Puella Magi Madoka Magica Rebellion Movie – Guest Review by Katrina C.

February 19th, 2014

This has been an amazing month for Okazu, new Okazu Heros and Guest Reviewers! And today, we welcome Katrina C. for the last of our Madoka Movie reviews…she’s taking on Rebellion, and I know a number of you really want to know how that turned out.  Rebellion is available on DVD or Blu-ray and there is a Rebellion manga, as well. So let’s had the stage over to Katrina! /Applause/

Beware, there be Spoilers here. 

Hello everyone! My name is Katrina. I write queer fairytales, stories and games over at Darkmooncity. Sometimes I also throw events where people can enact those games.

Puella Magi Madoka Magica: Rebellion is the continuation of the story after Madoka makes her universe-changing wish to stop magical girls before they turn into witches. It starts off with our dream team actually…being a dream team. All five of the Magical Girls are present and accounted for, fighting Nightmares, loving and laughing together. It’s kind of the moment we’ve all been waiting for…but wait.. How is that possible?

As the movie progresses and continues to darken, we see the world fall apart (again) and uncover what’s actually going on (again). And like the first series (or first two movies if you watched those instead), it sort of breaks our heart.

Let’s start with the bad. The big bad is and will always remain that Madoka is a shiny thing with very little personality. It’s even more evident in this movie that Madoka exists pretty much so Homura can idolize her. That’s it. That’s her role. I can no more understand Homura’s attachment to Madoka any more than I can understand my own obsessive first loves. Like to my own sixteen year old self, I can try to explain patiently over and over again… but Homura’s not listening. It lessens the story for me because while I lap up Homura’s angst, it’s flattened by the lack of personality in Madoka.

For lesser bad, a lot of timey-wimey cop-outs happen to explain why Sayaka and Bebe know what’s going on… Sayaka I kinda get because she’s dead but who the heck is Bebe anyway? After the movie, we had a lot of deconstructive conversation and pretty much decided the humanoid Bebe was essentially her pre-witch self from the timeline where she didn’t bite off Mami’s head. But that really fails to cover it. Despite her inexplicable presence though, Bebe was darn cute and creepy. We sort of huddled together waiting for her to think Mami would be a tasty treat again.

This movie goes in cycles which for the most part I was indifferent to. It’s an echo of things that happen in the series but it has a deliberateness that makes it tolerable and part of the atmosphere rather than terribly boring.

The good part about this movie is that I found it immensely satisfying on a level that I can’t quite explain. The Incubators were once again being shifty, horrible creatures and Madoka once again does her whole god-form transformation. Except this time as she embraces Homura to ‘save’ her, Homura rejects it and becomes the devil. She rewrites the universe differently than Madoka did, based on her own personal desires. I found it satisfying to see Homura change her fate and Madoka’s. So many years of watching Yuri stories that don’t meet a satisfying conclusion has put me firmly in the “Yeah, it’s messed up but at least she got what she wanted” camp. I think I had trauma flashbacks to Yami to Bōshi to Hon no Tabibito during the end of the original series as Madoka floated away to become god. I loved that Homura’s will stood – that despite Madoka’s role as the Pink Magical Girl Savior, we’re left with a darker ending than the series – Homura’s ending. And one that could essentially pull everyone back into a time loop. We could essentially argue that Homura’s decision brought us right back to the beginning – that this was the Devil’s story all along.

As an out, queer woman I still cringe away from the idea that Homura’s love is cast as impure against Madoka’s universal-I-love-everyone-so-we-can-never-kiss sentiment.. that the source of Homura’s pain is her impure desire and Madoka’s serenity is her universal Mother Mary approach… but I’ll still take it. I always liked the Devil better anyway.

Ratings

Art – 8 – Because this story takes place in a Witch’s Barrier.. and we all know the Witch’s Barriers are the best part.
Story – 7 – No one really learned anything.
Characters – 5 – Homura is the only actual character here.
Yuri – 8 – Because Homura finally comes out to say it. Love.
Service – 8 – Extra points because Mami is like 14 and I’ve seen shots of her breasts more times that I’ve probably seen my own. And I model naked. Think about that.

Overall –  7

Once again the creators of Madoka have shown us that while they can think critically about Magical Girl and Yuri tropes, they can’t think critically enough to escape those tropes. But that’s okay. They tried at least.

Erica here: I’m pretty sure that, should I watch this movie, I’d come to the opposite conclusions on most points, Katrina, so thanks for weighing in with your perspective! ^_^

Posted in English Anime, Guest Review, Puella Magi Magica Madoka | 1 Comment »


Sailor Moon 20th Anniversary Memorial Tribute Album (美少女戦士セーラームーン THE 20TH ANNIVERSARY MEMORIAL TRIBUTE)

February 18th, 2014

What with the weather and all, it’s been a crappy month personally, and I really needed a pick up, and lo and behold, things arrived from Japan! Yesterday, Okazu superhero Jye N. has sent me Volumes 3-6 of the new Sailor Moon manga and today, the rest of my last order , which includes the  Sailor Moon 20th Anniversary  Memorial Tribute Album (美少女戦士セーラームーン) THE 20TH ANNIVERSARY MEMORIAL TRIBUTE). I am blasting it as I type.

When it arrived, I tweeted:

I have acquired the 20th Anniversary Sailor Moon Tribute Album. It comes with art, lyrics and feels. (T_T)

Mitsuishi Kotono’s message on the Tribute album site also basically says “Oh, god, the feels” only coherently and in Japanese.

It’s a good thing I already know the words to these songs, because the lyrics are written in hot pink over pastel backgrounds.  Clearly, they do not think you will ever need to read them. ^_^

The art was a sweet touch. Lots of pictures any fan would know, (including a bunch of Haruka and Michiru appearances). The album cover is, as you can see, an original piece, similar to the new cover for Volume 1 of the new manga edition. The back has a classic Takeuchi image of all of the Senshi.

rock

 

It was the image on the final page that finally got me choked up.

HSsenshi

I’ve already gotten grumpy responses about this album. Look, let’s be honest, the music was never good. It has positive associations for some us. If you’re in the habit of retconning your life, or insisting things were always better back then, or just generally hating on the music, that’s fine. I’m perfectly okay with a new version of “Otome no Policy” because it was never really a great song. If you’re all ready to hate this album, fine. Go for it, be a frowny grump. I’m on my second listen and I’m smiling happily.  ^_^

The album starts, as it must, with “Moonlight Densetsu,” sung by Momoiro Clover Z and it sounds pretty much exactly like one would expect. There’s no substantial changes to the song, and they do a good job with it.

The second track is “Heart Moving” sung by Nakagawa Shouko, known as Shokotan. Again, the song is substantially unchanged and she has a pretty confident voice. I wish they’d given her a better piece to sing, frankly. I know, I know, OP/ED, but there are better songs, dammit!

Track 3 is “Princess Moon” a song that I actually could not recall for a moment, by Fukuhara Haruka, a singer I do not know. She apparently performed this during the live concert. I have to say, her voice actually fit the “girlishness” of the song well. Once I recognized the song, I realized why I did not recognize it. It ended a portion of the anime I watched only a few times, compared with some of the other series, which I have watched over and over. And over. /cough/S/cough/

For Track 4, Yakushimaru Etsuko sort of breathlessly whispers her way through “Otome no Policy”. I kept waiting for the synth drum to pick up and the energy to rise. It wasn’t bad, though, just sort of quiet. It’s a song I can take or leave, so the remix was fine for me. ^_^

Tommy Heavenly 6 kicks on track 5, “La Soldier.” Honestly, if the preview for this track had not been good, I would never have bought the album, I love the hell out of this cheeseball song. Lightning strikes, rain and organ riffs, but no dogs howling. It’s still a hoot. We add the howls in ourselves.

Track 6 is “Ai no Senshi” and while I didn’t dislike it, I can’t say I liked it. Mariko Goto and Avu Chani sound like  Yumi and Yuki from Marimite singing one of the two standout Sailor Moon music hits – and the one I like best. Okay, but not to my taste. I wish this had been a stronger track.

Now, if I had produced this album right here is where I would have put “Moon Revenge.” I know it’s not a OP or ED, but neither is “Ai no Senshi”  and it’s absence is notable – Mitsuishi-san also makes the comment that she wishes they had included it.  It’s a great song (by my standard of “great” Sailor Moon songs, of course. ^_^) Oh well.

Instead, Track 7 is “Tuxedo Mirage” ably performed by Momoiro Clover Z.  This about where I started to cry. I have listened to this song so many, many times watching the anime. So many. I’m re-listening to this track right now…and I think they do a lovely job.  I’m really okay with them. It “feels” a bit like the Peach Hips’ version. Very nostalgic. (For those of you not familiar with the original anime, “Peach Hips” was the unfortunate group name given to the five Inner Senshi voice actresses – Mitsuishi Kotono, Hisakawa Aya, Tomizawa Michie, Shinohara Emi and Fukami Rica – when they sang songs for the series.) The wife heard it for the first time and also fell apart, so I’m glad it wasn’t just me. (T_T)

Momoi Haruko, known as Halco, does a fine job with “Rashiku Ikimashou”, but I’ll forever resent it. ^_^; On relisten, this is a very good version of what is a really annoying song. ^_^ The wife was like “wow, I haven’t heard this in forever.” And I said, “SuperS” and we both nodded, like, right, of course we wouldn’t have watched that more than necessary.

Track 9 is the best track, IMHO. Horie Mitsuko, voice of Sailor Galaxia in the original anime, is perfect for “Sailor Star Song” which, admittedly, is one of my top five songs from the series, so I am massively, unrepentantly biased. I could listen to this over and over and I imagine I will.

Track 10 is an interesting remix and  a very sweet rendition of “Kaze mo Sora mo Kitto” by Kawamoto Makoto. Many feels for this song because of the visual for the ED. The more I listen to it the more I like it.

The final track was an interesting and appealing choice. “Legend au clair de lune” is a French-language version of “Moonlight Desentsu” sung by Clémentine, a French singer who is based in Japan. This was really a nice nod to the support and popularity of this series in France. This track is a very “French”-sounding piano version; I almost expected to hear Jacques Brel start singing.  Quite nice, really.

I was ambivalent when I ordered this album, some of the previews sounded meh, but really, if you are already a fan, it’s a decent tribute album. Nothing is going to convince anyone who is not a fan that this is stunning music anyway, so go ahead, enjoy it. ^_^

Ratings:

Overall – 8

Put it in your media player and unlock the feels!

Oh, and after listening to this album twice through, the snow stopped, the temperature rose 10 degrees and the sun came out. Just sayin’. ^_^

Posted in Sailor Moon | 9 Comments »


Yuri Network News (百合ネットワークニュース) – February 15, 2014

February 15th, 2014

YNN_Lissa

Greetings from the 7th circle of Hell. We have been frozen in place for what feels like an eternity and the despair is palpable up and down the street. Tokyo is likewise in a state of suspended animation (pun intended).  5 weeks until spring.

So, from the midst of despair and misery, I can’t think of a happier thing than Northwest Press’s winter sale! Get Lesbian comic The Legend of Bold Riley and many more exciting LGBTQ works! Support LGBTQ comics, get great stuff to read in a selection of formats until spring comes for 25% off. Go. Buy. Enjoy.

Yuru Yuri is getting a new animation project, which is good news for fans of the series.

AnimeSols previews some of the goods that backers of Dear Brother can look forward to!

Interestingly, after the upcoming release of of the S.H. Figuarts Sailor Venus figurine, the next figure they’ve teased is Sailor Saturn.  Since the art style has so significantly youthened since the days of the original anime, the vote for moe-bait goes to Sailor Saturn. ^_^

If you’ve been watching the Madoka Movies and were wondering when Rebellion is being released, YNN Correspondent Joel K. has the news for you: April 8, 2014 is the street date on the official website. He notes that, like the first two movies, it will be available on DVD and/or Blu-Ray and will be available through RightStuf as well as Amazon. I’ll add links when they become available.

Let’s end today on a positive note with Sarah and Catherine Satrun’s We are all Wonder Woman print. ^_^

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That’s a wrap for this week! Become a Yuri Network Correspondent by sending me any Yuri-related news you find. Emails go to anilesbocon01 at hotmail dot com. Not to the comments here, please, or they might be forgotten or missed. There’s a reason for this madness. This way I know you are a real human, not Anonymous (which I do not encourage – stand by your words with your name!) and I can send you a YNN correspondent’s badge. Thanks to all of you – you make this a great Yuri Network!

 

Posted in Yuri Network News | 11 Comments »


Yuri Manga: Shuden Niwa Kaeshimasu (終電にはかえします)

February 14th, 2014

Amagakure Gido’s Shuden Niwa Kaeshimasu (終電にはかえします) is a collection of shorts from Pure Yuri Anthology Hirari magazine.

The first story is a lovely two-part ‘Story A.’ Asaki rides the train every day and everyday she sees a tough-looking first-year student. Boyish, with dyed hair and wearing a mask (allergies, she says, when asked) the first-year turns out to be a sincere, awkward girl with the old-fashioned name Tsune.

Tsune and Asaki become close and each comes to the unnerving conclusion that she likes the other. In the second chapter they go out on a date and find that they like each other a lot. The story takes on a bittersweet feel when they realize that Asaki will graduate soon, but they kiss anyway, trusting that the future will be bright enough for them.

“Shoujo Planetarium” is a slightly unsettling story of two girls who meet in a fantasy setting. The story kept edging towards the creepy, then veering away, leaving me with the idea that it originally was meant to be something else entirely.

A like triangle is impossibly resolved by all three people agreeing to keep their relationships as is in “Isshun no Asterism”. A ghost waits a lifetime to get the girl in “Eien no Shoujo”.

The final story is also a strong entry. A younger sister has to completely rethink her opinion of her older sister, when she falls for what turns out to be her older sister’s lover. In the end, she decides that she had it all wrong all along.

The collection has no unifying theme (with the exception of the two astronomically themed titles), but it made the book perfect for short reads before bed. Not every story is happy, but the collection as a whole left me feeling good…which is a nice feeling.

Shinsokan has moved to a smaller format than they were using previously, away from the A4 size to a more common A5 size, which makes the book smaller, lighter and more portable.  I like the tighter new look…and I note that the volumes cost a little less than they did previously (although not on the same scale as larger publishers.) Hopefully Hirari won’t be forced out of print by costs. (Readers who insist on print really have no idea how much money print costs and what pressure it puts the publisher under.)

Ratings are variable, but averages are:

Art – 8
Story –  7
Characters – 8
Yuri – 9
Service – 3

Overall – 8

An enjoyable little collection of Yuri manga shorts.

Posted in Hirari, Yuri Manga | 4 Comments »


Puella Magi Madoka The Movie Anime – Parts 1 & 2 (English) Guest Review by Greg C.

February 12th, 2014

Modoka-Magica-DVD-V1Wahoo, it’s Guest Review Wednesday and today by a long-time commenter and friend of Okazu, but first-time Guest Reviewer, Greg  C.! Greg has graciously offered to review The first two Puella Magi Madoka Magica movies for us.  I would like you all to welcome Greg with your usual warm welcome. Take it away, Greg!

Puella Magi Madoka Magica The Movie – Part 1: Beginnings (also available on DVD or BD) / Part 2: Eternal (also available on DVD orBD) are the two disks in the Blu-Ray Collector’s Edition that I purchased.  Various vendors will give you different bonus materials with purchase, so shop around.  (Not bonus materials on the disks, but merchandise goodies with the movie.) Important safety tip:  the sub-titles default to “None” and the sound defaults to “Dolby Stereo” and you probably don’t want either of those choices.

“They’re dangerous at both ends and crafty in the middle.” – Sherlock Holmes.

Let’s start with picture quality.  I’m watching the Blu-Ray release on a big screen plasma TV. It gets the most amazing picture quality. If you’ve seen the series, then you know where I’m going with this. Supposedly they redid some of the animation for the movie releases. The backgrounds, especially the witch’s labyrinths, look amazing. The main character designs are STILL pencil quality moe-blobs.  *sigh*

Madoka-Magica-Vol2-Cover-DVDMadoka Magica is a Shaft production and it shows. It shows so very, very hard. The “Shaft neck-tilt” is ubiquitous throughout. It would make a great drinking game to take a shot every time a character looks over their shoulder. A great drinking game if you want to get totally blotto. The changing art style trick they love to do works because of the complexity of the story. It’s done at very appropriate times. My main gripe is that this show about magical girls is definitely a male gaze production. The over use of the “zettai ryouiki to face” pan when characters are speaking is incredibly annoying. (Not as egregious as in Rebellion, but that’s a story for another day.) Be sure to watch for the trademark “Easter eggs” as well, such as “SHAFT” written on the side of a crashing train. The movies are littered with them. At least that’s fun.

“Hush, now — spoilers!” – River Song.

Now, let me warn you THERE BE SPOILERS HERE. If you haven’t seen Madoka in any form: RUN AWAY! AVERT YOUR EYES! Abandon hope, all ye who enter here.

 

Okay, everyone still here doesn’t care about spoilers, right? Good. Here we go. My main nitpick with the movie release editing is right at the beginning: I gasped, “Wait… what happened to Madoka-chan’s opening dream sequence?” Gone. So immediately I’m upset because I know that all the foreshadowing that made re-watching the Madoka Magica TV series so awesome the second time is gone. Why is Madoka so upset in class when she sees Homura for the first time? WE DO NOT KNOW. It will have to be explained to us later, indirectly. The first episode is titled “I Met Her in a Dream… or Something” but that’s all out the window in the movie. Seriously, my favorite scene in the TV version is when Sayaka spoils the whole series in the first episode. However, after that, I’m okay with the choices they made to reduce 12 episodes into two movies. It’s mostly the school scenes that got cut. There is an overwrought Ryouko additional scene, but that is forgivable.

Plot-wise, I like to describe Puella Magi Madoka Magica as my favorite episode of Doctor Who. Homura is, of course, The Doctor. And Madoka… well… Madoka is River Song. Starting with “Silence in the Library” River and the Doctor were going different directions relative to each other. Homura and Madoka at the beginning of the movie are in different timelines. Of course, you don’t learn Homura’s secret until much later. How they ended up this way is unraveled beautifully over the two movies. And in the end Madoka has the will to do what The Doctor, and even Buffy, never did – give herself fully to the cause. And I do mean fully. Madoka went where only Lain has gone before. Gen Urobuchi, you magnificent writer!

Even with all the nit-picky things I mentioned, I still enjoyed these movies immensely. As many times as I’ve watched them, there are still tears. I’ve read the main manga, and some of the alternate story manga. I saw Rebellion twice. I haven’t bought any of the figures yet, but I’m sure I’ll crack when the Yukata Homura figure comes out. (So far I only have figures of my waifu, Saber.)

Be sure and watch until the very end after the credits. Nick Fury asks Homura to join the Avengers Initiative. I’m kidding, of course. But there is a tiny bit that is important to the next movie, Rebellion.

“That is enigmatic. That is textbook enigmatic.” – The Doctor.

Ratings:

Art – 3/9 The “moe-blob” characters are terrible but everything else is rendered beautifully.

Story – 10 It felt very well-crafted and it pushed all my buttons. I loved it.

Characters – 6 In the movies we get less depth because a lot of what is cut out are the little bits of character development that round out their personalities.

Yuri – 4 Homura loves Madoka but not that way. “Obsession” might be a better description than “love”. There is only the faintest whiff of Sayaka x Ryouko. Actually “4” is probably overstating it, but that can represent each couple getting a “2”.

Soundtrack – 10. Yuki Kajiura does her usual wonderful work. The Kalafina end themes, especially “Magia” are perfect. The ClariS opening “Luminous” is a typical bouncy anime title song.

Fanboy/otaku appeal – 1000. Seriously. At times enough to make me angry.

Erica here: Enigmatic indeed. Now I don’t know if I want to see these or not! Thanks Greg for compounding the question. And thanks for a great review!

Posted in English Anime, Guest Review, Puella Magi Magica Madoka | 5 Comments »