I Want to Love You Till Your Dying Day, Anniversary Popup

September 2nd, 2026

 

by Sasori, Okazu Staff Writer

Sasori here.

Since I’m reviewing the current airing anime, I Want to Love You Till Your Dying Day, which is currently over halfway through it’s season (EP 8) as of writing this, I thought it would be fitting to also check out the Tokyo Popup event.

With lovely official art by the creator Aono Nachi @aooont.

The anime social media also recently reached it’s milestone of 100,000 followers!

I attended the last day of the Kimishinu 8th Anniversary Celebration Party in atre AKIBAHARA, which lasted from 8/7 to 8/20.

If you missed out, the online store is selling goods starting from 8/25-9/8!

It was nice to finally see the girls in a happier non-war torn environment complete with classy anniversary attire. Like most atre events, there was art on the sliding doors and glass panel entrance to the mall.

One of my favorite features of the art for the popup was the fact that Mimi was actually to scale, even in the cardboard cut outs next to Sheena. It was a nice touch that I often see as a missed opportunity at a lot of these events.

The pop up took up a small corner of the upstairs floor. The paper standees of the characters being spread at various areas surrounding the booth. I was greeted by the sound of Sheena and Mimi’s VA’s advertising the event, Mimi shouting her introduction was very in character and adorable.

I thought the displays of the items were also on brand with the series, nice wooden corkboards with pinned character cards and manga panels. The bigger tapestries surrounded the booth for pre-order also had beautiful floral patterns.

If you ordered enough goods you even got a limited edition Mimi/Sheena anniversary bag, with a full group shot on the reverse side. I don’t know if that’s included with the online purchase, but spending 2,000 yen will nab a limited edition anniversary bookmark of a random character.

The acrylic stands and key-holders were also lined up with their respected pairings.

The VA’s of the series signed the art boards as well!

I was grateful that there were still some items left for me to buy at the event, despite it being it’s last day. Me being the big spender that I am bought a gatcha checki and lucked out pulling Ali.

Thank you atre, it was nice to see Seiran and Ali unbothered and enjoying the event as much as I was.



How Do I Turn My Best Friend Into My Girlfriend? Volumes 4+5 and Series Overview by Luce

August 30th, 2026

I’m Luce, procrastinator extraordinaire and- how did I end up with more books than I started??? – book hoarder. You can call me a bookwyrm. Mostly hoarding, but getting back into reading novels. 

In the first three volumes of what I call Best Friend Girlfriend or ‘BFGF’ by Syu Yasaka, we met Minami, who realised she has a crush on her childhood friend and next door neighbour, Yuzu, and decided to try and get Yuzu to see her in a more romantic light – and generally failing in her attempts. We found out that Yuzu, however, also likes Minami, so we were landed firmly in the ‘mutual pining’ section.

Volume 4 cover, it does Minami and Yuzu sitting against each other in ski gear In volume four, Yuzu gets a cold and Minami looks after her, Kamiya tries her best to talk Yuzu into telling Minami she likes her, and Christmas arrives with all the romantic implications it carries in Japan. In volume five, things get romantic on the school skiing trip, but misunderstandings abound. Can Minami and Yuzu finally just tell each other?

Pining, pining, pining. As a fanfiction reader, and writer, I’ve read it, I’ve written it. The delicious tension of words unsaid, hands not quite reaching the other person. The roadblocks characters will put up to avoid saying anything, only to trip over them and have to catch themselves. The moment it all comes crashing down as they throw over the cliff of no return, yet find themselves flying as the other person returns their affections (at least, in the ones with happy endings). But there’s an art to it. There has to be a compelling reason why one or both wouldn’t just say something. Something has to be in jeopardy if they were wrong about it, no matter how big, and the creator has to sell you on that.

Which is to say, how much you like this will depend hugely on how much you like, or can tolerate, mutual pinning, and people just not spitting it out. I enjoy it… sometimes. It’s a well worn trope for a reason, and can result in breathtaking scenes of self-restraint, where you just want to hug the characters… but it can also leave the reader with frustrations where you’re thinking ‘just kiss already! They obviously like you!’. This tips into the latter, unfortunately. I get that it’s hard to admit you like a friend romantically, and daunting to tell them that. But there comes a point where it goes a little past denial into ‘how thick are you?’. There are various moments in these last two volumes where, in my opinion, there’s no compelling reason for them not to tell each other. Look. If someone is also going in for the kiss, that’s a pretty good sign they’re into you romantically. Don’t then say it was nothing! If someone says ‘I want you’ and tries to kiss you, that’s not ‘getting your hopes up’. Reacting that way is absurd denial, or ‘authorial delaying’. Making pining work as a trope is all about making the reader believe that the character genuinely believed that their feelings were unrequited in that moment. They’re normally not correct, but only the audience should know that.

Volume 5 cover. Minami and Yuzu look happy, hugging each other. I guess my problem with this manga is that the pining was quite cute for the first two or three volumes, after which it got too stretched out. The older I get, the more interest I have in stories that cover making a relationship work – getting over hurdles, managing intimacy and boundaries, and especially when the characters are in school, trying to work out where the relationship fits, if it can, in their futures. Series like Kase-san and… and You and I Are Polar Opposites have both been exploring this to various degrees, and it’s been really refreshing. It makes manga like this, where they dance around each other, and not even particularly convincingly, less interesting.

It also ends up so focused on the dance/mess between Minami and Yuzu that everyone else falls by the wayside. Their friends feel like puppets to react to the dramas rather than people. There was some hints in the early volumes that two of them might be interested in each other, but does it get mentioned here? No.

In total, a cute series that overstretches its premise to its own detriment. There’s a fine line in pining between ‘come on, you guys can get there!’ and ‘get on with it!’. Unfortunately, this series falls closer to the latter.

Story: 6
Characters: 5
Art: 7
Service: 1
Yuri: 8
Overall: 6

Man, I really want to go read some good fics about mutual pining, now. As for manga that give me some of that vibe, Hirano and Kagiura (BL) and If I Could Reach You (Yuri) comes to mind. A Sapphic book, Six Times We Almost Kissed by Tess Sharpe also did pining very well (amongst other things). Any favourites for pining Yuri manga?



Sick Days

August 29th, 2026

Hi all – 

My apologies for the long silence.

I know it’s been slow around here, but while I had an amazing time at Flamecon and ANYC, the latter struck me down with the most significant con crud I have ever had. A week and some days later, I am still barely functional.  Remember what I said about chronic illness making everything just that much harder in my initial review of Although I Am An Inept Villainess? Well…I’m in it. And it sucks. 

I have 2 weeks of 4 jobs to catch up on, but I hope to be reviewing again in the near future. 

See you in the days ahead and hopefully, we’ll have some staff posts, in the interim.



Wandering Son: Volumes One & Two

August 23rd, 2026

Reading an older manga can be very edifying. Re-reading an older manga even moreso.

I have written at length in many places here on Okazu and elsewhere about my conflicting feelings about Shimura Takako’s work. But as I re–re-read Wandering Son, which I initially started in Japanese and of which I reviewed a number of volumes in English, before the series was discontinued. I was, and am convinced that bringing it out in hardcover was a terrific idea, but no grounded in good business sense.

Now Fantagraphics is taking a second stab at bringing out this series. With much more staid covers, these are two-volume omnibuses, something that helps the story flow a lot better. This will become important in later volumes, as the plot slows and change also slows.

But here in Wandering Son, Volume One and Two, we meet Shu, a trans kid who AMAB is very strongly contemplating the idea that they are a girl. We also meet Yoshino, AFAB, who wants to be a man. I say it that way, very carefully, because issues of gender and gender presentation in this book is complicated… and maybe not what you as a reader might be looking for.

In part, this is due to Shimura who, for many years has been writing queer stories. I don’t object to her doing so, but she has said that she is not herself queer. And to be clear I don’t mind that, either! If it’s working and people find joy in it, that’s great. I love her art, and I have enjoyed watching her story-telling grow and change. So what is my pain point? I am conflicted at Shimura mining queer trauma for content. It makes me feel… icky. In this older series, her story-telling is not so skilled and there will be pacing issues, but also some choices that will sit uncomfortably.

All this to say that, while I absolutely think Wandering Son is worth reading it, like Sweet Blue Flowers may not have aged well. The last twenty years we have seen tremendous change in the way we approach gender and sexuality. There is so much more nuance now, leading me to think that, if Yoshino and Shu had met genderfluid or nonbinary people as well as trans people, their choices might have been less along a binary and more somewhere in the middle. I know if someone had to me at 11 or 12 that non-binary was an option, I know I would have leapt for that.

Ratings:

Art – 7
Story – 8
Characters – 9
Yuri – 0

Overall – 8

Thanks so much to Fantagraphics for the review copy, and I really look forward to reading this series again!



With My Own Hand: The Secret Life of Marie Maitland

August 20th, 2026

by Eleanor Walker, Okazu Staff Writer.

Erica is away, so the staff get to play and I’d like to introduce you all to the story of Marie Maitland, Scotland’s 16th century Sappho.

A woman in a 16th century dress holding a quill in one hand and a red notebook in the other

I first learned of Marie a few years ago when I discovered that the National Portrait Gallery of Scotland in Edinburgh was displaying an imagined portrait of her, commisioned by historian and translator Ashley Douglas. Ashley discovered Marie’s lesbian love poetry hidden in the depths of a manuscript long attributed to her father, known as “The Maitland Quarto.” This manuscript is a collection of poetry published in the Scots language (N.B. Scots is a related but separate language from Scottish English, the dialect of English spoken here in Scotland. Both English and Scots are West Germanic languages, unlike Gaelic which is in a completely separate family and very different to both English and Scots. It’s most closely related to Irish and Manx, and then more distantly to Welsh, Cornish and Breton.) Scholars have debated over the years who actually authored the poems in the manuscript, with Marie generally considered to be the scribe for the majority of the manuscript. It wasn’t till much later that Marie’s potential authorship was examined, although one scholar who published many of the poems in 1786 suggested that Marie had at least some involvement in writing the poems, not just transcribing them. Naturally of course other male scholars disputed that a woman could possibly have actually written any of the poems.

Scotland in the 16th century was not a kind place for women of any social class. This is the time of the Protestant Reformation, spearheaded by John Knox, the author of the magnificently titled and utterly misogynistic, even for the era, screed “The First Blast of The Trumpet Against The Monstrous Regiment of Women.” If you were lucky enough to make it out of childhood alive, your best hope if you were middle to upper class was to be married off to a man who would treat you even a little kindly. After that, your job was to get pregnant and produce a male heir. This is the destiny which awaited Marie Maitland too, until fate intervened. The youngest of her sisters, she watched her sisters be married off one by one and no doubt had consigned herself to the same fate, until her father went blind and required a scribe. This afforded Marie a degree of independence and self sufficiency almost unheard of for women in this era, and allowed her to pen her remarkable poetry. Poem 49 in particular was almost certainly written by Marie, and reads as follows (Original Scots language followed by English translation):

And thoucht adversitie ws vex
Yit be our freindschip salbe sein
Thair is mair constancie in our sex
Than evir amang men hes bein

And though adversity us vex
Yet by our freindship shall be seen
There is more constancy in our sex
Than ever among men has been
.

If that’s not written from a lesbian point of view, I don’t know what is.

A pair of hands holding a quill and a red book in front of a woman's chest. The woman is wearing a 16th century dress.

Fast forward to summer 2026, and Ashley’s book is finally available. It’s been one of my most anticipated books of the year and I’m delighted to say that it was as enjoyable as I hoped it would be. Ashley herself is a lesbian and in my opinion, the perfect person to bring this tale to a 21st century audience. Queer people and queer love have always existed, and Marie’s story is a remarkable one of resilience and trying to fit into a world which was not made for her in the slightest. Earlier in the 21st century, Scotland was the first country in the world to introduce an LGBT+ inclusive school curriculum, which includes Marie and other queer figures from Scotland’s history. Her life is an important part of our history, and I’m very pleased that I’m now able to share her story with Okazu readers all around the world. You can order your own copy of “With My Own Hand” from bookshop.org

The only known copy of the Maitland Quarto is in the Samuel Pepys collection at the University of Cambridge. I’d love to see it come home to Scotland one day.

Online sources:

https://www.nationalgalleries.org/art-and-artists/features/marie-maitland-scotlands-16th-century-sappho

https://en.wikipedia.org/wiki/Marie_Maitland