Yuri Manga: Kedamono Damono, Volume 2 (English)

August 15th, 2007

Thank you, everyone who emailed or commented to wish Okazu a happy birthday! Special thanks to Brigid of Mangablog, who stuck the news at the top of her wonderful blog with very kind words attached. ^_^ (If you don’t already, you should absolutely read Mangablog. It’s awesome-ness personified. She works much, much harder on her blog than I do here.)

Today’s review has been sponsored by Eric P – thank you sir for your kindness. Sponsorship of materials for review makes a *tremendous* difference to me, really. Some of the companies will send me books or give me anime, but most do not. I buy all of the Japanese materials I review, and your support in the form of a book or video from my Wish List is just so important and helpful. Thanks to everyone who has ever sponsored a review! When I say that I couldn’t do it without you, I really mean it! ^_^

Kedamono Damono, Volume 2 is exactly like Volume 1, only more annoying. Mainly it is more annoying because it is *exactly* like Volume 1. Not a single thing has changed, except for the expected love rival for Konatsu’s affection. In effect, we’re watching the same story all over again, with no development, no progress, nothing.

I admit – I expected this to be the case. I was discussing this with Sean Gaffney last weekend, and he mentioned that this quality of prolonged repetition is something that he has come to expect from Tokyopop manga. As soon as he said that, I was in full agreement. It’s a manga quality – repeating the same situation over and over, changing only one characteristic from episode to episode. This works okay in action/fantasy stories, where the Monster or Enemy du jour can be taken at face value…but in stories about relationships that are predicated on one thing being out of balance so the relationship can’t just *be* a relationship, it’s downright exhausting.

Haruki still changes gender, he’s still rude and awkward about it as a boy and perfectly fine with getting Konatsu as a girl. Konatsu is still passive-aggressive about it all. Haruki’s family also still changes gender and he is still over the top upset by it all. I’m a pragmatist. Like, dude, get over it already. It is what it is. You’re what? 17? That means you’ve, at minimum, thrown 6205 hissy fits about something you can’t change. Aren’t your arms tired from being flailed uselessly all the time?

In the final chapter, there’s a pretty decent scene – when Haruki stops changing gender every time s/he sneezes and he proclaims that he’s back to being a normal guy. Konatsu sweetly comments that he’s never been normal and that’s why she likes him. For one second, I almost liked them both. Then she goes and ruins it by kissing him as she calls him a beast. This is important. Because the next story is a vile little character piece about a girl who loves a boy who treats her like dirt in public. And it really gets my goat to see this portrayed as a “love” story.

Dear shoujo manga readers – boys treating you badly is NOT a sign of love.

I get angry every time I see a dysfunctional, non-communicative troll being portrayed as a love interest. Not to mention bored.

So, as a gender-bending, Yuri, shoujo, romance manga goes, Kedamono is a mediocre specimen. I would definitely not give it to any young person questioning his or her sexuality or gender. But I think if the reader is the kind of person that enjoys gender-bending with a straight romance at the core, like Hana-Kimi and Ouran, this will probably be the light-hearted romp it’s meant to be enjoyed as.

Ratings:

Art – 7
Characters – 6
Story – 6
Yuri – 6
Service – 5

Overall – 6

Ishkabible. I really didn’t get as worked up about this manga as it sounds. It’s pretty much just more of the same.



Milestones

August 14th, 2007

Today is a milestone. Five years ago today I wrote the first Okazu post. In it, I explained why I chose “Okazu” as the title of my blog:

“Welcome to Okazu. “Okazu” is Japanese for appetizers – and is slang for lesbian sex because, you know it’s not *real* sex.”

So, 5 years of Okazu, reviews that have acted as appetizers, whetting your appetite for the real manga or anime. And five years of lesbian sex. ;-)

Today also marks my 800th post. This was absolutely NOT on purpose. It was completely accidental. I expected to hit 800 this weekend, but just never got around to posting. I cannot even express to you what it feels like to have posted 800 times about…stuff. lol

Today is also, purely by coincidence, 7 years since I began “AniLesboCon” half-jokingly, which two years later on roughly the same day became the entity known as Yuricon. The name AniLesboCon comes from Dreiser’s “Scenes from an Elevator” Utena fanfic and I liked the name so much I asked her if I could use it. When we changed the name of our organization to Yuricon, I kept the original as the name of our publishing company – ALC Publishing.

And, in one of those coincidences that has colored our relationship from the very beginning, 13 years ago today, Rica Takashima began her open-air performance art project, Aozora Art. How funny is *that*?

The other milestone I want to mention actually happened yesterday – the wife and I celebrated 24 years together.

So, today is really a whole bunch of milestones. I’m pretty pleased about all of them. :-) Happy birthday Okazu and Yuricon!

***

Before I go, just a few more numbers!

1 – the number of days before the close of the Yuricon 2007 AMV Contest. Get those entries in NOW!

45 – the number of days until Yuricon’s 2007 “Yurisai” event! Pre-registration is open until September 7th! Join us for the only 100% Yuri day of the year. :-)



Yuri Manga: The Last Uniform, Volume 1 (English)

August 13th, 2007

My sincere thanks to the folks at Seven Seas for providing me a copy of The Last Uniform for today’s review. Your generosity is sincerely and greatly appreciated!

As you may know, if you have been reading my reviews of the Yuri Hime magazines for the past few months, I do not like Hakamada Mera’s art. And the recent entries by Hakamada in those magazines have outright repulsed me. Nonetheless, I am going to say that The Last Uniform is, in every other way other than the art, an enjoyable manga. (My original review of Saigo no Seifuku says pretty much the same thing – if the art was better and the characters looked their age, I most likely would love this manga. But they don’t. So I don’t.)

The manga takes place at the ubiquitous girl’s school in one of the dorms, where the rule is that everyone must share a room. There can be no single-person rooms. So, when a new student transfers in, she is placed with roommates Ai and Fuuko. Ai is exceptionally upset about this – more than she can even deal with. By the time she realizes why, so has her new roommate, who goes out of her way to stay out of their way and even encourages Ai.

In addition to Ai and Fuuko, an older pair of students, Tsumugi and Beniko, are also involved in a gavotte around their feelings for one another. Their relationship is complicated by an upperclassman who openly courts Beniko, but to no avail.

These two relationships are the main focus of the manga, with some side stories and a key flashback.

The plot, such as it is, revolves around normal school life, with the trials and tribulations twisted only slightly to reflect the student’s feelings for one another. There are some kisses, but no outright confessions in this volume. By the end of Volume 1 the couples are neither together, nor are they apart. It’s a story of beginning more than endings though, so the reader can remain hopeful that things might progress.

As with all of the Seven Seas books I’ve reviewed so far, the translation and adaptation are nearly seamless, which makes for a pleasant and smooth read. If only the art wasn’t so darn unappealing…oh well. (And remember that this is *my* opinion. You might not be bothered by it as much as I am. I am bothered by it a great deal. I don’t like the oversize, misshapen heads and the little-girl bodies.)

Of all of the so-far released books in 7S’s Yuri imprint, remembering that Kashimashi is NOT part of their Strawberry line, Last Uniform is pretty much the only one with actual Yuri. The others have “Yuri-service,” where the two female protagonists are shown in a variety of posed positions in still art or screencaps as if they are potentially lovers, but there’s no actual emotional connection. Like the Newtype effect, many people cannot discern the difference between two women in love with one another or two women who are merely posed to look as if they desire one another. (Thinking about it, this explains the popularity of lesbian porn for men – the viewers can’t differentiate/don’t care about the fact that they are just two women being paid to have sex on one another. But I digress.)

In any case, the strength of this book is the characters’ feelings for one another, which reads pretty convincingly and not at all unpleasantly.

Ratings:

Art – 3
Story – 5 (nothing new or earth-shaking, but nothing taxing or horrible)
Characters – 8
Yuri – 8
Service – 1 (but only on the basis that someone, somewhere will always get off on something, as the author clearly does on school uniforms.)

Overall – 6

As the only manga with actual Yuri in the Strawberry imprint, I think it does a fair job. I’ll never sing paeans of praise to this series, but you could do worse….



Yuri Light Novel: Strawberry Panic, Volume 3 (Japanese)

August 10th, 2007

When it comes to Strawberry Panic!, Volume 3, I really don’t even know where to begin. This book was so cracktastic, so chock full of utter randomness that went nowhere and did nothing that the only thing I can think of to start is this:

I believe in my heart that stories that take place at all-girl’s private schools for the daughters of the privileged that are not action stories, ought to include no more than 1(One) use of private helicopters. More just seems overkill. ^_^

You may remember that Volume 2 in the Strawberry Panic! light novel series ended with Amane and Hikari having run away from the school together and Nagisa having removed herself from both the Etoile-sen and her relationship with Shizuma.

Volume 3 begins with the crowning of the winners of the most recent competition for the Etoile-sen – Spica’s newly returned violin virtuoso Kusanagi Makoto and Lu Lim’s girl prodigy, Byakudan Kagome (sans bear.) This couple was so utterly “huh???” I read the passage about three times to make sure I hadn’t gotten it wrong.

Nagisa, still suffering from heart break and nervous strain from the pressure of the Etoile-sen, decides to leave Astoria forever. Tamao catches her packing and begs her to stay – even offering to enter the Etoile-sen with her as partner. Nagisa relents and decides to stay, but doesn’t reenter the contest.

Momomi and Kaname notice one another for the first time. Woot.

Shizuma’s friends Mizuho and Hitomi admit to one another that they probably had something to do with Nagisa’s breakdown. In an attempt to reassure Nagisa, they told her the absolute truth about Shizuma and Kaori – that Shizuma never loved Kaori at all. In fact, it was Hitomi who was in love with Kaori, but since Kaori admired Shizuma so much, she introduced them. Kaori instantly fell under Shizuma’s spell. Shizuma didn’t want to be cruel, and she didn’t want to hurt the person Hitomi loved so much, so she stayed by Kaori’s side right to the end. This brings no solace to Nagisa.

Shizuma, under cover of contemplative internal monologue bares Miyuki’s and Yaya’s deepest secrets; Miyuki’s arranged marriage to some man her family had chosen and Yaya’s dislike of men, due to her father’s neglectful and abusive behavior.

For no reason at all, we learn Makoto’s secret, that she is illegitimate and that her her half sister is the “legendary” Etoile, Kusanagi Masaki. This fact is totally random, and never really given relevance and the fact that a whole new character arrives in the story to tell us this (a character who appears in the story primarily to be sexually harassed by Shizuma then does nothing else) makes the whole thing extra random. It also serves to show us that Shizuma, while in every other scene is genuinely kind and worried about Nagisa, when stuck in the bathroom behaves compulsively. (No, what it really shows is that painstakingly developed characterization will be thrown to the dogs for the teeniest, most pointless bits of service.)

Meanwhile, Amane and Hikari have run off to Amane’s family’s summer home. After getting wet in the surf, they return to the house to shower. Amane is overcome and begins to kiss Hikari. In a moment of utter, complete FAIL, as Amane begins to move down to her chest, Hikari says Yaya’s name. Amane stops and asks why, naturally enough. Hikari tells her about her and Yaya’s night in the pool. In a stunning display of self-control, Amane realizes that Yaya, poor bitch, is really in love with Hikari, and that if she, Amane, is ever to have Hikari for herself, she needs to return to Astoria, win the Etoile-sen with her, and rub Yaya’s nose in it but good. But she says it in a nicer, more cool and gracious way. ^_^

Lots of meaningless running around and angsting goes on. Yaya has stopped caring about life and is sleeping through class and haunting the halls of the dorm at night. When she does fall asleep she dreams sexually suggestive dreams about Hikari. In nearly every portentous scene, Chikaru appears, like some kind of omen of misfortune. In reality, she isn’t, it just seems that way. She also gets a random dress-up party with the Henshin Club for no reason at all. During this scene, Kagome admits that she doesn’t like Makoto, who made fun of her teddy bear.

Shizuma determines to leave the school, to return to her family and whatever marriage they have arranged for her.

The Principal of St. Miator, who likes her attendants in suits and sunglasses, suddenly appears in the story and also appears to find all of the drama fascinating.

The three Student Council Presidents meet to figure out what to do about the aborted Etoile-sen. Miyuki says that, since Miator is already holding the position, it should continue to do so. Shion objects for several reasons – Shizuma is graduating, and possibly leaving before that, Spica’s couple won the first petite crown and one half the second, so Spica should hold the position. But Chikaru regretfully says that Kagome has asked to be removed from the contest, since Makoto’s a big doodyhead. All three schools are without major candidates.

And then the first helicopter shows up.

Everyone – and I mean *everyone* – runs to the top of Spica’s big tower, the penthouse of which is the Student Council room, where the helipad is. (Yes, I am laughing as I type this.) The St. Miator private helicopter lands, disgorging Amane and Hikari, the sight of whom makes Shion burst into tears. (It’s hard to imagine if all you know of Amane is the anime version, but everyone at Astoria is in love with Amane’s good looks, her charm, her overwhelming charisma, etc.) Amane proclaims that they have returned, even though having left in the first place, they will probably be expelled. At which the Principal of Miator arrives and says that if Spica expels them, Miator would accept them. Chikaru chides the Principal, who is also her mother, for her recklessness. Learning that her family is an old Miator family, it makes perfect sense that Chikaru is attending Lu Lim.

Yaya has heard the rumors and rushes off, not to the helipad (snort) but to Spica’s Principal’s office where, when Amane and Hikari arrive, Hikari leaps into her arms, begging forgiveness. Seeing Amane and Hikari together kills all of Yaya’s unhappy thoughts and in a giant moment of satori, she realizes that she does love Hikari, but does not need to possess her. In her heart, she gives Hikari up to Amane, who accepts her happily.

Meanwhile, Nagisa suddenly realizes that she desperately wants to see Shizuma. Horribly, desperately. She runs around trying to find her, only to learn that Shizuma has already left the school. So, in a giagantic handwave, Tamao offers her *family* helicopter to go to the airport and stop her from leaving. Nagisa runs up just as Shizuma is climbing the stairs to the plane. They reunite with an embrace and kisses.

And they all live happily ever after.

The End.

So. I wasn’t really able to express to you in this review how much “wtf”-ness was contained in this book. Clearly the author thought the series was going to go on for longer, as she added in several characters that ended up doing not much of anything. I also think that at about the mention of the first helicopter, she had finally gotten a look at her paycheck for this job and thought, “well, screw that.” ^_^;

Both Amane and Yaya come through the series with actual personalities. Hikari fails massively as a person, but as a couple, only Amane and Hikari are at all interesting. Everyone at Miator was a bore and Chikaru was all foreplay and no payoff. And five years from now, when all the main players are gone, I have no doubt that Kagome and her teddy bear rule the school with an iron fist.  And, in my heart, I hope Kaname and Momomi have lots of hawt lesbian secks.

Ratings:

Art – 6
Characters – 6
Story – 10 for sheer wtf-ness
Yuri – 8
Service – 5

Overall – 7

I cannot wait to see this thing translated, really. It was so…yeah.



Yuri Manga: Kashimashi ~ Girl Meets Girl, Volume 3 (English)

August 8th, 2007

I have two gentlemen to thank for today’s review. First and foremost, Daniel P. who sponsored today’s review by hitting up my Wish List. Thank you very much Daniel! And secondly, Mike H. who just yesterday wrote me a wheedling email wanting to know when I would review this manga already. Mike – I’m reviewing it, ‘kay? Stop whining. ^_^

The plot of Kashimashi Girl Meets Girl, Volume 3 is no different from my review of the Japanese edition in 2006. For a basic outline (with the usual mild spoilers) of the plot in Volume 3, please go ahead and read that review. This time I’m going to focus on the adaptation to English.

First of all, I continue to be both impressed and pleased by the translation and adaptation of this manga. Not only is Seven Seas attempting to capture the feel and sense of the original, but leaving honorifics and cultural relics untranslated, but in this issue I noticed a sincere effort to capture the *voice* of each character. This simply puts this adaptation orders above every other translated manga company out there, except for ALC. Because we also work hard to keep the character’s voices intact through our translations and adaptations.

If you know anything about me as a writer or editor, have ever attended a writing workshop with me, or even just read my Fanfic Writer’s Workshop, you’ll know that lack of “voice” in writing, much less translation, is my bete noir. I cannot stand it when all the characters in a book, manga, anime, whatever, sound the same. Rarely do they, in the original, but American translators, by virtue of being one person translating several chapters/volumes, often smooth out the voices to the point that all the differences in speech disappear. Maintaining them in any translation is difficult. And kudos to 7S for obviously working at it.

But.

(You just *knew* there had to be a “but,” right?)

Unless Tomari has all of a sudden become an old Jewish guy, I’m just not convinced that “putz” is the right word as a translation for “baka.” *I* don’t even use putz – and I’m an old Jewish woman. My Dad…*he* uses putz. “Idiot” “Moron” “Stupid” – all are perfectly good insults that don’t make Tomari sound like my father. ^_^

One other thing I wanted to point out on the good side: I noticed immediately that all the characters, save Sora-sensei (who is alien and a freak above that) now call Hazumu “she” or “her.” Well done. Thank you.

The Stupid Plot Complication Disorder (SPCD) this volume is far more exhausting than Yasuna’s merely not being able to see men, and I can swear to you that the conflicts, such as they are, will drag out for most of the next two volumes. But I’ll also council you to stick with the story, because IMHO, the end isn’t at all bad. Check back here for an upcoming review of the final volume, which came out this summer in Japan.

Ratings:

Art – 8
Characters – 7
Story – 7
Yuri – 9
Service – 4

Overall – 8

Asuta and his fantasies…total snooze. What a paucity of imagination that boy has.