Yuri Network News – (百合ネットワークニュース) – March 5, 2025

March 7th, 2026

In black block letters, YNN Yuri Network News. On the left, in black silhouette, a woman with a broad brim hat and dress stands, a woman in a tight outfit sits against the Y. Art by Mari Kurisato for Okazu

Yuri Events

The YuriTen will be celebrating it’s 10th anniversary in conjunction with the first permanent Yuri Cafe in Ikebukuro, Atelier Lilium.  Yuri Navi has the complete rundown. Keep your eyes peeled for dates and more.

 

Yuri Manga

Gal x Gal Yuri hit 5th place in the “Manga I Want To See As An Anime” rankings. It’s a fun little manga, you can read it for free at Viz.com.

Aoi Uozumi’s Pink Candy Kiss, Volume 5 is headed our way in June.

Sweet Heat!, Volume 1 (スウィートヒート!) is about two pro-wrestlers who are rivals in the ring and lovers at home.

Baka Onna 26-ji, Volume 1 (バカ女26時) is a road trip adventure when one woman tells another she’s killed the woman’s husband.

Edizioni Star Comics announced on Instagram they are releasing an Italian edition of Sal Jiang’s office comedy Ayaka is in Love with Hiroko!

Via Hotwaterandmilk on Tumblr, sono.N was selling a new SHWD doujnishi this past Comitia. This series began as a doujinshi series. I picked up the first 3 chapters at Comitia some years ago, as it happens. We can order this from sono.N’s Booth store in print or digital download. 

rainbow port Tokyo Anchor’s Yuri Club is doing a signing with Hanakage Alt, for her new manga Unnie ‘tte  Yonde mo Ii Desuka?, which is about to be released as a collected volume.

Yen Press premiered the cover for the upcoming Shino and Ren, a raunchy peek into the two high school girls’ love lives.

Seven Seas announced pre-orders for Koharu and Minato: Happy Life with My Girlfriend, Volume 1! They also licensed, A Love Yet to Bloom by Kon Fukaumi. My Goddess is Precious Today, Too, Volume 2 is also on the way from them, as well.

 

I wanted to leave Seven Seas until last this week to address concerns about their acquisition by Media Do. I’m sure you’ve all heard that Seven Seas employees were not told of the acquisition beforehand. I can attest from many rounds of this that companies don’t – and often can’t – tell employees while they are in the process of mergers and acquisitions.  

Seven Seas put out a  statement declaring that their leadership and editorial will remain the same and that they have no intention of using AI in their books. Media Do as a company is looking to use AI and in a recent presentation to investors stated that they want to double Seven Seas’ output. Needless to say ,people were concerned by this gap. Following this, Media Do put out a statement that they do not plan on using AI for Seven Seas’ books. They still mention their LLM program to “assist” translators. Therefore, I would read all of this as “for the foreseeable future” in which foreseeable future is anywhere from 3 months to a year. 

While of course I ask that people not be paranoid in advance, do stay on top of Seven Seas/Media Do, and police their overall quality politely. Keeping up the pressure that AI slop is not wanted, will not be supported and is anithithetical to a genre rooted in human creativity, is our best weapon against it.

 

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Yuri Anime 

Via YNN Correspondent Burkely Hermann, Media OCD is re-releasing the remastered Blu-ray edition of Dear Brother, the classic anime based on Riyoko Ikeda’s Onii-sama E. If you haven’t seen this, grab a copy now. It’s…a lot. But a gorgeous masterwork of a lot.

 

Yuri Literature

The amazing award-winning Taiwan Travelogue by Yáng Shuāng-zǐ has been longlisted for the Booker Prize.  It’s also available as a audiobook. I’m definitely going to get a copy of that. I listened to a sample and the reader, Sarah Skaer, is very careful with pronunciations.

 

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Yuri Other Things

Kinokuniya USA announced an improbable and amazing thing: A The Guy She Was Interested In Wasn’t A Guy At All x Sanrio collaboration. My gob is smacked. I know Sanrio collabs with a lot of stuff, but…wow. Can’t get to a Kinokuniya? Take a look at Kino USA online shop.

Nancy, the classic American comic about the girl with the spiky hair and spikier personality, now drawn by Caroline Cash, took a step into our world on March 4 with a very gay comic.

 

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The Lying Bride and the Same-Sex Marriage Debate, Volume 1

March 6th, 2026

Cover of The Lying Bride and the Same-Sex Marriage Debate by Kodama Naoko. On a pale-blue background with pale white letters spelling out the title, a tall short-haired woman wears a tuxedo, back to back with  shorter woman with light brown wavy shoulder-length hair in a wedding dress.In The Lying Bride and the Same-Sex Marriage Debate, Volume 1, Naoko Kodama offers up a lesbian that is a little more than just a plot complication. 

I’ve noted in the past, that some of Kodama’s work gets very close to discussions of trauma and the way people react to it.  In some cases, she sets up a reaction that is so extreme, the originating event appears to be serious, only to back off into a troubling, but not damaging, situation. There are two exceptions (mostly) to this trend -notably, I Married My Best Friend to Shut My Parents Up and the topic of today’s review. I say “notably,” because these two books, of all of her work, directly address queer life in Japan. 

Shigisawa is not out at her workplace, but she is very aware of and unhappy with the inequality she faces as a woman who will(can)not get married and a woman without children. She is grumpy about this. When a popular former colleague shows up needing her help, Shigisawa is not happy about that at all, either. On the one had, she had a mild crush on Goto and is grumpy about that too, as Goto left to get socially-approved married to a man. On the other hand, Shigisawa Rei is actually a softy and doesn’t turn Goto Saya away. 

The main conflict for Rei is being in close proximity to a woman she finds attractive and who appears to be all but throwing herself at Rei in what she believe is a clueless straight-girl way. For Saya, the conflict is very different, as her marriage is…she doesn’t know what it is, but it’s not working. This is not a funny at all, though. By not understanding her own self, Saya spends the volume unintentionally putting Rei’s emotions at risk.  

Because Kodama’s work typically comes with a guarantee of a happy ending, there isn’t that much tension in these two conflicts. We have to assume Saya will – at the last possible moment – deal with her failed marriage, and Rei will get the girl. And whether you like them as a couple or not is up to you. But at least, here in Volume 1 we get some pointed griping about Japanese society and their government’s abject failure to legitimize same-sex marriages, something that more than 70% of Japanese people think ought to exist (and despite multiple court rulings that lack of SSM is unconstitutional.)

Ratings: 

Art – 8
Story – 6
Characters – 7
Service – 4
Yuri – 8
LGBTQ – 10

Overall – 7

Kodama-sensei’s work often strikes me the same way Melissa Scott’s science fiction in the 1990s did. It comes so close to making a point, dealing with an issue, managing an emotion, but shies away from follow through. That said, Kodama has been edging closer and closer and I hope that one, day, she’ll write the thing that has to be written.



Fatale Game, Volume 1 (ファタールゲーム)

March 5th, 2026

A woman with long black hair is draped possessively over a woman with short pink hair, sitting cross-legged, who looks put out by it. Envelopes with hearts fly about them.You may remember Battan from Run Away With Me Girl, all three volumes of which were reviewed here on Okazu by Guest Reviewer Matt Rolf. Well, Battan is back with a new series that is unique and uncomfortable in equal parts.

Fatale Game, Volume 1 (ファタールゲーム) is the story of Tainaka Seri, a one-hit wonder of a manga artists. Her first story was a massive hit and she’s been in a slump every since. When she gets a new editor she is ready to leave the manga world altogether, until she meets Fukami Sumire, her incredibly passionate new editor. Proclaiming her love for “Nanakusa”‘s work, Fukami begins to light a fire in Seri.

But that fire, clearly, is also likely to burn.

Fukami is passionate, yes, claiming to be moved to tears by Seri’s work, but she also is a grounded taskmaster, requiring more than just average work from her charge. Seri is being pushed out of her comfort zone by Fukami, and part of that is Fukami’s way of not quite crossing the line into inappropriate intimacy. As uncomfortable as she, is Seri is drawing and writing again, and feeling some kind of spark between them. 

When Seri meets another of Fukami’s manga charges, things take a turn. Iwao warns Seri away from Fukami, claiming that the editor has a definite ranking in who gets time and attention. And we see that Iwao and Fukami’s relationship is more intimate than Seri and Fukami. 

As the volume concludes, Seri goes to an awards ceremony to see Fukami and is confronted with the fact that he editor does this for everyone she is in charge of. She loves their work and would LOVE to see them reach number one in the magazine rankings! Seri meets the others as they begin Fukami’s “game,” but what will that entail?

As I said, this book is equal parts interesting and uncomfortable. Fukami’s femme fatale method works, and clearly she uses her personal charisma to motivate her writers, even possiblysetting them against one another to compete for her favor. It also can be read as Fukami does genuinely deeply, personally love manga and genuinely, deeply, personally wants every single one of her mangaka to reach for the number 1 ranking.  Her behavior borders on (sometime crossing into) inappropriate, but her desire is not for the mangaka, but for their art.

It also could easily be that both these readings are true at the same time, depending on which perspective you take. I’m waiting to see how it pans out in the next volume.  I’m interested enough to see if this is a deep psychological game by Fukami and where it leads, or if the game is simply “kick these do-nothing artists into high gear.”

Ratings: 

Art – 6 I don’t care for the messy, wet look of Battan’s art, but YMMV
Story – 7 Could be good, could be bad, might be creepy, might not. Don’t know
Characters – 7 A bunch of soppy, slumpy manga artists and a femme fatale editor….what could go wrong?
Service – 4 Mild, but suggestive situations
Yuri – 4 There’s some projection happening and mopey crushing and an inappropriate kiss

Overall – 7

If you like Battan’s art, complicated and uncomfortable humans in complicated and uncomfortable situations or stories about stuck manga artists facing their own truths, give Fatale Game a try. 



Cosmic Princess Kaguya!, Streaming on Netflix

March 4th, 2026

A girl in purple, wearing a keyboard guitar and a girl in pinks dance on a stage in a vaguely classical Japanese virtual world.Guest Review by Ambi Reine

If you found out that your life was based on a fairy tale, would you fight for a happily ever after?

From Studio Colorido and Studio Chromato comes Cosmic Princess Kaguya!, a retelling of the classic Japanese story The Tale of the Bamboo Cutter but with a near-future sci-fi twist.

The tale focuses on three main girls. The first, Iroha Sakayori, is an overworked high school student who is trying her best to make her own way in life, but doesn’t necessarily want more than she has. Second is Kaguya, an energetic girl who appeared as a baby inside a utility pole and claims to have run away from the moon. Ultimately she turns to being a content creator in the hopes of performing with Iroha alongside the virtual livestreamer Yachiyo. Third is Yachiyo Runami, who Iroha is a big fan of. At seemingly every opportunity, Iroha is either watching a Yachiyo video or listening to one of her songs. She even has a shrine to Yachiyo by her desk and is brought to tears by her songs. But it is made fairly apparent that Yachiyo seems to know more than she is letting on.

While Iroha initially names her Kaguya after the fairytale, it turns out that life really does imitate art in their case. From accidentally causing a myriad of people to want her hand in marriage, to the Lunarians wanting to retrieve Kaguya, the story’s events begin to play out in real time. But Kaguya wants only one thing: a new, happy ending and to spend more time with Iroha. And as Iroha grows closer to Kaguya, she begins to want to change the ending of the story as well.

Though she is annoyed with Kaguya’s antics initially, Iroha still finds herself doing things she thought would be out of character. And yet she still tries to convince herself that she would be fine with things going back to normal. It is only when it is seemingly too late that Iroha is able to fully step out of her comfort zone and confront the things that were holding her back.

Although some might find their relationship offputting since Kaguya is initially found as a baby, she grows up to be a similar age to Iroha within just a few days and we later discover that her infant state was just a physical body created by her ship. She’s even revealed to have held a job on the moon that she had ditched to come to Earth.

Visually the film is stunning. It uses a good mix of 2D and 3D visual effects to make the virtual world, Tsukuyomi, feel different to the real world. From the water made out of cubes to the flickering low polygon fire on the torches, the virtual world is full of charm. The game they play within Tsukuyomi called Kassan is a prime example of this, taking advantage of the game setting to craft expansive 3D environments. When it comes to the concerts, they go all out with visually impressive light shows and choreography. That isn’t to say that the real world in the film is uninteresting to watch. I especially enjoyed the use of exaggerated smear frames when Kaguya was doing pretty much anything.

The soundtrack is a mix of new songs and remixes by various vocaloid artists. The film’s main song, Ex-Otogibanashi, has been stuck in my head since I watched it the first time. As an added treat, the English dub track has English covers of all of the featured songs save for the ending credits. I always find it a bit jarring when English dubs of music shows suddenly switch back to Japanese for the songs, so it is quite nice to not have that immersion broken in this film.

The film is available as a Netflix exclusive worldwide. And as of the time of writing this, you still have a chance to see a “live” performance by Kaguya in VRChat as part of the 2026 Sanrio Festival. As well, there is a music video for the song Ray on the movie’s official Youtube channel, that also functions as a bit of an epilogue for the story. Unfortunately at the time of writing it is currently only available in Japanese with no option for English Subtitles.

I recommend watching the film as spoiler-free as possible for your first watch through, and as such have kept the spoilers to a minimum in this review. Later revelations help to recontextualize the dynamic between Kaguya, Iroha, and Sachiyo that make rewatching the film a delight.

The only real complaint I have is that the montages rush through a lot of character development. There is probably comfortably enough story here to fill out a full cour of episodes just by extending those montages. Still, the film knows the tale that it wants to tell, so those parts inevitably fell by the wayside. It also took me a few watches to fully understand how Kassan is played, but I think that someone more familiar with that type of game may have an easier time understanding it.

The film serves as an inspirational tale about overcoming destiny to be together with the one you love. It is also a love letter to Vocaloid and VTuber fans and communities who will have a lot to like with the film. It’s even inspired me to dust off my VR Headset to explore those virtual worlds once again.

Ratings:

Art – 9
Story – 9
Characters – 6 A lot of Iroha’s development is unfortunately only told through the montages, and characters other than her, Kaguya, and Yachiyo do not get much focus.
Music – 9
Service – 3 While there are Beach and Onsen scenes, the outfits are not too revealing.
Yuri – 8

Overall – 9



Yuri Kickstarter News

March 2nd, 2026

Two women embrace with a white cat between them, in a palette of pastels pink, lavender and gold. Art by Morinaga Milk.Today dawned with news on two Yuri Kickstarters! 

Yesterday, GaletteWORKS announced the upcoming Kickstarter for Vol.5 Yuri Comic Magazine Galette- Special English Edition which will go live on March 15.  Previous issues have been 300-400% funded, with tons of extras, even despite batshit US tariffs and inflated shipping charges.   Keep your eyes peeled for this!

This volume will continue series by Yatosaki Haru, Nekohariko 22, Milk Morinaga, MiyukiYorita, Izumi Kitta and Moto Momono, Ringo Hamano, and Mera Hakamada. If you missed previous issues, back issues are available as add-ons if there are available supplies. Extras for Galette are also pretty sweet, with an acrylic standee and postcards as well as a “Special” douinshi-style book, available at sever backer levels.

 

Two girls wearing little black dresses touch each other's faces while smiling brightly at each other. Art by Miyuki Yorita.

Miyuki Yorita’s vol.3】yuri manga「Her kiss, my libido twinkles」 Kickstarter campaign is live and it is already about 350% funded as I write! In fact, I expect that by the time I finish this post, it’ll have hit 400%.  This continues the story of two girls who met in the hospital. The introduction the KS is this delightful line: 

Wouldn’t you like to see more of this wonderful love story between the two girls?

I have mad respect for that. ^_^

I’ll be saying this a LOT in days to come. Your support of queer media and queer creators is more important than ever. Put your money where you want to see growth.