Yuri Network News – February 2, 2013

February 2nd, 2013

Yuri Manga

Ikuhara Kunihiko has launched a Mawaru Penguindrum manga project called Penguinbear, some two years after the anime ran in Japan. (The Penguindrum anime was licensed in English by Sentai Filmworks and is now available on DVD and Blu-Ray,Part 1 and Part 2. Don’t miss it, it’s very interesting. ^_^)

Thanks to your support, Fujieda Miyabi’s slice-of-life Yuri romance Ameiro Kouchakan Kandan, is the number one best seller on JManga this week! I haven’t heard anything about Volume 2 yet, but here’s hoping. ^_^

From Wings Comics comes a collection of a Hirari contributor, Sasada Asuka’s, works the Sasada Asuka Collected Shorts Kira Kira no Natsu (ささだあすか短篇集 きらきらのなつ)

Yurist (百合人―ユリスト―第1号) has an utterly creepy cover, so I have no idea what the inside of this mook will contain. Could be interesting…could be not. ^_^;

Back in print is Suzumoto Beni’s Puppy Love, cover by Hibiki Reine. I previously reviewed Suzumoto’s Ibara-hime, also with a cover by Hibiki. It wasn’t bad, so I’ll give this one a try.

Onna no Ko Sekkeizu, (女の子の設計図) a Hirari collection, hits shelves in Japan next month. And Pure Yuri Anthology Hirari, Volume 10 does, as well.

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Other News

Hooded Utilitarian‘s Noah Berlatsky wrote a piece on The Ethics of Scanlation for the Center for Digital Ethics and Policy. It’s a very good summation of a complex issue, with contributions from Mangablog‘s Brigid Alverson and myself.

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That’s a wrap for this week!

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Thanks to all of you – you make this a great Yuri Network!



Yuri Manga: Ohana Holoholo, Volume 4 (オハナホロホロ)

February 1st, 2013

Some years ago, Maya and Michiru were lovers until Michiru left. After she bore a son, his father passed away, leaving Michiru and Yuuta at the whim of his not-particularly welcoming parents. Michiru returned to her former lover, asking Maya if she could stay for a little while, and Maya welcomed her as a dear friend. Together with the former male lover of Yuuta’s father, Nikko, the four of them form a very happy family unit.

Ohana Holoholo, Volume 4 (オハナホロホロ) begins with Maya having a break down in front of her fiance’, Hidesuke. Her admission that she still loves Michiru is made in Michiru’s hearing. Frustrated at the unfinished business between the two women, Hidesuke sticks them both in his car and drives them to a hotel, telling them to work it out. It’s obvious that he and Maya can’t get married, and he’s angry, but still a decent guy.

Michiru and Maya spend the night together. They share a bath and sleep holding hands. They next day they decide to go on one last date to the ocean where they share one last kiss. Michiru returns home alone, in tears at the realization that she does love Maya.

Maya takes a separate train, and starts to prepare for living alone. She can’t stay with Michiru, who needs her independence and she obviously cannot go to Hidesuke, which would be a lie.

Michiru still has issues at work, but is beginning to notice she has allies as well as enemies.

Nikko talks honestly about his relationship with Yuuta’s father with a friend and how he treasures Yuuta for himself as well as his father.

Mochizuki-sensei is, I’m afraid, going to be in for a hard Volume 5.

In the meantime, Yuuta continues to be a little getleman. He gets to protect Hiyori from some mean classmates and stand up for her when they blame her for something they did. For the first time ever, Yuuta has friends over to play when Michiru invites Tamaki and Hiyori to stay.

Maya receives an invitation to a high school club reunion, where Hidesuke is rather cold to her. We get to see the club president reminisce about how she met Maya and recruited her to the club. (High school Maya was adorable. Squee!) The club president is sharp enough to see what lies between Hidesuke and Maya and intrudes *just* enough.

As the volume draws to a close, Hidesuke talks about what he wants out of life, then asks Maya “What do you want?”

No matter what, despite all odds, replies Maya, as she sees in her mind the image of Michiru, Yuuta and Nikko at the kitchen table they all share.

Ratings:

Art – 8
Story – 9
Characters – 9
Yuri – 5
Service – 4

Overall – 9

Is that a light at then end of the tunnel I see?



Manga no Tsukurikata Manga, Volume 6 (まんがの作り方)

January 29th, 2013

Do not start with me. I know, I know, this manga is a wasteland. It pretends to be Yuri, so here we are. I try, to the best of my ability, to keep Okazu as comprehensive as possible without violating my own standards of  entertainment (which is why you have not seen a hentai collection review in a long while. They are so boring. Girls have unrealistic, messy sex. Wow. Really, how exciting.)

So, while Manga no Tsukurikata, Volume 6 (まんがの作り方) is not actually indecent by my very relaxed standards, it is no way decent, either. Indifferent manga artist Kawaguchi has been abandoned by Morishita who has a crush on her. Takeda, who has a crush on Morishita and hopes one day to debut herself has moved with her to Tokyo.

But, when Takeda sees Morishita’s editor macking on her, she realizes that her chances of debuting are small and something important happens – Takeda suddenly becomes the only character in the book that has a plot.

Crush, crush, nasty crush…the Yuri landscape painted in Manga no Tsurikata is grim. So grim, it’s a veritable DMZ of emotion. But now, after 6 volumes of watching two talentless hacks inexplicably make it in professional manga without hardly any effort, drive or skill, Takeda, bitter, unappreciated Takeda, stands up and takes this crappy series over as the only 3-dimensional character.

Ratings:

Art – Hirao nails ennui
Character – Practically existentialist
Story – I don’t know, maybe we’ll get one in Volume 7
Yuri – One for each crush (so, 3)
Service – I don’t want to think about it

Overall – Somewhere out there, someone must like this series. I wonder why

I absolutely love how miserable Masato spends the entire volume being drawn as if he is a total babe, surrounded by the three woman on the planet who think he’s as attractive as a slug. Get out kid, it’s your only hope.


Yuri Manga: Kanojo to Camera to Kanojo no Kisetsu, Volume 2 (彼女とカメラと彼女の季節)

January 28th, 2013

In volume 1 of Kanojo to Camera to Kanojo no Kisetsu, (彼女とカメラと彼女の季節) we met typical high school student Akari, atypical highschool student Yuki, who is a photographer and asocial outlier in class and sports hero student Fukuyama, Yuki’s childhood friend, who is interested in Akari.

Volume 2 begins with Akari experiencing an epiphany about her feelings for Yuki, followed up by a almost complete rebuff by the object of her interest. In the meantime, Fukuyama is there to support her emotionally…something that makes Akari as uncomfortable as her feelings about Yuki does. She’s really trying hard to not give Fukuyama the wrong impression about her feelings. On his part, he seems sincerely to not be under the wrong impression at all – he can see that Akari is interested in Yuki, but he really likes her and wants to be there for her.

Akari wants to see Yuki, Fukuyama wants to be closer to Akari.

And what about pale, ethereal Yuki, the photographer? When she returns to school, she seems to be driving Akari into Fukuyama’s arms. And yet, in quiet moments, it’s Akari she’s thinking of. She leaves provocative photos of herself in her dark room  – for Akari to find? Akari thinks so.

As volume 2 comes to an end, it’s Yuki’s turn to play her cards. What hand she’s holding, we just don’t know.

Ratings:

Art – 8
Story – 8
Characters – 8
Yuri – 5
Service – 5

Overall – 8

This volume made me laugh a little, frown a little and left me really hoping hard for an ending I know I won’t get. ^_^; Will I?



Psycho-Pass Anime (English)

January 27th, 2013

A few months ago, I was wandering around anime/manga goods stores in Tokyo and, I could hardly help noticing the pony-tailed woman in a black suit with the intense gaze in the sections of Psycho-Pass goods. I have excellent gaydar, even for anime and manga, and I instantly got the vibe with her. I looked up the series and found myself confronted with a number of incredibly bad synopses to chose from, none of which explain anything at all about the story. (I understand that the Japanese companies send terrible copy over, but dear ANN and Crunchyroll, get someone who can write a friggin’ coherent synopsis, please. Synopses, at barest minimum should look like this:

In a setting, a protagonist finds him/herself in a situation cause effect. An adjective genre media by director/writer/famous name associated with the series.

Just like a Mad Lib, replace the italics above with the specifics and viola! coherent synopsis.

In a future where a global computer system determines a person’s fate – even so far as their capacity for crime – using their “Psycho-Pass”- new Inspector in the Public Safety Bureau, Tsunemori Akane finds herself  tracking down a serial killer whose “Psycho-Pass” remains unstained with criminal intent. A thrilling new suspense anime written by Urobuchi Gen and novelist Fukami Makoto.

See, it’s not that hard!*

Anyway, so I get home from Japan and Katherine H of Yuri no Boke tells me I really should watch it, Yayoi is awesome. But the synopses I read made the story sound so meh, I resisted. (Sorry, Katherine, I should have listened to you.)

Why the heck didn’t anyone tell me it was also written by Fukami Makoto? Sheesh, people, if you had just told me that, I would have watched it right away. I don’t give a hoot about Urobuchi Gen, but Fukami wrote Vertigo. Anything Fukami is involved in is sure to have lesbians who don’t suck.

Anyway, once I realized Fukami was involved, I started watching Psycho-Pass, which is streaming for free with registration on Funimation’s website. (Region blocking will apply.)

And it was really very good. It is indeed a “suspense” genre with a serial killer, so if you hate that crap (and who could blame you?) avoid it. They never go explicitly gross, like Suicide Club or anything. It’s suspense, not horror, but the implications can get really grim.

Yes, there’s Yuri. In the first half of the series, one of the characters involved in an arc set in a elite girl’s school is not above seducing underclassmen for a little sex and gruesome murder.

But the reason one might watch the series is the aforementioned black-suited “Enforcer,” Yayoi. When we first see her, she has just finished a light snack of Karanomori Shion, an analyst for the PSB. In addition, a full episode is dedicated to Yayoi’s backstory that does not shy from her orientation. If anything it gives a wholly functional look to the slightly ruined  life of a woman who loves women. (Something Fukami is good at.)

Yayoi makes a very decent series excellent. ^_^

There’s one other really excellent thing about the series – the character designs are totally atypical for a Fukami project, so none of the women have absurdly large breasts as they did in Vertigo. And Akane, who clearly would have been moe in any other anime series is shockingly not, here. If anything, her design looks a little droopy-eyed, rather than childish. I really like the character designs, they say “We want to become a live-action movie one day”. ^_^

A good watch, I look forward to the second half. My only complaint is the bad guy. I hate the handwave of the psycho killer who law enforcement canNOT track/find/identify for blah blah reason. Other than that handwave, it’s quite excellent.

Ratings:

Art – YMMV, but I say 8
Character – 9
Story – 9 It’s all shark jumping, all the time
Yuri – 8
Service – 7 Fans of creepy horror violence against women are creepy

Overall – 8

I like the fact that “Psycho-Pass” is a homophone for “psychopath” when said by a Japanese speaker.

*Actually, writing synopses must be hard, Funimation doesn’t even bother on their website for the series.