Yuri Anime: Kashimashi Girl Meets Girl, Volume 3 (English)

November 15th, 2007

Today’s review was brought to you by the kindness of the good folks at Media Blasters, who also inform me that the street date for the second volume of Simoun is February 26, 2008. Something to look forward to in the depths of the winter blues. ^_^

I need to warn you all before you continue reading – today’s review is going to be chock full of GIGANTIC spoilers. I want to be able to talk about the anime without having to be clever or coy or anything else. If you have somehow managed to avoid all the spoilers for this anime and don’t want to know, read the next paragraph and then skip down to the ratings so you get my overall impression, without details. Otherwise, I’m gonna blab like an intoxicated sailor on leave. (No offense to sailors, it’s just a stereotype…for pity’s sake – you *know* what I mean!)

Kashimashi~ Girl Meets Girl, Volume 3 was a challenge. I had to remind myself over and over to not take it seriously in the least, and as that simple mantra sank in, I began to enjoy it more and more. I don’t for a second think it was *good,* but you know, it was very entertaining – and that’s pretty much why I watch anime. Entertainment that is entertaining – what is this world coming to?

Here’s the super fast recap of the plot, with links to my previous reviews:

Volume 1: An alien spaceship slams into a heartbroken and rather effeminate (but not gay…yet) boy who stands alone on a mountain. The aliens are mortified by the subsequent death of the boy, so they bring him back, but they can only do so by changing his gender. Since he was so girly, no one really seems to care much. And since she still likes girls – in fact still likes the girls he liked as a boy, she is now quite gay.

Volume 2: Both the girls, who had feelings for him as a boy now realize that they have even stronger feelings for her as a girl. Yasuna, the feminine stereotype, admits to having started liking Hazumu when he was a boy, but since she suffers from Yuri-itis and cannot see men, now that Hazumu is a girl she is free to love her wholely. Tomari, the tomboy stereotype, acknowledges that she has always loved Hazumu and despite the fact that he is now a girl, she’s prepared to love her anyway since Hazumu is still Hazumu. Maybe moreso now. We also learn that Hazumu suffers from the SPCD decideritis and cannot make a decision, to the point of it being pathological. Yasuna and Tomari agree to keep it like this between the three of them – them loving Hazumu and being friends with one another, so Hazumu can remain uncommitted and they can all relax for a little bit.

Volume 3 begins with that falling to pieces almost immediately. Shocking, I know. Instead of the group date Hazumu had planned, only she and Yasuna manage to go to the new aquarium. Tomari ends up shipping out to track-and-field camp with the team, where the other girls have a little fun teasing her gently about her relationship with Hazumu so she can be all tsundere, for thems as like that sort of thing.

Yasuna and Hazumu decide to bring Tomari’s souvenir to her directly. This takes them to the station near the training camp, where the first big crisis occurs. A conductor, trying to be nice to Yasuna terrifies her instead, so Hazumu runs over to hold her until she calms down. It is of course at that moment that Tomari sees them. And her world, which was pretty comfy ’til right about then, shatters – not because of Hazumu, but because she thinks can’t trust Yasuna anymore. I found this sort of interesting – Hazumu was essentially absolved of any culpability in this. As if she, not being able to make a decision, is also therefore completely susceptible to external manipulation. (Shoganai – it can’t be helped, being Hazumu’s basic response when anyone asks her about anything.) Which is actually quite true. Hazumu comes off here as naive, a little bit feckless and ragingly selfish, as Ayuki will point out later.

In retaliation, Tomari takes Hazumu out for a walk, takes her hair down (which Hazumu had previously said made her look more feminine and mature) and kisses her. Of course Yasuna sees this and now she feels betrayed – again, not by Hazumu, but by Tomari.

Their house of cards having quickly crumpled, things fall apart completely. Yasuna’s SPCD gets worse, so that she can no longer see anyone at all. Not even in pictures. She is alone in a world full of ghosts. Hazumu, Tomari and Yasuna, having been drawn together now are as far apart as they can be. Frustrated by Hazumu’s inability to *do* anything, even the aliens start to pack up and leave.

There is no doubt that this crisis was handled with significantly less subtlety here in the anime than in the manga. But, in keeping with my determination to not take the whole thing seriously, let’s call it a handwave and move on.

It’s at this point that Ayuki steps in. With a cold, hard dose of reality, she is the only one who blames *Hazumu* for all this. And thank goodness for that. She unerringly puts her finger on the problem with Hazumu’s nature – that in her selfishness in wanting to have her cake and eat it too, she remains passive and lets other people be hurt, rather than taking any responsibility at all.

Spurred by Ayuki’s scolding, Hazumu talks to Tomari about her decision, then finds Yasuna, who is about to leave town, and says that she wants to be together with Yasuna. Magically, her faith in humanity and Hazumu restored, Yasuna recovers.

Now, up until this watching, I have always said that this choice was the right choice for the wrong reason. I hereby completely contradict that and say it was the wrong choice for the wrong reason. Hazumu’s reason boils down to a form of extortion by Yasuna. “If I don’t go to Yasuna, she’ll be sick forever. She needs me.” And boy oh boy, plenty of women really DO use that line of reasoning to stay in dead-end relationships. “Who else will take care of him/her? S/he needs me.” (This is where I reminded myself, yet again – aliens, Erica. Talking spaceship. Church in the sky. Let it go.) Incidentally, if we are paying attention, we realize by now that it wasn’t Hazumu at all that Ayuki likes, but Tomari. I still think that originally, the mangaka was planning on it being a harem thing and decided to not go there by the time the series ended.

Which brings us to the end of Episode 12 in which Yasuna pops over to Hazumu one day with an enigmatic, “You know what?” which is then passed onto Tomari.

As I mentioned the first time I reviewed this series, I know I’m not the only person who hoped that it was a request for a threesome. I still think that they could have made it work. IF I was taking this seriously, which as you know, I am not. ^_^

Episode 13, the DVD extra episode, takes place several months after episode 12. They say 6 months, but that can’t be right. Training camps are usually during summer vacation, in August and Ep. 13 takes place at Christmas, which makes it four months later. Not that I’m taking this seriously, or anything.

We learn through flashback that what Yasuna had to say to Hazumu at the end of Ep. 12 was that she was breaking up with her. For all the right reasons. Yasuna has decided to walk on her own, as she puts it. The right decision – for the right reason. Hazumu, however, fails. Instead of walking away and learning to deal with this, she hares off and asks Tomari to be her girl. Tomari does the only sensible thing possible, she ignores Hazumu and walks away, because otherwise she’d have to slap her upside the head and say, “What the hell kind of idiot thing are you thinking?” Which also would have been in character, but also would have made Episode 13 impossible.

Unwilling to confront Hazumu about this insulting and untrustworthy request, Tomari simply freezes Hazumu out. It seems inexplicable behavior until Tomari coherently explains that how on earth was she supposed to trust Hazumu, when she was still waffling back and forth like this? Unsaid, but no less obvious – that Hazumu was willing to use Tomari as a rebound to dull the pain of a breakup. I don’t think Hazumu ever quite grasped that that was what she did. I know *I* wanted to smack her upside the head and say, “What the hell kind of idiot thing are you thinking?” but since I wasn’t taking this seriously, I didn’t. Well, maybe I muttered it a bit.

Then the stupidest thing in the world happened – the aliens came back and on Christmas Eve (which you know in Japan is for lovers, right?) they make a giant Cathedral appear in the sky where Hazumu and Tomari “get married.” This was well beyond idiotic, just like a boy being killed by a spaceship and being turned into a girl is. In other words, if we’re watching this and taking it seriously, we’re the idiot here, right? I realized at some point I was grinning like a dope. Why? I think because it was *entertaining* and I felt *entertained.* That and because I’m a big dope. :-)

People HATED Episode 13. Yasuna fans, for the obvious reasons – even though she came off as the best character in the series because of it. Tomari fans because…well, beats me, Tomari fans all seem sort of pointless angry all the time. And anyone with a lick of sense because it was *stupid.* Giant floating cathedral, sleigh ride across the sky, etc, etc. ^_^

But seriously – aliens, remember? This was NEVER supposed to be taken seriously. It was a silly plot, with a silly set-up and a silly love triangle with a silly ending.

The extras with the volume are some interviews with the seiyuu, in which they have nothing really to say, but I enjoy listening to them say it anyway. In the final interview with the three lead voice actresses, I found it very amusing that they all decided that it would have been better if Hazumu turned back into a boy, because as it ended, things might become difficult when they got older. They were all pretty concerned by this. Both Tomari’s seiyuu and I originally though that Hazumu would be returned to boy form and the story would just keep going as the love triangle. Surprise on us, huh? I can’t say I’m sad to be have been totally wrong about that.

Last thing of note – in this volume the translator has everyone in the series refers to Hazumu as “she” – except Tomari, who still is tranlated as using “he.” Since in Japanese they tended to use the genderless “aitsu,” I have to assume that was done on purpose.

Ratings:

Art – 7
Story – 6
Characters – 7
Yuri – 9
Service – 6 It had calmed down from the beginning, but suddenly towards the end, someone developed an obsession with Tomari’s ass.

Overall – 7

It was stupid. I liked it. That’s entertainment.

Posted in English Anime, Kashimashi Girl Meets Girl, Yuri Anime | 6 Comments »


Cutey Honey a GoGo Manga, Perfect Volume (Japanese)

November 14th, 2007

I hereby nominate Go Nagai as a candidate for having his head put into one of those head tubs from Futurama. I don’t think we can afford to lose this kind of genius.

In April of this year I found and fell in love with Cutey Honey a Gogo. My biggest complaint was the volume ended abruptly, right in the middle of the story. And no Volume 2 ever appeared. It was criminal, when you consider how awesome CHaGG was. Then, one innocent day, Amazon Japan emailed me with one of its automated suggestions and lo and behold! It was for Cutey Honey a Gogo, Perfect Edition. Oh, how I rejoiced.

It is perfect (and totally not coincidental) timing for this volume’s release, as a new Cutey Honey Live-Action TV series is running even as we speak. Review will be forthcoming…of course.

Historically, Cutey Honey is rather important to us, the Yuri audience, and especially those of use who are female. Honey was the first, ever, magical heroine who succeeded all on her own, without a man in her life. It’s true that the Hayami family existed in the anime (Seiji, his kid brother and repulsive grandfather,) but they were there to primarily serve as victims, hindrances, perverts and other forms of comedic relief. Honey didn’t need them – in fact, she probably would have done a lot better if they had gotten out of her way. The fact that there has been some light to moderate lesbianism in pretty much every version (excepting Seed, which really isn’t about Honey at all) just keeps it on the list of series we should keep an eye on.

Cutey Honey a GoGo originally came out about the same time as the Live Action movie and Re Cutie Honey. And like those two, it was pretty great. Honey in these versions was much more like the original Honey; smart, fun-loving and mischievous. She’s also self-reliant and strong, with a clear emotional bond with Aki Natsuko.

In the original manga Na-chan was Honey’s classmate, another student at St. Chapel Jogakuen. In all three of the 2004 versions, Na-chan was a police detective. MAJOR powerup for Na-chan. I approve. She’s awesome as the tough-as-nails cop. Much better than as Honey’s beloved, but ineffectual, school friend.

So this perfect volume includes CHaGG Volume 1 and the never-before printed Volume 2. (For which artist Itoh Shimpei apologizes in the back, but I have no doubt that it is not his fault.)

Volume 2 picks up the story after Honey has been staying with Na-chan for some time. Na-chan is not falling for Honey, or anything, but as Seiji picks on her about it, Na-chan just says, “all the flowers are blooming.” When she had lived alone, she had tried to take care of all sorts of plants, but no matter what she did, they just died. As soon as Honey arrived, the flowers all blossomed. I (and Seiji) think that’s an apt metaphor for Chief Aki Natsuko’s life as well. ^_^

The plot picks up with more Panther Claw baddies doing the usual bad stuff and Honey doing the usual to stop them, with Na-chan bringing up the rear carrying the heavy artillery.

But they learn that bizarre things are occurring at – can you guess? – St. Chapel Jogakuen! So Na-chan signs up as a teacher and Honey as a student and they head off to this mysterious and strict private girl’s school.

They are met by the obviously sadistic Miharu-sensei, who was not a Panther Claw operative as I suspected, but another nod backwards to Honey’s history and the odious Histler. And here’s where the story gets wacky. ^_^

Honey’s roommate, Ayumu, is a nice kid. But Miharu-sensei, when she can’t catch Honey during her nightly transgressions, and frustrated with her inability to punish Na-chan who drives her nuts, targets Ayumu. Honey appears to be stalked by a dark, large and very gloomy upperclassman, who ultimately (I’m skipping a lot here) turns out to be in love with Ayumu. She blames Honey for Ayumu’s troubles, and attacks her, but when the Panther Claw attacks the school and lots of random, unnecessary and unpleasant deaths occur, she backs off and let’s Honey stop Spider Claw. The horrible deaths are yet again a nod back to the original work in which *everyone* died. Horribly.

At the end of this volume, Sister Jill-sama names four new top Claws – Black, Gold, Cobalt, and Scarlet and if you watched Re CH or the live action movie, you’ll be familiar with the names. At the end of the book, Na-chan vows to protect Honey (not the first time she has done this, and we all know where that leads) and Honey vows to fight to the bitter end to stop Sister Jill.

Bar none, this is my *favorite* version of Honey. I can only hope and pray and the manga gods are smiling favorably upon this lone fan and wait to see if we ever get more. It worked once, I’m not going to stop now. ^_^

Ratings:

Art – 7
Story – 8
Characters – 9
Yuri – 5
Service – 7

Overall – 8

How much do you think it would cost me to pay Nagai and Itoh to continue this series for me? ^_^

Posted in Cutie Honey, Yuri Manga | 4 Comments »


Yuri Manga: Comic Yuri Hime S, Volume 2

November 13th, 2007

I admit it – I’m reviewing in size order, largest to smallest. My parents are coming at the end of the week and I’m trying to get the piles down to a size my father can watch the TV over. No joke.

Today, I’m going to tackle the second largest object in the pile, Comic Yuri Hime S, Volume 2. ^_^

Just as a reminder, CYHS is the brother compilation to Yuri Hime, in which artists who are well known for drawing highly servicey, moe and/or fetishy Yuri for a male readers are drawing Yuri for a more mixed audience.

My opinion of this magazine remains the same – it’s not as bad as I feared, but it’s not as good as I hoped. The “moe” part of the fandom means that many of the characters seem waaaaaaaayyyyy ootsy-cutesy or baby faced and I just will never, ever find that appealing. Sorry. If you do, then you will like this magazine better than I do.

The magazine begins with a few color pages on the recent Blue Drop anime, once again mirroring our conversations on the Yuricon Mailing List.

The first story is “Cassiopeia Dolce,” by Takagi Nobuyuki, creator of Kokoro Library. Anna arrives at Dolce to be the new worker and is surprised, confused and alarmed by the fact that the dolls are people, the people are really strange, and the girls seem to be kissing one another, and her, with alarming frequency. The story was just sort of silly, until the saliva string length contest began and I checked out. Not sexy at all. Ecch.

Kurogane Ken’s story “Watashi no Kido” was kind of suspended between two things that weren’t fully developed. The end of the world is coming and a bunch of girls gather on the roof to greet their death. Just as the end begins, Misa spots Yuma, who she had never had a chance to tell how she feels. In trying to call out to her, Misa falls off the roof, but (no deus ex machina here) ends up floating as the multiple-kanji explanation is given over the world PA system that I didn’t fully comprehend. Yuma and Misa end up floating together in space and kissing as the world probably doesn’t end, but I can’t be sure. lol When I have more time, I’ll give this one a closer look. Despite myself, I like Kurogane’s work.

“Flower Flower” by Iwami Shouko pickes up after Princess Nina has established her seme role over poor Princess Shuu. Shuu struggles to find a way to make Nina be nicer to her, which succeeds, but only in private. Poor Shuu. Poisoning Nina seems like the easiest route. The art is cute, the story is sort of soppy and I can see it going on eternally like this. I don’t dislike this story, but I hope something happens. Passive-aggressiveness isn’t a plot.

“Yappari Idol” by Araki Kanao lost me right from the first page. You like loli/moe, it’s perfect. Grow these kids up so that they are not repulsively young and then maybe I’ll care. Young idol is a lesbian, so gropes and kisses another idol. Yes, young lesbians are known for this kind of behavior and not say, years of confusion and self-loathing. Reading this story made me feel ucky.

Still with the schoolgirls, but much less nasty was “Sketch,” by Yoshitomi Akihito (Blue Drop.) Rika asks Sae to do a portrait of her, so she can give it to the person she likes. Sae knows that Rika’s seeing a sempai. As she works on the picture, she starts to realize that she’s in love with Rika. As Rika goes off to go on a date with the sempai, she gives all the pictures to Sae who, after a moment of hesitation, kisses her. The story is given a little depth and humor by the addition of a great analogy about apples being eaten. This story was sweet without being sickly and I like Yoshitomi’s art.

“Otome-iro Stay Tune” by Fujieda Miyabi was hysterical. Back in the studio with Arise and Hina, Arise is voice-acting the very Yuri story of a shoujo manga series that takes place at St. Lotecia’s Academy. Hina’s surprised, she’s not really a shoujo manga fan. Arise segues into using the manga as a pretext for playing with Hina’s hair, but talking about it in a way that listeners would get totally the wrong idea about what was going on in the studio. ^_^ The program producer and director approve. The last issue was so short, we barely had time to see who was who, but this issue was much better. I can see that this story isn’t going to be deep or emotional, but as art, characters and story are all kind of fun, I’m okay with it. As “funny” teasing goes, this was WAY better than Nina heaving books across a room.

“Minus Literacy.” I just don’t know where it’s going. We pick up at the end of last chapter with Iinchou somehow having been involved in Takeyama’s family drama, in which her deceased family left her millions of dollars in debt with only a big house filled with priceless treasure and money – and a maid. I just don’t get it.

If you are fan of the Lucky Star art style, you will probably enjoy “Kokoya Riron.” I am not. Therefore this short story filled with adorable little SD creatures assumably doing incredibly cute, yet somehow Yuri things was completely lost on me. It started with a snake puppet hissing “suki” and just went downhill from there.

Madoka has a boyfriend. In any other world, this would be a good thing, but if you are the ghost protagonist of “Honey Crush” by Tsubaki Asu, is it not. You would be reduced to playing mean-spirited little tricks on your love and her boyfriend in hopes of breaking them up. Kyouko arrives in time to stop ghost girl from kissing Madoka after inhabiting her boyfriend’s body. Kyouko confesses to Madoka, who plainly says she’s not interested. In the end, neither ghost nor girl are willing to give up on Madoka. Why? I have no idea. :-)

“Nanami to Misuzu” remains exactly the same as it always is. Goofball situations with Bwa-wa-waaaah punchlines. A new character shows up, in lieu of a plotline, a cute ninja girl this time.

In “Kuroi Hitomi no Majou” a serious first-year confesses to Satomi, who reacts coldly, then tortures herself about it. In the fine tradition of shounen manga, her “no” is completely ignored, because you know, she really didn’t mean it. Or something. Two Hakamada Mera stories where the girls didn’t skeeve me. It’s a miracle. They still have huge cabbage patch heads, though.

And last of all, the one story I was most looking forward to, the second chapter of Sudou Kaoru’s “Otome Kikan Gretel.” We last left Yuu in a state of complete and utter confusion as she inexplicably defeated a gigantic monster with powers she is now informed are “Aube” – Appearance of Unlimited Bio Energy. In other words, Nagi explains cheerfully, we’re all witches here. Mariya and Nagi defeat the big-ass monster, but it’s not really dead yet, so Nagi commands angry Mariya to kiss Yuu – deeply. It turns out that Yuu’s power is to absorb the powers of anyone she kisses, so…. The kiss occurs, Mariya and Yuu combine to defeat the plug-ugly Formica and thus it is that Yuu’s all-girl school life begins. This story is so dumb, I love it.

While Comic Yuri Hime S isn’t as full of joy for me as Yuri Hime is, it’s not bad, either. I’d like to see a lot less of the moe/loli/cute, but there’s just nothing I can do about that.

Overall – 6

I forgot to mention this yesterday – for some reason, in both YH magazines, there’s a bunch of reviews of manga that in no way at all look Yuri. Now, to be fair, I didn’t actually read the descriptions, but it really looks like a rattlebag of manga with no rhyme or reason. I suppose I should read the reviews to find out why they were mentioned, but I’m not going to. ^_^

Posted in Comic Yuri Hime, Yuri Manga | No Comments »


Yuri Manga: Yuri Hime, Volume 10

November 12th, 2007

Yuri Hime, Volume 10 comes in at a bulky 400 pages. Wow. Despite that, I’m going to try and review it in one post, because I have a gigantic backlog of things to review and only a week before I go away and don’t care for a while. So, let’s see if I can keep the story synopses short and sweet. (But not alliterative, because that would be annoying.)

To begin with, this volume comes with a lovely clear file with the cover picture of Seriho and Sarasa (in tie, notably designed by Alice Quartet. AQ is another Fujieda series about five clothing designers. Yes, five.) Very nice.

The volume starts out with “Clover” the beginning of a new series by Hiyori Otsu; a tale of four sisters, a transfer student, an embarrassing situation and whimsical desire to ride on the luggage rack of a subway car. Thumbs up as always from me for Otsu’s art and characters.

“Arcadia” is a story of love between Yui-chan, a typical schoolgirl and Nanako, a wandering spirit that loves her. There was nothing particularly stand out about this, nor was it in any way horrible. Sweet and forgettable.

Ash and Towa play out two parts of the same story in “Epitaph,” in which chance(?) encounters bring a mother and daughter together.

Miura Shion’s Yuri essay covered a story I had never heard of – “Honey Honey-Pie” from a collection called “So Long.” I’ve got it in my Amazon JP cart now.

“Apple Day Dream” continues as Kaoru attempts to find the guts she needs to tell Mayu how she feels, while Mayu takes the opportunity on their date to explain that she is neither tsundere or an ice queen – it’s just in her nature to be that way. I almost liked this chapter. The clothes were nice, at least. (This is meant to be ironic, as the story *is* about clothing designers.)

The newest chapter of “Cleo the Crimson Crises” (still a great title) follows Suo’s friend Momo as she’s approached, glomped and “befriended” by newcomer Kiki (whose name screams “watch out – bad thing lives here!) while Cleo hugs Suo in lots of interesting poses. I keep waiting for something to happen, but the art is such a train wreck, I’m not sure I’ll notice when it does. ^_^

I was surprised to find that Kazuma Kowo’s story was continued from last volume in “Tsumasamadachi October.” Nanao meets Mastumoto-sensei by chance and when the teacher’s friends make fun of them, implying a crush, Nanao is fast to deny it. But Mastumoto is just as fast to say that she’s damn sexy and she can prove it. Nanao is left with a drunken teacher sleeping it off on the sofa. Personally, I’d write on her face or something. lol I liked this story for reasons I can’t quantify. I just liked it.

Chi-Ran has a story in which two girls are in love and they kiss. Brilliant! “Himitsu Shoujo” is pretty much like everything else she does.

One of my top three stories in the book, “20 musume x 30 otome” (The 20 year old girl and the 30 year old virgin) by Morishima Akiko follows the trials and tribulations of 30-year old art teacher Keiko, when she agrees to go out with her 20-year old student Emi. Blinded by Emi’s shinyness and youth, Keiko comes to face with lots of issues she didn’t know she had. It’s cute, it’s about grownups and it’s got a sweet ending.

Takahashi Mako once again explores the world of neurotic Yuri in “Kumo no Ito”. It was yuck – creepy horrible kids doing creepy horrible things, but hey, it’s LOVE! Gah.

“Strawberry Shake” was brilliance. Best chapter yet. Hayashiya Shizuru’s art is really peaking. Love love love, is all about as Julia and Ran learn what Zlay band lead Ryou wanted with them after all. And once they clear the level of dealing with the clothes – which were great, btw – they run into the big boss. They are being asked to kiss on stage. This precipitates a major crisis and an even more major confession. It was a terrific chapter from beginning to end. It was worth getting the book just for this.

But, since we *have* the book already, we also ought to enjoy “Ameiro Kouchkan Kandan” by Fujieda Miyabi. Sarasa barely notes the fun of the school trip, so focused is she on things at home. The other girls aren’t stupid – they recognize love when they see it, but Sarasa is still mortified when Haru fills them in on the fact that it’s someone older. Meanwhile, at the tea shop, two customers ask Seriho if she misses Sarasa, ’cause she seems out of it. Seriho agrees that when Sarasa’s not around, she let’s things slide, but the two women, who admit to having been together for 15 years ,say they they weren’t talking about the shop. When Sarasa returns, Seriho has a suprising (and happy-making) question for her. Wonderful chapter. Wonderful story. I love Fujieda’s ability to do Yuri with high moe content that is neither fetishy, nor shallow.

Ryounosuke tells us a bit about himself, and his life, before he considered becoming a woman in “Mermaid Line.” He tells Mayumi that he’s considering beginning hormone therapy, but has some issues – and obviously, so does Mayumi. Will this bring them closer or break them up? You’ll have to read the chapter to find out.^_^ I like how this story is dealing with deeper feelings, and confusions and worldviews, without being strident.

“Nanami to Isuzu” remains wacky without being funny. I’ll be honest, I barely skimmed this one. If you want to tell everyone how it went, feel free to do so in the comments field. ^_^

Plot complications fall thick and fast, as we get a load of tragic Yuri backstory for Sawacchi in “Aoi Shiro.” Luckily, as quickly as she burdens us with her past, she sheds it in the face of Momo’s cheerfulness, until…gasp! A relic of the past comes back! Shock! Confusion! I found this to be a realllly long chapter for some reason. It wasn’t bad, but it dragged. Maybe half a dozen plot complications at once was a bit too much.

“Tokimeki Mononoke Gakuen” reaches a new level of bizarre as Arare is confronted by her classmates who are distressed at the idea of running a marathon. “If you’re a rain fairy, make it rain,” they say. Sadly, her advice turns them into a room full of teruterubozu, thus practically guaranteeing a beautiful day and a weird-ass end to the chapter. Pun intended.

Morishima Akiko weighs in again, this time with the next droolly-faced entry of “Yuri x Yuri Mimasen.” This time she and her editor take a break from creating Yuri, to attend (and throw lots of cash at) the all-Yuri doujinshi event, “Maiden’s Garden.” Jealous? Who, me? Grrrrrr.

Drama scatters like falling leaves in “Hatsukoi Shimai,” where Miyu and Kirika share memories of themselves as children and face a crisis in which Miyu, who has been given the role of the Princess for the school play (again) runs away form the Drama Club. She is sick to death of playing princesses and wants to do something else, but when she expressed this, she seen as being too big for her britches. She resolves her angst by deciding to play a very tomboyish princess. Akiko learns that Touko-sensei’s time at the school is coming to an end (nooooooo!) and Teshigawara gets extra grumpy to drive of the cute younger girl who’s been hanging around her. Haruna and Chika plan an afternoon of relaxation in their secret place; Chika runs off to get drinks when out of her past comes Haruna’s evil plot complication, erm, sempai. As always, I really like this. But if Touko-sensei and Akiho don’t get together soon, I may be forced to pout.

Hakamada Mera’s “Ame to Hatsukoi” follows the usual progression of rain=angst, sharing umbrella=love, to a first kiss that threatens to become a lot of kisses. Yukari-chan runs away into the rain, terrified of her desire, but Ebi-chan follows with an umbrella of love and more kisses.

Good volume? Yes. Absolutely. Percentage-wise, there was significantly more I loved than any other volume previously. I figure if there’s three stories I really like, then a magazine’s doing good – this one had 7. And the clear file. Yay.

I really wish this magazine would go monthly, but I don’t know how they’d do it. The artists already have brutal schedules.

Overall – 8

If you’re not getting this magazine, then you *are* missing some of the best Yuri out there. Sure, scanlations are nice for you, but I want the artists to be able to pay their bills. Buy it.

Posted in Comic Yuri Hime, Yuri Manga | 12 Comments »


My Zhime (Mai Otome) Anime, Volume 2 (English)

November 11th, 2007

My Otome, Volume 2 is as close to a pile of service with a plot attached as is just about possible. In fact, if you only care about the story, you could easily skip the first three episodes of the volume and lose nothing at all.

Once again, my thanks to Ted for his generosity and sponsorship of this review!

The volume starts off with a slightly different spin on the typical “bullying the newcomer” plot complication. Someone has stolen Arika’s uniform and sold it to that bastion of fan perversion, Backstage. After lots of chasing and stuff, Irina comes up with a clever, plausible and all-together incorrect explanation for the missing uniform. This is followed by a “mysterious” sponsor who offers to pay Arika school expenses, as long as she keeps her grades up and writes regularly. I honestly can’t imagine anyone watching this series have the slightest doubt at all who the sponsor is. It’s one of the least mysterious mysteries ever.

Next up, a clever (this is me rolling my eyes) reason for a tentacle monster to appear in the pool, thus giving the writers a chance to use tentacles, bathing suits, bouncing breasts and Yuri in one fetish- and stupidity-filled episode. I’m torn between imagining that the writers hate themselves or their audience more. Can’t quite decide.

In the last episode the plot makes a cameo appearance. We learn that there’s a big church organ in the basement of the castle, that Arika and Mashiro and Nina all seem to know different bits of the same song (was that ever explained? I can’t recall if it was….) and in a surprise move, Arika and Mashiro against all rules, including those of common sense, become bonded as Master and Otome. The ancient Harmonium sounds, surprising everyone on the planet and foretelling some serious shit that is about to happen.

The extra has, wait for it, *more* slimy service. Juliet/Nao gets the girls to wear ridiculous lingerie and crawl all over one another and films it for a quick buck online, one assumes. I like that she has no morals and isn’t burdened by any personal sense of right and wrong. I could even take the random – here, wear this underwear. But the filming. Makes me want to take that knife and hot tar out of the closet and start doing a little service of my own.

Yuri in this volume is primarily Erstin’s feelings for Mopey Nina. I wish that that had been given some depth, but basically it will remain a gag plot complication. However, I still feel that Nina’s reaction to Erstin’s bizarre assumption that Nina was feeling her up in the pool was the single best thing she did in the entire series. Coulda killed her right after that and it would have been fine with me.

Art – 7
Characters – 6
Story – 6
Music – 7
Yuri – 2
Service – 7

Overall – 6

This is probably the low point for the series for me. It felt like they were wasting my time, when they could have been telling a story.

Posted in English Anime, Mai Otome | 5 Comments »