Archive for the Artists Category


Yuri Manga: GIRL FRIENDS, Volume 5

February 16th, 2011

After a rollercoaster ride of emotional growth, we have at last arrived at Volume 5 of Morinaga Milk-sensei’s definitive work, GIRL FRIENDS. And it is good.

Mari and Akiko have only a few more things left to deal with before they can face the world as a couple. One of these things is the physical component of their relationship, which is played for both laughs and “aww”s and is a sweet, rather than salacious, moment in their journey.

Of course their high school life is another thing they must deal with, and the hurdle of what will they do after they graduate takes up a large portion of this volume. It’s resolved satisfactorily on all sides. Akiko and Mari graduate without problem and in a giant handwave get to live happily ever after – at least as far as into the next stage of their lives.

And, despite the big stick o’happily ever after being applied liberally to the end of this series, I find myself not as satisfied with it as I had hoped to be. Bear with me as I explain why.

There are, IMHO, three obvious and perfectly legitimate reasons why the ending was given to us in an amorphous ball of “and they lived happily ever after,” rather than in any detail. Please allow me to indulge in a bit of overthinking here. These reasons might have been:

1) The author herself is clearly a specialist in the space between realizing “I like you” and getting together as a couple. It may be she has no interest in portraying anything after that.

2) The editor may have suggested that the audience isn’t terribly interested in the non-high school hurdles a gay couple has to face, or that the frisson of first love/first lust is sexier and more appealing to them than the domestic minutiae of buying furniture

3) Since all romances are, in some key ways, fantasies, the author may have wanted to portray a perfect world in which a couple of women, having decided to build a life together actually can, without pressure or difficulty from family or discrimination in housing or employment.

As I said, all three of these reasons are absolutely perfectly acceptable. And yet I remain unsatisfied. Why? Because for 4 volumes, Morinaga-sensei had constructed what I consider to be an incredibly realistic look at two young women in love. No, I absolutely did not need to see Mari and Akiko stressing over coming out to their families, but one handwave to wipe away all the many, many obstacles a young lesbian or gay couple faces was slightly irksome in the face of spending 4 volumes delving deeply into that very thing.

When you are part of a young gay or lesbian couple, your life is never truly private. Every act you do as a couple is a political statement, demanding recognition. As David Welsh of MangaCurmudgeon so brilliantly put it, every time he goes food shopping with his husband it is a subversive act. Constance McMillan never set out to make a political statement – she just wanted to take her girlfriend as her date to their senior prom. But the adults around her immediately turned that perfectly average desire into a divisive political declaration. For those of us who are LGBTQI, this happens every day.

So, when all of that is simply skipped or ignored, after 4 volumes of dealing with every single possible emotional hurdle between two girls and a life together as a couple, I found it to be disappointing. Had Mari at least thought, “Well, we still have a lot to deal with,” as she considered their life together in the epilogue, I would have been 100% satisfied. As it is, Morinaga-sensei gives away a little of the issue with the wrap-up in which we are told that Mari and Akiko still remained friends with Sugi-san and Tamamin and the others. This was never really a story about Mari and Akiko as Girlfriends. For Morinaga-sensei and her readers it was a story about Girls and their Friends. And in that story was a very sweet romance between two of those girls.

Ratings:

Art – 8
Story – 8
Characters – 8
Yuri – 10
Service – 4

Overall – 8

This series, at a comfortable 5 volumes, would be an excellent candidate for a American manga company who wanted to take a chance on a “Yuri” manga.





Lesbian Novel: Super Otome Taisen

February 3rd, 2011

Mori Natsuko-sensei a master of the craft of writing. The fact that her writing is pornographic does not diminish this fact one bit.

Super Otome Taisen (スーパー乙女大戦) is a collection of short stories that were published over a period of several years to create an epic whole.

It is Christmas Eve at St. Anna’s private Catholic school. In the Teresa dorm, a minature Angel named Lilith tells seven girls that they have been chosen by God to save the Earth.

The “senshi” are third-years Mikiko – honor student, former president of the Student Council;  Makoto – out lesbian, and “Casanova” of the school; second-years Karen – a half-Japanese supermodel; Sasa – the school bad girl; Fuyuko – otaku and president of the SF/Fantasy club and; first-years Goth-Loli Yumeno and…Mana. I’ll get to Mana in a bit.

The “senshi” gig isn’t quite what one might expect – they are told that their sexual energy will power the giant robot guardian Super Gaia as she fights off equally giant monsters that attack the planet. This requires them to either masturbate or have sex with one another to free Super Gaia from the tentacle-y clutches of the monsters.

During the course of their adventures, the senshi undergo some awakenings. Mikiko discovers a sadistic streak, while Sasa learns that she’s a masochist. Yumeno – who yearns for Karen –  also learns she has a mean streak, School Casanova Makoto is summarily rejected or ignored by almost every one of the others, Karen and Fuyuko discover a mutual love of tentacle play and fall in love and Mana develops a kind of telepathy with Lucretia, the giant sea anemone tentacle monster they keep in the dorm and Lucretia’s baby tentacle monster, Koro-chan.

Right from the beginning, there’s a few things that are not right about the situation and it’s otaku Fuyuko who notices them first. For one thing, the monster design is inconsistent (and she can identify which anime and live-action designers they remind her of.) She also comments on the set design. And, as she points out, the Angel that is their contact has the name Lilith, which doesn’t sound like someone that the Christian God would chose to save the Earth. Fuyuko comments that Lilith’s wings are more like an insect’s than an angel’s and calmly mentions that for all they know, the God they are serving is Beezelbub, Lord of Flies.

Karen, discovers something’s up when she overhears Lilith talking to “God” who has a very high-pitched voice and whom Lilith refers to as “Director.” To keep Karen quiet, Lilith imprisons her with Lucretia. Karen doesn’t really mind that much and Lucretia is very gentle with Karen – even going so far as to feed her. Nonetheless, I had a really hard time being comfortable knowing Karen was involved in “tentacle play” for three days straight.

It’s Mana who saves the day. Mana is a really weird character. She’s totally asexual and never involves herself at all with any of the other senshi. When she discovers Lucretia’s baby, she puts Koro in a bowl and raises it. From there, she develops empathy that evolves into telepathy. When Mana realizes that Koro-chan misses her mommy, she gets the locked door open by asking Lucretia politely to open it. Ultimately, this frees Karen (who, mind you, asks to go back after a bath and a meal.)

The climax (herhn herhn) of the book comes when Yumeno, disgusted at what Karen has become, blames Lilith and concocts a plan to punish her. She engages the help of Mana (to whom she had always been kind) and Koro-chan. The little tentacle monster is just the right size to detain and “play with” Lilith. The senshi gather and force Lilith to tell them what’s up. It turns out that the role of “God” has been played by an alien AV director who wanted to create a reality show for the human fetishists in the universe. And it was a big success, she admits. I really felt that Mori-sensei dropped the ball here – she needed to have had Mikiko demand royalties for them all. Oh well, can’t have everything. Oh and Earth? Never really in danger…

The senshi are returned back to their lives which, amazingly, they slip right back into. They gather together one last time to say goodbye to the graduating third-years. You get one guess as to how that turns out.

In the final scene, Mikiko and Makoto are walking the campus and they see a beautiful woman, with perfect proportions and a very western face. They go running up to her…it can’t be…Super Gaia? I won’t spoil the ending. You’ll just have to read the book to find out. ^_^

In the same way that Sempai to Watashi takes the idea of BDSM and kind of beats it to death and then still runs with it until it stops being sexy, sort of normalizes and then becomes both more profound and more silly than ever before, Super Otome Taisen does the same with tentacle rape.

While Mikiko is the leader of the team, it’s Fuyuko who is protagonist for most of the book. Her open otaku-ness allows Mori-sensei to really trot out some serious sci-fi/fantasy obscura. Now I too know about “Stalingrad Fuyu Keshiki.” You can tell that Fuyuko is the protagonist, too, because she is the only one who gets the girl in the end. Makoto remains a court fool and Sasa is the group whipping girl, but Fuyuko and Karen find true love. Mana gets a new baby tentacle monster to raise. And they all live happily ever after….

…

Ratings:

Overall – 8





Girls Jump Magazine

January 16th, 2011

/singing/ You know Shounen and Business and Super and Weekly, and V and Young and Monthly and Ultra….but do you recall, the newest Jump magazine of alllllll……..?

Announced at the end of 2010, Shueisha added the seasonal Girls Jump ( ガールズジャンプ) to the lineup. The premise was to approach popular and off-beat female manga artists to draw manga for a young adult male audience. The inaugural issue is a combination of talent, creativity, flavored with a dash of wtf that makes for a truly compelling read.

Anyone who is reading current popular manga will recognize at least a few of the names in this collection. For our purposes here at Okazu, the three names that will draw our attention are Suekane Kumiko (Afterschool Charisma,) Nakamura Ching (GUNJO) and Torino Shino (Ohana Holoholo,) but there are any number of excellent storytellers in this volume.

The manga I liked best was a Furuya-esque piece called “Uki Mieru” by Tomii Masako, in which everything – by which I mean every random thought that could be expressed as an individual image – that a girl thinks, is visible to those around her. Because the story is set at Christmas, there’s a lot of happy shinyness going on there, and a lot of other stuff too.

Suekane Kumiko had a story that I found snortingly amusing called “Christmas Koroshiya” in which a young man who had wanted to become an assassin when he was young, imagines killing all the happy, shiny couples around him.

I can’t not discuss Nakamura-sensei’s “Vespa.” If you’ve ever wondered what life in a beehive is like from the perspectives of the bees, then you really need to read this. In a sense, it’s kind of a hopeless love story between a nameless drone and the Queen.

While these three stories were my favorites, they hardly give you a taste of the variety in art and story encapsulated in the volume. I wouldn’t hesitate for a second to pin my newly coined “fifth genre” label on this – it is not precisely josei, nor truly seinen, but something new and interesting, for people who want to read it.

Ratings:

Variable , Overall – 8

Should there indeed be a next issue, it already has a guaranteed place on my must-read list.





Manga no Tsukurikata Manga, Volume 4 (まんがの作り方)

January 10th, 2011

I believe it was during my review of the third volume of Manga no Tsukurikata (まんがの作り方) I kept asking myself “why am I reading this?” Now I’ve reached the fourth volume and the question has become “what is this manga even about?”

This not a rhetorical question, either. Originally, the series was about the successful-despite-her obvious-mediocrity Kawaguchi, a mangaka with no original ideas who decides to use a young woman’s affection for her to provide fodder for her Yuri manga – a theme chosen entirely because “it’s popular now.”  I have never found Kawaguchi even slightly sympathetic. Morishita, the young woman in question, was slightly more sympathetic, but is also kind of clueless and annoying. After you go out with someone for a year and they never want to touch, much less kiss, getting a clue ought to be high priority.

Then a third artist enters the ring – Takeda. Takeda is a jerk. She resents and dislikes Morishita and admires Kawaguchi. She steps in as an assistant, but it comes at the price of a constant stream of bitching.

Now, in Volume 4, Morishita’s editor (remember, Morishita’s a popular mangaka in her own right) cajoles her into moving to Tokyo – obviously to hit on her, but Morishita’s has been getting a lot of being clueless practice in, so she doesn’t notice. And even more bizarrely, her roommate of choice is…Takeda.

I just have absolutely no like for any of these characters. They annoy the living heck outta me. I honestly wish this manga would decide what it’s about and go do that or just wrap up and go away.

Almost every reviewer I read agrees that a series that is incredibly bad, offensive or annoying is still better than one that is merely dull. This series is dull *and* annoying.

There is no Yuri in this story. There is a totally boring one-sided crush that is shaken out every few chapters to appear relevant, but is actually very threadbare and full of holes.

Ratings:

Art – Okay
Story – Zzzzz
Character – Grrrr
Yuri – Ugh
Service – Probably

Overall – Whatever

And geez – do any of these three know how to draw a manga? The way they spill ink on paper makes me want them to them all to get a job at a Family Mart or something.





CANAAN Anime, Disk 2 Blu-Ray (English)

December 9th, 2010

Liang Qi says it all along. She says it repeatedly. But since she’s crazy, we don’t really listen.

It’s all about Love.

Cummings loves Liang Qi who loves Alphard. Alphard loved Siam, to her detriment. Yun Yun loves life. Santana loves Hakko and Hakko loves him. Maria loves Canaan and Canaan loves Maria, both the to the extent that they each are a bit blind about the other.

On Disc 2 of CANAAN, we approach a series of climactic moments that fail to actually build to a single climax. Hakko’s tragic story ends in more tragedy, Liang Qi’s story drags on painfully until it ends in pain. Maria, Yun Yun and Canaan escape one horror to walk right into the middle of another.

And, in the middle of that horror and sacrifice, Maria, Yun Yun and Canaan finally come face to face with themselves and don’t shrink away from what they see.

The final battle between Alphard and Canaan is everything a final battle between implacable enemies should be. I.e., on top of a speeding train, crossing a mountain bridge, while a helicopter shoots at them.

Because this is Okazu, and because the first two episodes of Disk 2 establish that Canaan and Maria love (“aishteru”) each other, let’s talk a little about the scene in which Canaan says that Maria is not her “light,” but her “friend.” When I watched this series originally, it seemed awfully like a denial of their feelings. But upon reflection, I have found an interpretation I can live with – Maria had given up the idea of walking by Canaan’s side, but at that moment, Canaan embraces it. Up to that point, her desire was to “protect” Maria. By naming her friend, Canaan has in fact awarded equal status to Maria in her heart.

Mino-san says that, although they can never truly walk side by side, they can be close. It’s true that they can not live side by side in Canaan’s world, nor in Maria’s, but I think it becomes obvious that they are close enough to hold hands across that gap. While not the ending I’d write, it’s good enough for me.

Extras are clean OP/ED and a clip episode, narrated by Mino-san.  Nothing to write home about.

I’ve already touched upon the visuals in my review of Disk 1, but let me reaffirm that this was a really good choice for a BD purchase. The battle scenes make it very worth your while to watch this large.

Ratings:

Art – 8
Story – 8
Characters – 8
Yuri – 5
Service – 4

Overall – 8