Yuri Manga: Hana to Hina no Houkago, Volume 2 (ハナとヒナは放課後)

September 30th, 2016

hthnh2In Volume 1, we met Hana, a typical high-school girl with an afterschool job at a mascot goods store, against school rules. At the store, she meets and befriends Hinako, another student from her school, who joins her as a part-timer. Hinako is also an amateur model with polished, adult looks, despite her actually being a first-year and Hana’s junior.

In Volume 2 of Hana to Hina ha Houkago (ハナとヒナは放課後), the story follows a well-worn path through familiar territory for Morinaga Milk fans. As the two girls become closer, they – each in their own way – start to develop feelings for the other. And, as they grow closer, the potential for small jealousies and misunderstandings increase.

Hana learns about a former friend of Hina’s, Maiko, who is also a model. Unusually, it is instantly apparent to us that Hinako and Maiko’s relationship was more than friends, even if it’s not at all apparent to Hana. Hina, for her part, is jealous of Hana’s school friends, in a quiet, unintrusive way. They are switched off the same shift for school term exams, which adds to the sense of distance between them.

Hina comes awfully close to kissing Hana one day and is appalled at herself. Hana is starting to think about Hina differently when she actually meets Maiko, who casually tells her to tell Hina that her former girlfriend dropped by. The scales fall (at least partway) from Hana’s eyes.

Now we return to the tried and true as both girls have the same feelings, but neither can bring themselves to mention it to the other.

Hopefully Volume 3 will quickly resolve this and equally hopefully, we’ll get to step beyond that a bit and watch the relationship develop past the “we like each other” stage. At the moment, though, Morinaga-sensei is firmly in her comfort zone of just before-the-confession. While I am glad that Hina has had a previous girlfriend, I have no idea if or how that might affect the narrative going forward. I hope it does have some affect other than being a reason to be jealous. Certainly, Maiko didn’t seem vindictive or anything. So maybe, just maybe, we’ll get to see a conversation about being gay in a Morinaga series. It’s still an outside chance, but she’s been edging closer and closer over time and Futabasha is the same publisher who is putting out Otouto no Otto.

Ratings:

Art – 8
Story – 7
Characters – 7
Service – 4
Yuri – 5 for Maiko

Overall – 7 +1 for the existence of a former girlfriend.

I still have fingers crossed. ^_^



Cross Ange: Rondo of Angel and Dragon Anime (English) Guest Review By Mariko S

September 28th, 2016

caradIt’s Guest Review Wednesday here on Okazu! Today we have returning Guest Guest Reviewer, Mariko S, who will be handling a request I get here rather often, a look at the Cross Ange series.  

If you know of some media that you consider Yuri or lesbian and want it reviewed, but haven’t seen it here, take a look at our Guest Review Guidelines and consider offering to write a review. 

So please welcome back Mariko and give her your undivided attention. Take it away, Mariko!

Compared to a couple of decades ago, it has never been easier to acquire and enjoy Yuri. Before, outside of a couple of pantheon-level characters and series, we Yurifans were mostly relegated to overblowing curiously timed blushes and offhand remarks. Now there’s more dedicated Yuri content released than ever before.

Of course, the dark side of this evolution has been the ossification of the Yuri genre around the “pure schoolgirl” archetype. This has resulted in seemingly endless series devoted to a plain girl entering a prestigious private all-girls school in a world where men don’t exist, and all the girls are gay. Nothing much happens over the course of a season, and at the end you get a kiss between the leads (maybe).

Where can we turn to break out of this doldrum? Where there is a real story, with a detailed plot, and things of consequence happen to a diverse cast in a richly developed world that happens to contain lesbian characters? In search of such a thing, I have delved into the world of seinen series, home of old to various evil lesbian predators or joke Yuricrushes. And to my delight, amongst the awful dreck of your Koihime Musou and Valkyrie Drives, there is some worthwhile stuff being produced! Today I come to talk to you about Cross Ange: Rondo of Angel and Dragon, available on Crunchyroll (behind an adult themes warning.)

We are introduced to an idyllic world, seemingly free of all strife, and the magi-tech power called Mana that enables it. Our heroine Angelise is a spoiled, ignorant princess who, as it turns out, is one of the outcast “norma,” people (always female) who cannot use Mana. Her unmasking and downfall is orchestrated by her scheming brother, and as a result she is rudely ripped from her perfect life of privilege and thrown into the hidden war that enables the rest of society’s bliss.

As she finds out, when norma are discovered they are sent to a distant island where they are forced to use non-magic weapons in the form of fighting jet-robots called para-mails to battle extradimensional invading dragons. Most of the girls have been there since birth and know no other life.

The series has a remarkably good pace of character development for Ange. She has lived all her life believing that norma were antisocial monsters that must be eliminated, and it is not a quick or easy process for her to accept that she is one and how to restart her life as one. Additionally, the layers of truth and fiction surrounding the reality of the show’s universe are revealed in a gradual but compelling way. Things do not stay static long on this show.

Ok, so I will outright say it – many aspects of the show can get pretty ridiculous. The service is liberally sprinkled around: the battle uniforms are glorified fetishwear, too many conversations take place in baths, and there’s no shortage of boobs and butts flying around. However, as far as the plot is concerned, as crazy as many of the developments seem as they come out, for the most part I have to give the show credit for hanging together by its own internal logic to the end. There is only one truly horrendous asspull for which you will have to pretend they came up with a better explanation.

There are situations of violence and sexual coercion meant to emphasize Ange’s vulnerability. There’s lots of violence overall; although most of it isn’t especially gruesome, some scenes could be difficult if you are sensitive. Finally, the token male lead/love interest Tusk has a running gag of ending up face-first in Ange’s crotch at every opportunity. It isn’t funny the first time, and gets less funny every time after.

But that out of the way, unlike many of its contemporaries, this show has a brain and a heart. Ange goes on quite the journey from a weak, irritating, unlikeable brat to a strong, seasoned, fair leader. The series wants to say something about the way groups of people are marginalized and demonized to maintain a false sense of security. It brings together a diverse cast of people who are not stereotypes or tokens, but who have pasts, presents, and futures to explore. It draws a distinct contrast between the way the main villain says he wants “strong women of intelligence” by his side, but really just wants obedient servants, and the truly strong women who oppose him. It’s not a masterpiece, but it has ambition, and that is commendable.

Make no mistake, this is a series with Yuri, and plenty of it. But also, make no mistake, this is a seinen series through and through, and wears its fanservice badge proudly and frequently. For the first half of the series, lesbian attraction and lesbian sex serves primarily as titillation. To the show’s credit, there is never any “but we’re both girls” or a sense that it’s a stand-in because men aren’t around. Some of the sex is about power, some is about genuine attraction. The only character who thinks it’s “wrong” is Ange herself, and that is part of her character development.

In the end, while she does not return the feelings of the girl who loves her, she accepts them and even chastises her for feeling that her attraction is “weird.” Her response was pretty amazing to me for a show like this: “Who says it’s weird? That’s the ridiculous world we’re going to destroy together, isn’t it?”

In fact, there are three canonically lesbian characters who are all fully developed and have arcs both including and apart from their sexuality. They are not by any means one-note side characters or jokes. And that, whatever other shortcomings this show has, makes it worth any Yurifan’s time and money.
Ratings:
Art – 7
Story – 8
Characters – 7
Yuri– 8
Service – 10

Overall – 7

Thank you very much, Mariko!



Yuri Visual Novel: Flowers -Le volume sur printemps- (English)

September 27th, 2016

flowers_dvdIf you like — or would like to like —  Flowers -Le volume sur printemps– the newest Yuri Visual Novel from Japan available in English, you may wish to re-read the fantastic review of the Japanese language version by Jye N. Before play, I re-read it myself just to be prepared.

With that said, I began Flowers-Le volume sur printemps- with no expectations. It is available on Steam, directly on the JAST USA website, or as a physical edition on J-LIST.

Immediately I realized that I had been thrown into a tale that was being marketed completely, utterly wrong. It’s not a Yuri VN. It’s a lesbian VN – with a lesbian main character suffering from crippling social anxiety and PTSD from an abusive family situation, put into a world so strange and incoherent that it’s a bit like a nightmare scenario.

Suoh has, we learn very quickly, no social skills, because of circumstance, a painful past, a bad home life and plot needs. But it becomes immediately apparent that “poor social skills” is not nearly sufficient to describe the excruciating pain and suffering this girl goes through to eek out a “Good morning.”

I was prepared to not like Suoh, but, when a week into the story, she was making minor progress, I decided to keep at it a bit longer. I played her straight, that is to say, I chose paths that fit the character we were given as a written and thought I was doing well when the game came to an end. ??? So, I went back and made a different decision. And then another. All of them ended in one of two ways, either, I screwed up or ruined everything. So I backed up again, and serially replayed every possible combination of the two questions …and there was no way forward. At which I grew bored and stopped. I consider it the story’s job to compel me to continue. As I had yet to feel anything other than pity for Suoh, and mostly to very much disliked everyone else, I did not feel so compelled.

Apparently I needed to have backed up to an earlier decision and changed my methods, but my nature doesn’t allow me to play characters out of character. A girl with crippling social anxiety is not going to suddenly be rude or forward. It makes no sense, and if the game requires me to act out of character for the character to proceed, they did a crappy job of writing, I say. ^_^;

Jye wrote that the art is beautiful. It is – if blandly but prettily realized imaginary westernish Christianish schools and schoolgirls is your thing. It’s a reasonable assumption if you read my blog, you know that, for me, it is not, in fact, my thing. ^_^ Again, if St. Miator appealed to you in a way that Lillian did not, you’ll probably like the art here at Saint Angraecum.

Technically, the game was relatively simple. The window-size made it impossible for me to access the controls, but once I shifted my configuration to fullscreen, there was no further difficulties. Jye noted that choices were colored red or green to indicate suitability, but all I noticed was green – even when I hit my dead end oubliette. All the choices were green and they were all wrong. And the negative ending didn’t honestly make all that much sense. But oh well…

The voices are pleasant but, as so often with VNs, randomly distributed. Clearly I missed some important memo about having every fifth line voiced…and never particularly important ones, but always every “…” and “ah” and breath. I apologize if I sound peevish here. This makes no sense. At all. I expect the important things to be voiced. Not the unimportant ones.

Which leads me to the translation. It was pretty good. The dialogue is stilted, and the writer had an odd obsession with throwing in “current” movie titles, which will quickly date the game, but in most cases, I felt that the translation was decent. There was even a surprisingly interesting conversation about the sexism and Christian themes in C.S. Lewis’ Narnia series. I would have liked the story so much more if it had more of that, and less of the fetishized ballet lessons and stressing about being partnered with one or another character. The only problem with the translation was that there was something in the original that made the language puzzles make sense that were lost in translation – or, to be fair, I just completely missed them. But usually, I’m pretty good about that and the obvious connections did not work, so I don’t know, ultimately what I missed there. The kanji might have been more evocative than the English. (After research, I find that my initial choice was, in fact, correct. I have no idea why the game didn’t let me move forward.)

If you enjoy the stylized narrative of a impossible Christianish school in which girls act like no humans actually act and speak in mysterious ways, in order to pair them up as romantic and sexual partners, then Flowers is definitely for you. Not so much if, spoiled by the ridiculously well-written characters of Kindred Spirits, you were hoping for something similar.

In short, if Kindred Spirits is the Maria-sama ga Miteru of Yuri VNs, with compelling characters and decent dialogue, then Flowers is very much the Strawberry Panic! of Yuri VNs, with unreal, overblown dialogue, characters who function as types, rather than people, designed to be viewed with suspicion and distrust until proven loyal.

I want to come back to Suoh one more time before I wrap up. There is nothing at all that reads more like a character who is a closeted lesbian written by a guy than a hyper-oversensitivity to touch and sight of any portion of another girl. Suoh spends so much of her first week averting her eyes from even so much as glancing at a classmate in the changing room that I imagined her walking through her days, peering carefully through a hand over her eyes. Clearly, her painful past included a confession, although I never got that far.

Ratings:

Art – 7
Story:  6 I agree with Jye, it’s not very tight. It’s trying to be too many things at once.
Characters: 7
Service: I’m going to quote Jye here directly: “5 – I bought it as demonstrating the girls’ attraction to each other.  Bump it up if you really like skinny sixteen year-olds?” I’d add sixteen year-olds with oversensitivity to being seen as lesbian.
Yuri:  5, as I couldn’t find the apparently appropriate route.

Overall:  6

None of this is to say it’s a bad VN. It’s targeted to a portion of the Yuri audience that does not include me. If you’re an avid VN reader, and like the challenge of bringing Suoh out of her shell and into the arms of a partner who will love her, you will probably enjoy Flowers-Le volume sur printemps- very much.

Many thanks to JAST USA for the review copy!



Light Novel: GIRLS UPRISING

September 26th, 2016

fmkguIt only took me 5 years to finish GIRLS UPRISING, the collaboration between science fiction writer Fukami Makoto and illustrator Kazuaki. The story ran inside the cover of the 2011 reboot issues of Comic Yuri Hime, and the illustrations captured my attention. Unfortunately, I found the small type and weird color choices of the original an actual barrier to reading.

When the story was printed as a collection in 2014, I snapped it up…only to find the type just as small on pages about the same size as the magazine. That meant four 2″ tall horizontal rows of vertical text per page. My intentions were good, but it was just a hard book to read, physically. And the story (which is rather messy) didn’t make it compelling. It kept falling to the bottom of the pile.

And now I’m here to tell you, for once the reviews on Amazon JP and I agree. This book is not Fukami’s best work.

In a post-apocalyptic world, at a school for girls where the discipline/security committee assures the students’ safety by carrying around lovingly described guns, we end up following a character so unlikable I actually waved goodbye as she headed off to certain death.

Chisato and Kotono are gun-bearing members of the disciplinary and student council.  They are best friends and lovers. Kotono is a bit moody. Chisato is a jerk. She leaves Kotono for Sayaka, then proceeds to be a jerk to her, too. Kotono finds solace in the loyalty of her vice president, Megumi. And while we spend oodles of time following these young ladies arguing and buying bathing suits, a completely different story is happening across town.

In the tower across town, lives an evil scientist, Musaki Origa and her lover/guinea pig Hyouko. Hyouko is cared by for by the android Chanel who predictably, is the 5th of her kind. What, exactly, the experiments are for, are vague. Something about an elixir of youth, but really, it’s just torture porn. Hyouko is determined to escape from the tower. Chanel, who seems to have fallen in love with her, is willing to help.

Somewhere else in this war-torn town in which shopping malls that sell bikinis and bottled water still exist, another girl, Tatsuki, meets and saves a girl in a wheelchair, Kiriko. Tatsuki, we learn, was Kotono’s former lover.

As an aside, I always find it a little silly when high school aged characters speak of “long ago” or “former lovers” as if they are 47 instead of 17. ^_^

Tatsuki relays to Chisato that her sister is the girl in the tower and Chisato tells Sayaka that her only true love is her twin sister, Hyouko. She runs off to save her sister/certain death. Bye, Chisato! You’re a jerk! I said, waving. But, no, Sayaka, Megumi and Kotono head after her.

In a crappy no-malls or bikinis part of town Chisato saves a little girl from rapists, but they are both captured by the bad guy pedophile who had never been mentioned until now, who wants to rape the girl. Chisato and the girl, Midori, are tortured a bit, then the guy’s hands are blown off. The cavalry has arrived. We kill all the bad guys and… the book ends.

Um, but what about Hyouko? Dunno. She escaped but…

This story, which was originally presented as a series of standalone chapters just didn’t work all that well with the new, final, messy chapter. In retrospect, the only two chapters that worked on their own at all were Hyouko’s story “Rapunzel” and Tatsuki and Kiriko’s brief flash of happiness.

Kazuaki’s illustrations still hold up well enough, but the novel just felt forced and fetishy without any of Fukami’s typical skill in weaving a good story.

Ratings:

Art – 8
Story – 5
Characters – mostly 6, but Chisato was a jerk – 3
Yuri – 9
Service – 9 Practically nothing but

Overall – 6

Making the unlikable Chisato the protagonist was a terrible idea. But there were still decent moments. So not unreadable, just not great.



Yuri Drama CD – Grand Stage Daiundokai (グラン・ステージ 大運動会 ドラマCD)

September 25th, 2016

gsutk Welcome back to a joyful, squeeful look at one of Japan’s Yuri-est exports, The Grand Stage series of Drama CDs. Today we’re looking at the final CD of the first “season” Grand Stage Daiundokai (グラン・ステージ 大運動会), in which the otokoyaku of the Grand Stage Sora-gumi compete in a sports festival against the other groups. (Groups that, until just now, we didn’t know existed.)

There any number of goofy contests, including the bun-eating race, which poses a huge problem for Ryoya, who is disgusted by such low-class food. The otokoyaku are required to read romantic lines into a microphone for the service of the female fans and, of course, there is a relay race in which dramatic things happen and despite injuries and because of sacrifices…they win. Phew! It’s even okay that they don’t win the contest, because they gave it their all and two of them won special achievement awards and they bonded as a team, as nakama. Niji-gumi can have the trophy.

As promised, we meet Kohaku Minami’s older sister Kurea (Claire) who is voiced by Kitamura Eri, who also does Kohaku Minami. In fact, every time we heard the female fans cheering I giggled, knowing the the otokoyaku VAs were voicing the fans, as well.

In between the events, the “boys” performed a song. And as we are at the last  CD of this series I really wanted to take a moment and tall about the music and the singers.

Every other CD has begun with a song called “Yume on Stage”  (夢 on Stage) which I have repeatedly described as the most musically predictable song ever. I’ve found a link to it on what admittedly is some really shady site. Scroll down to click the green “play” button to smile at a song so musically predictable, you’ll know every note that is coming, right down the flourish in the final line. ^_^ It’s not hard at all to imagine a Takarazuka-like revue troupe singing it.

In this drama CD, they take a completely different tack. Last spring when I was in Japan, we spent a day walking around Sunshine 60, because we had nothing else to do particularly and randomly ran into a boy idol group performance. It was surprisingly pleasant. Well, the song from this Drama CD, called “Hisshou ~WE CAN FLY~” (飛翔~WE CAN FLY~) was something you can totally imagine a boy band singing. And you know what? They sing it *really* well!  So I found you a link on a shady site, so you can enjoy at least part of the song. And I want to apologize to Toyoguchi Megumi. Because in Maria-sama ga Miteru, as Sei sits at her graduation ceremony, she murders Aogeba Toutoshi, the song always sung at high school graduations in Japan, I assumed she couldn’t sing. She can. I offer my sincere apologies for not remembering actresses act.

Physical extras with the CD this time is a card with all five of the characters in street clothes (as opposed to costume.)

Before I wrap up, I want to mention the gags built around Akabara-no-kimi, Suoh Yui. She is positioned as the senior otokoyaku of the group, to whom everyone defers. And she is also presumed to be the most cultured and elite of them, even more than the aristocratic Ryouya. So when she asks to join her teammates for lunch, you can imagine the scene as the ranks of waiters carrying trays and  trays of French cuisine across the field. ^_^

After the relay, in which Hiou Akito has been hurt, among other calamities, Akabara-no-kimi offers to help Akito get to her personal physician, I had to laugh again, as Ryoya commented that if the fans saw Yui holding Akito like that, it would be mayhem. ^_^

Overall, this was an extremely enjoyable CD and great way to end the series.

However, it played more with the maleness of the otokoyaku more than was “Yuri.” There’s never any sense of irony as the otokoyaku read romantic lines to “girls” or speak of their partners. They are largely playing the part as boys, rather than as women who play boys.

Ratings:

Overall – 9

I’m more bummed than ever at the thought of losing Saiga Mitsuki as Akabara-no-kimi if they continue, since that is the plot of the live action stage event.  Oh well, I’ve got a bunch more of these to go, and I can always go back and enjoy them all over again.