I’m in Love with the Villainess Audiobook, Volume 1

November 24th, 2023

Two girls in red jacket and blue skirt uniforms embrace as if to dance. The girl with medium-length brown hair smiles slightly, the girl with blonde hair looks put out.

If you’ve been reading Okazu for a while, you may know that I love(d) Drama CDs. The Drama C D category here on Okazu has nearly 100 Yuri Drama CD reviews. But the age of the Drama CD passed when the 2020s began. Instead, the genre shifted to digital…which makes a lot of sense, honestly. And, possibly more importantly, a lot of the Yuri manga that might previously have gone to Drama CD is now being made into anime, so skipping that voice-only medium altogether. I’m not complaining. But I do miss those days of popping a CD in on my way to drive to work or a con. ^_^

As a third driving factor in the shift from Dramas CDs, audiobooks – full readings of novel by a narrator – has become way more popular than it was some years ago. In the 1990s I did a LOT of driving and my wife and I constantly listened to Recorded Books on Tape, a company that kept me sane on many a long drive. But then I stopped driving and didn’t have nearly as much time to listen to things and audiobooks went from something hardly anyone did, to something Amazon could make money on. And now we’re sort of full circle as audiobooks have hit Light Novels. We may not have Drama CDs, but instead we have I’m in Love with the Villainess Audiobook, Volume 1 from Seven Seas Siren.

Narrator Courtney Shaw does a fantastic job. She captures each character well, to the point that by the end of the book, I knew who was speaking in most places, even if they weren’t immediately named. It was a pleasure to have her read the story to me, which gave me yet another perspective on words I have now experienced 4 or 5 times now.

I know you’ll care, so yes, the entire “Are you gay” conversation – including Rae talking about being impacted by Japanese media representation of gay people – is included. This is a reading of the whole novel, save for inori.-sensei’s author’s notes. Nothing was left out.

My only “complaint” (and it is not a complaint, just something that was impossible to not notice) is that a few of the pronunciations are at odds with both the written Japanese and the anime dub. The one that impacts us the most here is Lene, which is pronounced “lean.” We had a lively conversation on the Okazu discord about the various ways the Japanese レーネ could be adapted to English. My assumption was, since the Bauer kingdom is Frenchish (e.g., Claire François) was that it was meant to be Renée. The Japanese predilection for choosing ‘l’ over ‘r’ in transliteration gives us Lenée, which is pretty much how the anime dub handles it.  This and another choice makes me think that no one on the recording studio staff had thought to ask someone who could read Japanese. It was a very minor thing and didn’t really effect the overall presentation, it was just impossible to ignore – especially as we have the anime at the same time.

But do not let this very minor thing deter you from getting this audiobook. In every way, it’s an absolute delight.  While Shaw’s Rae is less over the top (or, as I like to think of it it, less “Pinky Pie”) than Hannah Alyea’s anime version, it works better for the more fully featured light novel narrative, in which we are given more of Rae’s motivation and backstory.

The first novel ends where the anime will be in a week or two, which means you can safely listen to this and not be spoiled for much.

Ratings (for the adaptation only)

Overall – 9

You should definitely get this audiobook to experience (or re-experience) the fun of the whole first novel. Then, once the anime is over (and after you have written Ichijinsha to let them know you want a second season, run out and pre-order Volume 2, so you get into the meat of the story!



Watashi No Oshi Ha Akuyaku Reijou. Maid Kitchen, Volume 1 (私の推しは悪役令嬢。 メイドキッチン)

November 23rd, 2023

Two girls in maid uniform hold out treats, while a girl with long blonde hair sips tea, surrounded by cookie designs.Lady Claire François, daughter of the Minister of Finance, has a problem. She turns to her maids, Lene Arrouseau and Rae Taylor to solve that problem…with food.

In Watashi No Oshi Ha Akuyaku Reijou. Maid Kitchen, Volume 1 (私の推しは悪役令嬢。 メイドキッチン), food is the answer, whether the problem is bored taste buds, or social status or a fever, or even the unpleasant temperature outside. There is nothing that can’t be solved by the application of just the right culinary item. Lene and Rae even conspire to cure Claire of her dislike for carrots.

The primary relationship here is between Claire and her maids – how they understand her, want her to be happy and healthy and through that, between themselves. Lene is given a little room to be seen as an individual and Rae gets to flex her knowledge of cuisine.

tsuke-sensei’s art is quite good – especially considering that readers are now used to Aonoshimo-sensei’s art. I find the use of goofy faces – including “horror face” suits the bwah-bwah-bwah tone of what is, at least in part, a gag manga with characters we already know and like.

We’re not given recipes here, but we are given enough information that, should we too wish to make a cake salé, it would not be hard to find a useful recipe. And, since it is Thanksgiving in the USA, today seems like a good day to bring something different to any shared meal you might be attending. The older I get, the more I realize how much of French cuisine is really just “what do we have in the house and how do we use it for dinner?” ^_^

Ratings:

Art – 8
Story – Claire has a problem, food solves the problem
Character – 7
Service – Rae is Rae
Yuri – Rae is Rae

Overall – 7.5

This is very much a manga for fans of the I’m In Love With The Villainess series. It won’t add anything to the story proper, but it will allow you to spend more time in the company of Claire, Lene and Rae. And food.

 



A Tropical Fish Yearns for Snow, Volume 9

November 22nd, 2023

Two girls in navy blue jumper-style school uniforms smile at us, their arms entwined. One wears a flower and holds a diploma scroll, the other wears frog and salamander mascots on her bag.I’m playing clean-up in my files this week and this book, which is the final volume of the series, had been put aside for several reasons. The main one was that a friend of mine was really into it and planned on reviewing it for us on Okazu, but she died of COVID in 2021 and was never able to do so. So, I spent a year avoiding this series like the plague I associated it with. A little over a year ago, I finally was able to finish the series in Japanese. Today I’m holding up my promise to Claire Monserrat Jackson and reviewing A Tropical Fish Yearns for Snow, Volume 9, by Makoto Hagino.

Konatsu and Koyuki have come a very, very long way since they first met. Koyuki has begun to understand the people around her, and allow herself to be part of a group. Konatsu is still not entirely sure she’s communicated everything she wanted to say to Koyuki, but is definitely sure that the other girl is very important to her.

Their final school festival together is a culmination of these two refrains. Even when her classmates’ behavior is a little frightening to Koyuki, she is able to understand that they don’t mean to hurt or scare her. And when she comes to the Aquarium Club’s cafe, she completely understands Konatsu’s message to her, in the form of a frog and salamander pancake combo.

Koyuki graduates and is off to the big city.

In an epilogue, we learn that Kaede’s big sister is a famous model and she thinks that Kaede has the chops to be one, too. Poor Fuyuki. But he finds an interest in photography…so maybe they will meet again after all.

When she comes to Tokyo to visit, Konatsu learns that Koyuki absolutely understood her message to her…and, at last, the older girl is able to respond. This salamander and frog need each other and they want to be together. As I said in my review of the Japanese edition, they will not be heading into the future together, but they will be there for one another. Whether their relationship develops into more than friendship will depend on many things. I see it as a possibility, not a probability. Upon re-read, I call it a fairly high possibility. ^_^

Regardless of any romantic possibility, this series was a very gentle look at the relationship between two young women. It was worth reading for that alone, but I’m also glad that the ends leaves room for recognition of intimacy and desire to have the other person in their lives.

Ratings:

Art – 6
Story – 7
Characters – 8
Service – 0
Yuri – 5

Overall – 8

I sincerely hope the Nagahama High School Aquarium Club got  lot of new members from this series. It looks like they do a lot of cool stuff, in this article from earlier this year!



I’m In Love With The Villainess Manga, Volume 5

November 20th, 2023

Two girls in red jackets and blue skirt uniforms. One with short, pale hair looks smug, the other with medium-length brown hair looks angry. In the aftermath of the Commoner’s Movement and her loss of someone important to her, Claire has been listless and resistant to any attempt by Rae to lighten her mood. When her childhood friend – and first love – arrives at the Academy, Claire perks right up. But now Rae has a serious problem…now she has a rival.

Manaria Sousse, the Crown Princess of the Sousse kingdom, is a shockingly complex character. Her looks are the the boyish blond butch we are familiar with, flirtatious and charming. But underneath that is an apparently cruel person. And underneath that(!) is something like the truth. Manaria jokes easily about her complicated position in the family, and her desire to win Claire back. She pushes Rae very hard and despite knowing exactly where it will lead, Rae allows herself to be provoked.

I’m In Love With The Villainess, Volume 5 covers the “Scales of Love” arc which is one of the major turning points in this series.

There are two things happening simultaneously in this series. One is a shift from a goofy isekai series to serious criticism of income equality and unequal governmental representation. The Commoner Movement was the first major tone change in that theme, and more is to come.

The second shift in the story I have begun to describe this way: The story starts off gay and becomes queer. We’ve gotten a little of this as the narrative has made room for Rae to discuss her feelings and concerns about her previous  life as a lesbian. Now the story is doing something extraordinary – using it’s own tropes to make the story just a little bit queerer.  Both these two shifts will continue through the entire series and neither of them will back off. Narratively, it’s one of the best things about the whole series.

Visually speaking, this arc is the bomb. And, as it’s likely to be where the anime ends, we’ll get both the climactic battle and that extraordinary resolution to Rae and Manaria’s conflict. I commented in my review of this volume in Japanese that the art here is outstanding, and I thought that again as I re-read it. There is a panel where the princes and Misha are tensely watching events which has them leaning forward, concern etched into their faces, the rush of what is going on indicated by motion lines…it is absolutely perfect. Aonoshimo-sensei just kills it in this volume. I truly think Aonoshimo-sensei’s art elevates the heck out of the story, making this manga absolutely worth reading, even if you’ve have already read the light novels.

A fine job on translation by Joshua Hardy, and excellent work by letterer Courtney Williams. I hope Seven Seas gives her the time and money to go complete retouch, because on panels where it is full retouch, it just looks so good! Cover by Nicky Lim and George Panella is fantastic….every time I get a English-language manga with a great adaption of the JP manga cover I am made happy. I remember the olden days when getting cover art from JP rights holders was the equivalent of a publishing tough mudder. ^_^ Thank you all to the folks at Seven Seas for taking good care of this series.

Ratings:

Art – 9
Story – 9
Characters – 9
Yuri – 7
Service – Manaria is a whole tropeload of service, on her own. ^_^

Overall – 9

Things are about to get serious again…then silly…then very serious, but from this point on, the series will always be queer. And I really appreciate that. Thank you inori.-sensei!



Comic Yuri Hime December 2023 (コミック百合姫2023年12月号)

November 19th, 2023

A girl stands before a door in a school with one hand on the door, wearing a blazer uniform, while two girls in sailor-collar uniforms walk away down the hall, one looking back at her. Everything is grey.And so, another year of Comic Yuri Hime magazine comes to an end. I had to buy another storage container and move a few years off my shelf so I have room for more – I can only keep about 3-4 years at a time on the one shelf where the current issues live, depending on the size of the issues. The 2023 volumes are visibly larger than 2022 and I can see that 2024 volumes are looking to be getting closer to 600 pages again. It’s been an amazing process, watching this magazine go from quarterly to monthly, and being a corporate partner to successful anime and multiple kinds of contests. What an absolute ride these past 20 years have been. When I look at Comic Yuri Hime December 2023 (コミック百合姫2023年12月号), I’m thinking about endings, but no series actually ended, except the cover story.*

There is one series, however, that will end with the next issue and I wanted to talk about it, because since the first chapter it has been a textbook example of how *difficult* it is to serialize a story. ^_^ So instead of me paging through the magazine, saying “here’s the stuff I like” let’s talk about a series I have not actually reviewed here, for reasons of my own.

Kimi to Tsuzuru Utakata, (君と綴るうたかた) localized in English as The Summer You Were There by Yuama, has had a literal fatal flaw since the very first chapter. Shizuku is an author, but she is clearly, visibly traumatized by human contact. Kaori is an ebullient reader of her work and, not coincidentally goes to the same school. Kaori asks Shizuku to write her a novel, but Shizuku, full to the brim with PTSD, is totally blocked. When Shizuku learns Kaori is dying, that does not help free her mind. But as the chapters continued, Shizuku has done a lot of work, in order to become the person Kaori saw her as.

The story has had to do some interesting things to get us to this penultimate moment. Firstly, Shizuku’s initial trauma was that she was the aggressor in an incident in elementary school and has never forgiven herself. The story takes time to parse this and the incident and aftermath is resolved. But, after all that time and care it turns out that “not forgiving ones’ self’ is not enough of a trauma to explain Shizuku’s very obvious PTSD. Much as characters we are told were “neglected” by parents, when their behavior shown signs of being a victim of CSA simply doesn’t sit right. (I am told that Citrus did, eventually, create a more plausible story for Mei’s behavior than parental neglect. As I have not read any of it beyond the first few chapters, I cannot confirm. If so, I think that’s good, narratively speaking. It was a horrible inconsistency in the story.) I am not a fan of trauma porn, but if you’re going to create a character who behaves like a victim of trauma, the story ought to be consistent.

Interestingly, in this case, Shizuku’s story is given a coda. Having been shunned by classmates for being “scary,” Shizuku takes to writing. She finds an online site and becomes a successful author. But with fame comes abuse and, at 13, Shizuku is alone and unable to cope with the harassment online. She stops writing, and becomes the recluse we met in the beginning of the story. At which point, we understand and her behavior actually, finally, makes sense. Was this series originally meant to be more than a volume or two, in which case the initial scenario might have been enough? Or was this planned? It feels more like the former, as that piece of the story comes in after the initial conflict is put to rest. Nonetheless, it was a good use of the (possibly extra) space and time.

Now we get to current issue and we have to reckon with the other huge weakness in the narrative. Kaori either must die as we have been told she will for years now, or an impossible and annoying miracle will occur. We have been repeatedly told that her condition is fatal. Even as she heads into surgery, we know there is no happy ending here – this surgery cannot save her. The final chapter hit shelves yesterday in Japan and there are a number of likely endings: One, Kaori dies, Shizuku goes on to plumb the depths of this horrible point in her life to become a famous author. Two, Kaori miraculously survives. Three, Kaori lives a little while longer, helping Shizuku become the person she wants her to be, then dies off-screen when Shizuku is helpfully older and more capable of coping.  Four, this was all a story that adult Shizuku was writing for Kaori and none of it happened. All of these have positives and negatives, and everyone’s opinion on what will work are different. I know how I would end it. ^_^ I’m hoping for an interesting ending that works with the characters and story as they have been presented to us.

We can see plainly here how longer serialization can and has to change the way a story is structured and executed. I’m reminded yet again, of Lord Peter Wimsey and Harriet Vane deciding that if you want a series to continue sometimes the premise be damned, you have to write a story (I believe this was in Have His Carcase, if you care to check, it has been a long time since I’ve read that one. Think I’m going to have to bust it out on audiobook….)

In just a few weeks I will know how this ends and I am equally ready to be annoyed and pleased. ^_^

And we’ll be in for another year of Comic Yuri Hime!

Ratings:

Overall – 8

*The cover story ends in an epilogue that returns us to the colorless life of our protagonist, fondly remembering that gloriously colorful year of her life and all I can says, adults…we are doing this wrong. ^_^;

The January 2024 issue of Comic Yuri Hime is out, with a whole new cover design.