My HiME Anime, Volume 5 (English)

August 6th, 2007

Okay, here’s the problem. You’re a teenager, a girl, with some serious powers, a magical beast companion and, you learn, a destiny. But, the person telling you what your destiny is, is the smarmiest roach of a guy you’ve ever met. And the destiny he’s telling you that you have is to fight a malevolent force – but only after you’ve defeated all the people you think of as your friends first.

You see the problem, right?

The answer is, “Nagi. You’re a tick and none of us trust you. It might be true what you say, and the person who reigns supreme after we fight will have the power of all twelve HiME…but we *already* have that power as 12 HiME. So instead of fighting one another, we’re gonna kick *your* ass, and then take on the evil whatmacallit.”

Of course, that would end the plot now and we wouldn’t get two and a half more volumes of pure, unadulterated angst in which to wallow. So that’s no good.

So here we are at My HiME, Volume 5. Our menu for today includes beating Mai to death with the angst stick and for dessert, making Mikoto cry. But it’s all IMPORTANT, so that’s okay. Without all this angst, our characters would have no impetus to make bad decisions and do the thing Nagi said they would do.

The DVD extras on this volume include a servicey Midori looking at her own choices in life, a Yuri-service Mashiro/Fumi vignette, Akira’s feelings about Takumi and Takumi talking to Mai.

More importantly, this volume includes the much-screencapped scene where Shizuru gives away her feelings for Natsuki briefly, as she plays with a sleeping Natsuki’s hair. Aside from the implied emotions, it’s a very pretty scene.

Also, while not Yuri, the gender-bendy Akira and Takumi have a genuinely sweet scene, which IMHO is probably the best scene of the volume.

Some attempt is made to give Tate a personality, but it’s wasted effort, really.

So, allowing for the obvious flaw in reasoning (and who would expect a bunch of 16 and 17-year olds to reason things through, anyway?) and the incessant beating of Mai and by extension Mikoto, which is the main driver of the plot, Volume 5 is quite good.

Ratings:

Art – 7
Character – 6
Story – 7
Yuri – 3
Service – 7
Angst – 9 and still rising

Overall – 7



Yuri Manga: Yuri Monogatari 5 available for Pre-Order

August 5th, 2007

ALC Publishing, the world’s only all-Yuri publisher, is pleased to announce that “Yuri Monogatari 5” is now available for Pre-Order on the Yuricon Shop!

This fifth volume of ALC’s 100% Yuri anthology contains more Rica ‘tte Kanji!?, more Yuri from Eriko Tadeno, stories by fantastic Yuri doujinshi circles UKOZ and Sakuraike, and by artists and writers from Europe and North America. YM5 is 224 pages of Yuri, including a new story by Althea Keaton who was featured in Curve magzine.

Pre-order now and save 25% off the cover price. Get your copy of YM5 today: http://www.yuricon.org/shop/manga.html#YM5

Remember – for *every* book you purchase from ALC, 100% of the proceeds go directly to making more Yuri events and publications. Save some money, get yourself 100% Yuri and support Yuri in the west all at once!

ALC Publishing – where the girl always gets the girl.



Maria-sama ga Miteru OAV 5, Ciao Sorella

August 5th, 2007

I’m back after a few days of refreshing and recharging. It’s a beautiful summer day outside and I will have some important news later today. “God’s in his Heaven – All’s right with the World,” as Robert Browning wrote. :-) (The wife reminds me that this quote actually originated with Cervantes, but I’m using the Browning version today.)

While I was relaxing, I was able to watch the 5th Marimite OAV, Ciao, Sorella (this link leads to to the Collector’s Edition. Click here for the DVD-only editon) with seiyuu commentary, and incidentally give my office an overdue cleaning while I was at it. While not as Yuri-ful as the previous OAV, Ready, Go!, of all the novels I have read, it seemed to me to be the most suited for adaptation to an anime. I have not posted my notes here, but I *have* already read Ciao Sorella.  Most of the novel is travelogue; descriptions of all the normal tourist spots and doings that one would cram into a week school trip in Italy. From Yumi’s unique perspective, of course.

Let’s start with the important bits – the goodies inside the collector’s edition. I was close with my prediction for the gimme. I had predicted a marble-patterned pad – it was a marble-patterned photo album (similar to the one that Sachiko received.) So, close enough.

Postcards were, as usual, appealing, and the character design booklet that comes with the DVD included Yumi, Yoshino and Shimako in regular clothes, their teacher Katori Maki (who has been in several of the stories in the novels and although she had no major screen time here, I was glad to see her) as well as important characters like “shoulder bag” and “airplane seats.” ^_^ And Yoshino’s magic cloth.

Also included was a one-sheet flyer with a picture of Yumi and Touko on the front and some seiyuu comments on back, with a notice about the upcoming fourth season of the anime.

The OAV was, as I had hoped. The animation was significantly better than Ready, Go!. Without all the detailed description of the buildings, the story is rendered down to a few key scenes that worked perfectly well. What was cut was in no way crucial to the story. And they kept in pretty much every good scene.

I think they nailed the scene with Shizuka singing – kudos to the sound mixers. They really captured the sound of Shizuka’s voice reverberating and blending with itself in the high ceiling.

I listened to the DVD with seiyuu commentary which is, as always, amusing, when I can follow it. This time it was the seiyuu for Yumi (Ueda Kana,) Yoshino (Ikezawa Haruna,) and Shimako (Noto Mamiko – who, when she forgets to be breathy, has a surprisingly deep voice.) They commented at one point how they’d like to have a lover like Rei. No, really, they did. ^_^ At the end of the anime, instead of a next episode teaser, there was a one-line, “4th season is coming.”

Here are the two best scenes, IMHO. At the Vatican, Yumi comes across Shimako standing in from of the “Last Judgement” crying, beautifully of course. Shimako says she can’t make the tears stop. Yoshino joins them and says, “don’t you think Jesus is a little fat?” And Yumi, standing between these two thinks, these are my best friends. ^_^

The other great scene was truncated, but as its the punchline in a long joke, I’ll just say this – when the bird speaks, *really* pay attention to what it says.

As for Yuri…well, this novel had already proved to me that Sachiko and Yumi are definitely, positively not gay, even if they are indeed incredibly lovey-dovey and romantic. At the end of the story when Sachiko confronts Yumi about the postcard, it was a *very* sexual tension-filled scene in the novel. But they do not kiss, and Yumi does not even think about kissing Sachiko. So, while it’s a great scene – and works well in the anime, better even, because we can’t hear Yumi’s thoughts – it seals the deal that they are totally not a couple. More’s the pity. It’s still very sweet, though.

Ratings:

Art – 7
Characters – 9
Story – 8
Yuri – 2
Service – 4 (bath scenes, some implied nudity – each instance of which Ikezawa Haruna points out in the seiyuu commentary. “That’s service.” No, really? ^_^)

Overall – 8

Nothing to do with this DVD, but when I watched Ready, Go! with seiyuu commentary (Yumi, Kanako and Touko’s voice actresses) and Sachiko walks up in gakuran, Ueda Kana says, “Gakuran is nice, huh” is a very wistful and wishful voice. The other two respond, in stereo, “very nice” equally as wistful and wishful. It was funny as hell.



Summer Vacation – Time for Beautiful Memories

August 1st, 2007

Sorry for the lack of posts recently. It’s a combination of lots to do (keep your eyes peeled here for a preview of Yuri Monogatari 5!) and an unwillingness to do anything else. :-)

So pardon me while I take a few days off from Okazu and enjoy some of the anime and manga that have piled up on the living room table. And summer. I have some beautiful memories I wish to make that include things that are not anime or manga at all.

In the meantime, I have obtained permission to upload pictures of the amazing Marmite cosplayers from Otakon. They are all very sweet kids, and very cute. Thanks to Leanne and her Dad for permission to use the pictures!

This was at AnimeNEXT where I saw them for the first time. I’m not kidding when I say that my right hand is hovering over “Shimako’s” shoulder by about an inch, because I didn’t want her to think I was creepy. :-)

This is my new friend Leanne as Sei. I already told you about her great story where Noto Mamiko called her Onee-sama. Well, I learned recently that Noto-san was telling folks on the Otakon Guest staff, too. So win all around!

Could Yumi and Shimako be any *cuter*? Could they know it any more than they do? LOL (Yumi looks remarkably like my sister at that age, which strikes me as kind of funny.)

Here’s all three at the end of the Yuri Panel at Otakon.

And last, here’s all three, myself, Sean, Serge and Bruce. Sadly, Katie had to blow out of there so she missed the photo opportunity.

Anyway – thanks again to these amazing cosplayers – and very gracious young ladies. :-)



Yuri Manga: Claudine

July 30th, 2007

In the late 1960’s, women began entering the manga industry in Japan with a vengeance. Until then manga – even manga for girls – was drawn by men. The women best known for making a splash in the manga market are known collectively as the Magnificent 49ers, because they were all born in the year 1949. The 49ers made a huge impact, and they are frequently credited with the creation of shoujo manga, that is, comics by women for girls.

In the early 1970’s many women experimented within this new genre – it is at this time that the first manga that would later be seen as the origins of today’s Boy’s Love (Tomas no Shinzou) and Yuri (Shiroi Heya no Futari) were drawn. Following these were many manga in which gender roles, crossdressing and same-sex love were dealt with. We now look at many of these stories as early examples of the Yuri genre.

Ikeda Riyoko, the author of two of those manga, Oniisama E and Rose of Versailles, was clearly fascinated with gender. In both of the above there is a main character who is a woman, but dresses and acts like a man. In both cases this character is seen as physically attractive to the women around her. Both Sainte-Juste and Oscar have tragic endings, but both die free from regret and in love – Oscar with her long time friend and lover Andre’ and Rei, known as Sainte-Juste, with the young girl Nanako, who had freed her from the bonds of an abusive relationship with her half-sister.

Ikeda wrote another series dealing with a women who dresses like a man, Claudine. It is quite possible to call this a manga about a transgender character, as much as it is a Yuri manga. There’s no way to know whether Claudine’s desire was to be able to love women freely and dress in the clothes of and have the prerogatives of a man – like many butch women of her time – or whether she truly wanted to become a man. Either way, this classic Yuri manga is a pretty amazing, but painful, character piece.

The manga begins as a doctor of psychiatry discusses the case of Claudine, a patient of his for many years. She was brought to him as a young child, when her proclivities for dressing and acting like a boy were already well established. The doctor is very sympathetic – he never really tries to “fix” her, instead providing her with a non-judgmental ear for her to vent to.

Claudine’s first love is a servant, Maya, who returns her love unconditionally. But they are discovered and Maya is sent away, leaving Claudine to begin to loathe herself and her attraction to women. As a young woman, Claudine heads to the city where she once again falls in love with a woman and is once again betrayed – this time by the girl herself. Claudine, who comes from a family of power and wealth longs only for love. But she will not find it and in the end, she can only see one way out. The doctor learns of her suicide on the phone and mourns the passing of the tormented girl.

It’s a very Well of Loneliness type story, in which the “moral” of the story appears to be that women who love women will die horrible deaths. An ending that was stock in the world of lesbian romance until … erm … okay, it’s still pretty stock. But for any women who were loving women in the middle of the sexual revolution of the 70’s, reading Claudine must have come as a “whoo-hoo!” moment. Think about it – what’s the one thing everyone wants from the universe? Everyone wants to see themselves reflected in some form of media. Whether it be TV, movies, song, manga, what have you – the one thing we all want is to see some sign that we *exist.* That’s why gays and lesbians trawl through media pointing out even the “are they or aren’t they?” characters. Because the more examples of our selves we can find, the more validated we feel.

And in the 70’s, in the middle of a burgeoning wave of manga for girls, to those women who had loved or did love another woman, something like Claudine would be a life-line of external validation.

No, it didn’t have a happy ending – manga rarely had happy endings in the 1970’s, regardless of the romance. Or at all until the 90’s really. And even now, the majority of anime and manga favor ambiguity and resets over actual happy endings with resolutions. (There’s all sorts of cultural reasons for this that I won’t get into here. Ask me about them some day when we meet.) The bottom line is, Claudine probably made a bunch of early otaku lesbian and transgender (or those who wished they could transition) folks very excited.

So, whether you perceive Claudine as a lesbian narrative or a transgender one, it’s a pretty significant manga. Personally, I like it. Like Well, with which it has so much in common, it holds a special place in my heart.

Ratings

Art – 8
Story – 6
Characters – 6
Yuri – 8
Service – 2

Overall – 7

I like to think that, when young Satou Sei was combing literature for reflections of her own feelings and she came across Well, she might have also come across Claudine and, like myself, rejected the tragedy, even as she acknowledged its place in her personal history…. Us Comp. Lit. majors must stick together after all. ^_^