Yuri: Manga: Tsubomi, Volume 1

March 2nd, 2009

YNN Correspondent Erin S. and I began to chat about Tsubomi (つぼみ), Volume 1. I was going to review it anyway. Here’s what we said.

pkChinensis> I read Tsubomi. It was better than I expected.
Rosa_Foetida> Hi Youko.
Rosa_Foetida> It wasn’t bad.
Rosa_Foetida> My only real takeaway was that there was little that stood out.
pkChinensis> Yeah.
Rosa_Foetida> I have to re-read it to review it, but I can only remember two stories off the top of my head.
Rosa_Foetida> But it is only a first issue and as it goes on, it will probably develop more of a personality.
pkChinensis> There was one artist whose style reminded me a bit of Shimura Takako’s.
pkChinensis> Yeah.
pkChinensis> Which two stories?
Rosa_Foetida> Yes – I thought that too, and double-checked the name. :)
pkChinensis> :)
(Answered later, but placed here for continuity) Oh – which two stories? Morinaga Milk and the office non-romance with art that made everyone look puffy, like they were all on steroids.
pkChinensis> I liked the art style of the ghost story, too.
pkChinensis> Though that one wasn’t very yuri.
Rosa_Foetida> I found it very wood-cut like, but it really wasn’t very Yuri.
Rosa_Foetida> Not something I’d put in the second position for the book, myself.
pkChinensis> Yes.
pkChinensis> Well, maybe the second part will be… not holding my breath, though.
Rosa_Foetida> Me too.
Rosa_Foetida> I felt that a lot of the stories were retreading the same old safe territory, crush/love/unrequited/kataomoi
pkChinensis> Yeah.
Rosa_Foetida> Nothing was really – “we’re a couple, now here’s the story.”
pkChinensis> Right. Well, that’s fairly rare to begin with.
Rosa_Foetida> I know. I was just hoping that this was not going to reinvent the same wheels.
pkChinensis> Oh, Erica, you and your foolish hopes. lol
Rosa_Foetida> I know, I’m a romantic at heart.
pkChinensis> (I’m sure you’re not alone.)
Rosa_Foetida> But with a name like Tsubomi, I really didn’t expect much.
pkChinensis> Right, and from Manga Time Kirara.
pkChinensis> It was actually better than I expected, so… :)
Rosa_Foetida> Exactly.
Rosa_Foetida> Agreed.
Rosa_Foetida> Every story could be called “You’re always on my mind”
pkChinensis> lol.
pkChinensis> Maybe not EVERY story.
Rosa_Foetida> Maybe. But an awful lot.
pkChinensis> Right.
Rosa_Foetida> In my mind, the color of Tsubomi is gray. I felt like I was watching a Black and White TV, because the stories had little depth or contour or color.
pkChinensis> Hmm.
Also from later, but added in now for continuity
pkChinensis> Some of the stories were just plain stupid–like the one about the girl who’s really the spirit of the flowers the other girl gave her crush.
Rosa_Foetida> Absolutely.
Rosa_Foetida> The last one, by whathisface waren’t all that anything, either
Rosa_Foetida> just girls sitting around talking, really
Rosa_Foetida> I [need to write] an emphatic note of reality to all the delusional fans who think that the Morinaga story is somehow going to be Nana and Hitomi.
Rosa_Foetida> I find it hard to believe that so few people understand that Morinaga does not own that story.
pkChinensis> Well, Morinaga keeps talking about it on her blog.
pkChinensis> So she must think she has some chance of drawing it somewhere else.
pkChinensis> Yoshitomi Akihito? Yeah, that story didn’t grab me either… just “Ha ha, two sets of sisters in love with each other.” (In other words, the one girl’s love is the other girl’s sister.)
Rosa_Foetida> yeah
Rosa_Foetida> whee
Rosa_Foetida> I don’t think she’s going to be able to with the same names.
pkChinensis> Well, she can always just use the same basic character designs and change the names… again. lol
pkChinensis> I don’t think it’s necessarily the specific characters people are attached to as the stage in their relationship the later stories are about.
Rosa_Foetida> I agree – what they want to see is “the next step”
Rosa_Foetida> But the sisters thing didn’t strike me as “love” so much as “moe”. “Oh you’re so cute, like a little doll I just want to eat you up” kind of thing and crushiness
pkChinensis> I didn’t read it that carefully, so it probably was.
* Rosa_Foetida admits she didn’t read it that carefully, either
pkChinensis> lol
pkChinensis> Some of his Yuri Hime S stuff was interesting, but this… wasn’t.
Rosa_Foetida> Yes.
Rosa_Foetida> Hey, Youko?
Rosa_Foetida> Can I ask a favor?
pkChinensis> Sure.
Rosa_Foetida> Can I just use this conversation between us as the review?
pkChinensis> lol
pkChinensis> If you like.
Rosa_Foetida> Because, it’s pretty great, looking back at it.
pkChinensis> Haha.
Rosa_Foetida> I was going to cut and paste comments from it, but the whole conversation thing works.
pkChinensis> Cool.
Rosa_Foetida> You’re officially a guest reviewer on Okazu now. :-)
pkChinensis> :)
pkChinensis> Do I get a cookie?
* Rosa_Foetida gives Youko a cookie.
pkChinensis> Yay.
pkChinensis> Thank you.
Rosa_Foetida> You’re welcome.
Rosa_Foetida> And there you have it.

Ratings:

Me – 6

Erin – 5

Here’s hoping it grows up fast.

One last note. No, The Morinaga Milk story is not the continuation of Nana and Hitomi’s story.



Fandom, Fan Delusion and What Fans *Really* Want

March 1st, 2009

Revolutionary Girl Utena is, in part, about a young girl’s complete misinterpretation of everything in her past, and the choices she makes trying to attain an ideal that is based upon a profound misunderstanding.

Today I thought we’d talk a little bit about what I call “Fan Delusion.”

“Fandom” is a very amorphous word. “Fan,” like most other labels is self-chosen and self-applied. Only I get to decide if I am really a “fan” of a series or not. Your opinion doesn’t count. ;-)

Here’s how I look at it. “fans” (we’ll use the small ‘f’ to denote this level) are people who become engaged in a series. They identify with it, they think about it meta-textually, beyond the confines of the media itself. As a friend of my wife’s said to me once as I was talking about Marimite, “You talk about these characters as if they are friends.” Umberto Eco defines literature as any text that moves beyond the confines of its media. When people start to talk about the characters as if they are friends, the book is no longer just a book – it has become literature. And the people who discuss it this way are “fans.”

By my personal definition, “Fandom” is made up of those fans who take the next step into engagement with a series – they want to become a part of it. These are the folks who cosplay, do fan art, fanfic, music videos, or simply rant endlessly on forums about the series, pick individual characters and scenes apart endlessly (often tediously.)

Because “Fandom” becomes *so* engaged in the series, they often personally identify with it. Sometimes positively, often not so much. A “Fan” (with a capital ‘F’) often reinterprets things in the series, or in the character, to better fit the story to their own worldview. This could mean writing an Alternative Universe story, where the character doesn’t die, is actually gay, goes to school in their small town and meets their cousin who happens to have the same name as the author.

More insidiously, Fans become so attached to the way they believe a thing should be, that they begin to think it is the way that things are. They start to feel as if the creator of a series actually *owes* them for being so engaged in the series – even if they have never once financially supported the series in any way. “My love,” this kind of Fan says, “is worth something. You *owe* me for my loyalty.” This leads to what I call “Fan Delusion.”

Take a look at the picture above. This is what my wife and I call a “Fandelusion Pony.” (It’s a horse pun, if you don’t get it, don’t go crazy.)

Now re-read that first sentence. Utena was laboring under a delusion of who and what her “Prince” was and what “Princes” in general should be. Fans often labor under the delusion that the series they are reading or watching would be good, if only it were something else completely different. (Which is why the horse having Utena’s rose seal on it’s ass is, to me, a perfect symbol of this syndrome.)

Not long ago, I had a conversation with someone about Maka-Maka. The other person strongly felt that it lacked soul, that it *would have been so much better if only* Jun and Nene left their clearly miserable boyfriends and took up with each other. I replied that that decision would have made the entire series completely irrelevant because – despite what Fans here want it to be – the series was incontrovertibly created as lesbian porn for straight men. Jun and Nene will never leave their boyfriends. They aren’t going to live in a happy lesbian relationship, because, they aren’t. As a piece of porn for straight guys, Maka-Maka is quite good. Without delusion, we are far less likely to be disappointed with a series than we are when we look for something that is not there – and was never intended to be there. (See this earlier essay, about managing expectations.)

Fan Delusion takes a darker turn when a fan takes a series or characters so seriously that any disagreement with their worldview becomes a crisis that can only be assuaged by crossing the Intertubes badmouthing the person who had the nerve to have a different opinion. I’ve been vilified by a lot of people for this – in order to hate me properly, I am told that I am stupid, of course, and ugly. A veritable monster who real humans should slay instantly upon sight. Like a zombie. Or Hun. Or /fillintheblankevilthing/.

When Fan Delusion gets really ugly, authors themselves become the targets of this kind of thing. They receive hate mail over killed characters, or married characters or characters with alcohol or drug problems or whatever was the cause of the crack in the delusion. This is a lot more common than you’d think. Delusion is a powerful thing.

And lastly, whole genres suffer from Fan Delusion. The person who says on a forum that they won’t buy any books of a series unless they are all published, is suffering from a Delusion. The person who says that they love a series, but won’t buy it because a name was spelled differently, is suffering from a Delusion. A person who doesn’t “support” a company because, 5 years ago, they censored one panel, is suffering from a Delusion.

Manga and anime are, above all things, business. Anyone who thinks that their engagement means that they are owed anything by the people who draw, write, animate, produce, direct, edit, etc, is suffering from a Delusion. The only thing going on here, really, is that XYZ company makes entertainment and you may or may not buy it. That’s it.

What fans *really* want is their favorite author to read their forum posts and reply, “Gee, that is a good idea! I’ll bring so-and-so back from the dead, pair him up with the guy he never spoke to in the series and have them start a cucumber farm for maximum service.” But you know – there’s no way that’s going to happen.

Fans *really* want the newly remastered series, magically translated into perfect English to be released at the same time as the Japanese version, with all the extras, uncensored, for 1/10th of the Japanese price. This will never happen, either.

Fans *really* want all 43 volumes of an ongoing manga series to be on the shelves in their local bookstores in their small suburban town where manga doesn’t really sell, because they might want to buy Volume 15 and 13…if it’s on sale, like it is at a con.

Many Fans cannot *wait* for a series that’s just come out in Japan to be scanned or subbed, because despite their engagement in the series and their dedication to it, they really have no intention of ever buying it. This way they can complain about how we never get anything good over here and justify why they keep reading or watching illegal versions of licensed material.

Alternatively, as soon as a series is announced in Japan, there are Fans with delusions of it being licensed right away and sold here. Despite the shrinking economy and the patently obvious fact that some genres sell well and many genres really, just don’t, because audience size does not translate to market size.

So therefore, from now on, whenever I get mail or comments that express these particular kind of Delusions, you’ll be eligible for your very own Fandelusion pony. :-) Enjoy.

I’m not saying that it’s a bad thing to be a big-‘F’ Fan. Or that your engagement in the series is delusional. I’m just saying that no one, not the artist or writer, or the publisher owes you anything but a book or disk in return for your money.

If you don’t buy it because you don’t want it, well then, that’s perfectly sensible. But that’s not the author’s or publisher’s issue. It’s yours. Anything else, is merely Delusion.

For an awesome example of Fantitlement, please read this post at The Manga Critic. Kate nails the issue.



This Week in Yuri – February 28, 2009

February 28th, 2009

Yuri Anime

Because Koihime Musou left so many questions unanswered, a second season of anime has been announced. Shin Koihime Musou is bound to have more jiggling boobs, lolis, and Fake Yuri! So, erm…yay.

Also of questionable yay-ness to me, but YAY! to some is the breathlessly awaited announcement that is coming *any* second, no seriously, for the sequel to Strike Witches. Kadkoawa is not making any friends recently, with their bait-and-switch approach to news for this and other (coughHaruhicough) series.

Right Stuf has announced the relaunch of the Aria website, with loads of online goodies, wallpapers, postcards, etc. And if you pre-order Aria The Natural, Part 2, it will come with a papercraft set of the Prima and their proteges. This papercraft set was available in Japan, and now they are bringing it here as an entirely appropriate omake for fans of this series. Right Stuf continues to win my Microniche Marketing Award for “getting” my approach to marketing to fans.

***

Yuri Manga

This is really more of a “Snatches of Yuri” item, but since like a million people have asked about it, I thought I’d better tell the rest of you that Kurogane Pukapuka Tai is gaining much traction in Yuri fandom from being another alt-WWII meets Fake Yuri tale, with women in uniform on a ship during the Pacific campaign which the Japanese are winning/have won, or something. Fans of military detail will enjoy this series, as long as you overlook the two obvious handwaves. The Yuri is possible because the captain is so utterly cool that her crew – especially her XO – is in love with her. but of course she is clueless, so don’t expect anything to come of it.

It’s actually kind of cute, as long as I skip over the careful listing of dimensions/weight/armaments/etc of the ships, because it could really be anywhere on anything, since the rest of it is so silly. :)

Once more I am going to implore you to please *pre-order* Yuri Monogatari 6 from your local bookstore, comic store, through Amazon. I say this because right now we are also on track to not be carried by Diamond anymore, because we won’t be making their minimum levels. That means, simply, there will never be a chance for you or anyone to walk into a bookstore and see it on the shelf.

Of course, our books will continue to be available online, so if you really can’t stand the thought of committing, you can always drop by the Yuricon Shop anytime and pick up 100% Yuri from ALC!

***

Have a great weekend – see you next week for another Yuri News report!



Maria-sama ga Miteru DJCD Winter Special 2008

February 27th, 2009

Please allow me a moment of self-indulgent Fangirlyness.

zOMG, this was the most awesome MarimiteDJCD evar!!!!11111

Thank you.

In truth, the Maria-sama ga Miteru Winter Special DJCD was, in fact, the best of the bunch I’ve listened to so far. For any number of reasons. Here are some of them:

Ueda Kana, the voice of Fukuzawa Yumi, and the host of the radio specials that are collected and turned into these DJCDs has, over her years of doing this become much more comfortable in the role. Where the pauses were long and slightly awkward in the early days, Ueda and the other seiyuu are now quite comfortable with each other and the conversation is more and more like a conversation between old friends.

Ueda Kana has also read all the Marimite books and is a total fangirl for them. ^_^

In discussing the role of Shouko with Inoue Marina, Ueda confidently and excitedly talked about the “Chocolate Portrait” Radio Drama, but concluded with – “Oh, wait until the amusement park scenes…” (from Kira Kira Mawaru) which she goes on to discuss in some detail, mentioning that it’s the 30th book in the series. Inoue admits to only having read up to the 20th novel. Ueda’s practically jumping up and down in fangirlish delight as she speaks of the wonderfulness that is Shouko and Tsutako in that novel. For good reason.

When Nabatome Hitomi arrives for a chat, Ueda says, with obvious delight, “Nana’s here!” Not – Eriko-sama….Nana. ^_^ There’s a moment when they are talking about the “sendai Rosas” (the previous generation of Rosas i.e., Youko, Sei and Eriko’s oneesama. They mention the VAs for Rosa Gigantea, Takayama-san, and for Rosa Chinensis, Katsuki-san, then there’s a pause…. Ueda, Nabatome and I all say in hushed tones of reverence, “to…Mitsuishi-san…”. :-D

The first and fourth guest talks are with the voice actresses for Kanako and Noriko, and all I can say is that they are equally as wonderful.

This is followed by a radio drama which had me in stitches. Mami wants a big scoop for the Lillian Kawaraban, but the Yamayurikai isn’t cooperating by doing anything interesting. Tsutako suggests that she write a fiction – much like her oneesama did. Mami writes a parody of one of my favorite old-school J-dramas ever: Zenigata Heiji.

The constable role is played by Yoshino, who is joined by Yumi as the plucky, goofy and somewhat limited sidekick. Rei plays Yoshino’s wife Orei. (Edo period female names all begin with “O” as an honorific.)

They go up against the evil gang boss Satou Sei and her partner in crime, the madam of the local brothel, Torii Eriko, as they try to ruin the Toudou family’s senbei business so they have to sell their precious daughter to pay off the debt. The whole thing was absolutely hysterical – made even more enjoyable because I just loved Zenigata Heiji, so I knew what was coming in any given scene. (Yoshino had been likened to Zenigata Heiji in the seventh novel, btw. That’s why she got the role.) At the end of the story, as Oshimako arrives to thank Yoshino (and as Orei bickers about something good-naturedly,) Yumi comes running up with some stupidity. Orei says something like, “Oh well, it can’t be helped” and there’s a pause…after which Shimako, Yoshino, Rei, Yumi and I all laugh utterly fakely, because that *exactly* how every episode of ZH ended. ^_^

The story ends with Sachiko and Rei having hissy fits over the story, but eventually being placated.

The final track is a New Year’s meeting between Ueda and the three voice actresses for the first-years, Noriko, Touko and Kanako. It was interesting to hear how the three actresses for the first-year students treat Ueda with the same respect that their characters treat Yumi. Most of the track is listening to them eat sweets and giggling. ^_^

In all seriousness, I had more fun listening to this one DJCD than all of the others so far – and all of the others were pretty terrific. This one is just the best one *evar.*

Ratings:

Overall – 9



Hakodate Youjin Buraijou Himegami Manga, Volume 4

February 26th, 2009

Yesterday I mentioned two types of kitsch. So bad it’s good and so good it’s bad. But there is actually a third category of good crap. It’s “We really don’t care what you think or if you like it or not.” In many ways, this is the most excellent form of good crap, because it creates an instant us/them cult effect. Either you like The Cramps, or you don’t. You like Murakami, or you don’t. But frankly, they don’t really care which side of that fence you fall on. And in the case of manga, Tamaki Nozomu *clearly* doesn’t much care what you think of his story.

As it happens, I love Hakodate Youjin Buraijou Himegami (箱館妖人無頼帖ヒメガミ) Volume 4 with all my love. (Not that Tamaki cares.)

In Volume 4, the arc which involved a large-busted cross-dressing (ftm) French politician/whorehouse madam, the cases of missing men who turn out to be turning into youjin, the cross-dressing police captain (ftm), the colobockle, 4 magical animal-powered, fishnet-stocking-wearing ninja women and our heroine, the cursed, yet powerful young girl Hyou all comes to a climax of awesome proportions.

As Hyou is forced to endure the pain of the unending growth of marks on her body that represent the creation of youjin, Himeka realizes that the source of the youjin is the madame of the Black Widow saloon. She puts the mark of the spider on the women who work for her and any men they sleep with turn into youjin by her spell.

Himeka and the police captain – now revealed as a woman – take on the youjin and try to save as many of the women as possible. They are joined by the samurai who turned out to be allies in the last volume – friends of Hyou’s father.

More importantly – the pain and madness that Hyou is undergoing turns her into a ravening monster who kills indiscriminately. Himeka, joined by her sisters, manages to make Hyou remember her past, and recognize that the fairy spirit who protected her after her father’s death was, in fact, Himeka after all. Hyou returns to herself, and joins the Himegami on a full-out assault against the now kaijuu-sized sorceress.

Of course, they win. And no one we cared about was hurt. The police captain, her henchcops, the ronin, the guy with the cat mask who showed up suddenly but everyone knows him, the prostitutes – and especially not Melanie, Hyou’s friend from the cabaret.

The book – and, I thought, the series – draws to a close with Himeka carrying Hyou off in her arms, promising to keep protecting and loving her, while Hyou commands Himeka to not touch her anywhere weird.

Yuri is basically Himeka and Hyou’s tender, but one-sided relationship. Hyou wanted to be like Himegami, while all Himegami every wanted was to protect Hyou and love her as Himeka. It’s probably a cycle that won’t change, but it’s good enough for me.

The four-koma comics at the end have a great little schtick about the cops not being able to look their captain in the eye anymore. She thinks it’s because she’s a woman, but it’s actually ’cause they all think she’s so cute. ^_^

And I turned the last page, thinkkng, “well, that was pretty fun” only to find that there’s a Volume 5 planned! Really? Why?!

So, despite the fact that Tamaki doesn’t care about what I think, I am absolutely looking forward to more huge breasts, and mostly naked women with hefty haunches and more women crossdressing and more random magic and slaying random monsters. Woot!

Ratings:

Art – 7
Story – 8
Characters – 8
Yuri – 3
Service – 8

Overall – 8

Volume 1
Volume 2
Volume 3

Seriously, if you were drawing this manga, you wouldn’t care what other people thought, either. ^_^