Puella Magi Madoka Magica Novel, Volume 2 (魔法少女まどか☆マギカ)

November 26th, 2012

We left Volume 1 of the Puella Magi Madoka Magica  (魔法少女まどか☆マギカ) light novel series from Summer Comiket 2011, with Madoka suffering badly from the consequences of her inaction. Volume 2 begins with the fatal consequences of bad decision-making by another one of the cast. (Note: no spoilers, because if you have not yet watched this series, I hope you will and don’t want to ruin it for you.)

At its lowest point, the story switches perpsective, something that radically shifts the entire story from something we thought we knew where it was going, to a whole different path. We turn to Homura’s point of view and it turns out that her story is very unexpected. As I read this novel I had two thoughts, one of which is a huge spoilerish thing and, so, unsharable for the moment.

The other thought was in reference to something I have considered about on and off for years – about how, as a child I read fairy tales and wanted , like Utena, to save the princess. And how, in this series, one princess saves the other only to have her turn it around and save her in return. This was, as I pondered it, even more satisfying than it was at first viewing.

Quite interestingly, the end of this novel is slightly extended past the end of the anime. Just a few moments past, but the addition was lovely.

As a Light Novel version of the anime, I think this was very good. In Volume 2, we actually did gain some insight into Madoka’s actions (and inaction). Although Kyouko’s, Sayaka’s and Homura’s backstories were not apparently different from those of the anime, the additional epilogue – short as it was – added volumes to the narrative.

Ratings:

Overall – 9

All in all, a very satisfying read.

I will not be reading the Puella Magi Madoka MagicaA Different Story or Innocent Malice, so there is an opportunity for one of you to step in and write a review if you so desire. ^_^

Once more, my very sincere thanks to Zyl for sponsoring this review!



Yuri Network News Special Report on Shopping for Yuri in Tokyo, November 2012

November 24th, 2012

One of the questions I get the most emails about is something along the lines of “I’m going to Japan, where can I get Yuri?” The answer is not as straightforward as “go here” or “nowhere.” It’s important to remember that things change all the time in manga stores in Japan, just as with any store. They move stuff around, highlight different things, close stores, move locations, etc. So what I experienced last year in Tokyo is likely to have changed when you go next spring. In fact, things have changed quite a bit since I was in Tokyo ten months ago.

I’m going to focus on three sections of the Tokyo Metropolitan area in today’s report: Akihabara, Ikebukuro and Nakano, because those three areas have well-developed personalities.  None of this may apply outside Tokyo, even in chain stores, except for this, which is is pretty universal in all Japanese book stores:

To effectively shop for manga in Japan, you need to know three things. Books are not generally shelved by genre, but by imprint. So first you need to know what age/gender demographic you’re looking at, then publisher/imprint, then author. I’ll explain more about this in a bit.

Ikebukuro has changed quite radically in the past year. The Animate has moved, is much larger than it used to be and is much more strongly focused on female consumers.  That meant that they really didn’t have any Yuri manga at all, not even in publisher sections. The goods were largely the same, but it was clear that the fujyoshi was the focus (you could tell – the store had way bigger, nicer, bathrooms). 

Because of this new dedication to the buying needs of female fans, even with a familiarity with publishers/authors, Ikebukuro has been basically shorn of any Yuri. On the day Yuri Hime Comics was released, we had to go to Akihabara to get the new books. And Toranoana in Ikebukuro has moved from its location to a much smaller space nearer the train station,  only selling BL doujinshi and a small section of mostly straight, loli porn. This was a huge disappointment for us, as the Ikebukuro Toranoana was previously our favorite store.

2013 Update: This has changed again. You can find Yuri once more. I guess enough of the customers requested it. Not as much as in Akihabara, but it’s there.

The different K-Books stores are still on Otome Road, but are rapidly converting to more space dedicated to BL, and the old Animate space is going to re-open as something “for girls”. Unfortunately for us, Japan’s obsessive gendering of everything is turning Ikebukuro into a BL-only section.

So, for the first time, we had to go to Akihabara to shop.

Animate in Akihabara has a Yuri section:

…actually most of their Yuri was shelved elsewhere, by publisher, as always. Most of what’s under this sign is Mangatime KR comics. One needed to find the Ichijinsha/Hobunsha section to find the rest:

And that’s the way it goes – know if the book you’re looking for is for girls (少女), boys (少年),for women (女性), for men (男子) – these  are not often listed as sections in the bookstore, you just need to know who the title you’re looking for is targeted to. Then look for the publisher, (Hobunsha 芳文社, Ichijinsha 一迅社, Futbasha 双葉社) then look for the imprint (YH Comics, Tsubomi Comics, Mangatime KR Comics) then look for the author. If you are new to this, and don’t read Japanese, take a printout of the cover you’re looking for. And take a look at the spine of the books you do have and memorize the characters. The publisher is listed at the bottom of the spine, the imprint along the top. Get to know your books!

The same is true for Toranoana in Akihabara. There is a Girls’ Love sign, but most of the Yuri books are near, next to, around it, or across the store in another section.

And this, in a nutshell, is why we’re not going to see any anime for Yuri manga I like. Yuri is sold in Akihabara to guys. So, since guys are the audience for anime, not women, ever, we’ll never see an anime for Morishima Akiko’s moe, but awesome and about adult women, Renai Joshi series. Anime is for man-boys who obsess about school-age girls.

Proving my point, Animate had a metric ton of Yuru Yuri goods, but the only figurines were in bathing suits. Of course.

Interestingly, despite the series’ insistence that Kyouko is the lead character, everywhere we went, Yui goods were the most sold out.

Animate is still the best for goods. It was ramping up for the release of Magical Girl Lyrical Nanoha A’s The Second movie (and, there are three Nanoha manga series running concurrently right now: Vivid, Innocent and Force), so there was a great deal of Nanoha goods on shelves.

Including this fascinating bit of papercraft.

And there was a fair amount of Fate/Zero stuff hanging around.

I don’t have pictures, but let me conclude with a paragraph on Nakano Sun Arcade. Up until last year, it was the place to go for older, obscure items, things you couldn’t get any more. It was awesome – but not cheap. Now, if you’re looking for figurines – go there first. We saw figurines there a good $40 cheaper for the same exact item than in Rashinban (which has never been a cheap store, but still!) Don’t buy in the first store you see, either. I saw a Mawaru Penguindrum Princess of the Crystal figurine for $48, then $30, then $25 and finally $13.00. I didn’t get it, because it was quite large, and I have nowhere to put it, but at $13.00 I thought about it hard. If you’re looking for really old stuff, Mandarake in Nakano and Shibuya are like rummaging through someone’s attic. Yes, you can find the Sailor Uranus and Neptune henshin wands there with their original lip gloss – for $1000.

In conclusion, we’re both in a better place and a worse that we were last year. Yuri is more plentiful, but more segregated. Yuri, in Japanese publishers minds, is for guys. We are now required to shop in Akihabara, rather than our beloved Ikebukuro, (instead of it being a nice-to-do) but on the good side, there’s a a lot more Yuri to shop for!

Remember, things change all the time in Tokyo, so this guide will probably be useful for 6 months, then not any more. Don’t assume that anything you know from last year is true now. But if you learn one thing – learn your publisher, imprint, author and title, and you’ll be able to find what you want to buy. ^_^



Maiden’s Garden 7 Event Report

November 23rd, 2012


One of the motivating factors for me to get to Japan is to attend various doujinshi events. This time, we were able to get to two separate (and vastly different!) events. The first was the 7th Maiden’s Garden Yuri-only doujinshi event in Kyoto.

Although the event was in Kyoto, we stayed in Osaka.  We had a nice view of Osaka Castle from our hotel window, and took the opportunity the night we arrived to walk around town and get reacquainted with (and introduce my wife to) Osaka. Bruce and I were amazingly, able to remember a great deal from our visit in November 2010 (to see the Maria-sama ga Miteru Live-Action Movie.) Later, that night, walking back to the subway from the Shinsaibashi, the wife spotted Oscar on a salon sign:

 

The day before the event, we had the unparalleled pleasure of accompanying our friend Komatsu-san and the lovely and talented Ransui-san around Kyoto, on a singular tour. You see, in Smile Precure, the five main characters do a whirlwind tour of the city and see all the sites. Ransui-san decided she was going to recreate that episode. So accompanied by Cure Happy, Cure Sunny, Cure Peace, Cure March and Cure Beauty, we started at the bus station and saw the Kyoto Tower, visited Yama Arashi Park where we ate green tea ice cream,  and went to the Kinkakuji – the famous Golden Pavilion. We then left Komatsu-san and Ransui-san to go out to Kiyomizu temple by themselves, while we headed back to our hotel. We had a fabulous time tagging along . Thank you Komatsu-san and Ransui-san for letting us join your tour!

The Kinkakuji is a magnificent postcard – totally worth seeing, with every angle carefully cultivated for maximum artistic impression.

Bruce, the wife and I spent a short time wandering Osaka and eating as much as we could there. We did manage okonomiyaki for dinner one night. ^_^

The next day it was raining pretty steadily, but we headed back to Kyoto for Maiden’s Garden. The event was grouped with several other events in the same space, including a PreCure event, one for Madoka, Nanoha, Strike Witches, and even a Mai HiME/Zhime event. Here’s a pdf copy of the MG7 catalog pages – the table rows were split into Black Lily, White Lily and Mountain Lily, which I found kind of cute. You can see the tabs for the other events in the catalog along the side. To get into the event, you buy the catalog (which contains the circle listings for all the events taking place.

So while MG7 was small, all the events grouped together meant we had a fair amount to look at. First we went over to Fantastic Yuri Rhythm, Ransui-san’s circle and picked up her new books. She’s amazingly talented.

It was pretty gratifying to see so many circles I knew well there. even some I hadn’t seen in years, like CHC.

Here’s some of what I picked up at the event, starting with this spiffy Mouretsu Pirates coffee travel mug:

I followed this up with a trio of my fave circles – Sakuraike, UKOZ and Raku-Gun.

I bought this thing totally and only for the cover:

I was pleased as punch to find something new (and not obviously porn) by Pen-Pen Gusa Club, along with this Lyn/Jenny thing I couldn’t pass up from the not-series specific, but all anime parody/totally 18+ section of the event.

And I bought this one because of the title:

I told the guy at the table that I am a researcher, but I don’t think he believed me. He had “ewww, creepy foreigner” face on. ^_^;; I also bought a fabulous “Promises are forbidden” (約束禁止) Kyuubey strap, but it self-destructed before we got back to the hotel, so I’ll have to make myself a new one.

Overall, while on its own Maiden’s Garden is small, grouped with the other events, it makes a good afternoon’s entertainment. And it’s a great way to meet Yuri artists. ^_^ I wholeheartedly recommend MG, if you find yourself in the Kyoto area when they next hold an event.



Typical Okazu Thanksgiving Post

November 22nd, 2012

Over the last few years it has become my custom to write a Thanksgiving Day post here on Okazu. This more important than it might initially appear. Being consciously grateful is a profound skill. It makes us take stock of the gifts we already have and helps us to realize how amazingly blessed we are. It helps provide perspective.

***
In the wake of hurricane Sandy, I find myself grateful to still have my cute little putty-colored house on the hill. More now than ever before.
I am ever grateful to JManga and Nozomi/RighStuf for being two companies that are willing to invest in Yuri and act like our money counts for something – and to acknowledge that our enthusiasm counts for even more. This shift is so enormous after all these years of being basically ignored at best by fanboy-run companies who want our money, as long as we shut up. These two companies solicit our feedback and want to know what we want! I’m incredibly grateful to Robert, Yae, Alison, Shawn, and all the folks working at both companies for long talks over phone and Skype and lunch. ^_^ You all are amazing, truly and I appreciate all your hard work!
Thank you to all my friends and family everywhere – to my family of course,  to Sparkle, who came to NYCC and ended up keeping me company in the hospital, to Sean, to Serge, Donna, Kelli, to all my friends too numerous to list here, you all keep me laughing and glad to be alive.  I’m so lucky to know you all. ^_^
This year I want to make sure I say how grateful I am to all my friends living in Japan. I cannot express to you how much I enjoy your company. Simona, Tei-chan, Ana, Bill (sorry I missed you his time), Ransui-san, I had a blast this last trip because of you! And thank you to Bruce, our constant companion when we travel. You slay me and make every trip 300% better when you’re with us.
Very special thanks to Komatsu-san. I have no words to thank you for everything you have done to enrich my life. You are a very special person and I’m so glad we are friends. ^_^
As always, I want to express my appreciation for you, my Okazu readers. I say this all the time  – you are the best readers in the world. You help make Okazu more than just a blog, you make it a community.  Please keep up the good work – always being ready to tell me when something needs fixing, and helping to fix it. Thank you for writing for Okazu. Thank you for reading Okazu. Thank you.
This year, when middle age has kicked my ass thoroughly, I want to say that I am thankful for the relative health I enjoy. And I am very grateful for my day job, which provides me money and freedom to do many things, and wonderful people to work with and for.
Last, but never least, I am always, especially thankful for my wife. I could write reams of thanks for everything she does, but it would become tedious, so I’ll wrap up here and go give her a big kiss instead. ^_^
Feel free to add your thanks in the comments – it’s important and good to take a moment and appreciate what we have.
Happy Thanksgiving to all of you today and every day. Thank you all.


Yuri Manga: Itazura Choucho (悪戯ちょうちょ)

November 22nd, 2012

Itazura Choucho (悪戯ちょうちょ) by Ayase Mana is an odd book. There’s really no other way to describe it. The title translation on the cover, “Mischievous Butterfly” doesn’t really fit the story at all.

Nanoha and Sakura attend a school for the arts as first-years, and because of the competitive nature of the school, are not planning on trying to compete in the year-end school competition. Sakura has a contentious relationship with the piano she plays, although she needs to play, like other people need to eat, she cannot just relax and play. Luckily for her, Nanoha adores the way she dominates the piano, and finds beauty in Sakura’s art. When Sakura plays, Nanoha cannot help herself, she has to sing.

The oddness of this story lies in the intensity with which Sakura is portrayed, compared with the actual plot. No one seems to be opposing them, except in the vaguest way – after all, they are only first-years, so its presumptuous of them to be competing at all. But that’s not really the issue at the heart of this manga. The issue is really in the relationship Sakura has with the piano – is she running from it, or trying to master it, or does she need it? None of this becomes important when Nanoha sings with her – the only thing that is important is the music.

It’s finally time for Sakura to perform in front of the judges and other students; Nanoha comes running in and the two of them soar together. The piece may have begun as Für Elise, but by the time they are done it has become, as Nanoha points out, a love letter by them both for each other. Judges and students rise to their feet in applause.

As they admire their championship rings, Sakura and Nanoha have yet another one of those oddly intense moments as they promise to stay together forever, bizarrely part, then run back into one another’s arms stating their love for one another.

The story was “odd” merely because there didn’t seem to be any actual conflict, but Sakura’s internal tension is very high. Her piano playing is portrayed violently, with wild arm motions, with the visual impression that she’s pounding the keys into submission…but the story indicates that she has a genuine mastery of her art. It’s hard to reconcile the visuals with the story as its presented, which is of two girls who are musically talented and who live happily ever after. ^_^

Ratings:

Art – 7 It’s a little messy and crazy, but not bad at all
Story – 7
Characters – 7 It *felt* like Sakura was supposed to be emotionally unbalanced, but she wasn’t, really.
Neither was Nanoha really the grounding influence she appears to be.
Yuri – 7
Service – 1

Overall – 7

I can’t say I disliked this manga, but the level of intensity was incredibly high for what was not a particularly high-tension story, which left me wondering what I was missing.