Sailor Moon ‘S’ Trailer Screened at Anime Expo

July 4th, 2016

Viz Media held a special Sailor Moon panel yesterday at Anime Expo, where they announced the cast, timing and extras for the first part of the Sailor Moon S video release, ANN has all the details, as you might expect.

S was slightly delayed because, after complaints about the visuals and sound in earlier sets, Viz announced that they were changing the process.

Well, the new extended trailer, dubbed, is up on YouTube and I have an opinion about it. ^_^ If this is what we’re going to be getting for the dub – this may well be the best dub ever made. I do not say this lightly. I don’t much like dubs, but the video and audio quality here looks and sounds…well, terrific.

Watch the trailer for yourself and let us know what you think in the comments!

https://www.youtube.com/watch?v=5zV2O9T1zZc



Yuri Network News – (百合ネットワークニュース) – July 2, 2016

July 2nd, 2016

YNN_MariK Top news this week are some interesting license announcements from Anime Expo 2016 last night.

Yuri Manga

Yen leads the pack with the announcement that they have licensed “Violence Yuri” manga Murcielago, by Yoshimura Kana. I’ve reviewed Volumes 1-7 and if you’re not sure if this title is for you, definitely read my reviews. It’s an ultraviolent, vile and horrible manga, and I would never recommend it to anyone else, but I like it. ^_^

Yen had a bunch of news this week, including an agreement with BookWalker Global which will carry their English manga. If you are still resistant to paying for online manga, either because you don’t have a phone or tablet, or you don’t like subscription models, let me assure you that Bookwalker Global is the perfect solution. Their reader works great on a laptop or desktop screen, and they have a very large bookstore to choose from in both English and Japanese – with a pretty well-developed Yuri catalog in Japanese. In my opinion, it’s the online bookstore we’ve waited for and I really like using it, especially for light novels. I recommend it highly.

Viz has also blown us away with their news – a deluxe box set of the Revolutionary Girl Utena manga slated for 2017! If you are not familiar with the manga, be warned that the TV manga is significantly straighter than the anime. But artist Saito Chiho brings her signature elegance to the whole thing and it’s worth reading both TV and movie manga for 2 more wholly unique takes on the story. Like the TV anime and movie, the same characters are reworked differently to create a whole new story. (Additionally, the movie manga changed my life completely, so there’s that. ^_^)

Undoubtedly, there will be more news out of AnimeExpo, so keep tuned!

If you (like me) didn’t think to preorder the most recent issue of Nakayoshi magazine, you (like me) found out that it has completely sold out everywhere! Komatsu-san tells you why over at Crunchyroll News! (Hint: Cardcaptor Sakura is still super popular.)

All over my Japanese language feed last night was news of Nagata Kabi’s Pixiv manga now going to print, Sabishi-sugi Rezu Fuzoku ni Ikimashita Report (さびしすぎてレズ風俗に行きましたレポ) about the mating behaviors of native Japanese lesbians. ^_^;

And great news from our friend Niki Smith, who has a new graphic novel length work coming soon. Crossplay is about a group of friends figuring out sexuality and gender identity through cosplay and fandom.  She says “There will be more than a few women living happily ever after together.” Can’t wait to see it!

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Other News

Steven Universe will be returning on July 18th with new episodes! I am actually dying to see how the Peridot arc concludes, but I’ve enjoyed the sideline into Ruby and Sapphire’s relationship. ^_^

Completely off-topic for Okazu, but wow, two women have been signed by a minor league pro baseball team! Kelsey Whitmore and Stacy Piagno will be playing for the Sonoma Stompers this summer.

You remember the lesbian classic movie, But I’m A Cheerleader!, don’t you? If not, run out and rent it right now, I’ll wait. ^_^  I know that when I watched Natasha Lyonne and Clea DuVall in that movie I was kinda hoping that DuVall was actually gay. She’s so interesting. Well, apparently she is and she is reuniting with Lyonne and another Cheerleader co-star Melanie Lynskey for her directorial debut, Intervention.  DuVall and Lyonne will be paired once again as a lesbian lovers.  I’m definitely going to watch this.

Taneka Stotts is spearheading a very exciting Kickstarter for Afro-Futurism comics that I wanted to let you know all about. I’ve backed Elements: FIRE because it sounds simply amazing. It blew threw 1/3 of it’s goal on day one of crowdfunding – which is not yet over – so signs point to this being a successful project. (And again proves how delusional it is when publishers insist there is no audience for comics/literature/anything at all by and for people of color.)  I hope you’ll go take a look and consider backing this and other diverse indie comic projects! It really makes a difference.

Know some cool Yuri News you want people to know about? Become a Yuri Network Correspondent by sending me any Yuri-related news you find. Emails go to anilesbocon01 at hotmail dot com. Not to the comments here, please, or they might be forgotten or missed. There’s a reason for this madness. This way I know you are a real human, not Anonymous (which I do not encourage – stand by your words with your name!) and I can send you a YNN correspondent’s badge.

Thanks to all of you – you make this a great Yuri Network!



Yuri Anime: Yamibou, Disk 1 (English)

June 30th, 2016

YamiboYami to Boushi to Hon no Tabibito anime was originally released in 2003. Based on an ero-game visual novel, in 2004 when I reviewed it, I said, Hazuki was one the “most openly lesbian character in all of 2003.”

It’s quite extraordinary how much changes in 13 years. There are series I loved when they debuted, that upon aging, never really held up. And there are series that I really loathed at the beginning but, as they and I aged, we both mellowed a bit.

It’s even been 8 years since Touka Gettan, the main selling point of which was that it was by the same team that brought us Yamibou (not much of a selling point, I thought then and still think.)

Somewhat surprisingly, Yamibou, which has been released by Media Blasters under their Anime Works imprint, is both better and worse than I remembered.

Let’s get the bad out of the way quickly. I had technical difficulties playing the disk. We had to dig out a computer with an old version of Windows Media Player to get it to work. Our DVD player and my several media payers failed to do more than open up the title page. The title page is slim, but typical of Media Blasters, you’re just never quite sure your choice has stuck, until the video starts. ^_^

The art is….well, of course, it’s all subjective, but it’s worse than I remembered. Obsessively male gaze, and the faces are the most absurdly big eyes – small mouth I’ve ever seen. Almost a parody of the worst bits of the genre.  Lots of high-contrast light and gel lens effects and do not get me started on the “shaky camera” that is so overused I was beginning to feel seasick. UGH, animators who use a shaky camera, there is a special place in hell for you.

The story is, well, it’s better than I remembered, if only because it’s got an actual story within all the story jumping. I only remembered dribs and drabs of the narrative.

The first part of the story is, of course, our introduction to high schooler Azuma Hazuki, who is in lust with her older sister , Hatsumi. On Hatsumi’s 16th birthday, she disappears, Hazuki follows her into a library in which millions of stories exist, all of which are a world that Hazuki, and the keeper of the Library, Lilith enter, ostensibly to look for Hatsumi, but more realistically so we can lasciviously leer at the sexual harassment of a variety of female characters.

We learn that Hatsumi is actually Eve and that the melodramatic Adam by the name of Gargantua, is looking for her…for reasons. Reasons which include being insane and obsessing over Eve’s ability to give life and therefore immortality.

Mostly we’re watching Hazuki wander through worlds in which she is cast as the strong but silent and broody type that all the girls fall in love with, including Lilith. She’s cool, if you like that type and she’s voiced by Noto Mamiko, which I hadn’t remembered at all. (Shimizu Ai plays Hatsumi, although admittedly, not a chewy part what with Hatsumi being mute for huge chunks of the story and all.)

If this anime was re-done to not work so hard to be appealing to a truly lowest denominator audience who imagine that young women objectify and sexualize their objects of desire the way a male audience is presumed to, it might not be bad. Instead it vacillates between deeply cringe-making and not-entirely-awful. ^_^;

Ratings:

Art – 5 what was I thinking in 2004?
Story – 5
Characters – 7
Yuri – 7
Service – a grillion

Overall – 7 If you know what you’re getting into, it still has moments that are worth watching for.

Another thing that has changed, in 2003 I apparently didn’t like the music, but Aitai, the OP, has been on my MP3 player for a decade and I still like it, so in your face younger me. :-P

Thanks so much to Media Blasters for the review copy. It is truly a blast rewatching this.



Otome no Teikoku, vol. 5 Manga (オトメの帝国 5) Guest Review by Mariko S.

June 29th, 2016

OnT5Welcome back Mariko S who has been bravely plowing through Kishi Torajirou’s Yuri series for us!  Gambare, Mariko! Keep going! Rah!

I struggled with a way to approach this review for Otome no Teikoku vol. 5, (オトメの帝国 5) which stands at the halfway mark of the currently published volumes. In many ways the merits and flaws closely align with the things I already said about volume 4, which suggests the series has found a groove (or a rut, depending on your perspective). There’s quite a lot of service this time – a fetishistic amount of panties and bras. But on the plus side, Kishi-sensei’s growing comfort with and grasp of his characters is also evident here. The chapters are longer and more focused, and they incorporate and transition between more characters. Really the hallmark of this volume is the way it kicks some of the serialized elements up, especially the Shizuka and Kaoru storyline. I can’t say many of the chapters grabbed me exactly the way the best ones did in vol. 3, but I’d like to somewhat return to that review’s gimmick anyway and give you the highlights:

Chie’s Birthday – Ai and Chie’s storyline this time is a very sweet three-parter about Chie’s upcoming birthday. Ai asks Chie what she wants, and after a bit of joking she says she wants a pinky ring. Ai is worried about picking one that Chie will like, feeling she has no taste for such things, but Chie assures her that whatever Ai chooses will be perfect because it’s from her. Next, we see Ai struggling while shopping for the gift, and reminiscing through her photos for inspiration. She finally decides on one, but has second thoughts when she passes another jewelry store.

The big day is Ai x Chie overload, filled with wonderful character touches. At school, a joyful Chie gets her present from Ayano and Miyoshi, a funny card, and sets up her celebratory karaoke date with Ai for later. When they get there, Chie wants singing and the whole nine yards, but a nervous Ai just wants to give her the gift. As it turns out, she bought a whole bunch of rings because she couldn’t decide on one. She feels bad about it and says Chie should just pick one and get rid of the rest, but Chie is moved and overjoyed at how much thought Ai put into it. The highlight of the chapter is when she makes Ai put one on her finger, and blurts out “I do!” when it happens.

The Pocky Game – Ayano and Miyoshi by far get the most presence this volume, mostly playing silly service games or talking about weird factoids and trivia. To this point the series has been coy about their relationship, not being entirely clear on whether they are just friends or whether one or both of them is interested in something more. Kishi-sensei is also the master of slow-burn relationship progression, doling out each bit of physical advancement for the pairs with cunning patience – a holding of hands here, a kiss on the cheek there… Ayano and Miyoshi get a bigger moment this time, and it’s funny and sweet, but what does it mean if anything? We’ll see.

Ayano is eating some Pocky in class, and Miyoshi wants some and suggests they play “the game where you eat from both ends.” Miyoshi misunderstands the game, thinking the point was to break the stick and get the longer piece. Ayano explains that you are supposed to eat slowly and the first one who gets nervous about kissing and breaks away loses. They try again, getting closer and closer… then Miyoshi gets impatient and finishes the stick by glomping onto Ayano’s face. They discuss whether or not that counted as their first kiss. Miyoshi is, as usual, oblivious, but Ayano is much more affected by their “kiss” and a little ticked that Miyoshi doesn’t care more about it.

Honoka & Alicia’s Christmas, pt. 2 – Honoka and Alicia both pop up a bit in the other stories, but their only major chapter together is the conclusion of the Christmas story started last volume. I think it’s notable for one main reason – the presence of Ed and Ian, the gay couple that are Alicia’s host family. As I was reading this again, I thought back to the earlier review here of Otouto no Otto. One of the important ways that we make progress in increasing understanding and tolerance of LGBT people is by increasing representation and exposure for people who otherwise might have little or no contact with out gay people. Otome no Teikoku ran/runs in Business Jump and then Grand Jump. I have little understanding of the nuances between the various comic anthologies, but it would appear these are targeted at average adult male consumers. And while these average adult males may enjoy a bit of schoolgirl lesbianism, they probably don’t consume a lot of media featuring gay male couples.

While Ed and Ian will probably never be forefront characters, they are the first male characters to be given any kind of “screen time.” And while their main purpose now is to bond Honoka and Alicia, they are given space to express their interests (they really like Honoka’s manga, for different reasons) and feelings for each other and avoid any easy caricature of gay men. The meat of the chapter is series standard – Alicia showing off her Santa underwear, a funny gift exchange – but I like Ed and Ian.

The Extras – In fact, weirdly enough, when you really think about it this series depicts way more gay male physicality (in the form of our ongoing glimpses at Honoka’s manga) than female. Chapters 65 on in this volume each conclude with a single page of a Honoka and Alicia original work featuring Hideyoshi and Rikyuu, uh, “meeting” the Earl of Sandwich. They’re pretty spectacular. ><;

Kaoru & Shizuka – Things really start to heat up in this plotline. Shizuka catches Kaoru reeling in another kohai and chastises her a bit for it. We find out they used to go out and broke up because of Kaoru’s playgirl ways. Kaoru deflects now, but we see that this breakup was her previously referenced emo trauma from age 16. Kaoru is definitely working in some misguided ways to try to get Shizuka back, but Shizuka reaffirms to herself that she won’t go back to Kaoru because she loves Mio now. Later, Kaoru flirts with Shizuka at swim class. She’s frail though and passes out from the heat. During class she’s holding on to Shizuka in the water for support. She takes the opportunity to aggressively go after Shizuka. She believes Shizuka’s strong emotions for her ultimately amount to love, and that Mio is only a substitute for her. What does Shizuka really feel for Kaoru and Mio?

The Reunion – Role reversal can often be an enjoyable tack for a story. We get a glimpse at less-obvious sides of characters, a chance to see them working outside of their comfort zone. That’s the case with the short but sweet Yuu and Mari chapter this time. Mari has an upcoming reunion she tells Yuu about. Sensing Yuu’s jealousy, it’s Mari’s turn to power play and coyly force Yuu into admitting she doesn’t want Mari to go and wants to be with her instead. Even though Yuu is being immature, it’s a nice reminder that she really does care for Mari. You sense Mari doesn’t care whether she goes to a middle school reunion or not. It means more to her to fluster Yuu into admitting how much she wants to be with her.

What Else is Going On?

 

The debate club has a chapter that I found a little uncomfortable. The three kohai discover that Nononon is ticklish and gang up on her. Now, there’s no sense that they are being malicious or that Nononon is upset about it or angry with them for doing it. But it’s very servicey, drawn with an unusually excessive amount of panty shots, bra glimpses, and skin. And the angles chosen really emphasize the “non-consent light” nature of the scenario as the girls hold her down and tickle her. Certainly adults can have those kinds of fantasies, but this wasn’t about what Nononon wanted, it was for the reader-voyeurs. Maybe I just felt this way because I am ticklish too and would hate that to happen to me?

Other than that we get our usual assortment of Mahi-Mahi weirdness, Michiru and Airi taking funny photos, Nao indulging herself, and Onoda being lonely and uptight. Finally, a new character is introduced. Midori is the most junior member of the manga research club. A tiny, nerdy firecracker, she also draws BL but (as we see) is not nearly as talented as Honoka.

Ratings:

Art – 9
Story – 7
Characters – 7
Yuri – 7
Service – 8

Overall – 7

Thank once again Mariko for your continued, epic, efforts!


Yuri Manga: Anoko ni Kiss to Shirayuri wo, Volume 3 (あの娘にキスと白百合を 3)

June 27th, 2016

AknSw3-e1440286973777Back in April, I picked up Anoko ni Kiss to Shirayuri wo, Volume 4, and realized suddenly that I had never gotten Volume 3. Durh! While in Japan, this volume was one of two I made sure I picked up, goshdarnit.

When Anoko ni Kiss to Shirayuri wo, Volume 3 (あの娘にキスと白百合を) begins, we turn our attention briefly back to the initial couple we met in Volume 1, Kurozawa Yurine and Shiramine Ayaka. Finals time always stress Ayaka out, as she is eternally chasing after Yurine, the natural genius who never studies. Ayaka tortures herself studying and studying and, as grades come in, Ayaka becomes more and more depressed. Yurine, the slacker and doofus, has beat her again. Yurine’s affection for Ayaka just becomes galling, until, finally, Ayaka gets a top score. Yurine admits that she’s just really at school and won’t really be sorry about that, but she does genuinely love Ayaka. Ayaka, her ego salved, is ready to accept Yurine’s feelings once again.

From here, we move on to the story of the president and vice president of the  drama club. Yurine (and therefore Ayaka) are dragged into the Gardening Club’s ongoing issues with the Student Council, a member of which appears to be dedicated to destroying the Gardening club. The arc, which does not get a “happy” ending,  much like the main arc in Volume 2, is about love and betrayal and growing up. It was, by far and away, the most adult so far of the arcs and also the most depressing, while still remaining sort of hopeful.

I keep saying this about this series – it appears at first glimpse to be another Marimite clone, but it is definitely it’s own thing. If there is one real criticism of the series, it’s that it’s one of those all-lesbian schools, where there don’t seem to be any straight girls and where nearly every character we meet has to be paired off.  Other than this quibble, we’ve met characters far richer than they first appeared to be.

Ratings:

Art – 8
Story – 8
Characters – 8 Less cute and sweet before, but more complicated, instead.
Yuri – 8
Service – 1 on principle

Overall – 8

I’m actually finding myself looking forward to the next volume to see what happens (and hoping Ayaka can get past her  – totally valid – resentment of Yurine.)