otokoyaku) all seem really sensible. “Our” behavior makes perfect sense in the context of what’s going on. So, as Ryoya is ragging endlessly at us, at some point I thought, “Good god, Ryoya are you jealous?” And, all of a sudden, we hear the rustle of cloth, Ryoya reacts as if she’s been slapped and I thought, “we” just said that exact same thing to her face. Good.

Ryoya follows us to the park, where we meet up with Akabara-no-kimi, presumably for advice on how to deal with Ryoya.  Ryoya’s jealousy hits 4th gear. What follows was a series of intriguing conversations around this straightforward plot.

First thing of note was the excruciatingly adorable shift in Toyoguchi-san’s voice when Ryoya calls home. The imperious, demanding Phantom sounds, instantly like a daughter talking to her mom. I squeed and laughed out loud simultaneously. 

Also extremely enjoyable was Akabara-no-kimi’s gentle guidance. She said something that has had me thinking for days. When Ryoya reluctantly admits to being jealous of Akabara-no-kimi, Yui says, “So am I.” “Akabara-no-kimi” Yui points out, is a construct, a work of fiction, that she is always running after. I though that was a genuinely insightful line.

The final scene is our and Ryoya’s reconciliation. She admits to be having been a jealous ass and we agree that she has indeed been a jealous ass. ^_^ Our speaking parts are indicated by much movement of cloth, indicating expressive physical movement, and I had a momentary vision of us speaking in Japanese Sign Language with flamboyant, angry arm motions. It made for a great imagined visual.

The final track is Ryoya’s new image song, “Sleepless Night” in which her jealousy plays a part in keeping her up.

Ratings: 

Overall – 8

I very much enjoyed this CD, despite the shouting. In several ways it served to humanize Ryoya and also give us a backbone that we were not permitted in the original Phantom/Christine scenario. 

Here is Toyoguchi-san singing “Sleepless Night”. Enjoy.



Yuri Manga: Yuta-san ha Mamanaranai! (ゆたさんはままならない!)

November 24th, 2016

yhmn-e1477085522679Ichijinsha is doing some interesting things these days. In an attempt to discover new (presumably cheaper) Yuri talent, the editors of Comic Yuri Hime have been looking at Pixiv, as well as doujinshi,  as a farm league for manga artists.  Mimoto is one of those artists.  And today we’re going to look at her manga, Yuta-san ha Mamanaranai! (ゆたさんはままならない!).

We meet Reki, a disaffected young lady, who is going through the motions of life and school with no particular joy and the changes in her life as her classmate Yuta-san just sort of worms her way in.

Usually, when we encounter a “my pace” character they tend to be a little loopy, kind of lazy and kind of hyper, like Yui in K-On!. But in this case, the “my pace” character is actually the grounded one, and the foil is the one who tends towards overreaction and hyperbole.

The Yuri is implication and goofy situation comedy, but by the end of the story, when Reki is looking at Yuta-san and finally sees her for the lovely, kind young woman she is, you can easily imagine that there’ll be more.

The final chapters are a short about a relationship built on lies and sexual coercion, which contrasted unpleasantly with the rest of the content.

Ratings:

Art – 6 Mostly simplistic, but when she ramps it up, it has an immediate effect
Story – 8 for the main story, 4 for the extra
Characters – Same as above
Yuri – 5 for “Yuta-san”, 7 for “Usotsuki”
Service – 2 for “Yuta-san”, 8 for “Usotsuki”

Overall – 7 for the main story, 4 for the extra

The main story is a kind of sweet little tale about a girl pulling a cynical and world-weary classmate out of her self-imposed shell. It’s a manga I had no expectations for and ended up enjoying immensely. For which I am extremely grateful.

Let me wrap this up today with my annual Thanksgiving note. It’s harder for me this year than this has been in 14 years – I’ve rewritten this paragraph 6 times. But I can and will say this, I am exceedingly grateful to every one of my Okazu readers and commenters, Guest Posters, Heroes and Superheroes. You are the greatest community any writer could ever ask for and not a day goes by that I am not sincerely, deeply thankful for you all.

Thank you – all of you – for being part of the Okazu family!



Otomodachi Kara Hajimemashou Manga, Volume 2 (お友達からはじめましょう。)

November 22nd, 2016

otghjms2Back in 2013, I took a look at the first volume of Otsu Hiyori’s new manga series because the obi has read “Girl Meets Girl” + “Boy Meets Boy.”. What I found was a group of likeable characters and a low-stress slice-of-life story. Pretty much exactly what one might expect from Otsu-sensei. ^_^

In Volume 2 of Otomodachi Kara Hajimemashou (お友達からはじめましょう。) we begin with the boys, Haru, Kou and Hayato in their quest to prove worthy of a cooking club at school. They put their time, effort, practice, heart and souls into cooking a really amazing meal for the teacher they want as an adviser. His response is to slap them down hard with a “It was good, but not amazing.” Disheartened, but determined, they turn away planning a second  try, when the teacher tells them that he was impressed by their devotion and he’ll do it – he’ll be their adviser. Success for the boys!

We then look at the girls. Akira is struggling to understand if she’s interested in the boy Chizu likes, or what? She watches him, but is it that she likes him or watches him on Chizu’s behalf? She doesn’t know. Meanwhile, Chizu drags Akira along to photography club, which Akira has no particular interest in. But, as she starts to take photos of people and things, and especially outgoing Chizu, something in her changes. All of a sudden, Akira finds that the world looks different and she really likes taking pictures! She decides to get a job to be able to buy herself a camera and throws herself into the idea of her being a cameraman.

Yuri is close to nonexistent, unless you really read into Akira and Chizu (which you totally can, but it’s all on you) and there’s no BL at all.

I’m fairly certain that any romance in this book will be straight, but it’s also kind of aside from the point. As the title says clearly, “Let’s start here as friends”. It distinctly feels more like the story is about both Akira and Haru building close friendships, than a school-life romance. 

Ratings:

Art – 8
Story – 7, holding steady
Characters – 8
Yuri – 0
Service – 0

Overall – 8

The story is comfortable and fun with Otsu’s typical low-key characterization and relaxed drama. If you’re already a fan, you’ll probably slip this series on like a comfortable slipper.